DOCSLIB.ORG

Mediaset Chooses Actus Digital for Clips Creation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mediaset Chooses Actus Digital for Clips Creation Mediaset chooses Actus Digital for clips creation Milan, Brussels, January 2018. Mediaset, Italy's largest private group in the Media and Telecom sector, owns and operates several commercial TV channels as well as a number of Newspapers, magazines and major websites. Its Videotime division is responsible for capturing and distributing video content to the various Media channels which are associated with it. As part of its modernization, Mediaset Videotime wished to establish a video content management system with a capacity of 60 TV channels, as well as HD camera feeds coming from live interviews at Videotime's studios. Video Progetti was selected as system integrator and Actus Digital’s system was chosen following a comprehensive evaluation. “The Actus system receives dozens of live video streams and allows the viewers to review the content, both live and from archive. The Actus Clip Factory editing tool allows the journalists to edit the videos, add metadata and create clips” said Claudio Tombola, technical Director for Mediaset/RTI Spa. The editing work is performed on standard PCs or MAC without requiring any installation, using Actus’ web-based HTML5 platform. The system is designed to distribute the clips to any website, social media, OTT or media platform. All Mediaset clips are stored on a shared storage via FTP transfers. If necessary, clips can be re-edited either on the Actus Clip Factory, or, if more complex editing is required, then the Avid Media composer can be used. “The Clip Factory solution from Actus was selected following a proof of concept that lasted for several weeks”, said Alessandro Repossi, the engineer in charge of the project at Mediaset Videotime. “We were able to test our complete workflow, from linear feeds all the way to insertion of clips into Web pages, together with their associated Metadata, overlays and graphics. Using Actus automation, we were able to achieve a faster turnaround from live to publication”. “At Actus, we consider this installation as a significant milestone, since Mediaset is a leading European media group, at the forefront of modernization, and with forward-looking workflows” said Larry Joffe, Actus’ VP of business development. “During the tests conducted by Video Progetti and Mediaset, we were able to test the system capacity, responsiveness, user friendliness and quality of clips. We are especially delighted to hear that our solution has been well received by the Mediaset journalists. “ About Mediaset Mediaset S.p.A., also known as Gruppo Mediaset, is an Italian-based media company and the largest commercial broadcaster in the country. Founded in 1987 by former Italian prime minister Silvio Berlusconi and is still controlled today with a 38.6% stake by his family's holding company Fininvest. In addition to its domestic television interests, Mediaset also operates a series of news, entertainment and sport websites; holds 50.1% of the Spanish broadcasting firm Mediaset España Comunicación; owns the film production company Medusa Film; and heads a consortium which owns the television production house Endemol. About VideoProgetti Video Progetti S.r.l. is a leading Italian company which has been working for over 20 years in the distribution and integration of professional equipment for television, cinema and telecommunications. Having offices both in Rome and Milan, Video Progetti is constantly in touch with the key players in these fields and participates in the development of the broadcast industry by offering the most up-to-date production technology. About Actus Digital Actus Digital is a leading provider of enterprise media intelligence platform, for broadcast monitoring, compliance and for clips creation for social and OTT. Actus solutions are designed for broadcasters, networks, cable and IPTV operators, and governments. Actus compliance platform is a cost effective solution for regulators requirements, including closed caption and loudness. Actus clip factory solution includes editing and distribution of clips to Web, social media, VOD, OTT and Catchup TV. .
Load more

Recommended publications
  • Report Prepared for Mediaset§ 3 June 2016
    Development of the audiovisual markets and creation of original contents Report prepared for Mediaset§ 3 June 2016 Lear Via di Monserrato, 48 00186 - Rome tel. +39 06 68 300 530 fax +39 06 68 68 286 email: [email protected] § This is a working translation of the Study “Evoluzione dei mercati dell’audiovisivo e creazione di contenuti originali” dated 16 May 2016. Index 1. Introduction ................................................................................................................................ 1 2. The audiovisual system: the birth of new models ......................................................................... 2 2.1. Media convergence ............................................................................................................................ 2 2.2. Audiovisual business models ............................................................................................................. 6 3. The regulatory asymmetry of the audiovisual markets ................................................................. 9 4. The enforcement of copyright .................................................................................................... 12 4.1. Methods and numbers in piracy ...................................................................................................... 12 4.2. Description of loss of earnings by channel of monetisation ............................................................ 15 4.3. Monitoring costs .............................................................................................................................
    [Show full text]
  • Packages & Channel Lineup
    ™ ™ ENTERTAINMENT CHOICE ULTIMATE PREMIER PACKAGES & CHANNEL LINEUP ESNE3 456 • • • • Effective 6/17/21 ESPN 206 • • • • ESPN College Extra2 (c only) (Games only) 788-798 • ESPN2 209 • • • • • ENTERTAINMENT • ULTIMATE ESPNEWS 207 • • • • CHOICE™ • PREMIER™ ESPNU 208 • • • EWTN 370 • • • • FLIX® 556 • FM2 (c only) 386 • • Food Network 231 • • • • ™ ™ Fox Business Network 359 • • • • Fox News Channel 360 • • • • ENTERTAINMENT CHOICE ULTIMATE PREMIER FOX Sports 1 219 • • • • A Wealth of Entertainment 387 • • • FOX Sports 2 618 • • A&E 265 • • • • Free Speech TV3 348 • • • • ACC Network 612 • • • Freeform 311 • • • • AccuWeather 361 • • • • Fuse 339 • • • ActionMAX2 (c only) 519 • FX 248 • • • • AMC 254 • • • • FX Movie 258 • • American Heroes Channel 287 • • FXX 259 • • • • Animal Planet 282 • • • • fyi, 266 • • ASPiRE2 (HD only) 381 • • Galavisión 404 • • • • AXS TV2 (HD only) 340 • • • • GEB America3 363 • • • • BabyFirst TV3 293 • • • • GOD TV3 365 • • • • BBC America 264 • • • • Golf Channel 218 • • 2 c BBC World News ( only) 346 • • Great American Country (GAC) 326 • • BET 329 • • • • GSN 233 • • • BET HER 330 • • Hallmark Channel 312 • • • • BET West HD2 (c only) 329-1 2 • • • • Hallmark Movies & Mysteries (c only) 565 • • Big Ten Network 610 2 • • • HBO Comedy HD (c only) 506 • 2 Black News Channel (c only) 342 • • • • HBO East 501 • Bloomberg TV 353 • • • • HBO Family East 507 • Boomerang 298 • • • • HBO Family West 508 • Bravo 237 • • • • HBO Latino3 511 • BYUtv 374 • • • • HBO Signature 503 • C-SPAN2 351 • • • • HBO West 504 •
    [Show full text]
  • Television Across Europe
    media-incovers-0902.qxp 9/3/2005 12:44 PM Page 4 OPEN SOCIETY INSTITUTE EU MONITORING AND ADVOCACY PROGRAM NETWORK MEDIA PROGRAM ALBANIA BOSNIA AND HERZEGOVINA BULGARIA Television CROATIA across Europe: CZECH REPUBLIC ESTONIA FRANCE regulation, policy GERMANY HUNGARY and independence ITALY LATVIA LITHUANIA Summary POLAND REPUBLIC OF MACEDONIA ROMANIA SERBIA SLOVAKIA SLOVENIA TURKEY UNITED KINGDOM Monitoring Reports 2005 Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2005 All rights reserved. TM and Copyright © 2005 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Website <www.eumap.org> ISBN: 1-891385-35-6 Library of Congress Cataloging-in-Publication Data. A CIP catalog record for this book is available upon request. Copies of the book can be ordered from the EU Monitoring and Advocacy Program <[email protected]> Printed in Gyoma, Hungary, 2005 Design & Layout by Q.E.D. Publishing TABLE OF CONTENTS Table of Contents Acknowledgements ........................................................ 5 Preface ........................................................................... 9 Foreword ..................................................................... 11 Overview ..................................................................... 13 Albania ............................................................... 185 Bosnia and Herzegovina ...................................... 193
    [Show full text]
  • Full-Year Results 2020
    FULL-YEAR RESULTS 2020 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES +18.01 % SDAX +8.77 % MDAX SHARE PERFORMANCE 1 January 2020 to 31 December 2020 in per cent INDEX = 100 -7.65 % SXMP -9.37 % RTL GROUP -1.11 % PROSIEBENSAT1 RTL Group share price development for January to December 2020 based on the Frankfurt Stock Exchange (Xetra) against MDAX/SDAX, Euro Stoxx 600 Media and ProSiebenSat1 RTL GROUP REVENUE SPLIT 8.5 % OTHER 17.5 % DIGITAL 43.8 % TV ADVERTISING 20.0 % CONTENT 6.7 % 3.5 % PLATFORM REVENUE RADIO ADVERTISING RTL Group’s revenue is well diversified, with 43.8 per cent from TV advertising, 20.0 per cent from content, 17.5 per cent from digital activities, 6.7 per cent from platform revenue, 3.5 per cent from radio advertising, and 8.5 per cent from other revenue. 2 RTL Group Full-year results 2020 REVENUE 2016 – 2020 (€ million) ADJUSTED EBITA 2016 – 2020 (€ million) 20 6,017 20 853 19 6,651 19 1,156 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 PROFIT FOR THE YEAR 2016 – 2020 (€ million) EQUITY 2016 – 2020 (€ million) 20 625 20 4,353 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 MARKET CAPITALISATION* 2016 – 2020 (€ billion) TOTAL DIVIDEND/DIVIDEND YIELD PER SHARE 2016 – 2020 (€ ) (%) 20 6.2 20 3.00 8.9 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 *As of 31 December *On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak ** Including
    [Show full text]
  • Supported Sites
    # Supported sites - **1tv**: Первый канал - **1up.com** - **20min** - **220.ro** - **22tracks:genre** - **22tracks:track** - **24video** - **3qsdn**: 3Q SDN - **3sat** - **4tube** - **56.com** - **5min** - **6play** - **8tracks** - **91porn** - **9c9media** - **9c9media:stack** - **9gag** - **9now.com.au** - **abc.net.au** - **abc.net.au:iview** - **abcnews** - **abcnews:video** - **abcotvs**: ABC Owned Television Stations - **abcotvs:clips** - **AcademicEarth:Course** - **acast** - **acast:channel** - **AddAnime** - **ADN**: Anime Digital Network - **AdobeTV** - **AdobeTVChannel** - **AdobeTVShow** - **AdobeTVVideo** - **AdultSwim** - **aenetworks**: A+E Networks: A&E, Lifetime, History.com, FYI Network - **afreecatv**: afreecatv.com - **afreecatv:global**: afreecatv.com - **AirMozilla** - **AlJazeera** - **Allocine** - **AlphaPorno** - **AMCNetworks** - **anderetijden**: npo.nl and ntr.nl - **AnimeOnDemand** - **anitube.se** - **Anvato** - **AnySex** - **Aparat** - **AppleConnect** - **AppleDaily**: 臺灣蘋果⽇報 - **appletrailers** - **appletrailers:section** - **archive.org**: archive.org videos - **ARD** - **ARD:mediathek** - **Arkena** - **arte.tv** - **arte.tv:+7** - **arte.tv:cinema** - **arte.tv:concert** - **arte.tv:creative** - **arte.tv:ddc** - **arte.tv:embed** - **arte.tv:future** - **arte.tv:info** - **arte.tv:magazine** - **arte.tv:playlist** - **AtresPlayer** - **ATTTechChannel** - **ATVAt** - **AudiMedia** - **AudioBoom** - **audiomack** - **audiomack:album** - **auroravid**: AuroraVid - **AWAAN** - **awaan:live** - **awaan:season**
    [Show full text]
  • Confirmed 2021 Buyers / Commissioners
    As of April 13th Doc & Drama Kids Non‐Scripted COUNTRY COMPANY NAME JOB TITLE Factual Scripted formats content formats ALBANIA TVKLAN SH.A Head of Programming & Acq. X ARGENTINA AMERICA VIDEO FILMS SA CEO XX ARGENTINA AMERICA VIDEO FILMS SA Acquisition ARGENTINA QUBIT TV Acquisition & Content Manager ARGENTINA AMERICA VIDEO FILMS SA Advisor X SPECIAL BROADCASTING SERVICE AUSTRALIA International Content Consultant X CORPORATION Director of Television and Video‐on‐ AUSTRALIA ABC COMMERCIAL XX Demand SAMSUNG ELECTRONICS AUSTRALIA Head of Business Development XXXX AUSTRALIA SPECIAL BROADCASTING SERVICE AUSTRALIA Acquisitions Manager (Unscripted) X CORPORATION SPECIAL BROADCASTING SERVICE Head of Network Programming, TV & AUSTRALIA X CORPORATION Online Content AUSTRALIA ABC COMMERCIAL Senior Acquisitions Manager Fiction X AUSTRALIA MADMAN ENTERTAINMENT Film Label Manager XX AUSTRIA ORF ENTERPRISE GMBH & CO KG content buyer for Dok1 X Program Development & Quality AUSTRIA ORF ENTERPRISE GMBH & CO KG XX Management AUSTRIA A1 TELEKOM AUSTRIA GROUP Media & Content X AUSTRIA RED BULL ORIGINALS Executive Producer X AUSTRIA ORF ENTERPRISE GMBH & CO KG Com. Editor Head of Documentaries / Arts & AUSTRIA OSTERREICHISCHER RUNDFUNK X Culture RTBF RADIO TELEVISION BELGE BELGIUM Head of Documentary Department X COMMUNAUTE FRANCAISE BELGIUM BE TV deputy Head of Programs XX Product & Solutions Team Manager BELGIUM PROXIMUS X Content Acquisition RTBF RADIO TELEVISION BELGE BELGIUM Content Acquisition Officer X COMMUNAUTE FRANCAISE BELGIUM VIEWCOM Managing
    [Show full text]
  • Drama Directory 2014
    2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ...................................................................
    [Show full text]
  • PROPOSED MERGER BUILDING the FRENCH MEDIA GROUP of the FUTURE Disclaimer
    PROPOSED MERGER BUILDING THE FRENCH MEDIA GROUP OF THE FUTURE Disclaimer This presentation includes certain projections and forward-looking statements with respect to the anticipated future performance of the combined group. Such information is sometimes identified by the use of the future tense, the conditional mode and forward-looking terms such as "estimates," "targets," "forecasts," "intends," "should," "has the ambition to," "considers," "believes," "could" and other similar expressions. This information is based on data, assumptions or estimates that Groupe TF1 and Groupe M6 believe are reasonable. Actual future results may differ materially from those projected or forecast in the forward-looking statements, in particular due to the uncertainties as to whether the synergies and value creation from the transaction will be realized in the expected time frame, the risk that the businesses will not be successfully integrated, the possibility that the transaction will not receive the necessary approvals, that the anticipated timing of such approvals will be delayed or will require actions that will adversely affect the anticipated benefits of the transaction, and the possibility that the transaction will not be completed. All forward-looking statements contained in this presentation are expressly qualified in their entirety by the cautionary statements contained or referred to in this disclaimer. Each forward- looking statement speaks only at the date of this presentation. Groupe TF1 and Groupe M6 make no undertaking to update or revise any information or the objectives, outlook and forward-looking statements contained in this presentation or that Groupe TF1 and Groupe M6 otherwise may make, except pursuant to any statutory or regulatory obligations applicable to Groupe TF1 and Groupe M6.
    [Show full text]
  • The Regulation of Canadian Religious Broadcasting
    A Fine Balance: The Regulation of Canadian Religious Broadcasting Mark Faassen* The Canadian Radio-television and Telecommunications Commission (CRTC) has created special rulesfor religiousradio and television stations. The authorcritically reviews the evolution of the CR TC's religious broadcastingpolicy since it was first set out in 1983. He argues that the policy's central tenet-the "balanceprogramming" requirement-isflawed and should be revisited. When the CR TC began to award licences to religious broadcasters, it required that they 2011 CanLIIDocs 536 offer programmingfrom a variety of faith perspectives. These rules were based on the 1968 Broadcasting Act, which required that programming in Canada provide a "balanced opportunity for the expression of differing views on matters of public concern". Religious broadcastingwas not addressed in the Act, but the CR TC, regardingreligion as controversial, classified it as a "matter of public concern" and therefore as subject to a balance requirement. Over the past three decades, the CR TC has gradually allowed many types of programming to be used to balance religious content. Though the word "balance" was removed in the 1991 Broadcasting Act with respect to matters of public concern, the balance programming objective has remained central to the CR TC's religious broadcastingpolicy. The author argues that the balance requirement is no longer appropriateon a proper interpretation of the governing statute and given the CRTC's dissimilar application of the rules to other broadcasters.Further, developments in distribution technology, the broadcasting industry and consumer behaviour have undermined any rationale that may once have existed for the balance requirement. Introduction I. The State of Religious Broadcasting in 2011 II.
    [Show full text]
  • Media Influence Matrix: Italy Funding Journalism
    MEDIA INFLUENCE MATRIX: ITALY FUNDING JOURNALISM Author: Matteo Trevisan Editor: Marius Dragomir 2020 | DECEMBER PUBLISHED BY CEU CENTER FOR MEDIA, DATA AND SOCIETY About CMDS About the authors The Center for Media, Data and Society Matteo Trevisan is an Italian researcher (CMDS) is a research center for the study of dedicated to Freedom of Expression and media, communication, and information Information. He holds an MA in Interdisciplinary policy and its impact on society and practice. Research and Studies on Eastern Europe from the Founded in 2004 as the Center for Media and University of Bologna, Kaunas and Saint Communication Studies, CMDS is part of Petersburg, and a BA in Political Sciences, Social Central European University’s Democracy and International. After graduating, he worked as Institute and serves as a focal point for an one of the editors, researchers and curators of the international network of acclaimed scholars, Resource Centre on Media Freedom lead by research institutions and activists. Osservatorio Balcani e Caucaso Transeuropa (OBCT) within the project European Centre for Press and Media Freedom (ECPMF). Previously CMDS ADVISORY BOARD he moved to Belgrade to experience a traineeship at the Independent Journalists’ Association of Clara-Luz Álvarez Serbia (IJAS), where he participated in the analysis Floriana Fossato of Serbia’s progress in the EU negotiation process, Ellen Hume especially in relation to Action Plan for Chapter Monroe Price 23 with regard to Freedom of Expression. Besides Anya Schiffrin the FoE/I-related work, he is particularly attentive Stefaan G. Verhulst to the challenging dynamics affecting the post- socialist enlargement of the EU, such as the controversial transitional processes, the persisting ethnic conflicts, migration and the rights of minorities.
    [Show full text]
  • Active Members Broadcasters Which Are Part of Prix Italia's History
    Active Members ● Broadcasters which are part of Prix Italia’s History MEMBERS ALBANIA TVSH – TV TELEVIZIONI SHQIPTAR Rruga Ismail Qemali 11 1008 TIRANA www.rtsh.al Mrs. Edlira ROQI HEAD OF INT. RELATIONS Ph. +355 4 22 30 842 Mob. +355 68 20 79 009 Fax +355 4 22 277 45 [email protected] ARGENTINA RTA – RAE - R RADIO Y TELEVISION ARGENTINA S.E./RADIO NACIONAL ARGENTINA Maipù, 555 1006 BUENOS AIRES C.A.B.A. Republica Argentina www.radioytelevision.com.ar Mrs. Caritina COSULICH Ph. +54 11 5278 9100 int. 642/644 [email protected] Mr. Marcelo CHELO AYALA Ph. +54 11 5278 9100 int. 642/644 [email protected] AUSTRALIA ABC - R TV ● WEB ● AUSTRALIAN BROADCASTING CORPORATION ABC Radio Box 9994 GPO SYDNEY NSW 2001 www.abc.net.au Mrs. Sophie TOWNSEND EDITOR, CREATIVE & DIGITAL AUDIO Ph. +61 2 8333 2575 [email protected] Mr. Danny MARATOS UNIT MANAGER, ARTS Ph. +61 2 8333 1328 [email protected] Mrs. Claudia TARANTO EXECUTIVE PRODUCER FEATURES, ABC RADIO NATIONAL Ph. +61 2 8333 1436 [email protected] ABC Gpo Box 9994 VIC 3001 MELBOURNE Mrs. Carolyn MacDONALD NEW MEDIA AND DIGITAL SERVICES PUBLICITY AND COMMUNICATIONS COORDINATOR Fax +613 9626 1983 [email protected] Mr. Richard BUCKHAM EDITOR, PERFORMANCE AND FEATURES RADIO Ph. +613 9626 1649 Fax +613 9626 1621 [email protected] AUSTRIA ORF - R TV ● WEB ● AUSTRIAN BROADCASTING CORPORATION Radio, Television and Online Würzburggasse 30 1136 VIENNA www.orf.at ORF-RADIO Argentinierstrasse 30a 1040 VIENNA Mrs. Margit DESCH INTERNATIONAL RELATIONS - RADIO Ph.
    [Show full text]
  • Media Rights Sales: UEFA EURO 2016™
    Media rights sales: UEFA EURO 2016™ Last Update: 10.06.2016 Update: The media content rights sales process for UEFA EURO 2016™ is currently on-going. The sales process will be conducted on a market-by-market basis with such media rights being offered on a platform neutral basis. The sales process will be effected initially by means of an Invitation to Tender (“ITT”) process under which qualified media content distributors will be invited to submit offers before the submission deadline (as indicated in the schedule below) for the media rights in their respective territory. Schedule A below lists the status of the sales process in the relevant territories. Schedule B lists the relevant territories for which media rights agreements have been signed (including details of the respective partner). The sales process will be administered on behalf of UEFA by CAA Eleven Sàrl. All enquiries in respect of the acquisition of the media rights to the UEFA EURO 2016™ should therefore be directed to CAA Eleven Sàrl at the following e-mail address: [email protected] Further communications and updates shall be provided as and when UEFA commences the media rights sales process in respect of any other territory or territories. Schedule A: Updated ITT list On-going and upcoming tender processes EUROPE Territory(ies)/Region ITT Issue date Deadline for submission of bids No tenders ongoing at present EX-EUROPE Territory(ies)/Region ITT Issue date Deadline for submission of bids No tenders ongoing at present Closed tender processes EUROPE Deadline for submission
    [Show full text]