DISNEY's ALADDIN – Adapted for the Stage by Joey Landwehr 1
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
About Disney's Newsies Character Breakdown
About Disney’s Newsies Based on the real-life Newsboy Strike of 1899, this new Disney musical tells the story of Jack Kelly, a rebellious newsboy who dreams of a life as an artist away from the big city. After publishing giant Joseph Pulitzer raises newspaper prices at the newsboys’ expense, Jack and his fellow newsies take action. With help from the intrepid reporter Katherine Plumber, all of New York City soon recognizes the power of young people. From the award winning minds of Alan Menken (Disney’s Beauty and the Beast, Aladdin) and four-time Tony® Award winner Harvey Fierstein (La Cage aux Folles, Kinky Boots), you’ll be singing along to the hit songs “King of New York”, “Seize the Day,” and “Santa Fe.” Character Breakdown: JACK KELLY – leader of the newsies CRUTCHIE – newsie with a bum leg DAVEY – new, bookish newsie LES – Davey’s fearless younger brother. (ELEMENTARY AGE) RACE, ALBERT, SPECS, HENRY, FINCH, ROMEO, ELMER MUSH, BUTTONS, TOMMY BOY, JOJO, SPLASHER, MIKE, IKE – newsies SCABS (3) SPOT CONLON – Leader of the Brooklyn Newsies KATHERINE PLUMBER – feisty/ambitious young reporter DARCY – upper-class son of a publisher BILL – son of William Randolf Hearst WIESEL – runs the distribution window of The World MORRIS DELANCEY– heavy at The World’s distribution window OSCAR DELANCEY – Morris’s equally tough brother JOSEPH PULITZER – no-nonsense Publisher of The World SEITZ – Pulitzer’s editor BUNSEN – Pulitzer’s bookkeeper HANNAH – Pulitzer’s secretary NUNZIO – Pulitzer’s barber GUARD SNYDER – warden of The Refuge; a frightening and sinister man MEDDA LARKIN – A vaudeville star, owns her own theater BOWERY BEAUTIES – showgirls at Medda’s theatre STAGE MANAGER NUNS (3) WOMAN – newspaper customer JACOBI – owner of Jacobi’s deli POLICEMEN MAYOR GOVENOR TEDDY ROOSEVELT . -
Disney Magic Becomes a Little Less Magical and a Little More
University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Mt. Ararat Stage Company 2018-2019 Rehearsal/Performance Schedule
Mt. Ararat Stage Company 2018-2019 Rehearsal/Performance Schedule Performance Schedule Aladdin Jr Friday, April 26th at 7:00 PM (Performance #1) Saturday, April 27th at 11:00 AM (Performance #2) Saturday, April 27th at 4:00 PM (Performance #3) Rehearsal Schedule Tuesday, December 11th 2:20-4:30 PM (Aladdin Jr.) (Will use the auditorium but not the Stage) 2:20 PM – Introductions/Overview (Full Cast) 3:15 PM – Music (Overture/Arabian Nights) Tuesday, December 11th BAND CONCERT Thursday, December 13th 2:20-4:30 PM (Aladdin Jr.) Music – One Jump Ahead, One Jump Ahead Reprise/Proud of Your Boy, Babkak, Omar, Aladdin, Kassim, High Adventure (Aladdin, Omar, Babkak, Kassim) Tuesday, December 18th 2:20-4:30 PM (Aladdin Jr.) Music – These Palace Walls, Friend Like Me, A Whole New World, Prince Ali (Reprise), Finale (Jasmine, Attendants, Genie, Aladdin, Jafar, Iago) Thursday, December 20th 2:20-4:10 PM (Aladdin Jr.) Music – One Jump Ahead, Friend Like Me, Prince Ali, High Adventure, Finale (Full Cast) Tuesday, January 8th 2:20-4:30 PM (Aladdin Jr.) Sing Through (Full Cast) Thursday, January 10th 2:20-4:30 PM (Aladdin Jr.) Staging Pg. 1-5 (Full Cast) Tuesday, January 15th 2:20-4:30 PM (Aladdin Jr.) Sing Through (Full Cast) Thursday, January 17th 2:20-4:30 PM (Aladdin Jr.) Staging Pg. 5-11 (Aladdin, Babkak, Omar, Kassim, Razoul, Guards, Citizens of Agrabah, Beggars, Apple Vendor, Fortune Teller, Shop Owner) Thursday, January 24th 2:20-4:30 PM (Aladdin Jr.) [Will Cancel if Elementary Band Snow Day is Needed] Staging: Pg. -
Dream Cast Announced for Disney's Aladdin
DREAM CAST ANNOUNCED FOR DISNEY’S ALADDIN An exceptional group of Australia and New Zealand’s most outstanding musical theatre performers and exciting fresh faces has been announced for Disney’s new musical comedy, Aladdin. They will be joined by Broadway performer Michael James Scott in the role of the Genie. Based on the classic Academy Award®-winning animated film,Aladdin will open in Sydney at the Capitol Theatre in August 2016. Tickets go on sale to the GP 8th March 2016. The dream cast for Aladdin has been achieved after intense and competitive auditions throughout Australia. It will be one of the most diverse multi-cultural casts to appear on the Australian stage. American performer Michael James Scott will play the pivotal role of the Genie. Michael has performed in many Broadway shows including the original company of The Book of Mormon, the 2010 Broadway and London revival of Hair, as well as the standby Genie in the original Broadway cast of Aladdin. He was most recently seen in Casey Nicholaw’s third current Broadway hit, Something Rotten. Joining him will be the exciting new discovery Ainsley Melham making his mainstage debut in the title role of Aladdin. Ainsley is a graduate of the Western Australian Academy of Performing Arts (WAAPA). The principal cast features international musical theatre star Adam Jon Fiorentino (Saturday Night Fever, Mary Poppins) as Kassim, stage & television performer Adam Murphy as Jafar and Robert Tripolino in the role of Omar. Filling out the principal ranks is one of Australia’s most accomplished character actors and musical theatre stars Troy Sussman as Babkak and stage and television actor Aljin Abella as Iago. -
Aladdin Movie 2019” Based on Disney’S Aladdin
AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS BY DONNA TARULI AGUSTIA SILABAN NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM AUGUST 2020 i AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS Presented to Universitas Muhammadiyah Palembang In partial fulfillment of the requirement For the degree of Sarjana in English Language Education By Donna Taruli Agustia Silaban NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM August 2020 ii iii iv v ABSTRACT Donna Taruli Agustia Silaban, 2020. An Analysis of Moral Values in Guy Ritchie’s movie “Aladdin Movie 2019” Based on Disney’s Aladdin. Thesis, English Education Study Program, Sarjana Degree (S1), Faculty of Teacher Training and Education, Universitas Muhammadiyah Palembang. Advisor: (I) Kurnia Saputri,M.Pd. (II) Masagus Sulaiman, M.Pd. Keywords: Movie, Moral Values, Aladdin 2019 Movie The objectives of the research were to find out the types and meanings of moral values and the dominant moral value in Guy Ritchie’s movie “Aladdin 2019”. The researcher used a qualitative method in this research. The sources of this data were primary data and secondary data. In this research, the researcher used a documentation technique. In analyzing the data, the researcher used a literary analysis.There were some procedures in doing this research, such as identifying the conflict in the characters, classifying and categorizing of the conflicts found in the movie, identifying the important points related research, classifying the characters personalities and moral values in the movie, identifying the development of the plot and describing the conclusion.There were 7 moral values found in the “Aladdin 2019” movie directed by Guy Ritchie such as kindness, empathy, self-control, wisdom, cooperation, loyalty, and justice. -
PARAMOUNT Theatre
ATOS Jan/Feb 49-1 F 12/5/06 8:29 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2007 ORGAN in the New PARAMOUNT Theatre Remarkably significant! The owners of the world's greatest cinema palace, the new Paramount Theatre, New York, regard the Wurlitzer Organ as one of their main feat ures. The Wurlitzer Organ can be individu ally accommodated to large and small thea tres, th e use of which is today considered one of the attributes of superior theatre management. Write today for catalog. Exccuti1 1e Offices: Cin cinnat i, Ohio fa Clorics: Nor th Ton awanda , N. Y. New York C incinnati Chicn1,:o Cleveland Pittsbur gh Detroit Philadelphia Buffalo Sa n Francisco Los Amtele!I St. Lo ui<1 K:msas Citv ATOS Jan/Feb 49-1 F 12/5/06 8:29 PM Page 2 S USAN C OLE K EYBOARD P RODUCTIONS Jeff P RESENTSTHE 9 TH A NNUAL V ILLAGES “Pop” Organ A Complete Line Weiler of Theatre and Concert Series Church Organ —Rob Richards & Ralph Wolf— Parts Organist, Friday, January 19 For information, use our website: Composer & —Choy Lozada— arndtorgansupply.com Silent Film Saturday, February 3 —Paul Roberts— Or send for our CD-ROM catalog Accompanist Friday, March 30 Arndt Organ Supply Co. —Jelani Eddington— 1018 SE Lorenz Dr. Friday, April 20 Artra Artists Management, Inc. Ankeny, IA 50021 555 West Madison St., Suite 2110 Church on the Square, The Villages, FL Phone (515) 964-1274 Chicago, Illinois 60601 (1.5 hours north of Orlando) Fax (515) 963-1215 800-354-1645 For more information contact Susan Cole. -
Friend Like Me from “Aladdin”
Friend Like Me from “Aladdin” Well, Ali Baba had them forty Genie: I'm in the mood to help you, theives, dude, Scherherazade had a thousand tales. you ain't never had a friend like me. But mister you're in luck 'cause up your sleeves All: Wa-ah ah You got a brand of magic never Genie: Oh my! fails........... All: Wa-ah -ah You got some power in your corner Genie: No no! now, All: Wa-ah ah Some heavy ammunition in your Genie: Na na na! Oh! Oh! Oh! Oh! camp. Can your friends do this? You got some punch, pizazz, yahoo Can your friends to that? and how, Can your friends pull this.......out see all you gotta do is rub that lamp. their little hat?! And I'll say: All: Mister Aladdin sir, have a wish Chorus: Mister Aladdin sir, or two or three. What will your pleasure be? Genie: I'm on the job, you big nabob. Let me take your order, jot it down, You ain't never had a friend like me. Group 1: You ain't never had a No, no, no. friend, Life is your restaurant Group 2: never had a friend. Group 1: You ain't never had a Genie: And I'm your maitre d' friend, Group 2: never had a friend. All: C'mon whisper what it is you want All: You ain't never…had a…friend…like Genie: (whispered) You ain't never Group 1: me...... had a friend like me. Group 2: Wah-ah ah Oh, my! Group 1: Like me All: Yes sir, we pride ourselves on Group 2: Wah-ah ah No, no! service Group 1: Like me You're the boss, the king, the shah! Group 2: Wah-ah-ah Na na na! Say what you wish, it's yours! True dish. -
Book & Lyrics by Howard Ashman Music by Alan Menken
Little Shop of Horrors book & lyrics by Howard Ashman music by Alan Menken 2018–19 SEASON • Your Home for Dramatic Discoveries • TrinityRep.com Get that same feeling at the dentist when you save big with ChewsiTM. Braces, night guards, teeth whitening, cleanings, crowns…you name it, you save. Whether you’ve got dental insurance or not. Learn more at ChewsiDental.com. 2 2018–19 Season at the Lederer Theater Center under the direction of Curt Columbus Tom Parrish The Arthur P. Solomon and Executive Director Sally E. Lapides Artistic Director book & lyrics by Howard Ashman Little Shop music by Alan Menken Based on the film by Roger Corman, screenplay by Charles Griffith Originally produced by the WPA Theatre (Kyle Renick, Producing Director) of Horrors Originally produced at the Orpheum Theatre, New York City by the WPA Theatre, David Geffen, Cameron Mackintosh, and the Shubert Organization THE ARTISTIC TEAM THE CAST Directed by Tyler Dobrowsky Seymour Jude Sandy*‡ Musical Direction by Esther Zabinski Audrey Rebecca Gibel*‡ Choreography by yon Tande Mr. Mushnik Stephen Berenson*‡ Set Design by Sara Brown Orin, Mr. Bernstein Stephen Thorne*‡ Costume Design by Andrew Jean Chiffon Carla Martinez* Lighting Design by Dan Scully Crystal Elexis Morton Sound Design by Peter Sasha Hurowitz Ronnette Kedren Spencer* Puppets provided by Monkey Boys Productions The Voice of the Plant (Audrey Two) Rachael Warren*‡ Production Stage Managed by Kristen Gibbs* The Plant (Audrey Two puppeteer) Ted Chylack Assistant Stage Manager James Kane* Voice, Radio Interviewer,