New York Theater Tour October 21-27, 2019

Total Page:16

File Type:pdf, Size:1020Kb

New York Theater Tour October 21-27, 2019 OCCIDENTAL COLLEGE ALUMNI ASSOCIATION’S New York Theater Tour October 21-27, 2019 Hosted by Insider Cultural Tours Photo by Denys Nevozhai on Unsplash Something New This Year We are pleased to announce our annual Oxy NY theater tour has an exciting new twist this year. Besides attending Broadway and Off-Broadway hits and rubbing shoulders with well-known actors, directors and theater professionals in private, intimate discussions, our tour will also feature Michael Billington, the esteemed drama critic of The Guardian. Mr. Billington will attend each show with us, and afterwards share his world-class commentary and British perspective about them, while on assignment for his newspaper. While in London this year, Ben Brantley of the New York Times wrote that “Mr. Billington has been the drama critic for The Guardian since Michael Billington of The Guardian 1971 and is probably the most revered member of his profession in this country (United Kingdom).” Don’t miss out on this original new component of a wildly popular tour, the legacy of the beloved Omar Paxon ’48 and now an annual journey for Oxy alumni, parents, and friends. 1 5 Exceptional Shows + 1 Optional We’ll get the best seats available to the top shows – 4 Broadway and 1 Off Broadway. You’ll also have the choice of an optional Broadway show – a Wednesday matinee – if you’d like to see a total of 6 shows. In order to assure quality, we’ll finalize our roster about 100-90 days before departure. A partial list of shows we’ve seen on past Insider tours include: My Fair Lady, The Nap, Bernhardt/Hamlet, The Band’s Visit, I Was Most Alive With You, American Son, Dear Evan Hansen, The Last Match, Hamilton, Come from Away, Kinky Boots, The Color Purple, Anything Goes, Matilda, The Glass Menagerie, The Humans, Antlia Pneumatica, Fiddler on the Roof, The Father, The King and I, Trip to Bountiful, Mr. Burns, Julius Caesar, A Clockwork Orange, Junk, School Girls; Or, the African Mean Girls Play, Describe the Night, M Butterfly, The Book of Mormon, Other Desert Cities, War Horse, Milk Like Sugar and 1984. 4 Discussions with Arts Professionals There will be 4 intimate discussions with New York arts professionals. You’ll rub shoulders with working actors, directors, artistic directors, critics, and playwrights, who will provide you with fresh perspectives on the craft, art, and commerce of the New York theater scene. As with our shows, our guest speakers are not confirmed until 90 days before the commencement of the tour. A partial list of past participants of Insider Cultural Tours’ discussions includes: Roger Allam, Jon Robin Baitz, Frances Barber, Simon Russell Beale, Richard Bean, Michael Billington, Reed Birney, Celia Keenan- Bolger, Jenn Colella, Allan Corduner, David Cote, David Cromer, Carol Fishman, Hallie Foote, Adam Greenfield, Joel Grey, Richard Griffiths, Jonathan Groff, Christopher Hampton, Jessica Hecht, Sir Derek Jacobi, Chad Kimball, Steven Levenson, Leslie Marcus, Alfred Molina, Dessie Moynihan, Patrick Pacheco, Theresa Rebeck, Josie Rourke, Indu Rubasingham, Tim Sanford ’75, Bartlett Sher, Kevin Spacey, Tom Stoppard, Kristin Scott Thomas, John Tiffany, Gaye Taylor Upchurch, Eliza Ventura, Dame Harriet Walter, and Sir Arnold Wesker, among others. 5 Post-Performance Discussions They say the 3rd act of a play takes place in the bar. In that spirit, we’ll have a lively post-performance discussion for every show we see, moderated by Alan Freeman ’66 M ’67 at the hotel. Grab a cocktail from the Kimberly’s rooftop bar and join in! Chelsea Galleries Tour Back by popular demand, we will have a private tour of 4-7 galleries, selected by Rafael Risemberg Ph.D., in the Manhattan neighborhood of Chelsea, which has over 350 spaces dedicated almost entirely to new contemporary art. Private Coach or Cars We book deluxe buses for each event away from the hotel. We try to keep the walking to a minimum. 2 Meals This tour includes a full gourmet breakfast each day. We’ll select one of New York’s top new restaurants for our Welcome Dinner, such as Fifty, last year’s hit selection. The Farewell Dinner will be coordinated with the proximity of our last show. And we’ll have a wine reception at the hotel on the first day of the tour, before the Welcome Dinner. Gratuities We generously tip all service staff on your behalf – you’ll never have to worry about it. Group Flight This is a land-only tour. However, provided we meet the required airline minimum, we’ll offer a round- trip group flight, which will be announced by late January. Airfares are subject to applicable airline cancellation fees, which may be in addition to the cancellation fees below. Transfers to and from the airport will be included. Check in will be available online 24 hours prior to departure. Upgrades are accepted until 24 hours before departure and will need to be taken care of on an individual basis during the check in process. Additional charges must be made with an individual credit card. Seating arrangements: The flight will include a section of seating that is blocked off for Insider Cultural Tours. The airline does not take special requests for seating arrangements, however, there is a possibility that, once seats have been assigned, requests can be made directly with the airline. Points: Airline points cannot be used to pay for flight tickets, as Insider Cultural Tours is required to make one group payment for all group flight guests. Points, however, can be earned for your flight. Frequent Flyer numbers and other reward information can be entered during the check-in process or by calling the airline 24 hours prior to departure. Cost The cost of this tour is $4,595, based upon double occupancy. A deposit of $1,200 is due by July 12, 2019. The final payment of $3,395 is due August 23, 2019. The single supplement is $1,132. This is a land package only and does not include airfare. Alan Freeman, ’66 M’67, P’89, P’91 Tour Leader Alan Freeman is Emeritus Professor of Theater and a Member of the Board of Trustees at Occidental College. Freeman continues to work professionally as a director, writer, actor and producer. He has an MFA in Film Directing from the American Film Institute (AFI), A.B. and M.A. from Occidental College. James Ryan, Insider Cultural Tours, Tour Host James Ryan is a playwright, screenwriter and film director. The former Chair of the Graduate Dramatic Writing Program at the Actors Studio/New School University, he teaches in the graduate dramatic writing program at Rutgers University. He is the recipient of fellowships from the National Endowment for the Arts, New York Foundation for the Arts, McKnight Foundation, and the Drama League Award. 3 Monday, October 21 Arrive at the Kimberly Hotel in midtown Manhattan, recipient of the Condé Nast Traveler Readers’ Choice Award – Top 100 Hotels Around the World. Your accommodation includes daily breakfast and stunning views from the Kimberly’s rooftop lounge. We’ll gather this evening for a wine reception at the Kimberly. Then we enjoy a bus journey with a certified New York City guide to a new, top-rated restaurant for our Welcome Dinner. Tuesday, October 22 In the morning, we’ll kick off our round table discussion series with a leading New York theater critic, who will give us an insightful overview of the shows we’ll see this week. Tonight, we’ll see our first Broadway show. Wednesday, October 23 Our discussion today might be with actors who are starring in a show we’ll be seeing. This afternoon may be free for you to explore the Big Apple on your own or take advantage of an optional show we’ll offer. In the evening, we’ll see another must-see critics’ pick on Broadway. Thursday, October 24 Today’s discussion could be with an emerging playwright. This afternoon, we may take a private tour of several carefully curated galleries in Chelsea. Tonight, we might take in an outstanding Off-Broadway show at the Second Stage, Signature Theatre or Public Theater, among others. Friday, October 25 Perhaps we’ll invite an award-winning director for our round table chat. Your afternoon is free and tonight we’ll see our third Broadway show. Saturday, October 26 Our discussion this morning will give you a chance to weigh in and help to unleash fresh perspectives about all the shows we’ve seen on the tour. We’ll end our tour in style with a special Farewell Dinner before we see our fourth Broadway hit tonight. Sunday, October 27 Individual and group departures. Bus will depart for the airport in the morning. 4 .
Recommended publications
  • James Kent Director
    James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director.
    [Show full text]
  • 'I Have Enormous Sadness In
    THETIMESThursdayDecember102009 THETIMESThursdayDecember102009 arts times2 615 MAIN IMAGE: CHRIS HARRIS FOR THE TIMES plots,castles,gettingbanished,butafterPe- ter I played Electra. It felt right to act it. It wasn’t like I was acting out my grief but I certainly felt it expunged. Up to that point The odd couple — acting had been a facility,after it,it became a reality. With a part like that you’re com- municating the private sorrows of an audi- ence. I am very interested in playing a psy- chologist next, to be the recipient of some- and the other guy oneelse’sstoriesratherthantheteller.” What about Lady Macbeth: she hasn’t Rachel Campbell- doneheryet?“Ijustmight,”shesaysquizzi- cally. “Alan Rickman asked me recently, Johnston goes to a ‘Whatever happened to us doing the Mac- beths?’” What? Those two as Mr and Mrs party thrown by M?Bestillourbeating. As for the insane Harry Potter slip- three artists with stream, she is almost dismissive. “Harry Melling, the young man who plays my son little in common he’ll be going up ladders again. My mum Fiona Shaw, left, near to in Mother Courage, plays my son in Potter visits him every day” — she smiles — home base on Primrose (they are Petunia and Dudley Dursley re- “apart from her days off in France.” She Hill; as Harry Potter’s spectively), and we’re the poor relations. Visual Art notes my stricken expression. “As a family Aunt Petunia (with We never do any magic, we have it done to wehaveratheraperfunctoryattitudetoill- Harry Melling and us. The odd thing is leaving the set and to Sargent, Sickert, ness.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Patrick Stewart & Harriet Walter
    DURING THE ROYAL SHAKESPEARE Company’s MOST RECENT RESIDENCY AT THE UNIVERSITY OF MICHGAN, PATRICK STEWART IN THIS ISSUE: & HARRIET WALTER LED A STELLAR CAST IN PERFORMANCE PRODUCTIONS OF JULIUS CAESAR, ANTONY AND CLEOPATRA, STUDIES AND THE TEMPEST Five voices on the state of Performance Studies The Arthur Miller Theatre ALSO Note from the Chair Around the Department Faculty Update New faculty and recent faculty publications Bear River Writers A conversation featuring Marie Howe and Thomas Lynch Works in Progress Three PhD students introduce their dissertations chair’s note NOTE FROM THE CHAIR Dear Friends of the Department, It’s that time of year again! I write to let you know about all the good things happening here in the Department of English. This year has been the culmination of four years of strategic planning, hiring, and curriculum revision. The nine people who joined the department last year have settled in. And this fall we welcomed two new people: Doug Trevor in Early Modern Studies comes to us from the University of Iowa; and Daniel Hack in Victorian Studies comes to us from the University of Sidonie Smith, Buffalo. This year we also completed the total revision of our undergraduate Department Chair concentration in English, adding the opportunity for concentrators to gain depth in at least one area of literary and cultural studies through an array of sub-concentrations. The U‑M English Alumni Newsletter is published once Faculty members continue to earn awards and honors. Alan Wald has been awarded our a year by the Department of English Language and Literature, newest Collegiate Professorship.
    [Show full text]
  • Download Cast and Crew Here
    I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole).
    [Show full text]
  • The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2018 The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere Sarah Marksteiner Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Playwriting Commons Recommended Citation Marksteiner, Sarah, "The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere" (2018). Undergraduate Honors Theses. Paper 1264. https://scholarworks.wm.edu/honorstheses/1264 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Theatre from The College of William and Mary by Sarah A. Marksteiner Williamsburg, VA December 7, 2018 1 TABLE OF CONTENTS ABSTRACT ............................................................................................................................... 2 CHAPTER I: THE GENESIS ...................................................................................................
    [Show full text]
  • Before-The-Act-Programme.Pdf
    Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an­ contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make­ C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa­ cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu­ The money raised by Before The Act will go into ality by local authorities.
    [Show full text]
  • June 2018 Welcome Mike Hausberg
    JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • London Theater Tour
    Occidental College NONPROFIT ORG Alumni Association US POSTAGE 1600 Campus Road, M-11 PAID Los Angeles, CA 90041-3314 AKA Return Service Requested Photo by David Iliff, License: CC-BY-SA 3.0 Our exciting tour is sure to provide a transformative experience that offers fresh perspectives, THE 11TH OCCIDENTAL ALUMNI ASSOCIATION’S an insider connection to the London cultural scene, and lasting memories. The Shows the tour. Our roundtable discussions are one of Dining LONDON THEATER TOUR We’ll get the best seats available to 5 of the hot- the most successful and unique aspects of our We’ll have a festive dinner to welcome in the test shows in London. If you choose the optional tours. This exchange with working actors, play- New Year with a champagne toast and celebra- show we offer, you’ll feast on a total of 6 produc- wrights, and directors will offer you fresh per- tion at the Waldorf Hilton’s Homage restaurant tions while in London. Past hit shows on Insider spectives about the real and current challenges (Winner of Trip Advisor’s Certificate of Excel- Cultural Tours London excursions include War UK theatre professionals face in practicing their lence 2013). And welcome and farewell dinners Horse, Ralph Fiennes in Oedipus, Sir Derek craft and art. at other exceptional restaurants in London. Your Jacobi in Twelfth Night, Michael Gambon in No hotel accommodations include a hearty, Full Man’s Land, Richard Griffiths in The Habit of Post-Performance Discussions English breakfast every day. Art, Alfred Molina in Red, The Pitman Paint- As many in the theater say, the last act of a play Private Coach ers, The Master Builder, Jerusalem, One Man, takes place in the bar after the performance.
    [Show full text]