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Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Museum Map Welcome to the Musée National Picasso-Paris
MUSEUM MAP WELCOME TO THE MUSÉE NATIONAL PICASSO-PARIS FLOOR PAGES -1 THE STUDIOS 3/4 EXIT 0 CAFETERIA SHO P PICASSO GRAND TOUR 5 PICASSO GRAND TOUR 6 PICASSO GRAND TOUR 7 1 PICASSO GRAND TOUR 8 2 PICASSO GRAND TOUR 9/11 The Hôtel Salé was built between 1656 and 1660 by architect Jean Boullier of PICASSO GRAND TOUR 10 Bourges. It owes its name (‘salty’) to its first owner, Pierre Aubert de Fontenay, PICASSO GRAND TOUR 12 a financier who was appointed “fermier général des gabelles” responsible for th th collecting the salt tax. From the 18 to the mid-20 century, the mansion had a 3 DIALOGUES, 13 number of occupants and was rented to various private individuals and institutions THE PRIVATE COLLECTION until its allocation as museum. In 1964, the City of Paris bought the building, which was subsequently declared a historic monument in 1968. Between 1979 and 1985, the Hôtel was renovated, restructured and refurbished by Roland Simounet to house the collections of the future museum. After 25 years of operation, the museum closed for a programme of renovation, modernisation, restoration and expansion led by Jean-François Bodin and, for the listed part of the Hôtel Salé, by Stéphane Thouin, chief architect for the state’s historical monuments. It reopened on 25 October 2014. LEVEL LEVEL THE STUDIOS -1 THE STUDIOS -1 -1.4 -1.3 -1.2 -1.4 -1.3 -1.2 -1.5 -1.6 -1.1 -1.5 -1.6 -1.1 -1.7 -1.7 Entrance Entrance ROOM -1.1 ROOM -1.2 ROOM -1.3 ROOMS -1.4 and -1.5 ROOM -1.6 Le Bateau-Lavoir The apartment-studio The Parisian After a few years Displayed around at Montmartre is at 23 rue La Boétie studio at 7 rue des spent at the villa of the press used by without a doubt the in Paris had the Grands-Augustins La Californie in Cannes, Picasso at the villa most famous of the advantage of being is emblematic of and successively of La Californie is a Cubist studios, but located at the heart Picasso’s work during at the château de selection of prints not the only one. -
ART HISTORY REVEALED Dr
ART HISTORY REVEALED Dr. Laurence Shafe This course is an eclectic wander through art history. It consists of twenty two-hour talks starting in September 2018 and the topics are largely taken from exhibitions held in London during 2018. The aim is not to provide a guide to the exhibition but to use it as a starting point to discuss the topics raised and to show the major art works. An exhibition often contains 100 to 200 art works but in each two-hour talk I will focus on the 20 to 30 major works and I will often add works not shown in the exhibition to illustrate a point. References and Copyright • The talks are given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • The notes are based on information found on the public websites of Wikipedia, Tate, National Gallery, Oxford Dictionary of National Biography, Khan Academy and the Art Story. • If a talk uses information from specific books, websites or articles these are referenced at the beginning of each talk and in the ‘References’ section of the relevant page. The talks that are based on an exhibition use the booklets and book associated with the exhibition. • Where possible images and information are taken from Wikipedia under 1 an Attribution-Share Alike Creative Commons License. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 ART HISTORY REVEALED 1. Impressionism in London 1. -
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz. -
אמדאו מודיליאני Amedeo Modigliani 1884-1920
Amedeo Modigliani 1884-1920 מודליאני נולד בליבורנו שבאיטליה 1884 למשפחה יהודית - נפטר בפריס 1920 הוא הגיע לפריס בגיל 22 לאחר שמונה שנים של הכשרה אקדמית באמנות , והתגורר במונטמרטר. היה חדור הערכה רבה לגדולי האמנות של המאות שעברו, והתעניין מאוד בספרות ובשירה. מודיליאני העריץ את הציירים האיטלקים של המאה הארבע-עשרה, במיוחד את האסכולה של סיינה, וכן באמנות פרימיטיבית בכלל ואפריקאית בפרט. נחשף כנראה לתערוכת אמנות אפריקאית הוצגה בפאריס בשנת 1906 . סגנונו אקספרסיוניסטי -אישי ומצטיין בקווים מאורכים במתארים עבים וניתן לזהות בו השפעה פר ימיטיביסטית וכן הושפע מברנקוזי בהפשטה הצורנית. יריבותו לפיקאסו הייתה על רקע רומנטי . נפטר בגיל 37 משחפת ושכרות. אשתו שאותה הירבה לצייר התאבדה מספר ימים אחרי מותו. 1884 -1920 Amedeo Modigliani Female Nude with Hat c 1908 Oil on canvas. Private collection Amedeo Modigliani 1884 - 1920 Study for The Cellist 1909 Anna • .Akhmatova c. 1911. Pencil on paper. Apartment- Museum of Anna Akhmatova. St. etersburg, 4 .Russia Amedeo Modigliani 1884-1920 Anna Akhmatova 1911 Pencil on paper. Apartment-Museum of Anna Akhmatova. St. Petersburg, Russia .Seated Nude 1916 Oil on canvas. 92.4 x 59.8 cm. Courtauld Institute Galleries, London, UK Amedeo Modigliani 1884-1920 Nude on a Blue Cushion 1917 Oil on canvas 65.4 x 100.9 cm The National Gallery of Art, Washington, DC, USA Amedeo Modigliani 1884-1920 Reclining Nude 1917 Oil on canvas. 60 x 92 cm. Staatsgalerie, Stuttgart, Germany . Amedeo Modigliani 1884-1920 Gypsy Woman with Child 1919 Oil on canvas. 115.9 x 73 cm. The National Gallery of Art, .Washington, DC, USA Portrait of Jeanne Hébuterne 1918 Common-Law Wife of .Amedeo Modigliani 1898 -1920 Oil on canvas. -
Modigliani Large Print Guide Room 1–11
MODIGLIANI 23 November 2017 – 2 April 2018 LARGE PRINT GUIDE Please return to exhibition entrance RO OM 1–11 CONTENTS Room 1 4 Room 2 7 Room 3 18 Room 4 28 Room 5 36 Room 6 43 Room 7 53 Room 8 68 Room 9 77 Room 10 85 Room 11 91 Find Out More 100 5 6 4 7 3 8 2 9 1 10 10 11 Let us know what you think #Modigliani 3 ROOM 1 4 Open To Change When Amedeo Modigliani (1884–1920) decided to leave Italy to develop his career as an artist, there was only one place to go. In 1906, at the age of 21, he moved to Paris. Many factors shaped his decision. Born in the port city of Livorno, he belonged to an educated family of Sephardic Jews (descended from Spain and Portugal), who encouraged his ambition and exposed him to languages and literature. He had seen great Renaissance art and had trained as a painter. But Paris offered excitement. Paris offered variety. There he would encounter ways of thinking, seeing and behaving that challenged and shaped his work. This exhibition opens with a self-portrait, painted around 1915, in which Modigliani presents himself as the tragic clown Pierrot. His contemporaries would have recognised the reference instantly as, at the time, the figure appeared in countless pictures, plays and films. A young person shaping their identity could relate to Pierrot, a stock character open to interpretation, linked to the past and looking towards the future. Pierrot could be comedic, melancholy or romantic, played by any actor or painted by any artist. -
{PDF} Modigliani Kindle
MODIGLIANI PDF, EPUB, EBOOK Douglas Hall | 128 pages | 12 Aug 1998 | Phaidon Press Ltd | 9780714827582 | English | London, United Kingdom Modigliani PDF Book His most notable contributions to economics include his life-cycle consumption theory and the Modigliani-Miller Theorem of corporate finance. As a child, he suffered from pleurisy and typhus , which prevented him from receiving a conventional education. Amadeo Modigliani - The Cellist. Hicks was a British economist who received the Nobel Memorial Prize for his work developing the general equilibrium and welfare theory. Yet, the round face and facial features resemble Southeast Asian depictions of Buddha, showing Modigliani's respect for Picasso's wisdom and experience. Amedeo Modigliani was born in Tuscany, and he had a strong Jewish heritage as influenced by his family. Director: Mick Davis. After immigrating to the United States, he went on to receive his doctorate in economics from the New School for Social Research. After this event my school performance for the next 3 years became spotty until I moved to Liceo Visconti, the best high school in Rome, and the challenge proved healthy and I seemed to blossom. Definition Robert E. During the latter years of his life, Modigliani continued with his artworks. Legend has it that the nudes drew such a crowd around the gallery that it eventually caught the attention of a police officer. Twitter Facebook Email Pinterest. Related Articles. With his particularly close relationship with his mother, the budding artist became more inspired to pursue his love for art as a primary vocation. Primarily a figurative artist, he became known for paintings of elongated female forms… Above: Lunia School of Paris In the early years of the twentieth century, Paris became a magnet for artists from all over the world and …. -
Picasso Is 23 at the Beginning on 1905 and His Living in The
Pi c a s s o’s Paintings, Watercolors, Drawings and Sculpture A Comprehensive Illustrated Catalogue 1885–1973 By The Picasso Project The Rose Period - 1905–1906 Paris, Holland and Gósol ISBN 1-55660-328-2 ISBN 13: 978-1-55660-328-0 Publication date: Late May - -- Early June, 2012. $150.00. 9-1/8 x 12-1/4 inches. 23 x 31 cm. Cloth in dust-jacket. 368 pages. 1120 works described and reproduced. 8 color plates. ********************************* Picasso is 23 at the beginning on 1905 and is living in the Montmartre section of Paris in a famous artist’s compound called le Bateau-Lavoir. He is surrounded by artists and intellectuals, both French and foreign. The poets such as Guillaume Apollinaire, Max Jacob, André Salmon and Jean Moréas have an impact on his thinking and imagery. The gaunt and unhappy characters of the Blue Period are replaced by ethereal and romantic figures, suffused with symbolism in Picasso’s new Rose Period. Picasso also has lovers, whom he memorializes in his work. The year begins with portraits of an actor (1905-001 and 1905-002), one of which has a couple of marginal profiles of the woman who will become his major companion for the next few years, Fernande Olivier. These are followed by four portraits his other lover, the mysterious Madeleine looking lovely and desirable (pp. 2-3). Thereafter the artist begins his important series of acrobats and circus performers – the harlequins and saltimbanques. He then does a series on an organ grinder, often with his monkey (pp. 7-9). -
New Exhibition Will Look at Artist's Early Sculpture and Include Nude From
AiA Art News-service Tate Modern takes special precautions to make sure its Modiglianis are real in market bedevilled by fakes New exhibition will look at artist’s early sculpture and include nude from show once shut down for indecency GARETH HARRIS 21st November 2017 11:50 GMT Amedeo Modigliani's The Little Peasant (around 1918) Tate The curators of a new Tate Modern exhibition dedicated to Amedeo Modigliani, which opens this week at (23 November-2 April 2018), say they have taken all necessary steps to ensure that the works in the 100-strong show are authentic. The market for the early 20th- century Italian artist is bedevilled by fakes—earlier this year Italian prosecutors alleged that 21 of the 60 works on show at the Palazzo Ducale in Genoa were possible fakes (the case is ongoing, officials say). “For this exhibition, we are only borrowing works that feature in the widely accepted 1972 catalogue raisonné by Ambrogio Ceroni, so we have no reason to be concerned,” says the Tate co-curator, Nancy Ireson. Ceroni’s catalogue raisonné, first published in 1958, is considered the benchmark, but is often said to contain gaps as his listing of 337 works only includes those he had personally seen. Amedeo Modigliani's Reclining Nude (1919) Museum of Modern Art, New York Twelve nudes painted by Modigliani, the largest group ever seen in the UK, will be shown. These include Seated Nude (1917), on loan from the Royal Museum of Fine Arts in Antwerp, and Female Nude (around 1916) from the Courtauld Gallery in London. -
Jan Brancewicz Reproducing the Old Masters July 18
JAN BRANCEWICZ REPRODUCING THE OLD MASTERS JULY 18 – SEPTEMBER 7, 2019 EXHIBITION: JULY 18 – SEPTEMBER 7, 2019 OPENING RECEPTION: JULY 18, 7:30PM REPRODUCING THE OLD MASTERS Interview by Deirdre Chisholm Curated by Alyssa Fearon Introduction by Alyssa Fearon Exhibition Sponsor: Reproducing the Old Masters is an exhibition of works of an ongoing project by Brandon-based artist Jan Brancewicz. The project explores Brancewicz’s attempts to reproduce a series of Old Masters paintings, from Gauguin to Van Gogh, and Modigliani to da Vinci. For over a decade, Brancewicz has honed his artistic skills and painting techniques to render reproductions of well-known European artworks. The resulting pieces show Brancewicz’s commitment and dedication to learning the techniques of the artists who have inspired him the most. Born in Krakow, Poland, he has spent over 30 years at Brandon University as a Professor and has been involved in mentoring many young artists across southwestern Manitoba. COVER: Jan Brancewicz, Reproduction of ‘Amedeo Modigliani - Young Girl with Blue Eyes’, 1919. Oil on canvas, 61 x 45.7 cm. ISBN: 978-1-927076-34-7 1 Deirdre Chisholm (DC): You’ve been working on the series, Reproducing the Old Masters for a long time. How did this series begin? What attracted you to certain artists from the Western painting tradition? How do you ‘begin’ a painting for this project? Jan Brancewicz (JB): The concept of the series of reproduction dates back for over a quarter of century. It started with the painting by Paul Gauguin - The Yellow Christ. As a young boy I had seen the reproduction of this painting in art books and immediately was moved by (Paul) Gauguin’s innovating approach to the theme of crucifixion. -
Christie's to Sell the Collection of Mrs. Sidney F
March 9, 2010 Contacts: Toby Usnik +1.212.636.2680 [email protected] Erin McAndrew +1.212.636.2680 [email protected] CHRISTIE'S TO SELL THE COLLECTION OF MRS. SIDNEY F. BRODY A MAGNIFICENT PRIVATE AMERICAN COLLECTION OF MODERN ART VALUED AT OVER $150 MILLION COLLECTION IS LED BY A SUBLIME PICASSO MASTERPIECE RARELY SEEN SINCE THE 1930s ADDITIONAL MASTER WORKS BY MATISSE, GIACOMETTI, BRAQUE, VUILLARD, MARINI, AND MOORE A PORTION OF PROCEEDS TO BE GIFTED TO THE HUNTINGTON LIBRARY, ART COLLECTIONS AND BOTANICAL GARDENS Interior of the Brody Residence, Holmby Hills, CA Designed by A. Quincy Jones with interiors by William (Billy) Haines Photo credit: Kate Carr Photography New York - Christie's is honored to announce the sale of one of the greatest private American collections of Modern Art to come to auction: The Collection of Mrs. Sidney F. Brody. Remarkable for its extraordinary depth and quality, the collection boasts a wealth of master works by the towering figures of the Modernist movement, including Pablo Picasso, Henri Matisse, Alberto Giacometti, Georges Braque, Edouard Vuillard, Marino Marini, and Henry Moore. The total value of the works to be offered is expected to exceed $150 million, making it one of the most valuable single-owner collections ever offered at auction. The strength of the collection is exemplified by a trio of spectacular works: Pablo Picasso’s Nude, Green Leaves, and Bust painted in March 1932 (estimate upon request), Henri Matisse’s Nu au coussin bleu, 1924 (estimate: $20-30 million), and Alberto Giacometti’s Grande tête mince, 1954 (estimate: $25- 35 million). -
“ There Is Only One Painter of the Modern Nude.”
“ There is only one painter of the modern nude.” ANDRÉ SALMON 98 SOTHEBY’S 100 SOTHEBY’S A MASTERWORK BY MODIGLIANI THE PROPERTY OF A DISTINGUISHED PRIVATE COLLECTOR 18 Ⴜ AMEDEO MODIGLIANI 1884 - 1920 Nu couché (sur le côté EXHIBITED gauche) Brussels, Palais des Beaux-Arts, Modigliani, 1933, no. 15 (titled Grand nu couché and dated 1916) Signed Modigliani (lower left) Oil on canvas Basel, Kunsthalle, Rétrospective Modigliani, 1934, no. 7 (dated 1916) 35¼ by 57¾ in.; 89.5 by 146.7 cm Paris, Musée des Arts Décoratifs, Cinquante ans de peinture française dans les Painted in 1917. collections particulières de Cézanne et Matisse, 1952, no. 114 (titled Nu couché) Estimate Upon Request Paris, Galerie Bernheim-Jeune, Le Nu à travers les Ages, 1954, no. 40 (titled Grand nu couché) Paris, Galerie Charpentier, Cent tableaux de Modigliani, 1958, no. 63, illustrated PROVENANCE in the catalogue (titled Grand nu) Léopold Zborowski, Paris (acquired from the Marseille, Musée Cantini, Modigliani, 1958, no. 21, illustrated in color in the artist) catalogue (titled Grand nu and dated 1918) Jonas Netter, Paris (acquired by 1926) Paris, Musée d’Art Moderne de la Ville de Paris, Amedeo Modigliani 1884-1920, Private Collection, Paris (by descent from the 1981, no. 53, illustrated in color in the catalogue above) Lausanne, Fondation de l’Hermitage, Les Peintres de Zborowski: Modigliani, Private Collection, United States (acquired Utrillo, Soutine et leurs amis, 1994, no. 19, illustrated in color in the catalogue from the above and sold: Christie’s, New York, London, Tate Modern, Modigliani, 2017-18, n.n., illustrated in color in the November 4, 2003, lot 29) catalogue and on the cover (titled Nude) Acquired at the above sale 102 SOTHEBY’S LITERATURE Antoine Salmon, Modigliani: sa vie et son oeuvre, Paris, 1926, illustrated, pl.