Musical Notation Codes Index
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Lilypond Music Glossary
LilyPond The music typesetter Music Glossary The LilyPond development team ☛ ✟ This glossary provides definitions and translations of musical terms used in the documentation manuals for LilyPond version 2.23.3. ✡ ✠ ☛ ✟ For more information about how this manual fits with the other documentation, or to read this manual in other formats, see Section “Manuals” in General Information. If you are missing any manuals, the complete documentation can be found at http://lilypond.org/. ✡ ✠ Copyright ⃝c 1999–2021 by the authors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections. A copy of the license is included in the section entitled “GNU Free Documentation License”. For LilyPond version 2.23.3 1 1 Musical terms A-Z Languages in this order. • UK - British English (where it differs from American English) • ES - Spanish • I - Italian • F - French • D - German • NL - Dutch • DK - Danish • S - Swedish • FI - Finnish 1.1 A • ES: la • I: la • F: la • D: A, a • NL: a • DK: a • S: a • FI: A, a See also Chapter 3 [Pitch names], page 87. 1.2 a due ES: a dos, I: a due, F: `adeux, D: ?, NL: ?, DK: ?, S: ?, FI: kahdelle. Abbreviated a2 or a 2. In orchestral scores, a due indicates that: 1. A single part notated on a single staff that normally carries parts for two players (e.g. first and second oboes) is to be played by both players. -
Download Piano Composition App for Windows 10 Musescore 2 Is a Powerful Windows 10 App for Music Composition and Practice
download piano composition app for windows 10 MuseScore 2 is a powerful Windows 10 app for music composition and practice. MuseScore 2 is an open sourced and highly functional app with a long list of features to help musicians compose or play music. The app is available for free on PCs through the Windows Store but isn't available on Windows 10 Mobile or any other Windows devices. A few highlights of MuseScore 2 include: Composing music with multiple parts. Ability to add lyrics. Option to import music from a vast Musescore library. Ability to export or print music. Playing back sheet music. Plugin support to enhance the app. If you compose music or just want to playback music as part of practicing to hear how it's supposed to sound, MuseScore 2 is a must have app. Composing with MuseScore 2. MuseScore 2 allows you to compose long scores with multiple staves of music. You can add from a wide range of instruments and place them on either the treble or bass clef. Writing music from scratch is pretty straightforward. You click on the staff and can either press the letter keys and enter their respective note or select them using a mouse. You can easily change the length of notes or rests and play around with your music. This is a big advantage over composing with paper and pencil. If you'd like to import a song that someone has already composed and tweak it you can use Musescore's large music library. Musescore users measure over 3 million so there isn't a shortage of music to choose from. -
MELT a Translated Domain Specific Language Embedded in the GCC
MELT a Translated Domain Specific Language Embedded in the GCC Compiler Basile STARYNKEVITCH CEA, LIST Software Safety Laboratory, boˆıte courrier 94, 91191 GIF/YVETTE CEDEX, France [email protected] [email protected] The GCC free compiler is a very large software, compiling source in several languages for many targets on various systems. It can be extended by plugins, which may take advantage of its power to provide extra specific functionality (warnings, optimizations, source refactoring or navigation) by processing various GCC internal representations (Gimple, Tree, ...). Writing plugins in C is a complex and time-consuming task, but customizing GCC by using an existing scripting language inside is impractical. We describe MELT, a specific Lisp-like DSL which fits well into existing GCC technology and offers high-level features (functional, object or reflexive programming, pattern matching). MELT is translated to C fitted for GCC internals and provides various features to facilitate this. This work shows that even huge, legacy, software can be a posteriori extended by specifically tailored and translated high-level DSLs. 1 Introduction GCC1 is an industrial-strength free compiler for many source languages (C, C++, Ada, Objective C, Fortran, Go, ...), targetting about 30 different machine architectures, and supported on many operating systems. Its source code size is huge (4.296MLOC2 for GCC 4.6.0), heterogenous, and still increasing by 6% annually 3. It has no single main architect and hundreds of (mostly full-time) contributors, who follow strict social rules 4. 1.1 The powerful GCC legacy The several GCC [8] front-ends (parsing C, C++, Go . -
Sibelius Artwork Guidelines Contents
Sibelius Artwork Guidelines Contents Conditions of use ...........................................................................................................................3 Important information ..................................................................................................................4 Product names and logos.............................................................................................................5 Example copy..................................................................................................................................6 Endorsees ........................................................................................................................................7 Reviews............................................................................................................................................8 Awards...........................................................................................................................................11 House Style ...................................................................................................................................12 Conditions of use Who may use this material Authorized Sibelius distributors and dealers are permitted to reproduce text and graphics on this CD in order to market Sibelius products or PhotoScore, but only if these guidelines are adhered to, and all artwork is used unmodified and cleared by Sibelius Software before production of final proofs. Acknowledge trademarks Please -
High Tech on a Low Budget
HIGH TECH ON A LOW BUDGET Finding Technology That Teaches Without Breaking The Bank Iowa Bandmaster's Association Conference May 11, 2012 2:00pm Chad Criswell- Southeast Polk Community Schools All of the links provided in this document are also available as clickable links at www.MusicEdMagic.com Based on the National Standards and on content guidelines available at: www.menc.org/resources/view/the-school-music-program-a-new-vision 1 & 2 - Singing or Playing alone and with others, a varied repertoire of music. Software and iPad Apps: Special Needs: SmartMusic Kinectar- Free http://www.smartmusic.com http://www.kinectar.org eJamming http://www.ejamming.com iPad Apps: Skype APS Music Master Pro http://www.skype.com ForScore Trombone Pro/Trumpet Pro/French Horn Pro Song Surgeon Flute+ http://www.songsurgeon.com/ Instruments in Reach Clarinet Quiz Aviary Tonara http://www.aviary.com Seline and Seline HD Community Band http://www.community-band.com 3. Improvising melodies, variations, and accompaniments. Software: iShed Jazz Impro-visor- FREE http://www.themusicinteractive.com/TMI/Downloads http://www.cs.hmc.edu/~keller/jazz/improvisor O Generator iPad Apps: http://www.o-music.tv Loopseque Improvox Aviary- FREE http://www.aviary.com Hardware: JamStudio - FREE BOSS BR-80 Digital Audio Recorder http://www.jamstudio.com 4. Composing and arranging music within specified guidelines. Music Notation Software: Finale Notepad 2012- FREE iPad Notation Apps: http://www.finalenotepad.com Notion - $15 Scorio- $4 MuseScore- FREE http://www.musescore.com Composition Tutorials: PyWare MusicWriter Touch Secret Composer http://www.pyware.com/musicwriter/ http://www.secretcomposer.com Hyperscore Digital Audio Workstations: http://www.hyperscore.com Ardour - (Pay what you feel it is worth) - Mac and Linux http://www.ardour.org Noteflight http://www.musicedmagic.com/music-technology/essential-free- LMMS- FREE - Windows and Linux music-education-software.html http://lmms.sourceforge.net 5. -
Introduo Computao Musical (Minicurso Cbcomp 2004)
IV Congresso Brasileiro de Computação CBComp 2004 Brasil Introdução à Computação Musical E. M. Miletto, L. L. Costalonga, L. V. Flores, E. F. Fritsch, M. S. Pimenta e R. M. Vicari Instituto de Informática - Laboratório de Computação & Música Universidade Federal do Rio Grande do Sul Av. Bento Gonçalves, 9500 Bloco IV - Campus do Vale - Bairro Agronomia - CEP 91501-970 Porto Alegre - RS - Brasil {miletto, llcostalonga, lvf, fritsch, mpimenta, rosa}@inf.ufrgs.br RESUMO E. M. Miletto, L. L. Costalonga, L. V. Flores, E. F. Fritsch, M. S. Pimenta e R. M. Vicari. 2004. Introdução à Computação Musical. Congresso Brasileiro de Ciência da Computação, S Itajaí, 2004, 883 – 902. Itajaí, SC – Brasil, ISSN 1677-2822 A idéia deste minicurso é propiciar aos alunos conhecer alguns conceitos introdutórios de Computação Musical, uma área eminentemente interdisciplinar e que engloba problemas computacionais interessantes e relevantes (por exemplo, de representação de conhecimento musical, de controle a tempo-real de dispositivos, de interação com usuários possivelmente leigos em informática, para enumerar apenas alguns) subjacentes ao universo musical, que já é fascinante por si só. É uma área emergente no Brasil, mas já possui um reconhecimento da comunidade acadêmica de informática, uma vez que a SBC possui uma Comissão Especial de Computação Musical, que organiza um evento periódico (Simpósio Brasileiro de Computação Musical – SBCM). Ano passado, o IX SBCM aconteceu em Campinas em conjunto com o Congresso da SBC (ver http://www.nics.unicamp.br/nucom/portugues). As características interdisciplinares do tema têm sido, nos últimos anos, objeto de trabalho quotidiano do Grupo de Computação Musical da Universidade Federal do Rio Grande do Sul (UFRGS), que conta com a participação e interação efetivas de professores, alunos e pesquisadores tanto do Instituto de Informática quanto do Instituto de Artes da UFRGS (ver http://www.musicaeletronica.ufrgs.br). -
MOLA Guidelines for Music Preparation
3 MOLA Guidelines for Music Preparation Foreword These guidelines for the preparation of music scores and parts are the result of many hours of discussion regarding the creation and layout of performance material that has come through our libraries. We realize that each music publisher has its own set of guidelines for music engraving. For new or self-published composers or arrangers, we would like to express our thoughts regarding the preparation of performance materials. Using notation so!ware music publishers and professional composers and arrangers are creating scores and parts that are as functional and beautiful as traditionally engraved music. " .pdf (portable document format) is the suggested final file format as it is independent of application so!ware, hardware, and operating system. "ll ma%or notation so!ware has the option to save a file in this format. "s digital storage and distribution of music data files becomes more common, there is the danger that the librarian will be obliged to assume the role of music publisher, expected to print, duplicate, and bind all of the sheet music. &ot all libraries have the facilities, sta', or time to accommodate these pro%ects, and while librarians can advise on the format and layout of printed music, they should not be expected to act as a surrogate publisher. The ma%ority of printed music is now produced using one of the established music notation so!ware programs. (ome of the guidelines that follow may well be implemented in such programs but the so!ware user, as well as anyone producing material by hand, will still find them beneficial. -
Civil Good: a Platform for Sustainable and Inclusive Online Discussion
Civil Good: A Platform For Sustainable and Inclusive Online Discussion An Interactive Qualifying Project submitted to the faculty of Worcester Polytechnic Institute In partial fulfillment of the requirements for the degree of Bachelor of Science by: Steven Malis (Computer Science), Tushar Narayan (Computer Science), Ian Naval (Computer Science), Thomas O'Connor (Biochemistry), Michael Perrone (Physics and Mathematics), John Pham (Computer Science), David Pounds (Computer Science and Robotics Engineering), December 19, 2013 Submitted to: Professor Craig Shue, WPI Advisor Alan Mandel, Creator of the Civil Good concept Contents 1 Executive Summary1 1.1 Overview of Recommendations......................2 2 Authorship5 3 Introduction 10 3.1 Existing Work - Similar Websites.................... 11 4 Psychology 17 4.1 Online Disinhibition........................... 17 4.2 Format of Discussions.......................... 22 4.3 Reducing Bias with Self-Affirmation................... 28 4.4 Other Psychological Influences...................... 34 5 Legal Issues 38 5.1 Personally Identifiable Information................... 38 5.2 Intellectual Property........................... 42 5.3 Defamation................................ 45 5.4 Information Requests........................... 46 5.5 Use by Minors............................... 49 5.6 General Litigation Avoidance and Defense............... 51 6 Societal Impact 52 6.1 Political Polarization........................... 52 6.2 Minority Opinion Representation.................... 55 6.3 History and Political -
Soundboard No. 22
SOUNDBOARD A Magazine for Church Musicians Number 22 !!! November 2010 Looking to the future The Committee seeks to identify and busy seasons of Advent and Two events since the end of summer respond to the needs and demands Christmas approach, we wish you all have given the Church Music of church music here in Dublin and the best with your music ministry, Committee good cause to celebrate. Glendalough, and the nature of these and look forward to a prosperous Firstly, we were delighted to will necessarily change over time. and musically fulfilling 2011 for us welcome six new students to the Just as we keep our training all! ! Archbishop's Certificate Course in schemes under review, so too are we Church Music, bringing the total aware of the need to continue to offer number of current students across relevant resources, support and the three years to fourteen. Their events. To that end, two days after arrival was marked on 9 September welcoming the students, the with Choral Evensong and a Committee met for a 'brainstorming WHAT’S IN THIS ISSUE reception at Christ Church breakfast' — the second of our Cathedral during which our 'events' — followed by a morning of The Role of Music in Liturgy chairperson, Archdeacon Ricky lively discussion (admirably led by Edgar Swann’s Living Worship talk Rountree, wished them well in their Ruth Handy). This left us in a much The Wesley Family studies and thanked them for their clearer position about the shape that David McConnell writes dedication and the hours of hard our work should take in the future. -
Musical Notation Codes Index
Music Notation - www.music-notation.info - Copyright 1997-2019, Gerd Castan Musical notation codes Index xml ascii binary 1. MidiXML 1. PDF used as music notation 1. General information format 2. Apple GarageBand Format 2. MIDI (.band) 2. DARMS 3. QuickScore Elite file format 3. SMDL 3. GUIDO Music Notation (.qsd) Language 4. MPEG4-SMR 4. WAV audio file format (.wav) 4. abc 5. MNML - The Musical Notation 5. MP3 audio file format (.mp3) Markup Language 5. MusiXTeX, MusicTeX, MuTeX... 6. WMA audio file format (.wma) 6. MusicML 6. **kern (.krn) 7. MusicWrite file format (.mwk) 7. MHTML 7. **Hildegard 8. Overture file format (.ove) 8. MML: Music Markup Language 8. **koto 9. ScoreWriter file format (.scw) 9. Theta: Tonal Harmony 9. **bol Exploration and Tutorial Assistent 10. Copyist file format (.CP6 and 10. Musedata format (.md) .CP4) 10. ScoreML 11. LilyPond 11. Rich MIDI Tablature format - 11. JScoreML RMTF 12. Philip's Music Writer (PMW) 12. eXtensible Score Language 12. Creative Music File Format (XScore) 13. TexTab 13. Sibelius Plugin Interface 13. MusiXML: My own format 14. Mup music publication program 14. Finale Plugin Interface 14. MusicXML (.mxl, .xml) 15. NoteEdit 15. Internal format of Finale (.mus) 15. MusiqueXML 16. Liszt: The SharpEye OMR 16. XMF - eXtensible Music 16. GUIDO XML engine output file format Format 17. WEDELMUSIC 17. Drum Tab 17. NIFF 18. ChordML 18. Enigma Transportable Format 18. Internal format of Capella (ETF) (.cap) 19. ChordQL 19. CMN: Common Music 19. SASL: Simple Audio Score 20. NeumesXML Notation Language 21. MEI 20. OMNL: Open Music Notation 20. -
Notensatz Mit Freier Software
Notensatz mit Freier Software Edgar ’Fast Edi’ Hoffmann Community FreieSoftwareOG [email protected] 30. Juli 2017 Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? 2 / 20 Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. 2 / 20 Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- -
The Evolution of Lisp
1 The Evolution of Lisp Guy L. Steele Jr. Richard P. Gabriel Thinking Machines Corporation Lucid, Inc. 245 First Street 707 Laurel Street Cambridge, Massachusetts 02142 Menlo Park, California 94025 Phone: (617) 234-2860 Phone: (415) 329-8400 FAX: (617) 243-4444 FAX: (415) 329-8480 E-mail: [email protected] E-mail: [email protected] Abstract Lisp is the world’s greatest programming language—or so its proponents think. The structure of Lisp makes it easy to extend the language or even to implement entirely new dialects without starting from scratch. Overall, the evolution of Lisp has been guided more by institutional rivalry, one-upsmanship, and the glee born of technical cleverness that is characteristic of the “hacker culture” than by sober assessments of technical requirements. Nevertheless this process has eventually produced both an industrial- strength programming language, messy but powerful, and a technically pure dialect, small but powerful, that is suitable for use by programming-language theoreticians. We pick up where McCarthy’s paper in the first HOPL conference left off. We trace the development chronologically from the era of the PDP-6, through the heyday of Interlisp and MacLisp, past the ascension and decline of special purpose Lisp machines, to the present era of standardization activities. We then examine the technical evolution of a few representative language features, including both some notable successes and some notable failures, that illuminate design issues that distinguish Lisp from other programming languages. We also discuss the use of Lisp as a laboratory for designing other programming languages. We conclude with some reflections on the forces that have driven the evolution of Lisp.