lan^vvoDd 1971
Gfestival of (Contemporary ^^J^usic
August 11 - August 17, 1971
sponsored by the BERKSHIRE MUSIC CENTER
in cooperation with the FROMM MUSIC FOUNDATION
M**d**A*i , « PERSPECTIVES Perspectives of New Music is a OF semi-annual journal dedicated to serious consideration of impor- NEW MWSIC tant issues of contemporary music and problems of the composer. ". . . no other publication since the demise of Modern Music covers as broad a territory, probes important issues as deeply, approaches Benjamin Boretz/Editor as intelligently the critical problems Elaine Barkin / raised by certain strains of Associate Editors Hubert S. Howe, Jr. contemporary composition; and pri- marily for these reasons, anyone seriously interested in current music, particularly in America,
should oblige himself to read it."
—Richard Kostelanetz, Yale Review
Recent articles include: $6.00 a year $10.50 two years On Relata I Milton Babbitt $5.00 an issue The Construction of Musical Syntax (I) Benjamin Boretz
Composition with Arrays PUBLISHED BY Godfrey Winham PRINCETON UNIVERSITY PRESS PRINCETON, NEW JERSEY 08540 On the Proto-Theory of Musical FOR THE FROMM MUSIC FOUNDATION Structure Richard M. Martin ^Bm maiam TANGLEWOOD
SEIJI OZAWA, GUNTHER SCHULLER, Artistic Directors / LEONARD BERNS'I^EIN, Advisor
The Berkshire Music Center
Joseph Silverstein, Chairman of the Faculty Harry J. Kraut, Administrator Aaron Copland, Chairman of the Faculty Emeritus Daniel R. Gustin, Assistant Administrator James Whitaker, Chief Coordinator
Festival of Contemporary Music
presented in cooperation with The Fromm Music Foundation
Paul Fromm, President
Fellowship Program Contemporary Music Activities
Gunther Schuller, Flead Lukas Foss, Bruno Maderna, and Charles Wuorinen, Guest Teachers TiBOR PuszTAi and Paul Zukofsky, Assistants
The Berkshire Music Center is maintained for advanced study in music
Sponsored by the Boston Symphony Orchestra William Steinberg, Music Director Michael Tilson Thomas, Associate Conductor
Thomas D. Perry, Jr., Manager BALDWIN PIANO DEUTSCHE GRAMMOPHON AND RCA RECORDS
1 The Oldest and Largest Record Company devoted to CONTEMPORARY MUSIC
RECENT RELEASES
Paul Chihara: TREE MUSIC CRI SD 269 Roger Reynolds: BLIND MEN CRI SD 241 Peter Westergaard: MR. and MRS. DISCOBBOLOS CRI SD 271
FORTHCOMING RELEASES
Columbia-Princeton Electronic Music Center Tenth Anniversary Celebration Varese, Babbitt, Ussachevsky, Luening, Arel, Davidovsky, Shields, Smiley CRI SD 268 — 2 discs
Ralph Shapey: RITUALS for Symphony Orchestra Seymour Shifrin: THREE PIECES FOR ORCHESTRA (Naumburg Award Winners) CRI SD 275
William Albright: ORGANBOOK; PNEUMA; JUBA CRI SD 277
180 albums available
Send for free catalogue. Write Dept. J COMPOSERS RECORDINGS, INC.
170 West 74th Street, New York, N. Y. 10023
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^^ak. THE BERKSHIRE MUSIC CENTER
In 1940, the Berkshire Music Center was established at Tanglewood by the Boston Symphony Or- chestra in fulfillment of the dream of Serge Koussevitzky, its Music Director, to provide an environment in which young musicians could continue their professional training and add to their artistic experience through the guidance of eminent musicians. The Center was developed under Koussevitzky's leadership until his death in 1951, when he was succeeded by Charles Munch. Erich Leinsdorf became the next
IVIusic Director in 1963, to be succeeded in 1970 by a tripartite directorship comprising two Artistic Di- rectors, Seiji Ozawa and Gunther SchuUer, and Leonard Bernstein as Advisor.
Since the founding of the Center, one of the principal sponsors of composers and contemporary music at Tanglewood has been the Koussevitzky Music Foundation, established in 1942 by Serge Koussevitzky, then Music Director of the Boston Symphony Orchestra, in memory of his wife Natalie.
THE FROMM MUSIC FOUNDATION
1 he Fromm Music Foundation is dedicated to the furtherance of contemporary music. The Founda- tion commissions new works, awards prizes for existing works, and sponsors the study, performance, pub- lication and recording of contemporary music. The Foundation supports the magazine, "Perspectives of New Music," published by the Princeton University Press, and sponsors the yearly Festival of Contempo- rary Music at Tanglewood. I he Fromm Music Foundation is headed by Paul Fromm of Chicago, its president and founder.
CONTEMPORARY MUSIC AT TANGLEWOOD
The Contemporary Music Program at the Berkshire Music Center comprises two kinds of activity: the study and performance of contemporary music, and instruction in composition for a limited number of composers whose previous studies and experiences have prepared them for work on an advanced level.
The program is headed by Gunther Schuller, President of The New England Conservatory of Music.
Student composers not only receive instruction from Mr. Schuller and this year's guest teacher, Bruno
Maderna, but also participate in a series of seminars conducted by, in addition to Mr. Maderna, Charles
Wuorinen and Lukas Foss. Compositions by the student composers are performed at various Berkshire
Music Center concerts, and prepared, as are the concerts of the Festival of Contemporary Music, under the supervision of Mr. Schuller. 1 HE MUSIC THEATER PROJECT
The Music I'heater l^roject was inaugurated this year, headed by Ian Strasfogel, to provide practical experience in the Music Theater repertory for both advanced students and professional singers of excep- tional ability.
Music Theater has a venerable history from the early experiments of Monteverdi to the Brecht-Weill, Stravinsky, and Ligeti works of today. With limited forces of small casts and orchestras, and slight scenic demands, these pieces use the elements of opera in strikingly fresh, exciting ways which must influence the opera composer and performer of tomorrow. Ihe establishment of the Music 1 heater Project was made possible by grants from the National Opera Institute and the Martha Baird Rockefeller Fund. THE FESTIVAL
"Ihe Festival of Contemporary Music was initiated in 1963. The generous support of the Fromm Music Foundation has made possible this week-long encounter with contemporary music — an institution at Tanglewood, a festival within a Festival.
"Its purposes are manifold. It provides a forum for new ideas and directions in music, and as such has become one of the most important annual events in the vital task of keeping the lines of communication open between composer and public. It also reaffirms the position that music can only survive in our society through the careful nurturing of the creative mind. But creation (composition) and recreation (perform- ance) are inextricably linked; the one cannot survive without the other. The emphasis on museum policies possible in the other arts, particularly the visual arts, can only lead to attrition in music for the very simple reason that, unlike a painting which exists and can be viewed at leisure, a composition has to be performed in order to exist. It ceases to exist, except as a memory, the moment the performance has ended. It there- fore becomes the obligation of every performing musician to keep the life-stream of music — composition — going and moving forward. The young men and women who come to Tanglewood as Fellowship students, performing in addition to 19th century music a wide variety of contemporary music, are meeting this challenge as a part of their professional commitment to music in all its breadth and depth. "The Fromm Music Foundation and the Berkshire Music Center provide a stimulus to these activi- ties by annually commissioning a number of works by young composers about to establish themselves in the field of music. "The Festival does not claim to be comprehensive or all-permissive, but has presented over the years a wide sampling of contemporary music, ranging from young 'unknowns' to the well-established figures." GUNTHER SCHULLER )
T"-'"'- IIIIM li FESTIVAL OF CONTEMPORARY MUSIC
Wednesday, August ii, at 8:30 p.m.
Monday, August 16, at 8:30 p.m.
Theatre-Concert Hall, Tanglewood
Program
John Huggler Music in Two Parts, opus 63 ( 1964) Conductor — Paul Polivnick
John Harbison Parody- Fantasia ( 1968) Piano — Robert Miller
Donald Martino Cinque Frammenti ( 1962)
Louis Weingarden Seven Poems of Constantine Cavafy ( 1971
Commissioned by the Berkshire Music Center and the Fromm Music Foundation First Performance Soprano — Poppy Holden Narrator — Stephen Kline Conductor — JOHN Mauceri intermission
Vincent Luti Cantata : Desiderata ( 1968) First Performance Conductor — Gunther Schuller
Rolv Yttrehus Music for Winds, Percussion, 'Cello, and Voices (1969) Conductor — TiBOR PUSZTAI BALDWIN PIANO Acoustic Research Contemporary Music Project
Presenting a series of broadcasts and recordings of music by living American composers.
Board of Advisors Program Committee Milton Babbitt David Epstein Elliott Carter Earl Kim Aaron Copland Donald Martino Gunther Schuller Seymour Shifrin Roger Sessions
Production and annotation of the broadcasts are by Leo Treitler.
Acoustic Research has provided a group of composers with the funds and technical support to enable them to make recordings and produce broadcasts of music composed by their colleagues and themselves. The first series, which is now complete, consists of fourteen broadcasts and six records. The records produced by the project are available only by mail from Acoustic Research, at a cost of $2 each. They are manufactured by Deutsche Grammophon GmbH and are packaged in exactly the same way as commercial releases.
A complete description of the project, including a list of recorded works and a copy of Professor Treitler's introduc- tory broadcast, is available upon request.
Acoustic Research, Inc. 24 Thorndike street Cambridge, Mass. 02141
I
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FESTIVAL OF CONTEMPORARY MUSIC
Thursday, August 12, at 8:30 p.m.
Tuesday, August 17, at 8:30 p.m.
Theatre-Concert Hall, Tanglewood
T^rogram
Edward Levy Quintet ( 1967) Conductor — Paul Zukofsky
Betsy Jolas Tranche (1967) Harp — Karen Krisel First United States Performance
(}iLLES l^REMRLAY Souffles (Champs II) (1968) Conductor — Thomas Michalak
T. J. Anderson Transitions ( 1971 Commissioned by the Berkshire Music Center and the Fromm Music Foundation First Performance Conductor — Charles Darden intermission
Bruno Maderna Oboe Concerto (1962) Oboe, Oboe d'Amore, English Horn — Peter Bowman First United States Performance Conductor — Gunther Schuller
GuNTHER Schuller Double Quintet ( 1961 Coniwc/or — Bruno Maderna
BALDWIN piano
7 ^J^^^ G. Sctiirmer & Associated Music Publishers represent the music of the following contemporary composers:
STEPHEN ALBERT / MALCOLM ARNOLD / MILTON BABBITT
MATTHIAS BAMERT / SAMUEL BARBER / N. V. BENTZON
LENNOX BERKELEY / LEONARD BERNSTEIN / BORIS BLACHER
EASLEY BLACKWOOD / ERNEST BLOCH / JULIAN BREAM
BENJAMIN BRITTEN / EARLE BROWN / FERRUCCIO BUSONI
ELLIOTT CARTER / ALVARO CASSUTO / CARLOS CHAVEZ
JOHN CORIGLIANO / HENRY COWELL / PAUL CRESTON
MANUEL DE FALLA / PERCY GRAINGER / CHARLES GRIFFES
ROY HARRIS / GUSTAV HOLST / KAREL HUSA / CHARLES IVES
LEON KIRCHNER / GISELHER KLEBE / ERNST KRENEK
HENRI LAZAROF / BERNARD LEWKOVITCH / BOHUSLAV MARTINU
annp GIAN CARLO MENOTTI / DARIUS MILHAUD / PETER PHILLIPS
ROBERT MUCZYNSKI / BO NILSSON / CARL NIELSEN
WALTER PISTON / MEL POWELL / SILVESTRE REVUELTAS
VITTORIO RIETI / LALO SCHIFRIN / ARNOLD SCHOENBERG
GUNTHER SCHULLER / PETER SCULTHORPE / WILLIAM SCHUMAN
HUMPHREY SEARLE / STANISLAW SKROWACZESKI
ROGER SMALLEY / IGOR STRAVINSKY / CARLOS SURINACH
ALEXANDER TANSMAN / ALEXANDER TCHEREPNIN / VIRGIL THOMSON
ERNST TOCH / HEITOR VILLA-LOBOS / JAROMIR WEINBERGER
YEHUDI WYNER / JAMES YANNATOS / ISANG YUN
G. SCHIRMER & ASSOCIATED MUSIC PUBLISHERS 609 FIFTH AVENUE, NEW YORK, NEW YORK 10017
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FESTIVAL OF CONTEMPORARY MUSIC
BERKSHIRE MUSIC CENTER ORCHESTRA GuNTHER SCHULLER, Conductor
Sunday, August 15, at 8:30 p.m.
Theatre-Concert Hall, Tanglewood
Charles Ives The Yale-Princeton Football Game (1899) The Gen'l Slocum (1904)
(Reconstructed and edited by Gunther Schuller)
Sydney Houkinson Valence for Chamber Orchestra ( 1970)
GiACiNTO ScELSi Anahit for Violin and Orchestra ( 1965)
Violin — Paul Zukofsky
First United States Performance
INTERMISSION
John Heiss Four Short Pieces for Chamber Orchestra ( 1962)
Charles Wuorinen Contrafactum - Parts I and II (1969)
BALDWIN piano Bouta conDua/ boulcz pu/CLonpu THE BBC. SYMPHONY ORCHF.STKA
.1948 ! 1935 »=°?nSN CAGE g::^lC<,71gBrjrjJWgt- ZTJM^ iiriui
FESTIVAL OF CONTEMPORARY MUSIC
MUSIC THEATER PROJECT
Ian Strasfogel, Head
Wednesday, August i i, at 8:30 p.m.
Thursday, August 12, at 8:30 p.m.
West Barn, Tanglewood
DOWN BY THE GREENWOOD SIDE A Dramatic Pastorale
Music by Harrison Birtwistle
Text by Michael Nyman
Staged by Ian Strasfogel
Conducted by Bruno Maderna Assistant Conductor — John L. DeMain
Setting by Douglas W. Schmidt Costumes by Jeanne Button
Lighting by Richard Lee (Tom Field Associates)
Cast (in order of appearance) : Mrs. Green Barbara Hocher
Father Christmas Stephen Klein
St. George Jay R. Perry
Bold Slasher John Seabury
Dr. Blood Lenus Carlson
Jack Finney David Hammond
First United States Performance
11 '"^^®^
publishes with pride works by these distinguished contemporary composers:
Amram Fukushima Macero Shifrin Babbitt Globokar Mayuzumi Smith Badings Hampton Mellnaes Smith Brindle Barati Harrison Moran Stout Bassett Helm Nils son S. Stravinsky Berberian Helps Overton Sydeman Berger Hovhaness Parris Takahashi Cage Huggler Peeters Takemitsu Cardew Hutcheson Penderecki Tcherepnin Chihara Ichiyanagi Pinkham Trimble Chou Ives Read Ung Cowell Jones Reck Whittenberg Crumb Kagel Reynolds Wilson Dahl Kay Rhodes Wolff El-Dabh Kelemen Riley Wolpe Feldman Ligeti Rorem Wuorinen Finney Luening Schwantner Yuasa Fisher Lybbert Serebrier
373 Park Avenue South New York, N.Y. 10016
(212) 686-4147 a»»^fBa««»».a>fa^*ai^m^
SOCRATES
Music by Erik Satie
Text from the Dialogues of Plato as adapted by Victor Cousin English translation by Yale Marshall and Wesley Balk Staged by Ian Strasfogel Conducted by Gunther SchuUer Assistant Conductor — Paul Polivnicic Setting by Douglas W. Schmidt Costumes by Jeanne Button Lighting by Richard Lee (Tom Field Associates)
Cast (in order of apearance) : Socrates Michael Best Alcibiades Doris Peterson Phaedrus Doris Peterson Phaedo Barbara Hocher Jailer Robert Shiesley
ADVENTURES (Aventures et Nouvelles Aventures) By Gyorgy Ligeti Staged by Ian Strasfogel Conducted by Gunther Schuller Assistant Conductor — Thomas Michalak
Setting bj' Douglas W. Schmidt Costumes by Jeanne Button Lighting by Richard Lee (Tom Field Associates)
Cast (in order of apearance) : Mezzo-soprano Joyce Castle Soprano Syble Young Baritone David HoUoway Soprano Poppy Holden BALDWIN piano
13 Berkshire Music Center Fellowship Program
VIOLIN Marian Kent (Los Angeles, California) Ayke Agus (Buffalo, New York) Fromm Fellowship Lee Savings Bank Fellowship Renita Koven (Los Angeles, California) Sharon Allsopp (Seattle, Washington) Carlotta M. Dreyfus Fellowship Erwin Millimet Felloioship Mark Perlman (New York, New York) Thalassos Aylward (Boston, Massachusetts) Karen Ritscher (Needham, Massachusetts) Sharon Berenson (Kenosha, Wisconsin) Carol Rossiter (East Meadow, New York) Nancy Erase (New York, New York) CELLO John Daverio (Sharon, Pennsylvania) Paul Cheifetz (Evanston, Illinois) Carolyn Edwards (Detroit, Michigan) Koussevitzky Music Foundation Fellowship Beranek Felloiuship Hector Cortes (Mexico) Marion Guest (Pawtucket, Rhode Island) Edward Dingilian (New York, New York) Peter Leight (Glenview, Kentucky) Cheryl Fippen (St. Joseph, Illinois) Michael Levin (Washington, D. C.) Jan Fischer (Muncie, Indiana) Adams Super Market Felloiuship Fromm Fellowship David Marshall (Great Neck, New York) Toshihiko Kono (New York, New York) Beinecke Felloiuship Fromm Fellowship Nancy McAlhany (Springfield, Missouri) Janet Lohman (Sheboygan, Wisconsin) Fromm Felloiuship Neal LaMonaco (Palo Alto, California) Robin O'Brien (Portland, Oregon) Laura Schlessinger (South Norwalk, Connecticut) Alice Willard Dorr Fellowship Selly A. Eisemann Memorial Fellowship Steve Ognavic (Rochester, New York) Carol Paine (Pleasantville, New York) CONTRABASS Arthur M. Abell Fellowship James Carroll (East Hartford, Connecticut) Margaret Wooten Partin (Merritt Island, Florida) Richard Fletcher (Natick, Massachusetts) Charles Pikler (Norwich, Connecticut) Dorothy Lewis Fellowship Stuart Haupt Fellowship Anthony Knight (New Castle, Indiana) Juan Ramirez (Mexico) Fromm Fellowship Leonard Bernstein Fellowship Sandra Lake (Los Angeles, California) David Reffkin (Warwick, Rhode Island) Helen Palmer (Ann Arbor, Michigan) Mary-Catherine Rendleman (Charlotte, North Carolina) Perry Steinberg (Los Angeles, California) Fellowship Mead Corporation Lenox School of Jazz Fund Fellowship Terri Sternberg (Miami, Florida) Reiko Tanaka (Japan) FLUTE Sharon Wood (Seattle, Washington) Claudia Anderson (Amherst, Massachusetts) Stanley Chappie Fellowship Alice Feinglass (Larchmont, New York) Ellen Yafet (Maplewood, New Jersey) Paul Sicular Fellowship Carol Zeavin (Inglewood, California) Thomas Kay (Sea Cliff, New York) Fromm Fellowship Seven Hills Fellowship Maquette Kuper (Berkeley, California) VIOLA N.F.M.C. Ada Holding Miller Fellowship Daniel Avshalomov (Portland, Oregon) Jenifer McKenzie (San Bernardino, California) Leonard Bernstein Fellowship Kevin Byrnes (East Brunswick, New Jersey) OBOE N.F.M.C. Ada Holding Miller Fellowship Peter Bowman (Keene, New Hampshire) Ronald Carbone (Longmont, Colorado) Augustus Thorndike Fellowship Erwin Chmiel (Poland) Frank Charnley (Framingham Center, Massachusetts) Kousseuitzky Music Foundation Fellowship John Dimond (Bellevue, Washington) Deborah Collins (Brookline, Massachusetts) Stephen Goble (Sheffield, Massachusetts) Carol Kapek (Seattle, Washington) Schwann Fellowship Kimberly-Clark Foundation Fellowship Marilyn Zupnik (Cleveland, Ohio)
'r-'-m^ CLARINET Sheldon Ginsberg (Philadelphia, Pennsylvania) Robert (Olympia, Washington) Toshio Asai (Japan) Jones Stewart Taylor York, York) Phillip Bashor (Livonia, Michigan) (New New Leonard Bernstein Fellonvship Christie Lundquist (Anaheim, California) TUBA Koussevitzky Music Foundation Felloivsliip Sam Pilafian (Miami, Florida) Paul McGlothin (Knoxville, Tennessee) William Sanders (Annadale, Pennsylvania) Dennis Smylie (Brecksville, Ohio) Fromm Fellowship Fromm Fellowship Heather Tracy (Wellesley, Massachusetts) PERCUSSION BASSOON Ronald Brown (New Hyde Park, New York) Berkshire County Savings Bank Fellowship Judith Bedford (Johnstown, New York) Benjamin Carriel (South Nyack, New York) Commercial Bank and Trust Company National Fromm Fellowship Fellowship Gary DiPerna (Pittsburgh, Pennsylvania) Ellin (McLean, Virginia) Vincent Fromtn Fellowship Colin Hemmingsen (New Zealand) Neil Nichelson (Baltimore, Maryland) Persis Morris Fellcwship Stephen and Leo fVasserman Fellowship Ellen McGlothin (Knoxville, Tennessee) Thomas Wetzel (Pittsburgh, Pennsylvania) Fromm Fellowship Fromm Fellowship Linda Smith (Muscatine, Iowa) HORN HARP Adriana Stuart Butterfield (New York, New York) Anca (Boston, Massachusetts) Paul Capehart (Dallas, Texas) Karen Krisel (Philadelphia, Pennsylvania) South Texas Development Company Fellowship Kathleen Hall Banks Fellowship Daniel Carroll (Buffalo, New York) John Clark (Rochester, New York) KEYBOARD C. D. Jackson Master Award Paul Baer (East Meadow, New York) Richard Decker (Oneida, New York) Bruce Cohen (Sunland, California) Douglas Hill (Lincoln, Nebraska) National Opera Institute Fellowship Fromm Fellowship Ann Faulkner (New York, New York) Carol Kason (Lakewood, Ohio) Frederick Tauter Memorial Fellowship Priscilla McAffee (Berkeley, California) Karen Faust (New York, New York) Carl Wilhjelm (Pompton Plain, New Jersey) Asher J. Shuffer Memorial Fellowship Marian Voorhees Buttenheim Fellowship Christopher Kies, (Chevy Chase, Maryland) Wulsin Felloivship TRUMPET Jack Krichaf (Canada) Charles Decker (Oneida, New York) Larry Leitch (Hopewell Junction, New York) Berkshire Bank and Trust Company Fellowship National Opera Institute Fellowship Lance Fritter (Paola, Kansas) Christopher Lyndon-Gee (England) Fromm Felloiuship Wulsin Fellowship Don Hazzard (Egan, Illinois) Henry Mollicone (Providence, Rhode Island) Charles Lewis (Wilmington, Delaware) National Opera Institute Fellowship Friends of Albert Schweitzer in Boston Fellowship Sandra Rivers (New York, New York) Rolf Smedvig (Seattle, Washington) Lois Shapiro (Newbury, New York) JVCRB, Boston Fellowship Union Federal Savings Fellowship Evelyn Siegel (Belmont, Massachusetts) TROMBONE Wulsin Fellowship Ray Cutler (Forest Heights, Maryland) Ronald Zalkind (Philadelphia, Pennsylvania) Frederick Brandi Trust Fellowship Koussevitzky Music Foundation Fellowship James Ehrrain (Toledo, Ohio) Kenneth Ziegenfuss (San Diego, California) Fromm Fellowship Wulsin Fellowship SINGING PROJECT Linda Chipparoni (North Kingston, Rhode Island) Saverio Barbieri (Elmhurst, New York) National Opera Institute Felloivship Leonard Bernstein Felloiuship James Freeman (Montclair, New Jersey) Susan Clickner (Shrewsbury, Massachusetts) National Opera Institute Fellowship David Cumberland (New York, New York) David Hammond (New York, New York) D'Anna Fortunato (Charleston, South Carolina) National Opera Institute Fellowship C. D. Jackson Master Aiuard Stephen Klein (Shaker Heights, Ohio) Henry Grossman (New York, New York) National Opera Institute Fellowship High Fidelity/Musical America Magazine Felloivship Philip Morehead (Newton, Massachusetts) Joan Heller (Avis, Pennsylvania) National Opera Institute Fellowship Fro mm Felloivship David OTarrell (Fairfax, Virginia) Lawrence Hoenig (Philadelphia, Pennsylvania) National Opera Institute Fellowship Poppy Holden (Enjgland) Jay Perry (Shaker Heights, Ohio) Fro mm Fello Hendrik Andriessen Jacob Avshalomov Ernst Bacon Thomas Beveridge Howard Boatwright David Carney Aaron Copland THESE John Crawford Mabel Daniels CONTEMPORARY John Davison Paul Earls COMPOSERS Richard Felciano Michael Fink ARE AMONG Herbert Fromm THOSE Ervin Henning William Hibbard REPRESENTED Arthur Honegger Michael Horvit IN OUR Karl Korte EVER- Fredric Lieberman Donald Martino GROWING Kirke Mechem Robert Middleton CATALOG Edward Miller Robert Moevs Henry Mollicone Douglas Moore Henry Morgan Alice Parker Ronald Perera Daniel Pinkham Walter Piston Robert Pollock Solveig Preus Rally Raffman Ned Rorem Norman Shapiro Stanley Silverman Richard Stark Conrad Susa William Sydeman Leslie Thimmig Randall Thompson Nicholas Van Slyck Peter Waring E. C. SCHIRMER MUSIC COMPANY lONE PRESS, INC 600 WASHINGTON STREET, BOSTON, MASS. 02111 Win Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Laredo Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth • Earl Wild Seiji Ozawa • Gunther Schuller • Michael Tilson Thomas