Rapunzel from Tangled
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Racism and Stereotypes: Th Movies-A Special Reference to And
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific ResearchResearch Larbi Ben M’h idi University-Oum El Bouaghi Faculty of Letters and Languages Department of English Racism and Stereotypes: The Image of the Other in Disney’s Movies-A Special Reference to Aladdin , Dumbo and The Lion King A Dissertation Submitted in Partial Fulfillment of the Requirements for the D egree of Master of Arts in Anglo-American Studies By: Abed Khaoula Board of Examiners Supervisor: Hafsa Naima Examiner: Stiti Rinad 2015-2016 Dedication To the best parents on earth Ouiza and Mourad To the most adorable sisters Shayma, Imène, Kenza and Abir To my best friend Doudou with love i Acknowledgements First of all,I would like to thank ‘A llah’ who guides and gives me the courage and Patience for conducting this research.. I would like to express my deep appreciation to my supervisor Miss Hafsa Naima who traced the path for this dissertation. This work would have never existed without her guidance and help. Special thanks to my examiner Miss Stiti Rinad who accepted to evaluate my work. In a more personal vein I would like to thank my mother thousand and one thanks for her patience and unconditional support that facilitated the completion of my graduate work. Last but not least, I acknowledge the help of my generous teacher Mr. Bouri who believed in me and lifted up my spirits. Thank you for everyone who believed in me. ii ا ا أن اوات ا اد ر ر دة اطل , د ه اوات ا . -
About Disney's Newsies Character Breakdown
About Disney’s Newsies Based on the real-life Newsboy Strike of 1899, this new Disney musical tells the story of Jack Kelly, a rebellious newsboy who dreams of a life as an artist away from the big city. After publishing giant Joseph Pulitzer raises newspaper prices at the newsboys’ expense, Jack and his fellow newsies take action. With help from the intrepid reporter Katherine Plumber, all of New York City soon recognizes the power of young people. From the award winning minds of Alan Menken (Disney’s Beauty and the Beast, Aladdin) and four-time Tony® Award winner Harvey Fierstein (La Cage aux Folles, Kinky Boots), you’ll be singing along to the hit songs “King of New York”, “Seize the Day,” and “Santa Fe.” Character Breakdown: JACK KELLY – leader of the newsies CRUTCHIE – newsie with a bum leg DAVEY – new, bookish newsie LES – Davey’s fearless younger brother. (ELEMENTARY AGE) RACE, ALBERT, SPECS, HENRY, FINCH, ROMEO, ELMER MUSH, BUTTONS, TOMMY BOY, JOJO, SPLASHER, MIKE, IKE – newsies SCABS (3) SPOT CONLON – Leader of the Brooklyn Newsies KATHERINE PLUMBER – feisty/ambitious young reporter DARCY – upper-class son of a publisher BILL – son of William Randolf Hearst WIESEL – runs the distribution window of The World MORRIS DELANCEY– heavy at The World’s distribution window OSCAR DELANCEY – Morris’s equally tough brother JOSEPH PULITZER – no-nonsense Publisher of The World SEITZ – Pulitzer’s editor BUNSEN – Pulitzer’s bookkeeper HANNAH – Pulitzer’s secretary NUNZIO – Pulitzer’s barber GUARD SNYDER – warden of The Refuge; a frightening and sinister man MEDDA LARKIN – A vaudeville star, owns her own theater BOWERY BEAUTIES – showgirls at Medda’s theatre STAGE MANAGER NUNS (3) WOMAN – newspaper customer JACOBI – owner of Jacobi’s deli POLICEMEN MAYOR GOVENOR TEDDY ROOSEVELT . -
Magic Kingdom Epcot Animal Kingdom Hollywood Studios
Magic Kingdom Animal Kingdom ● *Seven Dwarfs Mine Train Pick one from this group: ● *Peter Pan's Flight ● *Space Mountain ● *Avatar Flight of Passage ● *Meet Mickey Mouse at Town Square Theater ● *Nav'i River Journey ● *Splash Mountain ● *Enchanted Tales with Belle Then two more from these: ● Big Thunder Mountain Railroad ● Buzz Lightyear's Space Ranger Spin ● *Kilimanjaro Safaris ● Dumbo the Flying Elephant ● *Meet Favorite Disney Pals at Adventurer’s ● Haunted Mansion Outpost (Mickey & Minnie) ● "it's a small world" ● *Expedition Everest ● Jungle Cruise ● Dinosaur ● Mad Tea Party ● Festival of the Lion King ● Meet Ariel at Her Grotto ● Finding Nemo – The Musical ● Meet Cinderella/Elena - Princess Fairytale Hall ● It’s Tough to be a Bug! ● Meet Rapunzel/Tiana - Princess Fairytale Hall ● Kali River Rapids ● Meet Tinker Bell at Town Square Theater ● Primeval Whirl ● Mickey's PhilharMagic ● Rivers of Light ● Monster's, Inc. Laugh Floor ● UP! A Great Bird Adventure ● Pirates of the Caribbean ● The Barnstormer Hollywood Studios (effective 3/4/20) ● The Magic Carpets of Aladdin ● The Many Adventures of Winnie the Pooh Pick one from this group: ● Tomorrowland Speedway ● Under the Sea - Journey of the Little Mermaid ● *Slinky Dog Dash ● *Millenium Falcon: Smuggler’s Run Epcot ● *Mickey & Minnie’s Runaway Railway Pick one from this "Tier One" group: Then two more from these: ● *Frozen Ever After ● *Toy Story Mania! ● *Soarin' ● *Rock 'n' Roller Coaster Starring Aerosmith ● *Test Track Presented by Chevrolet ● *The Twilight Zone Tower of Terror -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Disney Magic Becomes a Little Less Magical and a Little More
University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image. -
Searching for Moral Lessons in "Rapunzel"
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 Searching for Moral Lessons of “'the seven deadly sins of childhood'” (ix). He claims, “Every major fairy tale is unique in that it addresses a in “Rapunzel” specific failing or unhealthy predisposition in the self” Kara Nelson (Cashdan 13). He also believes in the rewards of teachers English 345 and parents “subtly” having children see a fairy tale's Summer 2014 “underlying sin” (Cashdan 15). In Cashdan's theory, the witch in these stories dies to “ensure that bad parts of the The Grimms' fairy tale “Rapunzel” does not self are eradicated and that good parts of the self prevail” portray the stereotypical evil stepmother, perfect prince, (35). Finally, Cashdan believes adult ties to fairy tales or immediate fairytale wedding. Hence, when adapted result from childhood experiences with them, since “it into various mediums, such as the movies Tangled and is in childhood that the seeds of virtue are sown” (20). Barbie as Rapunzel or the graphic novel Rapunzel's In order to understand certain complex tales such as Revenge, the story is often misinterpreted and reinvented “Rapunzel,” it is believed that a symbolic, historical, or since the world no longer values the tale's implied psychoanalytic analysis is not enough—these tales must morality and coming-of-age issues. While Bettelheim's also be viewed from a didactic or moral viewpoint. Freudian approach to fairy tales has been widely Indeed, “Rapunzel” addresses many moral criticized, he and many others, especially Sheldon issues. Zipes claims “Rapunzel” is not meant to be Cashdan, illustrate that fairy tales can hold deeper “didactic,” but that it has “the initiation of a virgin, who moral lessons. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
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Deconstruction and Reconstruction of Puss in Boots
DECONSTRUCTION AND RECONSTRUCTION OF PUSS IN BOOTS AND HUMPTY DUMPTY CHARACTERS IN ANIMATED FILM PUSS IN BOOTS A Thesis Submitted to Letters and Humanities Faculty In partial Fulfillment of the Requirements for the degree of Strata One By: ADE DWI SEPTIAN 1111026000077 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2016 ABSTRACT Ade Dwi Septian, NIM. 1111026000077, Deconstruction and Reconstruction of Puss In Boots and Humpty Dumpty Characters in Animated Film Puss In Boots. Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University of Syarif Hidayatullah, Jakarta, 2015. This thesis analyzes the animated film entitled Puss In Boots. The film is directed by Chris Miller was released in 2011. The problem in this film is located in the main characters, Puss In Boots and Humpty Alexandre Dumpty. The film is considered deconstructs the characteristics of the two main characters. In this case, Puss In Boots, fairy tale by Charles Perrault and Humpty Dumpty character in the novel Through The Looking-Glass by Lewis Carroll are the benchmark. This research uses the deconstruction theory by Jacques Derrida. The method that is used in this research is descriptive qualitative. Puss In Boots is animated film that tells the story of the greatness of two buddies, Puss In Boots and Humpty Alexandre Dumpty, that become hero in a town called San Ricardo. However, the presence of Puss and Humpty as main characters in the film is contrary to the characteristics of Puss and Humpty in the fairy tale earlier. Generally, Puss and Humpty in this film shows a form of deconstruction related to the characteristics of Puss and Humpty in the fairy tale. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
March 11-20, 2016
The First Act “High Ho” & “Small World” (Snow White “I Can Go the Distance” (Hercules) Lori Zimmermann of State Farm, Chuck Eckberg of RE/MAX Results, and and the Seven Dwarfs) Hercules, Captain Li Shang “When You Wish Upon a Star” (Pinocchio) Seven Dwarfs, Small Youth Chorus “Trashin’ the Camp” & “Two Worlds Jiminy Cricket, Tinker Bell, All Cast Ending” (Tarzan) “Belle (Bon Jour)” (Beauty & the Beast) DISNEY LEADING LADIES Stomp Guys Belle, Aristocratic Lady, Fishman/Eggman, “Bibidy Bobbidy Boo” (Cinderella) “I’ve Been Dreaming of a True Love’s Kiss” PRESENT Sausage Curi Girl, Baker, Hat Seller, Fairy Godmother, Cinderella, Girls (Enchanted) Shepherd Boy, Lady with Cane, Gaston, Chorus II, “Parents”, Little Brothers, Disney Prince Edward LeFou, Silly Girl1, Silly Girl2, Silly Girl3, Photographers Children, Villagers “Some Day My Prince Will Come” (Snow VILLAINS “Topsy Turvy Day” (Hunchback of Notre White and the Seven Dwarfs) “I’ve Got a Dream” (Tangled) Dame) Snow White Hook Hand Thug, Big Nose Thug, Flynn, Clopin (Jester), Esmerelda, Quasimodo, “So This Is Love” (Cinderella) Rapunzel, Thug Chorus Guards, Villagers Cinderella, Prince Charming “Gaston” (Beauty & the Beast) “One Jump Ahead” (Aladdin) “Once Upon a Dream” (Sleeping Beauty) Gaston, Lefou, Silly Girls, Villagers Aladdin, Soloist, Jasmine, Abu, Villagers, Princess Aurora “Step Sisters Lament” (Cinderella) Group of Ladies “Part of Your World” (Little Mermaid) Portia & Joy “For the First Time in Forever” (Frozen) Ariel “Poor Unfortunate Soul” (Little Mermaid) Anna, Castle Folks -
From Snow White to Frozen
From Snow White to Frozen An evaluation of popular gender representation indicators applied to Disney’s princess films __________________________________________________ En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer __________________________________________________ Johan Nyh __________________________________________________ Faculty: The Institution for Geography, Media and Communication __________________________________________________ Subject: Film studies __________________________________________________ Points: 15hp Master thesis __________________________________________________ Supervisor: Patrik Sjöberg __________________________________________________ Examiner: John Sundholm __________________________________________________ Date: June 25th, 2015 __________________________________________________ Serial number: __________________________________________________ Abstract Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness.