DOCSLIB.ORG

Brand & Style Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Brand & Style Guide NORTHROP BRAND & STYLE GUIDE Trey McIntyre Project. Photo © Lois Greenfield. BRAND // STYLE // GUIDELINES OVERVIEW An exciting new vision for Northrop that is both cohesive and inclusive. MISSION Northrop is an epicenter of discovery and transformation that connects the University of Minnesota and communities beyond by celebrating innovation in the arts, performance, and academics. VISION Through the use of graphics, color, typography, and photography, the new Northrop brand will convey the following: + Limitless potential + Vibrancy and activity + Graceful flexibility + A multi-disciplinary vision for academics + University of Minnesota ideals TAGLINE Rediscover Northrop. It’s more than you can imagine. BRAND ATTRIBUTES Bold Fluid Exemplary Multifaceted Northrop’s brand attributes are shown in the following ways: + Texture, weaving, and interplay The layering of images and intersecting of graphics will be used extensively in all Northrop branding. + Angular Northrop will use multiple planes in all marketing materials, and will use innovate methods of layout, photo cropping, and illustration. + Luminous and brilliant Clear and vibrand color wil be used in Northrop communications wherever possible. + Unbound and expansive Imagery used by Northrop will appear to extend beyond the boundaries of the page or screen. 2 BRAND // STYLE // GUIDELINES BRAND IDENTITY The Northrop Logo should be used consistently and without distortion of any kind. Colors should be University-approved maroon and black, gold and black, black only, or reversed (white) only. The Northrop Logo can be placed over images and graphics, as long as all elements are readable. The logo may be used ONLY once on any web page or email. LOGO ELEMENTS The Northrop Logo is a wordmark combination created according to specifications by University Relations. The University of Minnesota wordmark must always accompany the Northrop unit. DO NOT alter the elements in any way, and DO NOT attempt to recreate any aspect of the identity. Northrop unit Northrop Logo U of M wordmark CLEAR ZONE The clear zone surrounding the Northrop Logo is the equivalent to the size of an uppercase Times New Roman “U.” To ensure proper visibility, please keep all text and graphics outside the clear zone. For more information on University brand standards, please visit ur.umn.edu/brand/index.php. U U U U U APPROVED LOGO COLORS Use only University approved maroon/black, gold/black, black only, or reversed (white) only for the Northrop Logo. The following are approved colors and combinations. Maroon/black Gold/black Black only Reversed (For use over dark backgrounds) C: 0 // 100 // 61 // 43 C: 8 // 27 // 76 // 0 R: 122 // 0 // 25 R: 255 // 204 // 51 Hex: #7A0019 Hex: #FFCC33 Pantone 201U // Pantone 202C Pantone 116U // Pantone 136C 3 BRAND // STYLE // GUIDELINES MINIMUM SIZE To ensure readability, the Northrop Logo should NOT be reproduced smaller than the minimum size. The minimum size is determined by the word “Minnesota” as specified by U of M graphic standards. The minimum size for electronic applications (web graphics, PowerPoint, digital signage, etc...) is 220 pixels wide. For large format materials such as banners and table displays, make sure the identity remains prominent and legible. For paper sizes 3" x 5" and larger, For paper sizes smaller than 3" x 5" the minimum size of “Minnesota” is 0.875" the minimum size of “Minnesota” is 0.625" 0.625" 0.875" INCORRECT USAGE Please maintain proper proportions, color, size, combination, effect, and orientation of the Northrop Logo. The following are examples of incorrect uses. DO NOT outline or alter the colors, DO NOT distort the proportions DO NOT change any of the fonts or color combinations used in the Northrop logo DO NOT rotate the logo DO NOT alter the size of the DO NOT add a border to the logo, logo combination or invade the clear zone 4 BRAND // STYLE // GUIDELINES COLOR PALETTE Please use ONLY the colors below for all Northrop print and digital materials, plus black and white. C: 0 // 100 // 63 // 29 C: 0 // 27 // 76 // 0 R: 152 // 1 // 46 R: 253 // 191 // 87 Hex: #7A0019 Hex: #fdbf57 C: 62 // 100 // 63 // 29 C: 38 // 100 // 20 // 0 C: 78 // 16 // 84 // 29 C: 100 // 40 // 55 // 0 C: 100 // 24 // 20 // 55 C: 79 // 15 // 6 // 5 R: 68 // 8 // 41 R: 168 // 35 // 122 R: 37 // 122 // 71 R: 0 // 123 // 127 R: 0 // 79 // 104 R: 0 // 158 // 206 Hex: #440829 Hex: #a8237a Hex: #257a47 Hex: #007b7f Hex: #004f68 Hex: #009ece C: 10 // 100 // 50 // 0 C: 46 // 100 // 69 // 23 C: 100 // 58 // 83 // 11 C: 50 // 23 // 97 // 47 C: 100 // 34 // 11 // 39 C: 100 // 100 // 61 // 25 R: 217 // 27 // 92 R: 126 // 31 // 61 R: 1 // 93 // 76 R: 85 // 102 // 35 R: 0 // 89 // 129 R: 40 // 37 // 71 Hex: #d91b5c Hex: #7e1f3d Hex: #015d4c Hex: #556623 Hex: #005981 Hex: #282547 C: 34 // 16 // 100 // 17 C: 15 // 24 // 100 // 8 C: 15 // 9 // 20 // 58 C: 12 // 7 // 6 // 17 R: 153 // 159 // 43 R: 206 // 173 // 33 R: 113 // 116 // 109 R: 188 // 195 // 200 Hex: #999f2b Hex: #cead21 Hex: #71746d Hex: #bcc3c8 C: 11 // 10 // 67 // 11 C: 0 // 23 // 97 // 47 R: 207 // 194 // 105 R: 153 // 120 // 9 Hex: #cfc269 Hex: #997809 5 BRAND // STYLE // GUIDELINES TINTS AND OPACITIES Screened colors and opacities should be used only when absolutely necessary (i.e. placed behind copy for better readability) and in tint percentages from 10%-90%. DO NOT use gradients, shadows, or patterns of any kind. 10% 20% 30% 40% 50% 60% 70% 80% 90% CORRECT USAGE AND COMBINATIONS University maroon and/or gold MUST be used in all designed pieces. Please use no more than five to six of the remaining colors per piece to ensure cohesiveness. AT LEAST two of the colors should be analagous (i.e. in the same color set as listed). Exceptions can be made for multi-page print pieces or web slideshows, but may ONLY be used at the designer’s discretion. The following are examples of preferred color combinations, although others may be used. Please direct all design questions to Miranda Woehrle. 6 BRAND // STYLE // GUIDELINES GRAPHICS The Northrop brand employs a graphic motif in all print and digital pieces. These graphics are random and should change according to the image, copy, audience, and tone. DO NOT create patterns, illustrations or familiar shapes with the graphic elements. Please adhere to the following examples and guidelines, and direct all questions on the use of graphics to Miranda Woehrle. GRAPHIC ELEMENTS In order to meet Northrop's brand attributes (page 2), the following elements MUST be included in ALL graphic motifs: + Color Please refer to page 6 for approved color combinations. If the piece is black and white, use grayscale. For single color pieces, variation will be achieved through opacity (see below). + Opacity Variations in opacity are used to show overlap and intersection of shape, and to create visual depth. + Shape Shapes are created by layering areas of color (see above) and provide structure to the motif. Shapes should be random and ambiguous (i.e. no circles, ovals, squares, rectangles, etc...). + Line Use lines to differentiate between shapes and areas of color. In almost all cases, lines should be white (the ONLY exception is when graphics are on a plain white background, in which case lines should be black). Lines should always be in the foreground and in 100% opacity (i.e., no transparency). Line weight is dependent on the size of the piece, and should be visible, but not distracting. + Curve Use curvilinear forms to create shapes, but DO NOT create closed curves such as perfect circles or ovals. + Angle Acute and obtuse angles are used in all Northrop graphics as a way to create shape and structure. DO NOT use 90° or 180° angles to create borders. 7 BRAND // STYLE // GUIDELINES CORRECT USAGE Please ensure that all Northrop graphics complement other elements such as images, copy, and logos, and do not impede readability. In cases where no image is used, the graphics should be visually appealing, and take up an appropriate amount of space. Please use the examples on the following pages as a reference. Northrop Presents MARTHA GRAHAM DANCE COMPANY Fri, Apr 10, 8:00 pm Sat, Apr 11, 8:00 pm Carlson Family Stage Friday Program Prelude and Revolt (with U of M student dancers) Lamentation Variations Maple Leaf Rag Andonis Foniandakis new work: Echo Saturday Program Errand into the Maze NEW YORK CITY NEW YORK CITY Diversion of Angels Rite of Spring BALLET BALLET New work by Nacho Duato Sat, Oct 25, 8:00 pm Sat, Oct 25, 8:00 pm Carlson Family Stage Carlson Family Stage at Northrop at Northrop When multiple colors are used, please refer Graphics may cover part of an image, as to the approved color combinations long as the image itself is still recognizable Martha Graham Dance Company in Errand Into the Maze. Photo © John Deane. Graphics should cover 2-3 planes of the piece, and should follow the shape of the image whenever possible NORTHROP RESIDENTS FACT SHEET Northrop Presents Northrop is an epicenter of conversation and transformation that connects the University and communities beyond, through a celebration of performing arts, academics, and innovation. An architectural treasure, Northrop is an enduring symbol of the University, the focal point of the Twin Cities campus, and the anchor of the Northrop Mall. Since opening in 1929, Northrop has served as the University’s primary gathering place for the performing arts, concerts, academic ceremonies, and major civic events. The new Northrop will fuel innovation and creativity, and serve students, faculty, artists, audiences, and the State of Minnesota.
Load more

Recommended publications
  • Jniversity of Minnesota Northrop Memorial Auditorium 970 Cap and Gown Day Convocation .Hursday, May 14, 1970 at Eleven -Fifteen O'clock
    IVERSITY OF MINNESOTA NORTHROP MEMORIAL AUDITORIUM I JNIVERSITY OF MINNESOTA NORTHROP MEMORIAL AUDITORIUM 970 CAP AND GOWN DAY CONVOCATION .HURSDAY, MAY 14, 1970 AT ELEVEN -FIFTEEN O'CLOCK TABLE OF CONTENTS The Cap and Gown Tradition ..... 1 Board of Regents and . Administrative Officers ... :..... ............ 2 Scholarships, Fellowships, Awards, and Prizes . .. .. .... .. 3 Student With Averages of B or Higher ............ ..... ................ ... .. , . 121 Academic Costume .. _ .. ....... 159 Order of events THE PROCESSIONAL The Frances Millet· Brown Memorial Bells, played by Janet Orjala, CLA '70, will be ·heard from Northrop Memorial Auditorium before the procession begins. The University of M-innesota Conce1t Band, Symphony Band I, and Symphony Band ll, conducted by Assistant Director of Band Fredrick Nyline, will play from the steps of Northrop Auditorium during the procession. The academic procession from the lower Mall into the Auditorium will be led by the Mace-Bearer, Professor James R. Jensen, D.D.S., M.S., Assistant Dean for Academic Affairs, School of Dentishy Following the Mace-Bearer will be candidates for degrees, ~arching by college, other honor students, the faculty, and the President. In the Auditorium, the audience is asked to remain seated so that all can see the procession. As the Mace-Bearer enters the Auditorium, Professor of Music ·and University Organist Heinrich Fleischer, Ph.D., will play the processional. The Mace-Bearer will present the Mace at the center of the stage. Candidates .for degrees will take places on 'either side of the middle aisle. Other honor students, includ­ ing freshman through graduate students, will be seated next to the candidates for degrees. When faculty members, marching last, have assembled on stage, the Mace-Bearer will place ·the Mace in its cradle, signaling the beginning of the ceremony.
    [Show full text]
  • The University of Minnesota Twin Cities Combined Heat and Power Project
    001 p-bp15-01-02a 002 003 004 005 MINNESOTA POLLUTION CONTROL AGENCY RMAD and Industrial Divisions Environment & Energy Section; Air Quality Permits Section The University of Minnesota Twin Cities Combined Heat and Power Project (1) Request for Approval of Findings of Fact, Conclusions of Law, and Order and Authorization to Issue a Negative Declaration on the Need for an Environmental Impact Statement; and (2) Request for Approval of Findings of Fact, Conclusion of Law, and Order, and Authorization to Issue Permit No. 05301050 -007. January 27, 2015 ISSUE STATEMENT This Board Item involves two related, but separate, Citizens’ Board (Board) decisions: (1) Whether to approve a Negative Declaration on the need for an Environmental Impact Statement (EIS) for the proposed University of Minnesota Twin Cities Campus Combined Heat and Power Project (Project). (2) If the Board approves a Negative Declaration on the need for an EIS, decide whether to authorize the issuance of an air permit for the Project. The Minnesota Pollution Control Agency (MPCA) staff requests that the Board approve a Negative Declaration on the need for an EIS for the Project and approve the Findings of Fact, Conclusion of Law, and Order supporting the Negative Declaration. MPCA staff also requests that the Board approve the Findings of Fact, Conclusions of Law, and Order authorizing the issuance of Air Emissions Permit No. 05301050-007. Project Description. The University of Minnesota (University) proposes to construct a 22.8 megawatt (MW) combustion turbine generator with a 210 million British thermal units (MMBTU)/hr duct burner to produce steam for the Twin Cities campus.
    [Show full text]
  • Accessible Arts Calendar Summary 2019 Current Venues and Shows
    Accessible Arts Calendar Summary 2019 Current Venues and Shows Updated 9-4-19 – The VSA Minnesota Accessible Arts Calendar lists arts events that proactively offer accessibility accommodations such as: ASL (American Sign Language Interpreting), AD (Audio Description), CC (Closed Captioning), OC (Open or Scripted Captioning), DIS (performers with disabilities), or SENS (Sensory-friendly accommodations) which are inclusive for children on the autism spectrum. The main Accessible Arts Calendar listings (emailed monthly through August 2019 and online at http://vsamn.org/community/calendar) offer descriptions of shows, authors, directors, describer & interpreter names, ticket prices, discounts, dates for Pay What You Can (PWYC), and more. This Current Venues and Shows list supplements the Accessible Arts Calendar. On our website as a Resource under Community (http://vsamn.org/community/resources-community/), it summarizes shows at arts venues across Minnesota: plays, concerts, exhibits, films, storytelling, etc. It’s limited to what we learn about and have time to include. The venues are organized alphabetically by Twin Cities venues and then by Greater Minnesota venues. They may offer accessible performances proactively or upon request. Words in GREEN identify some accessibility accommodations. We assume all auditoriums and bathrooms are wheelchair-accessible and theatres with fixed seating have assistive listening devices, unless noted otherwise. Both calendars will be discontinued after September 2019 when VSA Minnesota ceases operation.
    [Show full text]
  • BUILDING U.S.-CHINA BRIDGES China Center Annual Report 2007-08 Inside from the Director
    BUILDING U.S.-CHINA BRIDGES China Center Annual Report 2007-08 Inside From the Director........................................................... 1 Students and Scholars .................................................... 2 Faculty ............................................................................ 3 K-12 Initiatives .............................................................. 4 Training Programs .......................................................... 5 Griffin Lecture ................................................................ 6 Community Engagement ............................................... 7 Recruitment .................................................................... 8 To Our Chinese Friends ................................................. 9 Bridging Relationships ................................................. 10 Contributors ................................................................. 11 Corporate Partnership / Budget .................................... 12 CCAC and China Center Office Information ............... 13 Note about Chinese names: The China Center’s policy is to print an individual’s name according to the custom of the place where they live (e.g., family name first for a person who lives in China). On the Cover 1 1. A Bridge in China 2 3 2. China Center Dragon Boat team (page 7) 3. Participants in the First Sino-US Education Forum (page 3) 4 4. Students in Northrop Auditorium for China Day (page 4) 5. Training program participants at their graduation reception (page 5) 5 6 6. Training
    [Show full text]
  • Without a Concerted Effort, Our State's Historic and Cultural Treasures Are in Danger of Being Lost to Time. the Minnesota
    Without a concerted effort, our state’s historic and cultural treasures are in danger of being lost to time. The Minnesota Historical Society awarded a Minnesota Historical and Cultural Heritage Grant in the amount of $7,000 to the City of Mankato. The grant was approved by the Society’s awards committee on July 22, 2010 and will support its Historic Survey of 12 Properties for Local Designation Project. Minnesota Historical and Cultural Heritage Grants are made possible by the Minnesota Legislature from the Arts and Cultural Heritage Fund created with passage of the Clean Water, Land and Legacy Amendment to the Minnesota Constitution in November 2008. The grants are awarded to support projects of enduring value for the cause of history and historic preservation across the state. Historic Survey of 12 Properties for Local Designation Project The Historic Survey of 12 Properties for Local Designation Project is a project of enduring value because it will provide a list of properties to be listed on Mankato’s Local Historic Registry. The project begins on October 1, 2010 with an anticipated completion date of February 1, 2011. The project will include conducting historic surveys on 12 properties for potential local designation. “It is wonderful to see so many communities and local organizations benefitting from the Historical and Cultural Heritage Grants,” said Britta Bloomberg, deputy state historic preservation officer. “Minnesotans should be proud of the unprecedented opportunities these grants provide for organizations to preserve and share our history and cultural heritage. The impact of projects supported by Historical and Cultural Heritage Grants will be felt throughout the state for many years to come.” City of Mankato Historic Properties Survey and Local Designation Inventory Form Report Prepared for the City of Mankato Heritage Preservation Commission Prepared by Thomas R.
    [Show full text]
  • UNIVERSITY of MINNESOTA BOARD of REGENTS Friday
    UNIVERSITY OF MINNESOTA BOARD OF REGENTS Friday, November 14, 2008 9:00 a.m. - 12:00 p.m. 600 McNamara Alumni Center, Boardroom Board Members Patricia Simmons, Chair Clyde Allen, Vice Chair Anthony Baraga Dallas Bohnsack Linda Cohen John Frobenius Venora Hung Steven Hunter Dean Johnson David Larson David Metzen Maureen Ramirez AGENDA 1. Recognition of McKnight Presidential Chair - R. Bruininks (p. 2) 2. Approval of Minutes - Action - P. Simmons 3. Report of the President - R. Bruininks 4. Report of the Chair - P. Simmons 5. Receive and File Reports (pp. 3-19) A. Annual Eastcliff Report 6. Consent Report - Review/Action - P. Simmons/R. Bruininks (pp. 20-28) A. Appointments: University Foundation Trustees B. Gifts Report C. Faculty, Staff & Student Affairs Committee Consent Report 7. Annual Report of Private Giving - S. Goldstein/B. Malkerson (p. 29) 8. Supplemental 2009 State Capital Request - Review - R. Pfutzenreuter (pp. 30-32) 9. Resolution on UMore Park: Concept Master Plan, Governance Structure & Legacy Fund - Review - R. Bruininks/C. Muscoplat/M. Rotenberg (pp. 33-37) 10. Resolution To Allow Alcoholic Beverage Sales at Limited Locations on Campus - Review - K. Brown (p. 38-41) 11. Report of the Finance & Operations Committee - S. Hunter 12. Report of the Educational Planning & Policy Committee - D. Larson 13. Report of the Facilities Committee - D. Metzen 14. Report of the Audit Committee - L. Cohen 15. Report of the Faculty, Staff & Student Affairs Committee - J. Frobenius 16. Report of the Litigation Review Committee - A. Baraga 17. Old Business 18. New Business 19. Adjournment UNIVERSITY OF MINNESOTA BOARD OF REGENTS Board of Regents November 14, 2008 Agenda Item: Recognition: McKnight Presidential Chair review review/action action discussion Presenters: President Robert H.
    [Show full text]
  • University of Minnesota News Service • April 1, 1953
    UNIVERSITY OF MINNESOTA NEWS SERVICE • APRIL 1, 1953 p'f e", 'S Ye I e A 50 ~J ':. FRENCH MOVIE FlF.ST ON SPRING SCHEDULE AT i Uf (FOR D-lMEDIATE RELEASE) liLa Ronde", a French film, will open the University of Minnesota Film society' s spring program \-lith a three-da.y run April 15-17. Showings in Northrop Memorial auditorium are scheduled at 3:30 and S p.m. April 15 with additional performances at 8 p.m. April 16 and 17. Based on the Arthur Schnitzler play, ''Reigen'', the movie takes its name from Oscar Straus 1 liLa Ronde" waltz. It presents a string of romantic episodes which take place in Vienna at the turn of the century. Anton Walb:"ook, Simone Simon, Danie11e Darrieux, Jean-Louis Barrau1t and Gerard Philipe are among tu'1e stars. "La Ronde ll was named "best picture of the year" by the British Film Academy and won the grand prize at 1951 film festivals in Venice, Cannes, Brussels and Cuba. Other films on the spring calendar are "The Man in the White Suit" (British) April 22; "Open City" (Italian) April 29; liThe River" (British) May 6; "Under the Paris Sk'J" (French) May 13; and "Fantasia" (American) May 22. With the exception of "Fantasia" -- which will be shown at 4 and 7:30 p.m. on a Friday -- all these movies will be presented at 3 :30 and 8 p.m. Wednesdays in Northrop audito:'iUI:1. Admission is 74 cents for adults, 35 cents for juniors. In addition, the societ.7 has planned a program of film classics -- a group of Charlie Chaplin comedies for April 9, IIGrapes of Wrath" April 24 and "Midsummer Night's Dream" with Olivia de HaViland, James Cagney, Joe E.
    [Show full text]
  • AUCTION Catalog and EVENT Program
    Thanks for attending Sunset Affair: Sea Change PRODUCED BY COMO FRIENDS, BENEFITTING COMO PARK ZOO AND CONSERVATORY. FREE TO MORE THAN TWO MILLION VISITORS EACH YEAR PRODUCED BY: AUCTION catalog and EVENT program WITH SUPPORT FROM OUR PARTNER: COMO PARK ZOO AND CONSERVATORY COMO FRIENDS’ ANNUAL SUMMER BENEFIT FOR 651-487-8229 | comofriends.org COMO PARK ZOO AND CONSERVATORY 1225 Estabrook Drive | Saint Paul, MN 55103 THURSDAY, JULY 19, 2018 5:30 PM — 10:00 PM SUPPORT BY: Como Friends is the nonprofit organization that inspires community generosity to advance Como Park Zoo and Conservatory as a destination where people from all walks of life can gather, learn and enjoy the natural world. Since forming in 1999, Como Friends has invested more than $38 million to enhance facilities, preserve architecture and develop programs at Como Park Zoo and Conservatory. Como Friends is dedicated to making this free-admission treasure thrive. 651-487-8229 | comofriends.org 1225 Estabrook Drive | Saint Paul, MN 55103 WELCOME TO SUNSET AFFAIR: SEA CHANGE COMO FRIENDS' ANNUAL SUMMER BENEFIT FOR COMO PARK ZOO AND CONSERVATORY 1 WELCOME TO SUNSET AFFAIR: SEA CHANGE Dear Friends, We are thrilled to be serving as honorary chairs for Sunset Affair: Sea Change. Como Park Zoo and Conservatory holds a special place in our hearts. As children we came with our parents, as parents we came with our children and now come with our grandchildren. Four generations of our family have made lifelong memories at this community treasure. Making memories is what Como is all about. We continue to be involved because of its innovative education programs and free admission for all.
    [Show full text]
  • WCD Operations Review
    WISCONSIN CENTER DISTRICT OPERATIONS REVIEW VOLUME II OF II Barrett Sports Group, LLC Crossroads Consulting Services, LLC March 17, 2017 Preliminary Draft – Subject to Revision Preliminary Draft Page– Subject 0 to Revision TABLE OF CONTENTS VOLUME I OF II I. EXECUTIVE SUMMARY LIMITING CONDITIONS AND ASSUMPTIONS VOLUME II OF II I. INTRODUCTION II. WCD OVERVIEW III. MARKET OVERVIEW IV. BENCHMARKING ANALYSIS V. WCD/VISIT MILWAUKEE STRUCTURE VI. FINDINGS AND RECOMMENDATIONS APPENDIX: MARKET DEMOGRAPHICS LIMITING CONDITIONS AND ASSUMPTIONS Preliminary Draft – Subject to Revision Page 1 TABLE OF CONTENTS VOLUME II OF II I. INTRODUCTION II. WCD OVERVIEW A. Wisconsin Center B. UW-Milwaukee Panther Arena C. Milwaukee Theatre D. Consolidated Statements E. Lost Business Reports F. Key Agreement Summaries G. Capital Repairs History H. Site Visit Observations Preliminary Draft – Subject to Revision Page 2 TABLE OF CONTENTS VOLUME II OF II III. MARKET OVERVIEW A. Demographic Overview B. Hotel and Airport Data C. Competitive Facilities D. Demographic Comparison E. Comparable Complexes F. Comparable Complex Case Studies G. Local Sports Teams H. Festivals/Other Events I. Downtown Development J. General Observations IV. BENCHMARKING ANALYSIS A. WCD Benchmarking B. Wisconsin Center Benchmarking C. UWM Panther Arena Benchmarking D. Milwaukee Theatre Benchmarking Preliminary Draft – Subject to Revision Page 3 TABLE OF CONTENTS VOLUME II OF II V. WCD/VISIT MILWAUKEE STRUCTURE VI. FINDINGS AND RECOMMENDATIONS A. WCD SWOT B. Strategic Recommendations APPENDIX: MARKET DEMOGRAPHICS LIMITING CONDITIONS AND ASSUMPTIONS Preliminary Draft – Subject to Revision Page 4 I. INTRODUCTION I. INTRODUCTION Introduction Barrett Sports Group, LLC (BSG) and Crossroads Consulting Services, LLC (Crossroads) are pleased to present our review of the Wisconsin Center District (WCD) operations Purpose of the Study .
    [Show full text]
  • 1 Minnesota Wrestling Team Notes
    SCHEDULE/RESULTS Gophers Close Out Big Ten Road Schedule in Lincoln Date Opponent Results Nebraska Nov. 4 Daktronics Open(B) 7 Titles February 8, 2019 Nov. 9 at Air Force W, 33-3 Devaney Center Nov. 18 Oklahoma State L, 23-9 Nov. 25 South Dakota St. W, 35-6 No. 7 MINNESOTA GOLDEN GOPHERS No. 10 Nebraska Nov. 30 Cliff Keen Invitational(LV) 4 placers (Intermat individual rankings as of February 5) Dec. 1 Cliff Keen Invitational(LV) 6th-79.5 No. 6 Sean Russell OR Steve Polakowski...................125.....................................................No. 16 Zeke Moisey Dec. 8 at Fresno State W, 31-6 No. 8 Ethan Lizak .......................................................133............................Jevon Parrish OR Tucker Sjoemling Dec. 29 Lehigh(FL) W, 25-9 No. 10 Mitch McKee ....................................................141...........................................................No.19 Chad Red Dec. 29 UNCFL) W, 29-11 No.19 Tommy Thorn ....................................................149..............................Collin Purinton OR Jordan Shearer Dec. 30 Kent State(FL) W, 51-0 No.8 Steve Bleise........................................................157...................................................No.2 Tyler Berger Dec. 30 Utah Valley(FL) W, 36-6 Carson Brolsma OR Jake Allar....................................165 ......................................................No.6 Isaiah White Jan. 6 Rutgers*^ W, 22-15 No. 12 Devin Skatzka ..................................................174 ...................................................No.
    [Show full text]
  • Kscopef2005sm[1]
    FALL 2005 Leading Through Change Kaleidoscope Che AvIsory CounCIL, 2005-06 Sara Perlman Barrow Program officer Family philanthropy Advisors Mary A. Bartz Director, Food Communications national Cattlemen’s Beef Association Marcia K. Copeland Retired director, Betty Crocker kitchens general mills Steve Geiger vice president, enterprise Transformation and Integration Carlson Companies, Inc. Irene M. Gengler Consultant/owner sensory Testing service Roxanne Givens CEO ethnichome Lifestyles Jesse Bethke Gomez President Chicano Latinos unidos en servicio (CLUES) fall 2005 Delores Henderson Administrator saint paul public schools Marlene M. Johnson Executive director/CEO nAFsA: Association of In this issue: International educators Gail McClure vice president w.k. kellogg Foundation 2 LeAdIng Through ChAnge David H. Olson CEO DeAn BAugher talks ABouT The Life Innovations unIversITy’s reorgAnIzation And Mary Pickard President & executive director The st. paul Companies, Inc. what IT meAns For Che Foundation Janet Poley CEO/president American distance education 4 DesIgn Is CenTer stage Consortium dhA And cala Are ComIng TogeTher Susan Sands Owner s & B properties to Create An ALL-new desIgn CoLLege Roger W. Toogood retired director Children’s home society Kaleidoscope Greg Van Bellinger mens Trend manager 7 The goLdsTeIn Target stores The College of Human Ecology engages in the Helen Wainwright senior vice president of human scholarship of teaching and learning, discovery, and resources & Labor relations engagement to address the human needs of people 8 New erA In education star Tribune Co. in Minnesota. Five academic initiatives guide and Fsos And ssw wILL Be sIgnificanT connect work across our four academic units: cultural Wendy Wustenberg writer & Consultant awareness and competence, development across the life pLAyers In The nation’s LArgesT And general mills span, design and technology, economic and social well- broAdesT CoLLege oF ITs kInd being, and healthy life choices.
    [Show full text]
  • Still on the Road Venue Index 1956 – 2020
    STILL ON THE ROAD VENUE INDEX 1956 – 2020 STILL ON THE ROAD VENUE INDEX 1956-2020 2 Top Concert Venues Venue # 1. The Beacon Theatre, New York City, New York 46 2. Fox Warfield Theatre, San Francisco, California 28 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Heineken Music Hall, Amsterdam, The Netherlands 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 Spektrum, Oslo, Norway 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 7. Entertainment Centre, Sydney, New South Wales, Australia 11 Greek Theatre, University Of California, Berkeley, California 11 Pine Knob Music Theatre, Clarkston, Michigan 11 The Tower Theater, Upper Darby, Pennsylvania 11 8. Globe Arena, Stockholm, Sweden 10 Hammersmith Apollo, London, England 10 Le Grand Rex, Paris, France 10 Palais Theatre, Melbourne, Victoria, Australia 10 Pavillon de Paris, Paris, France 10 Scandinavium, Gothenburg, Sweden 10 State Theatre, Sydney, New South Wales, Australia 10 The Forum, Inglewood, Los Angeles, California 10 The Orpheum Theatre, Boston, Massachusetts 10 Top Ten Studios rank Studio # 1. Studio B, The Abernathy Building, Washington, District Of Columbia 85 2. Rundown Studios, Santa Monica, California 63 3. Studio A, Columbia Recording Studios, New York City, New York 27 4. Studio A, Power Station, New York City, New York 26 5. Columbia Music Row Studios, Nashville, Tennessee 16 6. Studio E, Columbia Recording Studios, New York City, New York 14 7.
    [Show full text]