Dear Friends, Fall 2019
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Ross Nickerson-Banjoroadshow
Pinecastle Recording Artist Ross Nickerson Ross’s current release with Pin- ecastle, Blazing the West, was named as “One of the Top Ten CD’s of 2003” by Country Music Television, True West Magazine named it, “Best Bluegrass CD of 2003” and Blazing the West was among the top 15 in ballot voting for the IBMA Instrumental CD of the Year in 2003. Ross Nickerson was selected to perform at the 4th Annual Johnny Keenan Banjo Festival in Ireland this year headlined by Bela Fleck and Earl Scruggs last year. Ross has also appeared with the New Grass Revival, Hot Rize, Riders in the Sky, Del McCoury Band, The Oak Ridge Boys, Nitty Gritty Dirt Band and has also picked and appeared with some of the best banjo players in the world including Earl Scruggs, Bela Fleck, Bill Keith, Tony Trischka, Alan Munde, Doug Dillard, Pete Seeger and Ralph Stanley. Ross is a full time musician and on the road 10 to 15 days a month doing concerts , workshops and expanding his audience. Ross has most recently toured England, Ireland, Germany, Holland, Sweden and visited 31 states and Canada in 2005. Ross is hard at work writing new material for the band and planning a new CD of straight ahead bluegrass. Ross is the author of The Banjo Encyclopedia, just published by Mel Bay Publications in October 2003 which has already sold out it’s first printing. For booking information contact: Bullet Proof Productions 1-866-322-6567 www.rossnickerson.com www.banjoteacher.com [email protected] BLAZING THE WEST ROSS NICKERSON 1. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
The Place of Music, Race and Gender in Producing Appalachian Space
University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Dom Flemons Bio Dom Flemons Is a GRAMMY Award Winning Musician
Dom Flemons Bio Dom Flemons is a GRAMMY Award winning musician, singer-songwriter, and slam poet. Carrying on the songster tradition, Flemons strives to mix traditional music forms with a contemporary approach, to create new sounds that will appeal to wider audiences. In his recent solo album Prospect Hill (2014), Flemons drew from a wide range of styles, including ragtime, Piedmont blues, spirituals, southern traditional music, string band music, fife and drum music, and jug-band music. He began his career as a performer in the Arizona music scene, where he produced 25 albums for singer-songwriters and slam poets in Pheonix. In 2005, Flemons co- found the Carolina Chocolate Drops, an African-American string band that won a Grammy for its 2010 album Genuine Negro Jig. Today, he tours throughout the United States and internationally as “The American Songster. In February 2016, Dom performed at Carnegie Hall for a Tribute to Lead Belly. In September 2016, Dom performed at the opening ceremonies for the National Musuem of African American History and Culture in Washington, DC. Dom has been touring internationally and has released his latest album called “Ever Popular Favourites” with British Guitar player, Martin Simpson. The album was released on Fledg’ling recordings in October 2016. Dom’s newest album to be released through Smithsonian Folkways will be celebrating the stories and songs of the black cowboys. Dom has released two instructional DVDs through Stefan Grossman’s Guitar Workshop. Dom has a new podcast called American Songster Radio and it is in conjunction with WUNC North Carolina Public Radio. -
Getting Here
our valued sponsors: valued our to thanks many greatamericanirishfest.com the race and to register online, please visit: visit: please online, register to and race the the morning of the race. More info about about info More race. the of morning the a run t-shirt. Registrations will be accepted accepted be will Registrations t-shirt. run a Those who register in advance will receive receive will advance in register who Those will start and end on the Fairgrounds. Fairgrounds. the on end and start will be held on Saturday, July 25th at 10:00 am. This run run This am. 10:00 at 25th July Saturday, on held be present the Annual “Ranger Run” 5K road race, to to race, road 5K Run” “Ranger Annual the present The Great American Irish Festival will once again again once will Festival Irish American Great The un 5K 5K un R anger R There is no admission charge for games. for charge admission no is There Fields behind the rear entrance of the Fairgrounds. Fairgrounds. the of entrance rear the behind Fields cheering your favorite teams on at the Athletic Athletic the at on teams favorite your cheering As part of the Great American Irish Festival, enjoy enjoy Festival, Irish American Great the of part As ugby Games ugby R performances, and more! more! and performances, demos, Sunday high tea, Irish dancing school school dancing Irish tea, high Sunday demos, contest, Ireland photograph display, cooking cooking display, photograph Ireland contest, will proudly host: genealogy workshops, photo photo workshops, genealogy host: proudly will GreatAmericanIrishFest.com at found be can more, and activities these of all on Details the Emerald Isle, this year the Cultural Building Building Cultural the year this Isle, Emerald the Among the rich cultural traditions displayed from from displayed traditions cultural rich the Among Cultural Building Cultural in addition to a wide array of food vendors! food of array wide a to addition in wares, other and jewelry clothing, crafts, Celtic Tasting area. -
Carolina Chocolate Drops
Carolina Chocolate Drops “An appealing grab-bag of antique country, blues, jug band hits and gospel hollers, all given an agreeably downhome production. The Carolina Chocolate Drops are still the most electrifying acoustic act around.” -The Guardian “The Carolina Chocolate Drops are...revisiting, with a joyful vengeance, black string-band and jug-band music of the Twenties and Thirties—the dirt-floor dance electricity of the Mississippi Sheiks and Cannon’s Jug Stompers.” —Rolling Stone In early 2012, Grammy award-winning Carolina Chocolate Drops released their studio album Leaving Eden (Nonesuch Records) produced by Buddy Miller. The traditional African-American string band's album was recorded in Nashville and featured founding members Rhiannon Giddens and Dom Flemons, along with multi-instrumentalist Hubby Jenkins and cellist Leyla McCalla, already a familiar presence at the group's live shows. With Flemons and McCalla now concentrating on solo work, the group's 2014 lineup will feature two more virtuosic players alongside Giddens and Jenkins - cellist Malcolm Parson and multi-instrumentalist Rowan Corbett -- illustrating the expansive, continually exploratory nature of the Chocolate Drops' music. Expect a new disc from this quartet in 2015. The Chocolate Drops got their start in 2005 with Giddens, Flemons and fiddle player Justin Robinson, who amicably left the group in 2011. The Durham, North Carolina-based trio would travel every Thursday night to the home of old-time fiddler and songster Joe Thompson to learn tunes, listen to stories and, most importantly, to jam. Joe was in his 80s, a black fiddler with a short bowing style that he inherited from generations of family musicians. -
Brittany Haas: Violin & Vocals Susie Petrov: Piano & Accordion
abdesign bc A Proud Supporter of The New Harmony Music Festival & School -Informing Citizens -Empowering Families -Strengthening Community Listen Live at WNIN.ORG TV 9.1 & 9.2, Cable 12 &13 FROM THE FESTIVAL DIRECTOR christopher layer Welcome to season three... Celebrating Life In The Presence Of Music...And Architecture! elcome festival friends to the third New Harmony Music Festival & School! Welcome Wto community, freedom, and the harmony of sounds in soaring spaces, old ballads in historic theaters, and morning serenades out of doors while nature bestows her gifts upon us in this harmonious spiritual mecca for the soul. I invite you to bring your own joy and enthusiasm for musical creation to bear on our offerings in this cradle of life and sharing. Drink deep from the font of exploration and linger long in the land of things creative. On behalf of Clem Penrose and all of the New Harmony Artists Guild, dear listener, you are invited! This season... his year we celebrate the bicentennial of the town of New Harmony and the unique ways our historic Tsurroundings and structures shape how our ears receive our music. Stephanie Meeks, the Director of the National Trust For Historic Preservation, has graciously written a short letter of greeting to the festival, as we feature some our special architecture around town during festival. We are thrilled to be performing an outdoor concert at 9 o’clock on Saturday morning, July 12 in the Philip Johnson Roofless Church featuring a nine foot Steinway piano courtesy of H & H Music in Evansville. Classical and traditional music inspired by works of architecture through history will fill the bill of fare for this very special “first” in festival history. -
Acadian Fiddling Traditions
Acadian Fiddling Traditions !by Devon Léger When two Acadians meet, the first things we ask each other are along the lines of “Where are you from,” Where’s your family from,” or “What’s your last name?” Acadians are people of a diaspora, a forced migration that spread from our homeland in Eastern Canada throughout the Western world, and to this day there’s a kind of inbred need in us to try and trace our roots back to some kind of common ground. That diaspora is why, try as we might, it’s so hard to define Acadian traditional music. Each region where Acadians settled has its own traditions, and Acadians have always been very accepting and curious about surrounding cultures. Acadians are also a pacifistic people. That’s part of the legend of the Acadians, that by choosing not to choose sides in the French-English wars, we were expelled from Nova Scotia by the British in 1755, an event known as Le Grand Dérangement, or the Great Deportation. It’s a kind of spirit that lasts to this day in the Acadian willingness to accept new influences and new ideas, certainly in music. In a sense, this differentiates Acadians in Canada from our French-speaking cousins in Québec. Québécois culture has a strong streak of independence from the Anglophone world that you don’t find in Acadian culture or music (though early Québécois musicians were just as happy to borrow from Anglophone sources). This also explains why you’ll hear so little traditional Acadian music when you travel to New Brunswick or Nova Scotia, but will hear lots of Down East fiddling, Cape Breton Scottish fiddling, Acadian bluegrass, or straight country. -
5Th Annual Front Porch &
55thth Annual Annual Front Porch Front& Porch & Saturday, July 6, 2013 Gazebo Park, Main Street Chester, NJ Benefitting BYG Work Camp photo Spencer by Huck layout and design by Ella Rue 5th Annual Front Porch & Schedule 10:00–10:05 a.m. Opening Ceremony 10:05–10:25 a.m. Kali and Kailey 10:30–11:00 a.m. Evan Lane 11:10 –11:5 0 a . m . Omar Mendez 12:00 –12:40 p.m. Mike Esposito and Friends 12:50–1:30 p.m. Honky–Tonk Scoundrels 1:40–2:20 p.m. Heavy Traffic 2:30–3:10 p.m. Eric Kahler and the Jenny Jump Ramblers 3:20–4:00 p.m. The Catbirds 4:10–4:50 p.m. Tri-County Music and Arts, Fiddlers Group 5:00–5:40 p.m. Keith Wilson 5:50–6:30 p.m. Americana Troupe 6:40–7:20 p.m. Madeline Smith 7:30–8:10 p.m. Monday Night Pickers Duke DeGroat “M.C. for the Day” The former host of radio show, “Into Thin Air”, on WNTI, Duke grew up listening to Johnny Cash, Merle, and Hank. He is a proud member of the Willie Nelson Fan Club and a dedicated concert goer. “My passion is music; southern rock, blues, folk, R&R, anything that can be danced to or somehow related to. I believe music brings out emotions and memories that can’t otherwise be recalled. I love live music, jam bands, festivals, compilations and covers. Other interests include trail running, mountain biking, volunteering, and just staying involved in my community. -
Pete Seeger: a Singer of Folk Songs
LINGUACULTURE 2, 2020 PETE SEEGER: A SINGER OF FOLK SONGS DAVID LIVINGSTONE Palacký University Abstract Pete Seeger would have turned one hundred and one on May 3 of this year. To commemorate these ten decades plus one year, I would like to look at eleven of the most remarkable aspects of Pete Seeger’s life, work and legacy. This paper will examine the cultural impact and oral tradition of the music, songs and books of Pete Seeger. This legendary folk musician's career spanned eight decades and touched on many of the key historical developments of the day. He is responsible for some of the iconic songs which have not only helped define American culture, but even beyond. Seeger was also a pioneer in a number of fields, using his music to propagate political convictions, ecological themes, civil rights, world music, education, etc. The folk singer also had his finger on the pulse of a number of developments in American history and culture. He was friends with a number of prominent musicians and artists and influenced an entire range of younger musicians and activists. Keywords: Pete Seeger; Folk music; American history; Social activism; Civil Rights movement Family Pete Seeger’ family was a powerhouse of talent, musically and beyond. Charles Seeger (1886-1979), his father, was a renowned musicologist who held a number of prominent university positions. His political convictions, obviously on the left, were also instrumental in forming his son’s ideological worldview. His mother Constance de Clyver (1886-1975) was also a musician although not as accomplished by far as his stepmother Ruth Seeger (1901-1953) (mother to Mike and Peggy).