Halo Operation Manual I

Total Page:16

File Type:pdf, Size:1020Kb

Halo Operation Manual I Operation Manual © 2002 E-MU / ENSONIQ All Rights Reserved FI12326 Rev. B E-MU World Headquarters Europe, Africa, Middle East E-MU / ENSONIQ E-MU / ENSONIQ 1600 Green Hills Road Suite 6, Adam Ferguson House Scotts Valley, CA USA Eskmills Industrial Park 95066 Musselburgh, East Lothian Telephone: 831-438-1921 Scotland, EH21 7PQ Fax: 831-438-8612 Tel: +44 (0) 131-653-6556 Internet: www.emu.com Fax: +44 (0) 131-665-0473 Important Notice: In order to obtain warranty service on your Halo unit, the serial number sticker must be intact and you must have a sales receipt or other proof of purchase. If there is no serial number sticker on the Halo, please contact E-MU-ENSONIQ at once. This product is covered under one or more of the following U.S. patents: 4,404,529; 4,506,579; 4,699,038; 4,987,600; 5,013,105; 5,072,645; 5,111,727; 5,144,676; 5,170,367; 5,248,845; 5,303,309; 5,317,104; 5,342,990; 5,430,244 and foreign patents and/or pending patents. All other trademarks belong to their respective companies. Specifications and features are subject to change without notice. Halo Operation Manual i Table of Contents Introduction ............................................................................. 1 Product Description .......................................................................................1 Important Safety Instructions .................................................. 3 Safety Instructions - German ................................................... 6 Safety Instructions - French ..................................................... 8 Setup ...................................................................................... 13 Unpacking....................................................................................................13 Connection Instructions..............................................................................14 Basic Setup ..............................................................................................14 Performance Setup ..................................................................................15 Studio Setup ............................................................................................16 Instant Gratification ............................................................... 19 Playing Demo Sequences ........................................................................19 Auditioning Presets .................................................................................20 Selecting and Quick Editing Presets .......................................................20 Exploring Beats Mode .............................................................................22 Exploring the Master Arpeggiator ...........................................................24 Multi-Channel Arpeggiator ....................................................................26 Time to Save? .......................................................................................28 Basic Operations .................................................................... 29 Power Switch ...........................................................................................29 Volume Control ......................................................................................29 Channel +/- Buttons ...............................................................................29 Data Entry Control .................................................................................29 Cursor Buttons ........................................................................................30 Pitch & Mod Wheels ...............................................................................30 ii ENSONIQ Edit Section .................................................................................................. 30 Global Button ......................................................................................... 30 Controllers Button .................................................................................. 31 Arp/Beats Button .................................................................................... 31 MIDI Button ........................................................................................... 31 MIDI Panic Button .................................................................................. 31 Audition Button ...................................................................................... 31 Compare Button ..................................................................................... 31 Save/Copy Button ................................................................................... 32 Preset Edit Button ................................................................................... 32 Home/Enter Button ................................................................................ 32 Real-time Controller Knobs ......................................................................... 32 Knob Functions ...................................................................................... 33 Quick Edit mode ................................................................................. 33 Screen View Buttons .................................................................................... 34 Main ........................................................................................................ 34 Multi ....................................................................................................... 34 Mix Screen .............................................................................................. 34 Demo Mode ............................................................................................ 35 Command Functions................................................................................... 36 Preset Selection ....................................................................................... 36 Trigger Mode ........................................................................................... 36 Preset Menu Jump Keys .......................................................................... 36 Main Screen ................................................................................................. 37 MIDI Channel Selection ......................................................................... 37 Preset Selection ....................................................................................... 37 Channel Volume .................................................................................... 38 Channel Pan ........................................................................................... 39 Channel Arpeggiator .............................................................................. 39 Sound Navigator .......................................................................................... 40 Preset Category ....................................................................................... 40 Instrument Category .............................................................................. 40 Multisetups .................................................................................................. 41 Restoring Multisetups ............................................................................. 41 Multisetup Name .................................................................................... 42 Saving Multisetups ................................................................................. 42 Arp/Beats Menu ......................................................................43 Beats ............................................................................................................. 44 Beats Mode .............................................................................................. 46 Status ................................................................................................... 46 Beats Channel ..................................................................................... 46 Trigger Channel .................................................................................. 46 Beats Controllers ..................................................................................... 49 Beat Velocity Group 1-4 ...................................................................... 49 Beat Xpose Group 1-4 ......................................................................... 49 Beat Busy ............................................................................................ 49 Beat Variation ...................................................................................... 50 Halo Operation Manual iii Beats Keys Layout ...................................................................................51 1-Bar Trigger Option ...........................................................................51 Beats Keys Offset .....................................................................................52 Beats Part Velocity ..................................................................................52 Beats Part Transpose ...............................................................................53 Beats Part Group .....................................................................................54 Master Riff ...............................................................................................54 Riff Tempo ..............................................................................................55 Riff Controllers .......................................................................................55
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Accept Albums Metal Blast from the Past DVD / CD
    Subba-Cultcha Page 1 of 3 *HOME *CONTACT To view all DVD reviews click h PODCAST FESTIVALS Homepage Accept Albums Metal Blast From The Past DVD / CD Singles & EPs Breeze Music / Drakkar Entertainment / BMG Live Features “The ultimate DVD / CD package from the epitome of Germ metal…” Demos Homepage Film In 1985, I was introduced to a band that would change my life. They made me rethink everything I knew about metal, made me realise that whilst metal may have been born DVD in the UK, and may have become the staple diet of teenage Americans, it’s real home Games and future lay in Germany. The band was Accept, and the record that changed Books everything for me went by the name of “Metal Heart”. It was, and is, everything that I thought metal should always be - overblown and dramatic, crammed full of incredible songs played by some of the greatest metal musicians that Satan ever created, and th voice….Damn, Udo Dirkschneider still has the BEST voice in metal. “Metal Heart” was and is, perfect, in every sense of the word. Thus began my continuous obsession with both German metal and to a lesser extent, Accept, and twenty one years later, it still Homepage consumes me, fills my waking thoughts and drives me ever onwards in my quest to fin Forum a metal record equal to “Metal Heart”… Competiton Subba -games Enough of me though, and on to “Metal Blast From The Past”…It’s like handing a fix t a addict entering withdrawal, presenting fresh virgins to Genghis Khan and handing a oil filed to George Dubya Bush.
    [Show full text]
  • ACCEPT Release Date Pre-Order Start Symphonic Terror - Live at Wacken 2017 Uu 23/11/2018 Uu 21/09/2018 Territory: World
    New Release Information uu November ACCEPT Release Date Pre-Order Start Symphonic Terror - Live At Wacken 2017 uu 23/11/2018 uu 21/09/2018 Territory: World uu 05.10. digital 2-track single Balls To The Wall (live) uu a dvertising in many important music magazines SEP/OCT/NOV 2018 uu album reviews, interviews in all important Metal magazines in Europe’s SEP/OCT/NOV 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Price Code: DVD01 Price Code: DVD02 Price Code: CD15 Price Code: CD02 Price Code: CD15 NB 4499-0 BluRay+2CD-Digi NB 4499-2 DVD+2CD-Digi NB 4499-4 Earbook NB 4573-0 2CD-Digi NB 4499-1 3LP BOX BluRay + DVD + 2CD black incl. booklet and poster uu Tracklists: Blu-ray / DVD (Blu-ray+2CD, DVD+2CD, Earbook) CD1 (Blu-ray+2CD, DVD+2CD, 2CD-Digi, Earbook) 3LP (33 rpm) Part 1: Accept 01.
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Vinyl Catalogue 2014
    VINYL CATALOGUE 2014 Established in 2004, Back On Black - together with subsidiary label Back On Black Rock Classics - specialises in vinyl editions of classic metal and rock albums and is dedicated to providing top quality releases for record collectors and rock fans worldwide. Our releases are pressed on exquisite, heavyweight vinyl to produce the very best in sound quality with a mesmerizing tactile feel that makes them a pleasure to handle. Beautiful vinyl colours are carefully chosen to complement the artwork, with some releases available in a variety of colours for the dedicated collector. Many releases are double, or even triple, LPs! The artwork itself is re-worked to faithfully interpret the original album, and reproduced on superior grade gatefold sleeves in heavyweight card with a superb and un-rivalled finish. As well as all our re-mastered LPs of classic albums from throughout history, Back On Black also issues many exclusive vinyl editions of contemporary metal and rock releases. Far from being dead, our beloved vinyl format is going from strength to strength – and Back On Black is proud to serve the needs of the vinyl connoisseur! Just take a look at our catalogue of releases to see the calibre of albums we release! Combine your favourite rock and metal with your favourite format – and get your music Back On Black! CONtact: PHONE: +44 (0)1491 825029 MAILORDER: PLASTICHEAD.COM UK SALES: [email protected] INTERNATIONAL SALES: [email protected] BACKONBLACK.COM facebook.COM/BACKONBLACKRECORDS PLASTICHEAD.COM All titles subject to availability due to territorial or licensing terms.
    [Show full text]
  • Metal-Giants Will Keep Your Head Banging
    New Release Information uu August ACCEPT Release Date Pre-Order Start The Rise Of Chaos uu 04/08/2017 uu 02/06/2017 uu Limited Digipak uu advertising in many important music magazines JUN/JUL/AUG 2017 uu album reviews, interviews in all important Metal magazines in Europe’s JUN/JUL/AUG 2017 issues uu song placements in European magazine compilations uu Spotify playlists in all European territories Price Code: CD02 uu retail marketing campaigns NB 4012-0 DIGI uu instore decoration: flyers, poster A1, banner 1x2 m uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, Bing ads and Gmail ads (tbc) uu Banner advertising on more than 60 of the most important Metal & Price Code: CD03 Rock websites all over Europe NB 4012-2 CD uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on YouTube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background Price Code: CD17 on nuclearblast.de and nuclearblast.com NB 4012-4 BOX uu features and banners in newsletters, as well as special mailings to (DIGI, 2LP PIC, slipmat, photo card, poster) targeted audiences in support of the release http://media.nuclearblast.de/download/fastforward/august2017/ METAL-GIANTS WILL KEEP YOUR HEAD BANGING Teutonic metallers ACCEPT could already claim big worldwide silence any doubt as to whether they’re still the top dog when success with »Blood Of The Nations« and »Stalingrad«, but with it comes to top-notch Teutonic metal.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Lessons in Humanity: a Memoir
    Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2008 Lessons in Humanity: A Memoir Chelsi Joy Sutton-Linderman Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Sutton-Linderman, Chelsi Joy, "Lessons in Humanity: A Memoir" (2008). All Graduate Theses and Dissertations. 158. https://digitalcommons.usu.edu/etd/158 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. LESSONS IN HUMANITY A MEMOIR by Chelsi Sutton-Linderman A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in English Approved: _____________________________ ___________________________ Dr. Jennifer Sinor Professor Chris Cokinos Major Professor Committee Member ___________________________ ___________________________ Dr. Michael Sowder Dr. Byron Burnahm Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2008 ii ABSTRACT Lessons in Humanity A Memoir by Chelsi Sutton-Linderman, Master of Science Utah State University, 2008 Major Professor: Dr. Jennifer Sinor Department: English In the opening pages of his work, Dog Years; A Memoir , Mark Doty explains: Love for a wordless creature, once it takes hold, is an enchantment, and the enchanted speak, famously, in private mutterings, cryptic riddles, or gibberish. This is why I shouldn’t be writing anything about the two dogs that have been such presences for sixteen years of my life.
    [Show full text]
  • Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
    Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy
    [Show full text]
  • 14914986.Pdf
    Theory and Analysis of Classic Heavy Metal Harmony Publications of the Finnish Music Library Association Heikki Poroila, General Editor Volume 136 Advanced Musicology Jaakko Tuohiniemi, General Editor Volume 1 Theory and Analysis of Classic Heavy Metal Harmony Esa Lilja IAML Finland Helsinki 2009 Published by IAML Finland (The Finnish Music Library Association) PO Box 148, 01301 Vantaa, Finland http://www.kaapeli.fi/~musakir/ © Esa Lilja and IAML Finland 2009 First published in 2009 Layout Paul Forsell Set in Century Schoolbook Printed in Estonia at Greif, Tartumaa, September 2009 Cataloguing-in-Publication Data Lilja, Esa, 1973– Theory and analysis of classic heavy metal harmony / Esa Lilja. – Helsinki : IAML Finland, 2009 (Tartumaa, Estonia : Greif, 2009). – 229 p. cm. – (Publications of the Finnish Music Library Association, ISSN 0784-0322 ; 136). – (Advanced musicology, ISSN 1798-3754 ; 1) Thesis (Ph.D.)—University of Helsinki, 2009. Includes bibliogaphical references (p. ) ISBN 978-952-5363-35-7 (hb) 1. Heavy metal (Music)—Analysis, appreciation. 2. Harmonic analysis (Music). I. Series. II. Series. 63–rilm. 39–rilm MT146 .L54 2009 ISBN 978-952-5363-35-7 ISSN 0784-0322 ISSN 1798-3754 Acknowledgments The number of people to whom I am indebted is infinite, so I can name here only a few of those who have had the most direct influence on the completion of this thesis. First of all, I want to thank my supervisors, Professor Eero Tarasti for his influential and non-prejudicial support, and Ph.D., docent Alfonso Padilla for his detailed comments and endless faith in this project. I also want to mention some members of administrative personnel, as well as colleagues and friends at the University of Helsinki who have helped me in various ways during this project: Irma Vierimaa, Kirsti Nymark, Kristiina Norlamo, Erja Hannula, Merja Hottinen, Kai Lassfolk, Susanna Välimäki, Anna-Liisa Vappula, Helka Niemi, and especially Mikko Ojanen for his friendship and endurance.
    [Show full text]
  • Music You Know & Schumann Cello Concerto
    CONCERT PROGRAM November 21, 2014 David Robertson, conductor Dana Edson Myers, violin Rebecca Boyer Hall, violin WHITAKER FOUNDATION MUSIC YOU KNOW MUSSORGSKY/ Night on Bald Mountain (1866-67) orch. Rimsky-Korsakov (1839-1881) MASSENET Méditation from Thaïs (1894) (1842-1912) Dana Edson Myers, violin TCHAIKOVSKY Marche slave, op. 31 (1876) (1840-1893) INTERMISSION GRIEG Selections from Peer Gynt (1875) (1843-1907) Morning Solveig’s Song Arabian Dance Ase’s Death Anitra’s Dance In the Hall of the Mountain King CHRISTIAN WOEHR Beinn na Caillich (Hill of the Old Woman), (b. 1951) Fantasia for a Fiddler (World Premiere) (2014) Rebecca Boyer Hall, violin COPLAND Four Dance Episodes from Rodeo (1942) (1900-1990) Buckaroo Holiday Corral Nocturne Saturday Night Waltz Hoe Down This concert is part of the Wells Fargo Advisors series. Tonight’s concert is presented by the Whitaker Foundation. David Robertson is the Beofor Music Director and Conductor. Tonight’s concert is underwritten in part by a generous gift from Mr. and Mrs. James R. von der Heydt. Tonight’s concert is the Joanne and Joel Iskiwitch Concert. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of the Delmar Gardens Family and are located at the Customer Service table in the foyer. 27 A FEW THINGS YOU MIGHT NOT KNOW ABOUT MUSIC YOU KNOW BY EDDIE SILVA • Modest Mussorgsky’s Night on Bald Mountain was never performed during his lifetime. Mussorgsky was one of those guys who drank too much and laughed too loud and died at an early age.
    [Show full text]
  • Predators Try to Rape Woman in Ditmas
    June 3–9, 2016 Including Park Slope Courier, Carroll Gardens-Cobble Hill Courier, Brooklyn Heights Courier, & Williamsburg Courier FREE SERVING GOWANUS, PARK SLOPE, PROSPECT HEIGHTS, WINDSOR TERRACE, BROOKLYN HEIGHTS, DUMBO, METROTECH, BOERUM HILL, CARROLL GARDENS, COBBLE HILL, RED HOOK, WILLIAMSBURG & GREENPOINT IT’S FINALLY OVER Prospect Park Residence settles suit, will pay $3.35M to seniors BY RUTH BROWN payout will help them fi nd Prospect Park West assisted The owner of embattled Park and fund somewhere they can living facility — who will then Slope old folks’ home Pros- live comfortably, according to have three months to leave — pect Park Residence will pay their attorney. while a small amount will go his elderly tenants $3.35 mil- “Our clients have always to 10 residents who have al- lion as part of a lawsuit settle- been worried about having the ready left but were involved in ment, ending a high-profi le time and resources to move to the suit, Cremin said. and sometimes ugly two-year an appropriate setting that But this week’s settlement court battle between the two was safe and not unduly re- is bittersweet news for the parties. strictive,” said lawyer Kevin residents, according to their The nonagenarians have Cremin of MFY Legal Service, loved ones — the tenants had been fi ghting eviction since one of several fi rms working hoped to live out their fi nal landlord Haysha Deitsch and on the case. “We think this days in the Prospect Park-side state health offi cials abruptly settlement will provide both property, and don’t think they gave them three months to the time and money.” really will fi nd a comparable scram in March 2014 , and The lion’s share of the cash abode elsewhere, even with Photo by Jason Speakman while settling the suit means will go to the fi ve oldsters who the extra cash.
    [Show full text]