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ICMA News...And More Summer 2017, No Summer 2017, no. 2 ICMA NEWS...AND MORE Summer 2017, no. 2 Heidi C. Gearhart, Editor FROM THE PRESIDENT, audiences in Arkansas and Jacqueline Jung Inside this issue: (Yale University) gave outstanding Forsyth ELEN VANS H E Lectures in Oregon. ICMA News 1 Member News 2 Dear All, Our distinguished member Steve Scher In Brief 4 gave an illuminating tour of his exhibition, Special Features 8 As summer ends, ICMA can look back to the The Pursuit of Immortality, Masterpieces from the Reflection: Armenian end of a successful academic year and for- Scher Collection of Portrait Medals, and Barbara Architecture in Peril, by ward to the fall semester. The newsletter is Christina Maranci 8 Boehm provided ICMA members and friends filled with a call for historic preservation of with a private tour of Small Wonders: Gothic Teaching Medieval endangered sites, recognition of understud- Art History: Lordship Box Miniatures at The Cloisters. If you know and Commune as a ied sites, unknown pigments, and new ideas of exhibitions anywhere for which you'd like Teaching Resource, by for teaching medieval art using our Lordship Jennifer M. Feltman (Also to organize an ICMA visit, let us know. We available as a separate and Commune Project: A Collaboratory on the want to offer ICMA sponsored tours of spe- PDF) 10 ICMA website. There are calls for papers cial exhibitions wherever they are happening. Report From Belgrade: and information of ICMA sponsored ses- A Short Guide to Recent sions at congresses here and abroad that Serbian Scholarship in the Our Board Meeting at Kalamazoo recog- Field of Byzantine and we hope will inspire you to submit papers nized the successes of last year and looked Serbian Medieval Art (2015– for the sessions as well as to attend the forward to future initiatives. If you have sug- 2017), by Marka Tomić conferences. Djurić, Miodrag Marković, gestions as to what we should be doing in and Miloš Živković 13 five years to further the field, please bring New Discoveries: Neuer In May at the International Congress of them to our attention. The next board meet- Nachweis für Ägyptisch Medieval Studies at Kalamazoo the ICMA ing is October 15 in New York City at The Blau in karolingischer announced broadly the launch of our new Wandmalerei, by Michael Cloisters. Wolf 17 series ICMA BOOKS – VIEWPOINTS ICMA Opportunities 21 to be published with Penn State University And as Heidi Gearhart, the newsletter’s excel- Contributors 26 Press. See the call for book proposals in the lent editor, says elsewhere do let us know newsletter and think of what you’d want to about your activities, awards, prizes, publica- write to encourage discussion about topical tions so that we can let everyone know about issues in our field. them. Sincerely, Also on the website, look for our newly launched Student Travel Grants for those in the early stages of their dissertations and our estab- lished Kress grants for publications and travel. For the first time ICMA sponsored sessions at the meeting of the Association of Art Dr. Helen C. Evans Historians Conference in England. Elizabeth L’Estrange (University of Birmingham) President, ICMA and Sherry C. M. Lindquist (Western Mary & Michael Jaharis Illinois University) chaired two sessions. Curator for Byzantine Art Barbara Boehm (Metropolitan Museum The Metropolitan Museum of Art of Art) gave the Stahl Lectures to large [email protected] Continued on page 2 Heidi C. Gearhart, Editor Stefania Gerevini discusses ideas about rainbows, light, and architecture during her talk, “Light Matters: The Cappella Portinari in Sant’ Eustorgio, Milan” for the session Light and Darkness in Medieval Art, 1200–1450 II, International Congress of Medieval Studies, Kalamazoo, Michigan, May 13, 2017] MEMBER NEWS Awards News If you are a member and your work has garnered a prize in the 12 months prior to December 2017, please send your infor- mation to Heidi Gearhart, [email protected], by November 15, 2017 (in advance of the December Newsletter). Meredith Cohen’s book The Sainte-Chapelle and the Construction of Sacral Monarchy: Royal Architecture in Thirteenth-Century Paris (Cambridge, 2015) has received the 2017 Alice Davis Hitchcock book award from the Society of Architectural Historians. The project Digital Gothic: Making Paris Past and Present (PI: Meredith Cohen and PM: Kristine Tanton) has received a 2017-2018 Kress Foundation Digital Resources Grant. The associated website is http://paris.cdh.ucla.edu/ At the Hellenic Centre in London on 15 June, Ivan Drpić was awarded the 2017 Runciman book award for his book Epigram, Art and Devotion in Later Byzantium. (Cambridge University Press, 2016) by the Anglo-Hellenic League. One of the images from Conrad Rudolph and Amit Roy-Chowdhury’s the FACES project: Lorenzo de’Medici; stucco death mask casting; 1492; possibly Regarding Epigram, Art and Devotion in Later Byzantium, by Orsino Benintendi (Florence, Accademia Toscana di Scienze e Lettere “La the committee writes: “one could not hope for a better Colombaria,” on loan to the Museo degli Argenti). 2 Summer 2017, no. 2 guide to epigrams, these very Byzantine cultural objects, Second Prize: Lauren Maceross (John Hopkins University), whether inscribed on precious objects and monuments, or “ ‘My eye glances at nothing unless it gives my heart preserved on the pages of manscripts. Drpić uses them to delight’: Physiological Poetics in a Late Medieval Coffret at discuss questions of patronage and the construction of the Metropolitan Museum.” the self, adornment as a rhetorical device, but also in its material aspects, as well as embedding these short poems Graduate Student Travel Grants in the system of the gift which united the patron, the poet, viewer/listener, and of course God, the Virgin Mary or Ariel Fein (Yale University), research on the church of saints. This is a gripping book with wonderful illustrations Santa Maria dell’Ammiraglio in Palermo. that evoke the richness and complexity of the texts and objects explored in it.” https://runcimanaward.wixsite. Laura Leeker (Ohio State University), research on visual pro- com/authorinterviews/2017-winner grams of fourteenth-century Italian mendicant chapter houses. Jacqueline Jung has been awarded the Prize of the Aby- Ariell Winnik (Bryn Mawr College), “Burial Dress and Warburg Foundation in Hamburg for contributions to the Christian-Muslim Encounters in the Eastern Mediterranean, study of art history and cultural studies (http://www.war- 900-1400.” burg-haus.de/personen/martin-warnke-medaille/). In con- junction with receiving the award, Jung delivered a lecture Submitted by at the Warburg-Haus on the Pillar of Angels at Strasbourg Nina Rowe (Fordham University), Vice President, ICMA, Cathedral on April 5, 2017. View the lecture here: https:// and Chair, Grants and Awards Committee lecture2go.uni-hamburg.de/l2go/-/get/v/21188 Jacqueline Jung’s The Gothic Screen was also the co-winner RECENT PUBLICATIONS BY of the John Nicholas Brown Prize from the Medieval MEMBERS Academy of America, for a first book, in April 2017. Professors Conrad Rudolph (UCR) and Amit Roy- If you are a member who has published a book (or equiva- Chowdhury (UCR Electrical Engineering) were awarded lent research project) 12 months prior to December 2017, a Samuel H. Kress Foundation Digital Resources Grant and which has not yet been announced in this newsletter, to automate FACES (Faces, Art, and Computerized please send your information to Heidi Gearhart, newslet- Evaluation Systems), a pioneering attempt to apply face [email protected], by November 15, 2017 (in advance recognition technology to works of art, specifically por- of the December Newsletter). traiture. (See image above.) David S. Areford, La nave e lo scheletro: Le stampe di Jacopo Lastly, a number of medieval art historians have been Rubieri alla Biblioteca Classense di Ravenna (Bologna: Bononia awarded membership at the Institute of Advanced Study, University Press, 2017). The book is an Italian transla- Princeton, for 2017-2018: tion of “The Ship and the Skeleton: The Prints of Jacopo Rubieri,” chapter three of The Viewer and the Printed Image in William J. Diebold, Reed College, winter term Late Medieval Europe (Ashgate, 2010). Cynthia Hahn, Hunter College, full year http://www.buponline.com/ita/catalogo.asp Cecily Hilsdale, McGill University, full year https://www.routledge.com/The-Viewer-and-the- Printed-Image-in-Late-Medieval-Europe/Areford/p/ book/9781138252332 ICMA GRADUATE STUDENT Patricia Blessing and Rachel Goshgarian, eds. Architecture AWARDS, 2017 and Landscape in Anatolia, 1100-1500 (Edinburgh: Edinburgh University Press, 2017) https://edinburghuniversitypress. Graduate Student Essay Awards com/book-architecture-and-landscape-in-medieval-anato- lia-1100-1500.html First Prize: Nicole Pulichene, (Harvard University), “One whose Name was Writ in Wax: Reflections on the Medieval Ivan Foletti, From Byzantium to Holy Russia. Nikodim Kondakov Reuse of the Boethius Diptych.” (1844-1925) and the Invention of the Icon (Rome, Viella, Continued on page 4 3 Heidi C. Gearhart, Editor 2017) [first Italian edition, 2011]. https://www.viella.it/ The first tour, on May 3, 2017, was led by Barbara Drake libro/9788867287529 Boehm, Paul and Jill Ruddock Senior Curator, and took place at the Met Cloisters. Boehm focused on individual Robert Ousterhout, Visualizing Community: Art, Material objects and explained the concept for Small Wonders: Gothic Culture, and Settlement in Byzantine Cappadocia. (Harvard Boxwood Miniatures. She also answered the most frequently University Press, 2017). http://www.hup.harvard.edu/cat- asked question: how were the multi-layered objects created, alog.php?isbn=9780884024132 and pointed to the “where’s Waldo” theme that appeared on many of the labels, encouraging visitors to search for spe- Stephen Perkinson, The Ivory Mirror: The Art of Mortality cific figures in the tiny objects. The exhibition was co-or- in Renaissance Europe. (Brunswick: The Bowdoin College ganized by the Met along with the Art Gallery of Ontario, Museum of Art, in association with Yale University Press, Toronto, and the Rijksmuseum, Amsterdam.
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