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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
An American Hobo in Europe
UC-NRLF \sm 11 a. AN AMERICAN HOBO IN EUROPE BY WINDY BILL A TRUE NARRATIVE OF THE ADVENTURES OF A POOR AMERICAN AT HOME AND IN THE OLD COUNTRY PUBLISHED BY THE CALKINS PUBLISHING HOUSE 24 Clay St. San Francuco IN PAPER 50 CENTS CLOTH $1.50 AN AMERICAN HOBO IN EUROPE "v\ k* *> By WINDY BILL A TRUE NARRATIVE OF THE ADVENTURES OF A POOR AMERICAN AT HOME AND IN THE OLD COUNTRY PRESS OF THE CALKINS PUBLISHING HOUSE SAN FRANCISCO, CAL. Copyright 1907 by B. Goodkind - Contents Chapter. Page. I. Billy and Me 1 II. Frisco 41 III. The Journey Overland 85 IV. New York City 130 V. Them Bloomin ' Publishers 139 VI. The Ocean Voyage 148 VII. The Steerage 156 * VIII. Glasgow 171 IX. Getting a Square Meal .181 X. The Glasgow Green (or Common) . .188 XI. Hunting for a Furnished Room 193 XII. Dancing in the Green 202 XIII. Taking in a Glasgow Show 214 XIV. Robert Burns, the Poet. 224 XV. Sir Walter Scott 276 858581 Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/americanhoboineuOOgoodrich CHAPTER I. BILLY AND ME. Stranger, will you please permit me to give you an introduction to a particu- lar friend of mine, little Billy. Little Billy and I had long been friends and had become so intimate that we were more like brothers than friends. Some brothers indeed do not stick to each other as closely as Billy and I did for w.e never quarreled and the worst that ever happened between us was a little growl which we soon got over. -
August 26, 2014 (Series 29: 1) D.W
August 26, 2014 (Series 29: 1) D.W. Griffith, BROKEN BLOSSOMS, OR THE YELLOW MAN AND THE GIRL (1919, 90 minutes) Directed, written and produced by D.W. Griffith Based on a story by Thomas Burke Cinematography by G.W. Bitzer Film Editing by James Smith Lillian Gish ... Lucy - The Girl Richard Barthelmess ... The Yellow Man Donald Crisp ... Battling Burrows D.W. Griffith (director) (b. David Llewelyn Wark Griffith, January 22, 1875 in LaGrange, Kentucky—d. July 23, 1948 (age 73) in Hollywood, Los Angeles, California) won an Honorary Academy Award in 1936. He has 520 director credits, the first of which was a short, The Adventures of Dollie, in 1908, and the last of which was The Struggle in 1931. Some of his other films are 1930 Abraham Lincoln, 1929 Lady of the Pavements, 1928 The Battle of the Sexes, 1928 Drums of Love, 1926 The Sorrows of Satan, 1925 That Royle Girl, 1925 Sally of the Sawdust, 1924 Darkened Vales (Short), 1911 The Squaw's Love (Short), 1911 Isn't Life Wonderful, 1924 America, 1923 The White Rose, 1921 Bobby, the Coward (Short), 1911 The Primal Call (Short), 1911 Orphans of the Storm, 1920 Way Down East, 1920 The Love Enoch Arden: Part II (Short), and 1911 Enoch Arden: Part I Flower, 1920 The Idol Dancer, 1919 The Greatest Question, (Short). 1919 Scarlet Days, 1919 The Mother and the Law, 1919 The Fall In 1908, his first year as a director, he did 49 films, of Babylon, 1919 Broken Blossoms or The Yellow Man and the some of which were 1908 The Feud and the Turkey (Short), 1908 Girl, 1918 The Greatest Thing in Life, 1918 Hearts of the World, A Woman's Way (Short), 1908 The Ingrate (Short), 1908 The 1916 Intolerance: Love's Struggle Throughout the Ages, 1915 Taming of the Shrew (Short), 1908 The Call of the Wild (Short), The Birth of a Nation, 1914 The Escape, 1914 Home, Sweet 1908 Romance of a Jewess (Short), 1908 The Planter's Wife Home, 1914 The Massacre (Short), 1913 The Mistake (Short), (Short), 1908 The Vaquero's Vow (Short), 1908 Ingomar, the and 1912 Grannie. -
TV Shows with Animals Instructions
TV Shows with Animals Instructions ● There will be trivia about different tv shows with animal as its main character from the 1950’s and 60’s ● After you guess the TV show you can go to the answer slide where there will be the answer along with a link to the TV show ● There will also be discussion questions for each show Trivia ● A show about a smart and fearless collie who performs a series of heroic tasks for her human owners and friends ● For the first several years of the series, she lived on family farms, before moving on to work with forest rangers in the wilderness and ultimately settling in at Holden ranch, a ranch for troubled children ● Can you guess the TV show? Answer ● Lassie ● Link to show: https://www.youtube.com/watch?v=BV1 Nyf_u1AA Discussion Questions ● Did you ever watch Lassie? ● Did you like it? ● Who did you watch it with? Trivia ● An American black bear befriends a family in the Everglades ● It is about their adventures in the Florida Everglades ● Can you guess the TV show? Answer ● Gentle Ben ● Link to show: https://www.youtube.com/w atch?v=zHt6tkUEhCI Discussion Questions ● Did you ever watch Gentle Ben? ● Did you like it? ● Who did you watch it with? Trivia ● This show is about a New York lawyer Oliver Wendell Douglas who longs for a simpler way of life, so he buys a farm, sight unseen, and moves there to live off the land, with his wife, Lisa ● The show highlights the collision of small-town life and Lisa's sophisticated ways ; she insists on wearing full-length gowns and ostentatious jewelry, even on the farm -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Jessica Lange Regis Dialogue Formatted
Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star. -
Miriam Bostwick
Animal News from Heaven Miriam Bostwick Copyright 2014 by Paws of the Earth Productions All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the author except in critical articles and reviews. Contact the publisher for information: Paws of the Earth Productions 2980 S Jones Blvd Suite 3373 Las Vegas, NV 89146 Printed in The United States of America. Library of Congress Control Number: 2008921323 ISBN 978-0-9798828-2-1 Paws of the Earth productions Las Vegas, NV 89146 www.Animals are people too.com This book is dedicated to the late Miriam Bostwick, a friend, a fellow lover of animals, who is among her friends in this book: I am grateful to the many spirits who so willingly shared their stories about the work they are doing in spirit and the animals they are caring for. I am also grateful to Carla Gee and Elizabeth Jordan for their invaluable editorial help. I acknowledge information obtained from Wikipedia under the GNU Free Documentation License for the following articles: Slats, the MGM Leo, the Lion Barbaro, the Race Horse Bubba, the Grouper Bubba, the Lobster Harriet, the Tortoise Binky & Nuka, Polar Bears Martha, the Passenger Pigeon Ruby, the Painting Elephant PAWS OF THE EARTH PRODUCTIONS LAS VEGAS, NEVADA Contents Preface Introduction PART ONE Lifting the Veil: Animals in the Afterlife Do all animals survive and where do they go? Love keeps an animal in form The plight of the unloved or mistreated animal Are there barriers in spirit life to divide humans and animals? How do animals in spirit get along with each other? The animal mind Healing through change in attitude Animals trained to do rescue work Separation through evolution Veterinary research in spirit life PART TWO News from Heaven The Caretakers Reggie Gonzales: On Being a Caretaker Roger Parker: On Being a Caretaker St. -
TRAINING the YOUNG ACTOR: a PHYSICAL APPROACH a Thesis
TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Anthony Lewis Johnson December, 2009 TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH Anthony Lewis Johnson Thesis Approved: Accepted: __________________________ __________________________ Advisor Dean of the College Mr. James Slowiak Dr. Dudley Turner __________________________ __________________________ Faculty Reader Dean of the Graduate School Mr. Durand Pope Dr. George R. Newkome __________________________ __________________________ School Director Date Mr. Neil Sapienza ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION TO TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH...............................................................................1 II. AMERICAN INTERPRETATIONS OF STANISLAVSKI’S EARLY WORK .......5 Lee Strasberg .............................................................................................7 Stella Adler..................................................................................................8 Robert Lewis...............................................................................................9 Sanford Meisner .......................................................................................10 Uta Hagen.................................................................................................11 III. STANISLAVSKI’S LATER WORK .................................................................13 Tension -
A Star Has Died: Affect and Stardom in a Domestic Melodrama
QRF 21(2) #14679 Quarterly Review of Film and Video, 21:95–105, 2004 Copyright © Taylor & Francis Inc. ISSN: 1050-9208 print/1543-5326 online DOI: 10.1080/10509200490273071 A Star Has Died: Affect and Stardom in a Domestic Melodrama ANNE MOREY Until relatively recently, it has been fashionable to read Douglas Sirk as ridiculing popular culture through his manipulation of it. In other words, critics tell us, to be moved by a Sirk film is to have missed the critical boat—because, as Paul Willemen has noted, the director himself offers up a textual performance that is anything but sincere. Christine Gledhill and Walter Metz have attempted to rescue the duped audience from this critical opprobrium. Gledhill argues that Sirk appropriates the conventions of the woman’s film, in which female concerns should be and have been central, to reorder the narrative elements into a story of the absent patriarch. Similarly, Metz recuperates this possibly duped audience of female readers/viewers by reevaluating the (female) authors of the texts that Sirk so obsessively remakes, arguing that many of the signifiers of “auteurship” usually granted to Sirk are already on display in the original works (12). Like Gledhill and Metz, I seek to demonstrate that Sirk is more than a parodist. This article compares Sirk’s Imitation of Life (1959) to David O. Selznick and William Wellman’s A Star Is Born (1937) in order to explore a characteristically Sirkian narrative strategy: the later film does not amuse itself at its predecessor’s expense so much as it inverts the message. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
October 13, 1950 PARKING PROBLEMT Si.LVED!
Wilkes Vol. 5, No. 4. WILKES COLLEGE, WILKES-BARRE, PA. Friday, October 13, 1950 PARKING PROBLEMT Si.LVED! THIRD MEMBER OF MUSIC DEPARTMENT ACTIVITIES SCHEDULE 500 CAR PARKING LOT TO BE BUILT BENEATH HAS COMPLETED STUDY AT FONTAINBLEU WEST END OF MARKET STREET BRIDGE The following list is the sche- Charles Henderson, instructor in piano at the Wilkes Col- dule of activities for the week of Mayor Luther M.Kniffen, Councilman Oliver I. Price, direct- lege School of Music, is the third member of the faculty in that October 16-21. or of streets and public improvements, and Guy B. Walker, city Tues., Oct. 17- Assembly department to have completed a course of study at Fontainbleu. Wed., Oct. 18- Coffeee Hour and planning engineer, among others, have decided that the Others who have attended this internationally-known music Wilkes Faculty Women parking situation at Wilkes must be cleared up. In the very center in southern France are Donald Cobleigh, head of the Fri., Oct. 20- Pep Rally - Cheer- near future we shall see the problem solved. According to lat- leaders - Senior Class - Senior department, and Wilbur Isaacs, voice instructor. Mr. Hender- Dance est reports, a 500 car parking lot is to be constructed beneath son, who returned from there several weeks ago, was awarded Sat., Oct. 21- Soccer - Blooms- the west end of the Market Street bridge. the first prize in the annual solfege competition. burg - Away. The officials feel that the park- were specifically mentioned, the Mr. Henderson's trip to Europe jag problem on River Street, as officials made it clear that the was arranged for him by the well- well as on streets throughout the under-the-bridge parking lot will known French bass, Doda Conrad, LITERARY SOCIETY SEEKS NEW MEMBERS; city, has been made more acute be for all motorists feeling the who appeared in Wilkes-Barre and since the increase in the number need of parking space for an ex- Scranton as a soloist on several GROUP TO RE-ORGANIZE NEXT THURSDAY of college students, both from Wil- tended time.