My Summer with the Beatles a True Story, Mostly
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lykke Li Featured in Third Episode of Wetransfer's 'Work in Progress' Series
⏲ 17 October 2018, 16:00 (CEST) Lykke Li Featured in Third Episode of WeTransfer's 'Work In Progress' Series Lykke Li opens up for the first time about the death of her mother, the birth of her child and the end of her relationship in the third episode of WeTransfer’s documentary series. October 17, 2018 - The latest episode of WeTransfer’s new series about the creative process, Work In Progress, launches today. It focuses on iconic Swedish indie-pop artist Lykke Li and can be watched on WeTransfer’s editorial platform WePresent here. In the short film (just over 6 minutes), set to Lykke Li’s latest album so sad so sexy, the acclaimed singer-songwriter gives an intimate account of her own real-life struggles in recent years. Lykke Li talks about the loss of a parent, becoming a mother and having her heart broken - and how she emerged stronger and more empowered, both mentally and creatively. Produced by Pi Studios and directed by Kaj Jefferies and Alice Lewis on 16mm film, the episode is dreamlike and melancholic at times but always underlined with a unique, raw feminine beauty. The short film acts as a candid interview and offers viewers an intimate insight into Lykke Li’s life, with personal video camera recordings of her as a child and growing up. In the footage, Lykke Li express her views on love and pain and the therapeutic nature of the creative process. This is the third episode of Work In Progress - a documentary series which celebrates the spirit of creative collaboration which defines WeTransfer's products. -
Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California. -
LIT2013000004 - Andy Gibb.Pdf
•, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue. -
So Sad So Sexy out TODAY, JUNE 8TH VIA RCA RECORDS
LYKKE LI RELEASES FOURTH STUDIO ALBUM so sad so sexy OUT TODAY, JUNE 8TH VIA RCA RECORDS ANNOUNCES “SO SAD SO SEXY” FALL NORTH AMERICAN AND EUROPEAN TOUR WATCH LAST NIGHT’S PERFORMANCE ON LATE SHOW WITH STEPHEN COLBERT HERE COVER ART + PRESS PHOTO HERE (New York -- June 8, 2018) Today, Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li releases her critically acclaimed fourth studio album so sad so sexy via RCA Records. so sad so sexy is available now across all digital service providers: http://smarturl.it/sosadsosexy The release of the album will be celebrated with the “so sad so sexy” fall tour, presented by YOLA Mezcal, that will run throughout major cities in North America and Europe including New York, Los Angeles, Toronto, London, Paris, and more. The tour will kick off on October 5th in Washington, D.C. with general on-sale tickets becoming available in the UK on Wednesday, June 13 at 9am UK/10am CET and on Friday, June 15 at 10am local time here. In anticipation for her tour, Lykke Li has performed on several festivals outside of the US, including last month’s BBC’s Biggest Weekend Festival in Belfast, All Points East in London, and will be performing at Lollapalooza, and more. See full tour dates below or visit lykkeli.com for complete schedule. Prior to release, Lykke revealed multiple tracks including the album’s lead single “deep end,” followed by “hard rain,” “utopia,” “two nights feat Aminé,” and “sex money feelings die.” Lykke Li released two highly seductive videos, one for single “deep end” shot entirely on an iPhone, and released part two of that love story with the cinematic video for album track “hard rain” directed by Anton Tammi. -
LYKKE LI ANNOUNCES FOURTH STUDIO ALBUM So Sad So Sexy
LYKKE LI ANNOUNCES FOURTH STUDIO ALBUM so sad so sexy OUT JUNE 8TH VIA RCA RECORDS SINGLE “DEEP END” + TRACK “HARD RAIN” AVAILABLE NOW COVER ART + PRESS PHOTO HERE PHOTO CREDIT: CHLOE LE DREZEN (New York – April 19, 2018) Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li today releases new single “deep end” and additional track “hard rain.” The songs mark the long- awaited coming of so sad so sexy, Lykke Li’s fourth full-length album and follow-up to 2014’s critically acclaimed I Never Learn, due June 8th via RCA Records, her first release with the label. so sad so sexy is available for pre-order now including the album’s lead single, “deep end,” produced by Jeff Bhasker, Malay, and T-Minus and “hard rain,” produced by Rostam Batmanglij. Listen to “deep end”: http://smarturl.it/LLDeepEnd Listen to “hard rain”: http://smarturl.it/LLHardRain Since the release of her debut EP Little Bit in 2008, Lykke Li has become an iconic staple of the indie-pop world with a decade-spanning career. With three celebrated studio albums, Lykke received critical raves from “Best Album of the Year” nods from the likes of The New York Times and Rolling Stone to performing at the world’s most revered music festivals including Glastonbury and Coachella. Prior to recording this album, Lykke was busy nurturing liv, her love-child with Andrew Wyatt, Björn Yttling, Pontus Winnberg and Jeff Bhasker, which allowed this collective a mutual creative outlet. Outside of music, Lykke Li is a partner in YOLA Mezcal - a brand created in collaboration with her friends Gina Correll Aglietti (chef and stylist) and Yola Jimenez (activist and Mexican entrepreneur), who the mezcal is named after. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
From Beatlemania to Bieber Fever: the Evolution of Celebrity/Fan Interactions
MPC MAJOR RESEARCH PAPER From Beatlemania to Bieber Fever: The Evolution of Celebrity/Fan Interactions Haley Coppins Dr. John Shiga The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Professional Communication Ryerson University Toronto, Ontario, Canada August 25th, 2016 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PAPER I hereby declare that I am the sole author of this Major Research Paper and the accompanying Research Poster. This is a true copy of the MRP and the research poster, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this major research paper and/or poster to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP and/or poster by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP and/or my MRP research poster may be made electronically available to the public. ABSTRACT Celebrities and fans have been researched by scholars throughout the years, with differing opinions regarding their characteristics and relationships. Prior to the development of the internet, fans were characterized by scholars as deranged, hysterical and passive. Their relationships with celebrities were seen as exclusively one-sided and parasocial. Conversely, since the development of the internet fans have been characterized more favourably as active participants. In this paper, I perform a textual analysis of Twitter conversations between bands/artists and fans in an attempt to better understand if and how celebrity-fan interactions have changed from early scholarly interpretations. -
Sing Me a Sad Song and Make Me Feel Better": Exploring Rewards Related to Liking Familiar Sad Music
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-3-2015 "Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music John D. Hogue Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Music Commons, and the Psychology Commons Recommended Citation Hogue, John D., ""Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music" (2015). Theses and Dissertations. 469. https://ir.library.illinoisstate.edu/etd/469 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. "SING ME A SAD SONG AND MAKE ME FEEL BETTER": EXPLORING REWARDS RELATED TO LIKING FAMILIAR SAD MUSIC John D. Hogue 79 Pages Hogue (2013) tested some of Levinson's (1997) theoretical ideas about why people like listening to songs that make them sad. Particularly, Hogue tested Levinson's ideas of communion, mediation, savoring feeling, and how absorption interacted with the songs to affect communion and the emotion. Hogue, however, did not use musical stimuli that were familiar to the participants, which is a precursor to Levinson's (1997) theory. This thesis retested Levinson's theory comparing familiar songs against unfamiliar songs and songs from another participant. Data were collected from 82 participants. Each participant provided songs that induced happiness and songs that induced sadness. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
George Harrison Birthday Special 2016
1 George Harrison Birthday Special 2016 2 George Harrison – Crackerbox Palace - Thirty-Three & 1/3 ‘76 This was the most successful track off the LP, and the title originally considered for the album. It’s content was inspired by the comedian Lord Buckley, a longtime favorite of George’s. Another Eric Idle directed promo film, featuring the future Mrs. Olivia Harrison, future Rutle Neil Innes, and the numerous children of Derek Taylor. The Beatles - You Like Me Too Much - Help! (Harrison) Lead vocal: George Recorded in eight takes on February 15, 1965. The introduction features Paul and George Martin on a Steinway piano and John playing an electric piano. On U.S. album: Beatles VI - Capitol LP The Beatles - Do You Want To Know A Secret – Please Please Me (McCartney-Lennon) Lead vocal: George Recorded February 11, 1963. Written primarily by John Lennon for George Harrison to sing. The song was given to another Brian Epstein-managed act, Billy J. Kramer with the Dakotas, to cover. Their version topped the British charts in late spring 1963. Inspired by "I'm Wishing," a song from Walt Disney’s 1937 animated film “Snow White and the Seven Dwarfs” that Lennon’s mother used to sing to him when he was a child. On U.S. albums: Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP 3 BREAK… The Beatles - Don’t Bother Me – With The Beatles (Harrison) Lead vocal: George George Harrison’s first recorded original song. While some may see it as a misfortune that Harrison was surrounded by two of the most gifted songwriters in history, this proximity gave him great insight into the mechanics of writing a song from scratch.