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Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts
EATING AFTER THE TRIPLE DISASTER: NEW MEANINGS OF FOOD IN THREE POST-3.11 TEXTS by ROSALEY GAI B.A., The University of Chicago, June 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Rosaley Gai, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts submitted by Rosaley Gai in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Sharalyn Orbaugh, Professor, Asian Studies, UBC Supervisor Christina Yi, Associate Professor, Asian Studies, UBC Supervisory Committee Member Ayaka Yoshimizu, Assistant Professor of Teaching, Asian Studies, UBC Supervisory Committee Member ii ABstract Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku on March 11, 2011 comprised of both natural (the magnitude 9.0 earthquake and resultant tsunami) and humanmade (the nuclear meltdown at the Tokyo Electric Power Company’s Fukushima Daiichi nuclear power plant incurred due to post-earthquake damage) disasters. In the days, weeks, months, and years that followed, there was an outpouring of media reacting to and reflecting on the great loss of life and resulting nuclear contamination of the nearby land and sea of the region. Thematically, food plays a large role in many post-3.11 narratives, both through the damage and recovery of local food systems after the natural disasters and the radiation contamination that to this day stigmatizes regionally grown food. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Dirkschneider – 09.12.2016 – Hala Vodova, Brno 14
Home Recenze Reportáže Rozhovory Kontakt DIRKSCHNEIDER – 09.12.2016 – HALA VODOVA, BRNO 14. 12. 2016 | Tomáš Zgoda Mám rád tyto návraty, kdy se interpret po objetí světa do vybraných zemí pro potěšení tamních fanoušků ještě jednou vrátí. Taková vystoupení do jisté míry sice nabourávají poselství celého konceptu („Už opravdu, ale opravdu naposledy pro vás zahrajeme…“), na druhou stranu s sebou nesou určité uvolnění, kdy skalní si mohou ještě jednou zadovádět, opozdilci si mohou odbýt svou premiéru na turné a samotný interpret je rád, že z něj nadmíru povedeným turné spadl tlak, a tak si nyní může s klidem a radostí z muziky samé užít posledních pár bonusových štací. Přesně takové události jsme mohli být svědky 9. prosince 2016 v brněnské hale Vodova, kde se zmíněný heavy metalový velikán rozhodl pod projektem nesoucím jeho příjmení definitivně naposledy dopřát českému publiku znění starých hitů Accept s originálním vokálem. Kšeft je kšeft, samozřejmě, ovšem u skutečných kovových legend, mezi něž Udo Dirkschneidera řadím, jsem přesvědčen, že jde primárně o muziku a fanoušky, o podnikatelský záměr až sekundárně. Nemá cenu dál chodit kolem horké kaše, většina fanoušků již prakticky totožné vystoupení navštívila v Praze, Ostravě, Zlíně či dodatečně na Metalfestu. Málokdo si událost nechal ujít. Proto bych chtěl brněnský report pojmout spíše z hlediska zajímavostí a postřehů, dále jako zamyšlení se nad odkazem koncertu Dirkschneiderova uskupení. Již jsem zmínil pohodovou atmosféru. Ta po celou dobu sršela ze všech aktérů na pódiu. Ačkoliv se s výjimkou samotného Uda de facto jednalo o Accept revival, opravdová radost z hraní časem prověřených písní byla znát u všech přítomných. -
Motörhead: ?1979? Box Set. 40 Anys Dels Àlbums Overkill I Bomber
It's only rock & roll | Pep Saña | Actualitzat el 04/05/2020 a les 17:04 Motörhead: ?1979? Box Set. 40 anys dels àlbums Overkill i Bomber. A mitjans del 2019, el segell discogràfic BMG anunciava el llançament de ?1979?, una capsa de luxe per commemorar el 40 aniversari d'un dels anys clau de la carrera de Motörhead. I és que al 1979 la banda liderada per Lemmy Kilmister editaven, Overkill i Bomber, dos dels seus àlbums clàssics, amb el guitarrista ?Fast? Eddie Clarke i el bateria Phil ?Philthy Animal? Taylor. Aquells eren uns altres temps, és l'única manera d'explicar que en el període de 365 dies la banda llancés dos dels que encara avui són considerats entre els seus millors àlbums. El 1979 va ser un any agitat i de grans canvis socials a Gran Bretanya, amb l'inici de l'era Thatcher i una greu crisi que desembocaria en grans vagues i enfrontaments. Aquest va ser el teló de fons amb el que Motörhead van gestar aquestes dues obres fonamentals per entendre molt del Rock que vindria després. En aquest context també, el 9 de març de 1979 milions d'espectadors s'esperen per veure el famós programa musical de la BBC, Top Of The Pops. Molts no imaginaven el que se'ls venia a sobre quan Motörhead van arrencar amb una tronadora i vertiginosa, Overkill, el tema que dona títol a un d'aquests àlbums. Començava la llegenda. Lemmy Kilmister va formar Motörhead al 1975, després de ser expulsat de Hawkwind per l'incident de la droga al Canadà. -
Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Mediadata 2019
International Synthpop Magazine MEDIADATA 2019 Last Update: January 29th, 2019 Statistics: Q4/2019 (October 1st - December 31st), Source: Google Analytics with Spam Filter Benefits Your advert banner will not get blocked by AdBlocker Electrozombies don’t use advertising software. By this, almost no AdBlocker can identify the adverts on the site and the banner will not get blocked. The chance that a visitor will see your advert is much higher than on any other channel with installed advertising software. Very flexible, no long term contracts We don’t want to offer advertising placements only for the major players on the market. Especially small bands, labels, online stores and other interested companies are close to our hearts. An example: A banner can appear only for a week without any further obligation. The perfect solution if you’ve a small marketing budget. Fixed prices, no surprising invoice We offer fixed prices, because the price will only be calculated by the time it’s online. We don’t offer ‘cost per click’ or ‘cost per impression’. With this strategy you can easily calculate your marketing budget without an unknown price factor. Additionally, no broken promises will be made: You can check the success in your referral traffic section of your own statistics. Exclusive placement opportunity When more than one banner is booked on a position at Electrozombies, then the banners are in a random rotation. The banners will be updated and displayed after each reload of the page. If you prefer an exclusive positioning, then send us your precise idea via email. We will gladly prepare an individual offer without liabilities. -
MAGNE F + UFR CATALOG A5 SIZE.Indd
M A G N E F U R U H O L M E N CURATED BY CATHRINE EDWARDS M A G N E F U R U H O L M E N CURATED BY CATHRINE EDWARDS MAGNE FURUHOLMEN Furuholmen’s work is represented in “The goal was to create a park that can institutions and collections in his native be experienced in diferent ways at Norway and worldwide including London, diferent times of the year, with water in New York and Miami . the summer and dampness in winter as an atmospheric elements adding to changing Among his permanent public commissions lighting conditions.” says Furuholmen of the is ‘Resonance’ for The city of Bergen. Henie commission. Onstad Kunstsenter, Kunstgalleriet, Gallery Trafo, Norwegian Graphics Union and The The ‘imprints’ sculptural works form the Nobel Peace Center have all exhibited his basis for this limited edition collaboration work in Norway. with Urban Fabric Rugs curated by Cathrine Edwards. Three scultpures from the Furuholmen’s work with glass, paint, collection have been translated into four etching and woodcuts have been color compositions for this limited edition exhibited internationally at the Museum series of ten rugs each. Of Contemporary Glass Art and Gallery Christian Dam in Copenhagen; The London Art Fair and Paul Stolper Gallery in London along with Dovecot Studios in Edinburgh. Recently, Furuholmen has completed his largest commission to date for the Fornebuporten Ceramic Sculpture Park entitled “Imprints” consisting of 40 individual works, all executed in fired feldspath earthenware. URBAN FABRIC RUGS Urban Fabric Rugs are based on scale Urban Fabric place its bets on diference, maps extruded and meticulously cut out of clinging to the notion of uniqueness of place hand-tufted or hand-knotted New Zealand in the vein of Camillo Sitte’s City Planning virgin wool. -
Jall 20 Great Extended Play Titles Available in June
KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air. -
Global Merchandising Roster
Global Merchandising Roster Global Merchandising Roster MOTÖRHEAD DOWN IRON MAIDEN JUDAS PRIEST SLAYER MÖTLEY ALICE CRÜE COOPER Ozzy GHOST Osbourne ROB ZOMBIE Scorpions ANTHRAX Marilyn Manson • Hard Rock / Heavy Metal - Band • Founded 1975, UK • Sold albums: 90 Mio. • Foundation members: Paul Day, Terry Rance, Dave Sullivan, Steve Harris, Ron Matthews • Current members: Bruce Dickinson, Dave Murray, Adrian Smith, Janick Gers, Steve Harris, Niko McBrain • Top albums: „Killers“ (1981) - „The number of the beast“ (1982) - „Powerslave“ (1984) - „Fear of the dark“ (1992) - „Brave new world“ (2000) • „Legacy of the beast World Tour“ 2019 + 13.0 Mio. + 2.1 Mio. + 220 Mio. • Punk / Hard Rock / Rock ’n’ Roll / Blues Rock - Band • Founded in 1975, UK • Sold albums: 30 Mio. • Foundation members: Ian Kilmister, Larry Wallis, Lucas Fox • Top albums: „Bomber“ (1980) - „Kiss Of Death“ (2006) - „Motörizer“ (2008) - „The Wörld Is Yours“ (2010) - „Aftershock“ (2013) + 2.7 Mio. + 670.000 + 28 Mio. • Trash Metal Band • Founded in 1981, USA • Sold albums: 80 Mio. • Foundation members: Tom Araya, Kerry King, Jeff Hanneman, Dave Lombardo • Final World Tour 2018 • Top albums: „Reign in blood“ (1986) - „Season in the Abyss“ (1990) - „God hates us all“ (2001) - „Christ Illusion“ (2006) - „World painted blood“ (2009) + 4.9 Mio. + 940.000 + 44 Mio. • Hard Rock / Heavy Metal / Shock Rock • Years active 1963 - present • Sold albums: 15 Mio. • 26 Studio albums, 10 Live albums, 21 compilations albums • World Tour 2018 • New Album „PARANORMAL“ released 2017 + 4.4 Mio. + 780.000 + 5.5 Mio. Contact Ulf Vespermann [email protected] +49(0)6172-271 820 Jens Müller [email protected] +49(0)6172-271820 David Harman [email protected] +49(0)6172-271820 Heiko Lammers Kaiser Friedrich Promenade 87 [email protected] 61348 Bad Homburg +49(0)179-6603194 Germany Janusz Tarasiuk [email protected] Phone: +49 (0) 6172 271820 +48-(0)226-142028 // +48-(0)51-3143995 [email protected] Nowodworska 29B lok. -
7 Dismissed from the Irish Guard
Warm and Wet ACCENT: Putting students in their place A 70 percent chance of showers today, with a high in the low 80s. A 60 percent VIEWPOINT: Solution for security problems chance of showers tonight and tomorrow. NOTRE DAME COLLECTION VOL. NO. 10 MONDAY, SEPTEMBER 7, 1987 the independent newspaper serving Notre Dame and Saint Mary's Palestinians bury victims of Israeli raid, vow revenge Associated Press rael’s 22 air raids in Lebanon Officials were arranging the peace force sources in south in the teeming Ein El-Hilweh this year and Israel’s deadliest burial of seven other Palestin Lebanon denied this. camp, the biggest in Lebanon SIDON, Lebanon - About attack on Palestinians since ian victims in the vast Ras- with a population of 60,000. 15,000 angry Palestinians the 1982 Israeli invasion of hidiyeh refugee camp at A police spokesman, who vowed revenge Sunday as they Lebanon. Lebanon’s southern port city of cannot be identified under reg Mourners waved Palestinian buried victims of Israel’s dead “We shall avenge our mar Tyre, police said. The seven ulations, said Shiite Moslem and Lebanese flags as they liest air raid into Lebanon this tyrs!,” chanted the mourners came from Rashidiyeh camp, militia positions fired on the marched ahead of a convoy of year. as the bodies of 40 victim s were which houses 30,000 people. gunboats with heavy machine 17 ambulances carrying the Police put the final casualty buried in a mass grave in guns and rocket-propelled bodies to the cemetery. They Two Israeli gunboats came toll at 49 killed and 60 woundedSidon’s Palestinian refugee grenades “when they came were led by representatives of in Saturday’s air attack on P al camp of Ein El-Hilweh. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr.