DOCSLIB.ORG

Nickelodeon's Competition Rules Nicktoons' Spongebob's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nickelodeon's Competition Rules Nicktoons' Spongebob's Nickelodeon’s Competition Rules Nicktoons’ SpongeBob’s Big Drop Competition (the “Competition”) The Competition is governed by these terms and conditions (the “Terms”) and by entering the Competition, entrants agree that they have read and understood these Terms and will be bound by them. Any changes to these Terms will be posted as updates and will be made available on www.nicktoons.co.uk/christmas PROMOTER 1. Opening Date: 00:01am on Monday 02 December 2019 (“Opening DAte”) 2. Closing Date: 23:59 pm on Sunday 22 December 2019 (“Closing Date”) 3. Promoter: Nickelodeon UK Limited (Company Registration No: 2797365) of 17-29 Hawley Crescent, London, NW1 8TT (“Nickelodeon, We or Us”) WHO CAN ENTER? 4. To enter the Competition: a) you must be aged 18 or over; b) you must live in the UK or the Republic of Ireland; and c) you and your family members must not be employees of Nickelodeon, any other company associated with the Competition or their respective associated companies or agents. Your family members include your partner and any of your children. PROMOTION PERIOD 5. The “Promotion Period” starts when the Competition opens on the Opening Date and ends when the Competition closes on the Closing Date. 6. The Competition is made up of three (3) individual weekly prize competitions which will take place from: a) Monday 02 December 2019 to Sunday 08 December 2019 (inclusive); b) Monday 09 December 2019 to Sunday 15 December 2019 (inclusive); and c) Monday 16 December 2019 to Sunday 22 December 2019 (inclusive) (each a “Weekly Competition”). WEEKLY COMPETITIONS 7. Each Weekly Competition will open for Entries on the relevant Monday at 00:01am (“Weekly Competition Opening Time”) and close for Entries on the relevant Sunday at 23:59 pm (“Weekly Competition Closing Time”). 8. To enter a particular Weekly Competition you will need to: NICK UK DOC ID: 11634 a) Watch Nick Jr between 6am – 10am and/or 6pm – 10pm and look out for the Present Drop animated graphic (the “Present Drop GrAphic”) to see whose Christmas present is being dropped by Spongebob (the “Present”) (a new Present will be dropped by Spongebob every day during the Promotion Period); b) go to www.nicktoons.co.uk/christmas, open the Competition home page and select the corresponding date (e.g. if you see a Present for Patrick on 02 December, go to the Competition home page and select 02 December from the choice of dates presented); c) select the Present you have seen from the choice of options presented; d) complete the personal details form (first name and email address); and e) confirm you are aged 18 years or over, live in the UK or the Republic of Ireland and have read and accepted these Terms and our privacy policy, between the Weekly Competition Opening Time and Weekly Competition Closing Time in the corresponding week (together an “Entry”). 9. If you want to enter a particular Weekly Competition Nickelodeon will need to have received your Entry between the Weekly Competition Opening Time and the Weekly Competition Closing Time on the corresponding week of the Promotion Period. Entries received before or after this time will not be valid. 10. Only one Entry is permitted per person, per day, per Weekly Competition (i.e. entrants can enter each Weekly Competition 7 times, once per day). Multiple Entries per day to a Weekly Competition will be void and may lead to an entrant being disqualified. PRIZES 11. There will be one winner for each Weekly Competition (each a “Winner” and together the “Winners”). 12. The Winners will each receive a prize bundle. The prize bundle will be different for each Weekly Competition. Details of each of the three (3) prize bundles available to be won throughout the Promotion Period are set out in the Prize Schedule attached hereto (each bundle a “Prize” and together the “Prizes”). Please take care to familiarise yourself with the details of each Prize as set out in the Prize Schedule. 13. Events may occur that render the awarding of any Prize (or any part thereof) impossible due to reasons beyond the reasonable control of Nickelodeon. Nickelodeon will not be liable or responsible for any loss or damage suffered by a Winner should they not redeem or be able to redeem a Prize (or any part thereof) as a result of any such event. In particular, Nickelodeon shall have no obligation to substitute any alternative prize, cash equivalent or provide any other compensation. PRIZE DRAW 14. The prize draw for each Weekly Competition will be conducted within five (5) working days of the relevant Weekly Competition Closing Time, except for the third Weekly NICK UK DOC ID: 11634 Competition (closing at 23:59 on Sunday 22 December 2019), where the prize draw will be conducted during the week commencing 06 January 2020. 15. The Winner of each Weekly Competition will be the first Entry selected randomly by Nickelodeon from all entrants who correctly selected the Present which appeared in the Present Drop Graphic that day in accordance with these Terms. 16. Nickelodeon will notify the Winners of each Weekly Competition by email within seven (7) working days of the relevant prize draw. 17. The Prize will be dispatched within 30 days of the Winner confirming their delivery details to Nickelodeon and Nickelodeon receiving any confirmation it deems fit in accordance with these Terms. 18. Prizes can only be sent to a UK and/or Eire address so if a Winner has moved somewhere outside the UK/Eire after entering the Competition, their Entry will not be valid. 19. Nickelodeon has the right to choose an alternate Winner if: a. a Winner does not comply with these Terms or Nickelodeon has reasonable grounds for believing that a Winner has broken a rule contained in these Terms; or b. a Winner does not (i) agree to these Terms; (ii) want to receive the Prize; or (iii) give any consent as may be requested by Nickelodeon within 24 hours; or c. Nickelodeon cannot contact a Winner or a Winner does not respond to any requests from Nickelodeon for information (e.g. confirmation of their address) within 48 hours of such request. 20. Use of Entry: By entering this Competition, you agree that Nickelodeon may in connection with this Competition use your Entry, including any names or biographical information submitted by you or any statement made by you, in any and all media throughout the world as Nickelodeon in its sole opinion sees fit, without payment or further consent. GENERAL 21. Nickelodeon reserves the right to cancel a Competition at any stage prior to the Promotion Period or to shorten or lengthen the time for entering a Competition during the Promotion Period, if Nickelodeon thinks it is necessary in its reasonable opinion, or if circumstances arise which are out of Nickelodeon’s control. If the time for entering a Competition is cut short or extended during the Promotion Period, the Winners shall be selected in accordance with these Terms from all eligible Entries received prior to such termination date. 22. Entries for Weekly Competitions must be received between the Weekly Competition Opening Time and the Weekly Competition Closing Time on the corresponding day of the Promotion Period. Entries received before or after this time will not be valid. 23. Nickelodeon is not responsible if your Entry gets lost, delayed, misdirected, undelivered, damaged or if you have technical problems trying to enter the Competition. NICK UK DOC ID: 11634 24. Please take care when entering the Competition to ensure that you provide your correct contact details. Any Entries which are incomplete and/or can’t be read clearly will not be valid and won’t be entered into the Competition. 25. Nickelodeon shall at its sole discretion determine whether an Entry is valid, based on the entry requirements set out in these Terms. Each valid entry will be entered into the Competition. Any Entries sent in by post will not be returned. 26. Only entries from individuals will be accepted. Any entries that Nickelodeon believes have (a) been made via participation in a syndicate or (b) via any form of machine assisted intervention enabling computer generated multiple entries, will be disqualified. 27. The Prizes are as stated and are non-transferable. No cash alternatives will be offered. If due to circumstances beyond Nickelodeon’s control Nickelodeon is unable to provide any stated Prize or any part of it, Nickelodeon reserves the right to award a substitute prize of equal or greater value. All Prizes may be subject to the additional terms and conditions of the manufacturer or supplier. 28. The Winners of the Prizes shall be responsible for any applicable taxes and expenses not specified in the Prize description. 29. Nickelodeon will not be liable for any loss or damage however it was caused (including without limitation in contract, tort or statutory duty) in connection with the Competition and/or Prizes, other than death or personal injury caused by Nickelodeon’s (and/or its employees’) negligence. 30. Any personal information collected by Nickelodeon for the Competition will be used in accordance with Nickelodeon’s Privacy Policy set out at www.nick.co.uk/info/privacy. A copy can be obtained by writing to Nickelodeon by email at [email protected] or by post to Nickelodeon’s address above, marked for the attention of The Data Protection Officer. In summary, personal information collected from entrants will be used by Nickelodeon solely in connection with the Competition and will not be disclosed to any third party except for the purpose of operating the Competition and fulfilling the Prizes where applicable.
Load more

Recommended publications
  • Central Florida Future, Vol. 39 No. 23, October 13, 2006
    University of Central Florida STARS Central Florida Future University Archives 10-13-2006 Central Florida Future, Vol. 39 No. 23, October 13, 2006 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 39 No. 23, October 13, 2006" (2006). Central Florida Future. 1956. https://stars.library.ucf.edu/centralfloridafuture/1956 SECRET GARDENS UCF arboretum will TWO'S COMPANY take students on a trip Senior Steven Moffett and junior Kyle Israel will around the world. both see action today against Pittsburgh-sEESPORTS,A7 - SEE NEWS, A2 FREE • Published Monda s, Wednesda sand Frida s www.CentralFloridaFuture.com ·Friday, o"ctober 13, 2006 Only one med dean candidate UCF must hire last woman_standing or continue its search ROBYN SIDERSKY · Contributing Writer UCF announced Wedn~t Dr. Thomas Schwenk has dropped out of the race for the founding d~UCFs. med­ ical school, leaving only one offive original candidates for consideration. Schwenk is currently a professor and chair of the Department-of Family Medi­ cine at the University of Michigan Medical School Although he declinecfto be interviewed, he said that he is "not interested in debating 1:1).e financial or other issues affecting the success ofthe medical school" Recently, three other candidates in the running to be the dean of the medical school have withdrawn their candidacies - Dr.
    [Show full text]
  • Prepare to Loaf out Loud As Nickelodeon Delivers New Animation Breadwinners
    PREPARE TO LOAF OUT LOUD AS NICKELODEON DELIVERS NEW ANIMATION BREADWINNERS Expect hilarious escapades, high energy and booty-shaking music in plucky new series Breadwinners, premiering on Monday 22nd September at 4:30pm only on Nicktoons London, 20th August 2014 – New animated comedy Breadwinners follows SwaySway and Buhdeuce, two hilarious ducks who operate a bread delivery service out of their jet-fueled, Rocket Van, feeding hungry beaks everywhere. Breadwinners is an original production from the Nickelodeon Animation Studios and will premiere on Monday 22nd September at 4:30pm on Nicktoons. Throughout the series SwaySway, the upbeat leader of the flock and his loyal best friend Buhdeuce go on riduckulous adventures together. From eating a loaf of ‘Stank Bread’ and getting lost on the lower yeastside, to record-beaking attempts for most bread deliveries in one day, nothing will stop this duo from making a delivery all while shaking their tail feathers. Breadwinners will air regularly on weekdays at 4:30pm. For fans who can’t wait, the first episode will sneak beak on the Nick App on 15th September. In the series premiere, “Thug Loaf,” when SwaySway and Buhdeuce have to deliver bread to the bad part of Duck Town, they accidentally lock their keys in the Rocket Van and have to befriend a gang of Biker Ducks for help. The Nick App will also play host to the ‘Breadwinners Ducktionary’ where viewers can brush up on their beak lingo. Steve Borst (Teen Titans Go!, MAD) and Gary “Doodles” Di Raffaele (MAD, Metalocalypse) teamed up to produce Breadwinners which was discovered as part of Nickelodeon’s 2012 Animated Shorts Program.
    [Show full text]
  • British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
    British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report.
    [Show full text]
  • From Comic Book to TV Show: the History of Spongebob Squarepants by Washington Post, Adapted by Newsela Staff on 12.04.18 Word Count 557 Level 670L
    From comic book to TV show: The history of SpongeBob SquarePants By Washington Post, adapted by Newsela staff on 12.04.18 Word Count 557 Level 670L Image 1. (From left) Sandy Cheeks, SpongeBob SquarePants, Squidward, Mr. Krabs and Patrick Starfish in Nickelodeon’s "SpongeBob SquarePants" cartoon show. Photo by: Nickelodeon SpongeBob SquarePants lives in a pineapple under the sea. But he came to life in an ocean education center in California, in 1989. He was just called Bob the Sponge then. He was a sea sponge with cool black shades and a happy smile. Bob the Sponge had no arms or legs. He was a talking blob. He starred in a comic book and described life in an intertidal pool. An intertidal pool is an ocean habitat where millions of sea creatures live. Bob the Sponge's world was created by Stephen Hillenburg. He was a teacher and artist at the Orange County Marine Institute in California. Hillenburg made the comic book to teach kids about intertidal pools. This article is available at 5 reading levels at https://newsela.com. 1 Bikini Bottom Ten years later, it became one of the most popular TV cartoons ever. Bob the Sponge became SpongeBob SquarePants. The Intertidal Zone became Bikini Bottom. Hillenburg died Monday, November 26, of Amyotrophic lateral sclerosis. It is called ALS for short. ALS affects nerve cells in the brain and spinal cord. This causes the muscles to weaken. It also takes away a person's ability to walk. Touched The Lives Of Many Students "He touched the lives of many students," said the Ocean Institute.
    [Show full text]
  • Stephen Hillenburg Steven Hillenburg Was Born on August 21, 1961 And
    Stephen Hillenburg Steven Hillenburg was born on August 21, 1961 and died on November 26, 2018. He was an American animator, voice actor, and marine science educator. He is best remembered for creating the Nickelodeon animated television series SpongeBob SquarePants which he also directed, produced, and wrote. It has become the fifth-longest-running American animated series. Steven was born in Lawton, Oklahoma and raised in Anaheim, California, Hillenburg became fascinated with the ocean as a child and developed an interest in art. He started his professional career in 1984, instructing marine biology, at the Orange County Marine Institute, where he wrote The Intertidal Zone, an informative comic book about tide-pool animals, which he used to educate his students. In 1989, two years after leaving teaching, Hillenburg enrolled at the California Institute of the Arts to pursue a career in animation. He was later offered a job on the Nickelodeon animated television series Rocko's Modern Life (1993–1996) after his success with The Green Beret and Wormholes (both 1992), short films that he made while studying animation. In 1994, Hillenburg began developing The Intertidal Zone characters and concepts for what became SpongeBob SquarePants. The show has aired continuously since its premiere in 1999. He also directed The SpongeBob SquarePants Movie (2004), which he originally intended to be the series finale. However, Nickelodeon wanted to produce more episodes, so Hillenburg resigned as the showrunner. He went back to making short films, with Hollywood Blvd., USA (2013). In 2015, The SpongeBob Movie: Sponge Out of Water was released; the second film adaptation of the series, it marked Hillenburg's return to the franchise, wherein he co-wrote the story and acted as an executive producer on the project.
    [Show full text]
  • Channel Lineup January 2018
    MyTV CHANNEL LINEUP JANUARY 2018 ON ON ON SD HD• DEMAND SD HD• DEMAND SD HD• DEMAND My64 (WSTR) Cincinnati 11 511 Foundation Pack Kids & Family Music Choice 300-349• 4 • 4 A&E 36 536 4 Music Choice Play 577 Boomerang 284 4 ABC (WCPO) Cincinnati 9 509 4 National Geographic 43 543 4 Cartoon Network 46 546 • 4 Big Ten Network 206 606 NBC (WLWT) Cincinnati 5 505 4 Discovery Family 48 548 4 Beauty iQ 637 Newsy 508 Disney 49 549 • 4 Big Ten Overflow Network 207 NKU 818+ Disney Jr. 50 550 + • 4 Boone County 831 PBS Dayton/Community Access 16 Disney XD 282 682 • 4 Bounce TV 258 QVC 15 515 Nickelodeon 45 545 • 4 Campbell County 805-807, 810-812+ QVC2 244• Nick Jr. 286 686 4 • CBS (WKRC) Cincinnati 12 512 SonLife 265• Nicktoons 285 • 4 Cincinnati 800-804, 860 Sundance TV 227• 627 Teen Nick 287 • 4 COZI TV 290 TBNK 815-817, 819-821+ TV Land 35 535 • 4 C-Span 21 The CW 17 517 Universal Kids 283 C-Span 2 22 The Lebanon Channel/WKET2 6 Movies & Series DayStar 262• The Word Network 263• 4 Discovery Channel 32 532 THIS TV 259• MGM HD 628 ESPN 28 528 4 TLC 57 557 4 STARZEncore 482 4 ESPN2 29 529 Travel Channel 59 559 4 STARZEncore Action 497 4 EVINE Live 245• Trinity Broadcasting Network (TBN) 18 STARZEncore Action West 499 4 EVINE Too 246• Velocity HD 656 4 STARZEncore Black 494 4 EWTN 264•/97 Waycross 850-855+ STARZEncore Black West 496 4 FidoTV 688 WCET (PBS) Cincinnati 13 513 STARZEncore Classic 488 4 Florence 822+ WKET/Community Access 96 596 4 4 STARZEncore Classic West 490 Food Network 62 562 WKET1 294• 4 4 STARZEncore Suspense 491 FOX (WXIX) Cincinnati 3 503 WKET2 295• STARZEncore Suspense West 493 4 FOX Business Network 269• 669 WPTO (PBS) Oxford 14 STARZEncore Family 479 4 FOX News 66 566 Z Living 636 STARZEncore West 483 4 FOX Sports 1 25 525 STARZEncore Westerns 485 4 FOX Sports 2 219• 619 Variety STARZEncore Westerns West 487 4 FOX Sports Ohio (FSN) 27 527 4 AMC 33 533 FLiX 432 4 FOX Sports Ohio Alt Feed 601 4 Animal Planet 44 544 Showtime 434 435 4 Ft.
    [Show full text]
  • Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
    Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g.
    [Show full text]
  • Nicole Lawrence Thesis
    The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm.
    [Show full text]
  • Mornings on Nickelodeon and Nicktoons Q4 Sponsorship Opportunity
    Mornings on Nickelodeon and Nicktoons Q4 Sponsorship Opportunity Channel Dates October to December 2021 Kickstart the day with Nickelodeon and Nicktoons, engaging • Weekdays at 06h00-09h00 children during peak viewing hours, before school and on • Weekends at 06h00-12h00 weekends mornings, including morning takeovers during the • October half-term at 0600-12h00 October school half-term holidays as kids enjoy some downtime, allowing brands to maximise their exposure. • 4 x 15” and 2 x 5” idents per hour on Nickelodeon • 4 x 15” and 4 x 5” idents per hour on Nick Toons Nickelodeon is the home of the hits, with the most popular Reach Reach Actual Equiv kids sit-coms, such as Henry Danger and The Thundermans. Target OTS (%) (000) TVRs TVRs Add NickToons and the madcap mayhem of SpongeBob, and Kids 12.5 1,182.2 302.3 168.8 24.2 Horrid Henry and you associate with a vibrant mix of programming, promoting your brand as fun and produced Kids 4-9 15.1 723.8 404.2 226.1 26.8 with kids in mind. Kids 10-15 10.0 465.9 195.4 108.6 19.6 Note: Ratings supplied are estimates based on current predictions and Current schedule includes: will fluctuate in line with the market. • Henry Danger – Henry Hart lands a part-time job as Kid Danger, a sidekick in training to super crime-fighter Sponsorship credits will be transmitted in UK and Eire Captain Man! • SpongeBob SquarePants – Watch your favourite characters SpongeBob, Patrick and Squidward in the highs and lows of living in the underwater city of Bikini Bottom.
    [Show full text]
  • Cartooning America: the Fleischer Brothers Story
    NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms.
    [Show full text]
  • Learn the BEST HOPPER FEATURES
    FEATURES GUIDE Learn The 15 BEST HOPPER TIPS YOU’LL FEATURES LOVE! In Just Minutes! Find A Channel Number Fast Watch DISH Anywhere! (And You Don’t Even Have To Be Home) Record Your Entire Primetime Lineup We’ll Show You How Brought to you by 1 YOUR REMOTE CONTENTS 15 TIPS YOU’LL LOVE — Pg. 4 From fi nding a lost remote, binge watching and The Hopper remote control makes it easy for you to watch, search and record more, learn all about Hopper’s best features. programming. Here’s a quick overview of the basics to get you started. Welcome HOME — Pg. 6 You’ve Made A Smart Decision MENU — Pg. 8 With Hopper. Now We’re Here SETTINGS — Pg. 10 DVR TV Power Parental Controls, Guide Settings, Closed Displays your Turns the TV To Make Sure You Understand Captioning, Screen Adjustments, Bluetooth recorded programs. on/off. All That You Can Do With It. and more. Power Guide Turns the receiver Displays the Guide. APPS — Pg. 12 on/off. Netfl ix, Game Finder, Pandora, The Weather CEO and cofounder Charlie Ergen remembers Channel and more. the beginnings of DISH as if it were yesterday. DVR — Pg. 14 The Tennessee native was hauling one of those Operating your DVR, recording series and Home Search enormous C-band TV dish antennas in a pickup managing recordings. Access the Home menu. Searches for programs. truck, along with his fellow cofounders Candy Ergen and Jim DeFranco. It was one of only two PRIMETIME ANYTIME & Apps Info/Help antennas they owned in the early 1980s.
    [Show full text]
  • The North American Tour of Nickelodeon's the SPONGEBOB MUSICAL Coming to Tacoma's Pantages Theater on March 5
    FOR IMMEDIATE RELEASE: January 29, 2020 2018 Tony Award-Winner - Best Scenic Design! 2018 Best Musical Winner - 6 Drama Desk and Outer Critics Circle Awards The North American Tour of nickelodeon’s THE SPONGEBOB MUSICAL Coming to Tacoma’s Pantages Theater on March 5 “Brilliant!” – The New York Times “This Musical is for everyone!” – The Huffington Post “In Bikini Bottom, persistence, optimism, and friendship can still win the day!” – New York Magazine MEDIA CONTACT: Vanessa Cadungug, Marketing Manager | [email protected] | 253.591.5939 Sponsor: Artistic Plastic Surgery Media: South Sound Magazine TACOMA, WASH.— The North American Tour of the critically acclaimed, award-winning THE SPONGEBOB MUSICAL will make its Tacoma premiere at the Pantages Theater on Thursday, March 5 at 7:30 p.m. Tickets start at $79 and are on sale now. THE SPONGEBOB MUSICAL explodes with energy and features an original pop and rock-infused score by a legendary roster of Grammy® Award-winning songwriters. Led and conceived by visionary director Tina Landau and a Tony Award®-winning design team, the production brings the spirit of SpongeBob to life with humanity, heart, and pure theatricality. THE SPONGEBOB MUSICAL features a book by Kyle Jarrow, orchestrations and arrangements by Tom Kitt, musical supervision by Julie McBride & Tim Hanson, and choreography by Christopher Gattelli. The design team includes scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini, sound design by Walter Trarbach, hair and wig design by Charles G. LaPointe, make-up design by Joe Dulude II, foley design by Mike Dobson, and casting by Stewart/Whitley.
    [Show full text]