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ABBA – the Complete Recording Sessions Notes

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ABBA – The Complete Recording Sessions Notes Introduction Page 6: “There was a little bit of suspicion”: ABBA – The Complete Recording Sessions by Carl Magnus Palm; Century 22, Iver Heath 1994, p3. The future is calling: 1966–1971 Page 12: “We were out in a house”: Author interview, 29 March 2016. Page 13: “Everybody was damned happy”: Interview by Dan-Eric Landén, 4 December 1998. “‘Sunny Girl’ is a better song”: Interview by Susanne Cederberg, Musikspegeln special: Benny Andersson, TV programme broadcast 21 January 1997. Page 14: “When the Beatles started to make an impact” and “There was something wrong”: Author interview, 16 June 1993. “because it was so bloody catchy”: Interview by Craig McLean, the Observer, 13 July 2008. Page 15: “I remember very well”: Interview by Frank Östergren, Expressen, 6 November 1982. “actually wasn’t very good”: Interview in Livet är en fest, radio series (episode 7) broadcast 20 February 2000. “There was a good connection”: Interview by Ulf Elfving, B för Benny, radio programme broadcast 28 December 1976. Page 16: 1 “That situation had changed”: Author interview, 26 May 1993. “Gert was a fun guy”: Interview by Dan-Eric Landén, 4 December 1998. “Benny and I would”: Interview by Dan-Eric Landén, 10 May 1999. “I remember thinking”: Interview by Pete Paphides, the Guardian, 8 June 2002. Page 17: “The good thing about Hep House”: Interview by Dan-Eric Landén, 4 December 1998. “He was my mentor” and “That wasn’t alien to him”: Author interview, 5 June 1998. “We soon discovered”: Interview by Barbro Hähnel, Dagens Nyheter, 8 April 1974. “On Björn’s 40th birthday party”: Author interview, 16 September 1993. Page 19: “It was the happiest moment”: Interview by Michael B. Tretow featured in track ‘Introduktion’ on Agnetha Fältskog CD My Love My Life, 1996. Page 20: “and then I had a bit of a tune”: Interview by Peter Himmelstrand, Expressen, 22 June 1969. Page 21: “My biggest wish”: Interview by Ulf Elfving, B för Björn, radio programme broadcast 29 December 1976. “I called Björn up”: Author interview, 26 May 1993. Page 22: “There’s going to be”: Interview by Mona Krantz, På turné, radio programme broadcast 29 August 1969. “very pleased”: De legendariska åren – Metronome Records by Håkan Lahger & Lasse Ermalm; Premium Publishing, Stockholm 2007, p239. 2 Page 23: “three or four [Andersson/Ulvaeus] songs”: Dagens Nyheter, 13 July 1969. “Stig approached us”: Author interview, 18 May 1993. Page 24: “even if you [threaten to] murder me”: Interview by Harry Amster, SvD.se, 5 July 2008. Page 25: “Billy had this kind of Joe Cocker-like voice”: Author interview, 16 June 1993. Page 26: “a cross between country and western and The Salvation Army”: ABBA: The Interview (full transcript of 1999 interview by Jim Irvin, originally featured as part of ABBA story in Mojo, May 1999), published on Rock’s Backpages (rocksbackpages.com). Page 27: “the birth of ABBA”: Author interview, 13 August 1993. “They knew exactly what they wanted”: Author interview, 20 April 1993. Page 29: All quotes from author interview, 20 April 1993. Page 30: “I think that in those days you mainly made albums”: Author interview, 13 August 1993. “This was because we recorded”: Author interview, 13 August 1993. “it’s happened”: Interview, Aftonbladet, 12 April 1972. Page 32: “the absolute low point of the careers”: Author interview, 18 May 1993. 3 “It got absolutely the best reaction”: Author interview, 18 May 1993. Page 33: “The Lycka album was a bit so-so”: Author interview, 18 May 1993. Page 35: “Suddenly a bass player was needed”: Little Mike’s Big Story by Mike Watson; Little Music, Halmstad 1993, p8. “I’ve never felt that I was an artist”: Author interview, 26 May 1993. Page 36: “I’m allowed to just be myself”: Author interview, 26 May 1993. “Of course it was fun”: Author interview, 18 May 1993. Page 37: All quotes from email to author, 29 September 2015. The best of friends: 1972 Page 40: “There were a couple of titles”: Author interview, 18 May 1993. Page 41: All quotes from author interview with Janne Schaffer, 12 June 1993. Page 43: “I continued playing” and “It was through Janne”: Author interview, 30 May 1993. “I am a session musician”: ABBA Magazine, #14 1979. “He was tremendously important”: Dagens Nyheter, 17 March 2008. 4 “He was a highly creative musician”: Interview by Jorun Amcoff, Expressen, 17 March 2008. “‘People Need Love’ was written for us”: Author interview, 13 August 1993. Page 44: “We’ve got our model from England and America”: Expressen, 28 January 1973. Page 45: “We tried to nag”: Author interview, 6 August 2012. “Give the award to Rune”: musikindustrin.se, 9 January 2014. Page 46: “The atmosphere is in the walls”: De legendariska åren – Metronome Records by Håkan Lahger & Lasse Ermalm; Premium Publishing, Stockholm 2007, p223. “I remember thinking”: Author interview, 26 May 1993. Page 47: “I remember that we thought”: Letter to author, 5 September 1993. “with one eye on Japan”: Author interview, 9 September 1993. Page 48: “Compared to what we had been used to”: Author interview, 18 May 1993. Page 50: “It’s like there’s a dragon in a cave”: Interview by Philip Dodd, featured in Mamma Mia! How Can I Resist You? by Benny Andersson, Björn Ulvaeus & Judy Craymer; Weidenfeld & Nicolson, London 2006, pp52–53. “It’s a natural state to be two”: Author interview, 18 May 1993. Page 51: 5 “too many people were phoning there”: Interview by Peter Himmelstrand, Expressen, 14 April 1973. “The room we used”: Author interview, 29 March 2016. “It’s easier that way”: Interview in Joepie, June 1978. “Although we tried to work”: Author interview, 16 June 1993. Page 52: “Since we could concentrate”: Author interview, 16 June 1993. “by helicopter if need be”: Mamma Mia! How Can I Resist You?, p74. Page 53: “I know a lot of other writers”: Mamma Mia! How Can I Resist You?, p52. “After we release an album”: Interview by Pat & Pete Luboff, Songwriter, July/August 1981. “There is nothing bohemian”: Interview by Frank Östergren, Expressen, 6 November 1982. “Inspiration comes”: Interview by Ulf Elfving, B för Benny, radio programme broadcast 28 December 1976. “All of a sudden”: Interview by Kent Finell, Svensktoppen, radio programme broadcast 24 March 1974. “You don’t write a good song”: Mamma Mia! How Can I Resist You?, p106. Page 54: “I actually think”: Author interview, 29 March 2016. “I don’t know what it is”: Author interview, 20 May 2010. “We don’t really adhere to any principle”: Interview by Tim Lott, Record Mirror, 15 October 1977. “Of course, if we’ve written eight songs”: B för Benny, 28 December 1976. “Sometimes it takes you a week”: Interview by Ray Moore, This Is ABBA, three-part radio series broadcast 1980. 6 “never leaving a song”: Interview by Karin Enokson, Ny musik, March 1974. “You start at one end”: Author interview, 6 July 1993. “Benny provided most of the music”: Author interview, 18 May 1993. “It’s an interesting question”: Author interview, 26 May 1993. Page 55: “five or six-year-old stuff” and “Sometimes they may fit”: Svensktoppen, 24 March 1974. “brought out things”: Interview by Kristoffer Triumf, Värvet, podcast published 26 January 2016. “The technique we used”: ABBA: The Interview (full transcript of 1999 interview by Jim Irvin, originally featured as part of ABBA story in Mojo, May 1999), published on Rock’s Backpages (rocksbackpages.com). “The backbone of a tune”: Author interview, 20 May 2010. “We tinkle and warble and hum”: Interview by Peter Himmelstrand, Expressen, 14 April 1973. Page 56: “In the end you feel”: Interview in Nyhetsmorgon, radio programme broadcast 30 November 1981. “Before you have that”: Author interview, 20 May 2010. “Often when they’re sitting there”: Interview by Susanna Hauffman, Vecko-Revyn #42, October 1976. “I’m not religious”: Interview by Jan Gradvall, DI Weekend, 14 June 2013. “We knew nothing was more important”: ABBA The Official Photo Book by Jan Gradvall, Petter Karlsson, Bengt Wanselius & Jeppe Wikström; Bokförlaget Max Ström, Stockholm 2014, p112. Page 57: “It was all so silly”: Author interview, 18 May 1993. 7 Page 58: All Rutger Gunnarsson quotes from author interview, 21 June 1993. “he’d find divine bass lines”: Dagens Nyheter, 4 June 2015. Page 60: “Virtually all of the 12 tracks are self-written”: Helg-Extra, 24 June 1972. Page 61: “it’s because of [our ambition to make it abroad]”: unidentified source. Page 62: All quotes from author interview, 15 December 2015. Page 63: “The managing director”: Author interview, 18 May 1993. “Four songs have been written”: Expressen, 7 September 1972. “I don’t know why”: Author interview, 28 May 1993. “rather forget it”: Author interview, 9 September 1993. “I’ve always felt”: Author interview, 27 August 1993. Page 64: “It’s not one of our best songs”: Author interview, 28 May 1993. Page 67: “They don’t like it”: Interview by Ann Hesselblad, Aftonbladet, 12 November 1972. I feel like I win when I lose: 1973 Page 70: 8 “Started writing lyrics”: Stig Anderson’s diary, quoted in Min pappa hette Stikkan by Petter Karlsson; Anderson Pocket, Stockholm 2008, p59. “it was the best thing”: Interview by Peter Himmelstrand, Expressen, 14 April 1973. Page 71: “That explained why”; “it was just a coincidence” and “Before that”: Author interview, 20 April 1993. “It sounded like the world’s biggest guitar”: Interview in Newton, television programme broadcast 4 May 2000. “I changed it”: Fenomenet ABBA by Christer Borg; Sweden Music, Stockholm 1977, p115. “It was the like the roof was caving in”: Author interview, 20 April 1993.
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    ”Inte bara bögarnas fest” En queer kulturstudie av Melodifestivalen Institutionen för etnologi, religionshistoria och genusvetenskap Examensarbete 30 HP Mastersprogrammet i genusvetenskap 120 HP Vårterminen 2018 Författare: Olle Jilkén Handledare: Kalle Berggren Abstract Uppsatsen undersöker hur TV-programmet Melodifestivalen förhåller sig till sin homokulturella status genom att studera programmets heteronormativa ramar och porträttering av queerhet. Det teoretiska ramverket grundar sig i representationsteori, kulturstudier, gaystudier och queerteori. Analysen resulterar i att de heteronormativa ramarna framställer heterosexualitet som en given norm i programmet. Detta uppvisas bland annat av en implicit heterosexuell manlig blick som sexualiserar kvinnokroppar och ser avklädda män, queerhet och femininitet som något komiskt. Detta komplicerar tidigare studiers bild av melodifestivaler som huvudsakligen investerade och accepterande av queera subjekt. Den queera representationen består främst av homosexuella män. Den homosexuellt manliga identiteten görs inte enhetlig och bryter mot heteronormativa ideal i olika grad. Några sätt som den homosexuellt manliga identiteten porträtteras är artificiell, feminin, icke-monogam, barnslig och investerad i schlager. Analysen påpekar att programmet har queert innehåll trots dess kommersiella framställning och normativa ideal. Nyckelord: Melodifestivalen, schlager, genusvetenskap, homokultur, gaystudier, bögkultur, heteronormativitet. Innehållsförteckning 1. En älskad och hatad ”homofilfestival” 1
  • Den Svenska Musikskatten Visor- 1800 Och 1900-Tal

    Den Svenska Musikskatten Visor- 1800 Och 1900-Tal

    Den svenska musikskatten Visor- 1800 och 1900-tal Carl-Mikael Bellman Cornelis Vreeswijk Dansband Folkmusik, folkvisor, spelmansmu- Carl-Mikael Bellman (1740-1795) sik Fjäril vingad syns på Haga, Åsa Jinder Fosterländska toner https://www.youtube.com/watch? v=6NZZKA6cXfA&frags=pl%2Cwn Gamla örhängen och stenkakor Värm mer öl och bröd, Fred Åkerström (1920 - 1960) http://www.youtube.com/watch?v=HZnEluhTSiI Jazz Glimmande nymf, Fred Åkerström Klassisk musik http://www.youtube.com/watch?v=5bUlCRpTs3o Låtar- från 70-talet Ulla, min Ulla, Cornelis Vreeswijk Låtar från 80-talet http://www.youtube.com/watch?v=97zu8dZqa5w Så lunka vi så småningom, Fred Åkerström Låtar från 90-talet https://www.youtube.com/watch?v=m0jwCyudYfA Låtar från 00-talet Nå skruva fiolen, Fred Åkerström Låtar från 10-talet https://www.youtube.com/watch? v=P9Y5Uf1RoEw&frags=pl%2Cwn Melodifestivalen Vila vid denna källa, Fred Åkerström Pre-Abba https://www.youtube.com/watch?v=pbp26wfjpV0 Proggen Ack du min moder, Fred Åkerström Psalmer, andliga sånger https://www.youtube.com/watch?v=j_8JCTSdLIc Märk hur vår skugga, Imperiet På engelska (artistlista) https://www.youtube.com/watch?v=ssqmu-MYw- Rapp/ Hipp hopp BQ&frags=pl%2Cwn Gråt fader Berg, Merit Hemmingsson, Bengan Revy, kabaré och musikal Karlsson Samisk musik https://www.youtube.com/watch?v=g44DOt- S66ww&frags=pl%2Cwn Schlagerdrottningar Fredmans epistel no 44, Mikael Samuelsson, Svenska körklassiker Garmarna, https://www.youtube.com/watch?v=gw1Im1yW- Evert Taube tUo&frags=pl%2Cwn Bellmans vaggvisa, Lena Willemark Här