Amedeo Modigliani (1884-1920)

Total Page：16

File Type：pdf, Size：1020Kb

Amedeo Modigliani (1884-1920) (c1907) (c1916) Self-Portrait (1919) Museu de Arte Contemporânea da Universidade de São Paulo (1919) Compiled by Malcolm A Moore Ph.D. IM Portrait of Picasso (1915) CP Portrait of Juan Gris (1915) Metropolitan Museum of Art Portrait of Moise Kiesling (1915) Sammlung Emilio Jesi, Mailand Chaim Soutine (1917) National Gallery of Art Paul Guillaume, Novo Pilota (1915) Musée de l’Orangerie Jacques and Berthe Lipchitz (1916) Art Institute of Chicago The Blue-eyed Boy (1916) Bride and Groom (1915) Museum of Modern Art San Diego Museum of Art Anna Jeanne Hebuterne Akhtenova (c1919) CP (c1910) Portrait of Jeanne Hébuterne (1918) CP Jeanne Hebuterne with Hat and Necklace (1917) CP Portrait of Beatrice Hastings (1916) CP Jean Cocteau (1916) Princeton University Art Museum Portrait of Léopold Zborowski (1918) CR Manuel Hubert (c1916) National Gallery of Victoria, Melbourne Blaise Cendrars (1917) Riccardo Gualino Collection Seated Nude (1918) Honolulu Museum of Art Seated Nude (c1916) Courtauld Institute of Art Seated Nude (1917) Royal Museum of Fine Arts Antwerp Nude on a Blue Cushion (1917) National Gallery of Art Nu Couché (1917) CP Nu Couché (sur le côté gauche) (1917) CP Nude Sitting on a Divan (c1918) CP The Little Peasant (c1918) Tate Liverpool Girl with Braids (c1918) Nagoya City Museum Alice (c1918) Statens Museum for Kunst Seated Man with a Cane (c1918) Disputed Madame Amédée Paulette Jourdain (Woman with Cigarette) (c1919) CP (1918) National Gallery of Art Mario Varfogli (1920) Sammlung Franz Meyer, Basel Gypsy Woman with Baby (1919) National Gallery of Art The Boy (1919) Indianapolis Museum of Art Modigliani: a Life (2011) Modigliani (2016) Doris Krystof Meryle Secrest Amedeo Modigliani: Paintings, Modigliani: a Life (2006) Sculptures, Drawings (2016) Jeffrey Meyers Werner Schmalenbach Modigliani: Man and Myth - Biography and Works of Italian Painter and Sculptor Amedeo Modigliani: 230 Plates Modigliani Unmasked Modigliani (2017) (2020) Jeanne Modigliani (??) Maria Peitcheva (2017) Mason Klein Ireson and Fraquelli (Eds) Grateful acknowledgement is made to Wikipedia and Wikipedia Commons and all institutions and private individuals providing high quality access to copies of paintings in the public domain in countries where the copyright term is the author’s life plus 70 years or fewer. [email protected] www.apepress-im.com IM EurAsian Education (Intermal).

Copy Link

Recommended publications

Amedeo Modigliani
F o rewo rd I t has been five years since a retrospective of the work of Amedeo e e D th at i e e Modigliani was presented in the Unit d Stat s . uring t m mor of his major works have come to this country and there has been a wider public interest in the man and his achievements . Within the past ear e een ma r e e y ther have b jo xhibitions of his work in Paris , Marseill s , . e C ent er e e Milan and Rome Ther fore , The Contemporary Arts is pl as d to have this opportunity to bring a comprehensive display of his work c . e to Cin innati The majority of the paintings , sculptur and drawings listed in this catalog were exhibited at The Arts Club of Chicago in T e t February and at h Milwaukee Art Cen er in March . This exhibition was organized by The Contemporary Arts C ent er in cooperation with Due these two organizations . to previous commitments a number of e were e e e e obj cts not availabl for th traveling exhibition ; ther fore, th I Cincinnati exhibition has been expanded . would like to express my appreciation to the many people and organizations who gav e assistance and advice in the assembling of the exhibition and the publication of I Mr . W . e er an S . Li this catalog First of all want to thank illiam b m , C rat r e e e . W e u o of Prints , Th Mus um of Mod rn Art ithout his assistanc the exhibition would not have become a reality .
[Show full text]
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
[Show full text]
Schiele Catalogue Lores Waterm
Egon Schiele. Women. Egon Schiele. Women. Preface by Richard Nagy Chronology by Jane Kallir Essay by Jill Lloyd RICHARD NAGY LTD 22 Old Bond Street, London, W1S 4PY Preface by Richard Nagy I am often asked how my interest in Egon Schiele began and Leopold, Vienna and Serge Sabarsky, New York; on the other, at about $120,000. Having to catch a plane back to London, For me, the attraction of mounting a Schiele exhibition how I came to the place I am in this particular world. Wolfgang Fischer, London and Galerie St Etienne, New York, I left impromptu, empty-handed. Later that evening I had focusing on women is a combination of two things: the artist’s run by Jane Kallir, the grand daughter of Otto Kallir (the first a call from the Professor who barked at me, “Every time I see rebelliousness and the most exciting drawings of women done My paternal family emigrated from Hungary to Australia when great Schiele scholar) and her indomitable partner Hildegard you it costs me a lot of money! Why don’t you call me before in western art history. Schiele’s incomparable genius puts him at my father was twenty. He was born in Budapest, when it was Bachert, with seventy years experience in the Schiele world and the sales and we can buy together.” This was the beginning the forefront of the artistic rebellion. By 1910 he arrived as an still part of the Austro-Hungarian Empire, a month before Egon more knowledge of where the bodies are buried than any other.
[Show full text]
The Autobiography of Alice B Toklas (1933) by Gertrude Stein
The Autobiography of Alice B Toklas (1933) by Gertrude Stein Chapter 1 - BEFORE I CAME TO PARIS I was born in San Francisco, California 1877. California, mid 1800s Alice B. Toklas circa 1878 I have in consequence always preferred living in a temperate climate but it is difficult, on the continent of Europe or even in America, to find a temperate climate and live in it. My mother's father was a pioneer, he came to California in '49, he married my grandmother who was very fond of music. She was a pupil of Clara Schumann's father. My mother was a quiet charming woman named Emilie. My father came of polish patriotic stock. His grand-uncle raised a regiment for Napoleon and was its colonel. His father left his mother just after their marriage, to fight at the barricades in Paris, but his wife having cut off his supplies, he soon returned and led the life of a conservative well to do land owner. I myself have had no liking for violence and have always enjoyed the pleasures of needlework and gardening. I am fond of paintings, furniture, tapestry, houses and flowers and even vegetables and fruit-trees. I like a view but I like to sit with my back turned to it. I led in my childhood and youth the gently bred existence of my class and kind. I had some intellectual adventures at this period but very quiet ones. When I was about nineteen years of age I was a great admirer of Henry James. I felt that The Awkward Age would make a very remarkable play and I wrote to Henry James suggesting that I dramatise it.
[Show full text]
Museum Map Welcome to the Musée National Picasso-Paris
MUSEUM MAP WELCOME TO THE MUSÉE NATIONAL PICASSO-PARIS FLOOR PAGES -1 THE STUDIOS 3/4 EXIT 0 CAFETERIA SHO P PICASSO GRAND TOUR 5 PICASSO GRAND TOUR 6 PICASSO GRAND TOUR 7 1 PICASSO GRAND TOUR 8 2 PICASSO GRAND TOUR 9/11 The Hôtel Salé was built between 1656 and 1660 by architect Jean Boullier of PICASSO GRAND TOUR 10 Bourges. It owes its name (‘salty’) to its first owner, Pierre Aubert de Fontenay, PICASSO GRAND TOUR 12 a financier who was appointed “fermier général des gabelles” responsible for th th collecting the salt tax. From the 18 to the mid-20 century, the mansion had a 3 DIALOGUES, 13 number of occupants and was rented to various private individuals and institutions THE PRIVATE COLLECTION until its allocation as museum. In 1964, the City of Paris bought the building, which was subsequently declared a historic monument in 1968. Between 1979 and 1985, the Hôtel was renovated, restructured and refurbished by Roland Simounet to house the collections of the future museum. After 25 years of operation, the museum closed for a programme of renovation, modernisation, restoration and expansion led by Jean-François Bodin and, for the listed part of the Hôtel Salé, by Stéphane Thouin, chief architect for the state’s historical monuments. It reopened on 25 October 2014. LEVEL LEVEL THE STUDIOS -1 THE STUDIOS -1 -1.4 -1.3 -1.2 -1.4 -1.3 -1.2 -1.5 -1.6 -1.1 -1.5 -1.6 -1.1 -1.7 -1.7 Entrance Entrance ROOM -1.1 ROOM -1.2 ROOM -1.3 ROOMS -1.4 and -1.5 ROOM -1.6 Le Bateau-Lavoir The apartment-studio The Parisian After a few years Displayed around at Montmartre is at 23 rue La Boétie studio at 7 rue des spent at the villa of the press used by without a doubt the in Paris had the Grands-Augustins La Californie in Cannes, Picasso at the villa most famous of the advantage of being is emblematic of and successively of La Californie is a Cubist studios, but located at the heart Picasso’s work during at the château de selection of prints not the only one.
[Show full text]
ART HISTORY REVEALED Dr
ART HISTORY REVEALED Dr. Laurence Shafe This course is an eclectic wander through art history. It consists of twenty two-hour talks starting in September 2018 and the topics are largely taken from exhibitions held in London during 2018. The aim is not to provide a guide to the exhibition but to use it as a starting point to discuss the topics raised and to show the major art works. An exhibition often contains 100 to 200 art works but in each two-hour talk I will focus on the 20 to 30 major works and I will often add works not shown in the exhibition to illustrate a point. References and Copyright • The talks are given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • The notes are based on information found on the public websites of Wikipedia, Tate, National Gallery, Oxford Dictionary of National Biography, Khan Academy and the Art Story. • If a talk uses information from specific books, websites or articles these are referenced at the beginning of each talk and in the ‘References’ section of the relevant page. The talks that are based on an exhibition use the booklets and book associated with the exhibition. • Where possible images and information are taken from Wikipedia under 1 an Attribution-Share Alike Creative Commons License. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 ART HISTORY REVEALED 1. Impressionism in London 1.
[Show full text]
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz.
[Show full text]
50 WASHINGTON, BC July 8, 1965. John
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • REpublic 7-4215 extension 248 Releases:z 800 FOR IMMEDIATE RELEASE Photographs: 50 WASHINGTON, B.C. July 8, 1965. John Walker, Director of the National Gallery of Art, announced today that an exhibition of 19TH AND 20TH CENTURY EUROPEAN DRAWINGS will open to the public on Sunday, July 11, at 12 noon. The show will be on view at the National Gallery of Art every day and every evening through August 29 u Fifty three drawings illustrate the range of European draughtsmanship, from a meticulous Ingres portrait of 1815 to two expressive abstractions of 1965, Sponsored by the Samuel R u Kress Foundation, the exhibition has been chosen by Elaine Evans Dee, Assistant Curator, Department of Drawings and Prints, The Pierpont Morgan Library, New York, It has been organized and will be circulated by The American Feder ation of Arts . This is the first exhibition of drawings held at the Gallery to have been selected from public and private collections exclu sively in the United States It is also the first survey of European 19th and 20th century drawings to be shown here, A check list of the exhibition is attached. Unlike many previous exhibitions of drawings at the Gallery which have been based on national schools, this show concentrates on an epoch, cutting across frontiers. France, the dominant artistic force during much of the period covered, is represented by such famous names as Delacroix, Ingres, Daumier, Corot, Renoir, Pissarro, Cezanne, Seurat, Toulouse-Lautrec, and Matisse, up to the brutally sardonic Jean Dubuffet of our own day.
[Show full text]
אמדאו מודיליאני Amedeo Modigliani 1884-1920
Amedeo Modigliani 1884-1920 מודליאני נולד בליבורנו שבאיטליה 1884 למשפחה יהודית - נפטר בפריס 1920 הוא הגיע לפריס בגיל 22 לאחר שמונה שנים של הכשרה אקדמית באמנות , והתגורר במונטמרטר. היה חדור הערכה רבה לגדולי האמנות של המאות שעברו, והתעניין מאוד בספרות ובשירה. מודיליאני העריץ את הציירים האיטלקים של המאה הארבע-עשרה, במיוחד את האסכולה של סיינה, וכן באמנות פרימיטיבית בכלל ואפריקאית בפרט. נחשף כנראה לתערוכת אמנות אפריקאית הוצגה בפאריס בשנת 1906 . סגנונו אקספרסיוניסטי -אישי ומצטיין בקווים מאורכים במתארים עבים וניתן לזהות בו השפעה פר ימיטיביסטית וכן הושפע מברנקוזי בהפשטה הצורנית. יריבותו לפיקאסו הייתה על רקע רומנטי . נפטר בגיל 37 משחפת ושכרות. אשתו שאותה הירבה לצייר התאבדה מספר ימים אחרי מותו. 1884 -1920 Amedeo Modigliani Female Nude with Hat c 1908 Oil on canvas. Private collection Amedeo Modigliani 1884 - 1920 Study for The Cellist 1909 Anna • .Akhmatova c. 1911. Pencil on paper. Apartment- Museum of Anna Akhmatova. St. etersburg, 4 .Russia Amedeo Modigliani 1884-1920 Anna Akhmatova 1911 Pencil on paper. Apartment-Museum of Anna Akhmatova. St. Petersburg, Russia .Seated Nude 1916 Oil on canvas. 92.4 x 59.8 cm. Courtauld Institute Galleries, London, UK Amedeo Modigliani 1884-1920 Nude on a Blue Cushion 1917 Oil on canvas 65.4 x 100.9 cm The National Gallery of Art, Washington, DC, USA Amedeo Modigliani 1884-1920 Reclining Nude 1917 Oil on canvas. 60 x 92 cm. Staatsgalerie, Stuttgart, Germany . Amedeo Modigliani 1884-1920 Gypsy Woman with Child 1919 Oil on canvas. 115.9 x 73 cm. The National Gallery of Art, .Washington, DC, USA Portrait of Jeanne Hébuterne 1918 Common-Law Wife of .Amedeo Modigliani 1898 -1920 Oil on canvas.
[Show full text]
Modigliani Large Print Guide Room 1–11
MODIGLIANI 23 November 2017 – 2 April 2018 LARGE PRINT GUIDE Please return to exhibition entrance RO OM 1–11 CONTENTS Room 1 4 Room 2 7 Room 3 18 Room 4 28 Room 5 36 Room 6 43 Room 7 53 Room 8 68 Room 9 77 Room 10 85 Room 11 91 Find Out More 100 5 6 4 7 3 8 2 9 1 10 10 11 Let us know what you think #Modigliani 3 ROOM 1 4 Open To Change When Amedeo Modigliani (1884–1920) decided to leave Italy to develop his career as an artist, there was only one place to go. In 1906, at the age of 21, he moved to Paris. Many factors shaped his decision. Born in the port city of Livorno, he belonged to an educated family of Sephardic Jews (descended from Spain and Portugal), who encouraged his ambition and exposed him to languages and literature. He had seen great Renaissance art and had trained as a painter. But Paris offered excitement. Paris offered variety. There he would encounter ways of thinking, seeing and behaving that challenged and shaped his work. This exhibition opens with a self-portrait, painted around 1915, in which Modigliani presents himself as the tragic clown Pierrot. His contemporaries would have recognised the reference instantly as, at the time, the figure appeared in countless pictures, plays and films. A young person shaping their identity could relate to Pierrot, a stock character open to interpretation, linked to the past and looking towards the future. Pierrot could be comedic, melancholy or romantic, played by any actor or painted by any artist.
[Show full text]
Read Ebook {PDF EPUB} Amedeo Modigliani (Library of Great
Read Ebook {PDF EPUB} Amedeo Modigliani (Library of Great Painters) by Amedeo Modigliani Amedeo Modigliani (Library of Great Painters) [Modigliani, Amedeo] on Amazon.com. *FREE* shipping on qualifying offers. Amedeo Modigliani (Library of Great Painters) Amedeo Modigliani (The Library of great painters) [Werner, Alfred] on Amazon.com. *FREE* shipping on qualifying offers. Amedeo Modigliani (The Library of great painters) Amedeo Modigliani (The Library of Great Painters, Portfolio Edition) Paperback – January 1, 1952. by Text By: Jacques Lipchitz (Author) 5.0 out of 5 stars 1 rating. See all formats and editions. Hide other formats and editions. Price. Amedeo Modigliani (Library of Great Painters) by Amedeo Modigliani ISBN 13: 9780810903234 ISBN 10: 0810903237 Hardcover; Boston, Massachusetts, U.s.a.: Generico, May ... Amedeo Clemente Modigliani was an Italian artist of Jewish heritage, practicing both painting and sculpture, who pursued his career for the most part in France. Modigliani was born in Livorno (historically referred to in English as Leghorn), in Northwestern Italy and began his artistic studies in Italy before moving to Paris in 1906. Amedeo Modigliani (1884-1920) (The Pocket library of great art) [Modigliani, Amedeo] on Amazon.com. *FREE* shipping on qualifying offers. Amedeo Modigliani (1884-1920) (The Pocket library of great art) Amedeo Modigliani (1884-1920) (The Great Artists, A Library of Their Lives, Times and Paintings, Book 12) Anthony Bertram Published by Funk & Wagnalls Company, New Yor (1978) Amedeo Modigliani (Library of Great Painters): ISBN 9780810903234 (978-0-8109-0323-4) Hardcover, H.N. Abrams, 1970 Amedeo Modigliani: Portraits and Nudes (Pegasus Library Paperback) Amedeo Modigliani, (born July 12, 1884, Livorno, Italy—died January 24, 1920, Paris, France), Italian painter and sculptor whose portraits and nudes—characterized by asymmetrical compositions, elongated figures, and a simple but monumental use of line—are among the most-important portraits of the 20th century.
[Show full text]
{PDF} Modigliani Kindle
MODIGLIANI PDF, EPUB, EBOOK Douglas Hall | 128 pages | 12 Aug 1998 | Phaidon Press Ltd | 9780714827582 | English | London, United Kingdom Modigliani PDF Book His most notable contributions to economics include his life-cycle consumption theory and the Modigliani-Miller Theorem of corporate finance. As a child, he suffered from pleurisy and typhus , which prevented him from receiving a conventional education. Amadeo Modigliani - The Cellist. Hicks was a British economist who received the Nobel Memorial Prize for his work developing the general equilibrium and welfare theory. Yet, the round face and facial features resemble Southeast Asian depictions of Buddha, showing Modigliani's respect for Picasso's wisdom and experience. Amedeo Modigliani was born in Tuscany, and he had a strong Jewish heritage as influenced by his family. Director: Mick Davis. After immigrating to the United States, he went on to receive his doctorate in economics from the New School for Social Research. After this event my school performance for the next 3 years became spotty until I moved to Liceo Visconti, the best high school in Rome, and the challenge proved healthy and I seemed to blossom. Definition Robert E. During the latter years of his life, Modigliani continued with his artworks. Legend has it that the nudes drew such a crowd around the gallery that it eventually caught the attention of a police officer. Twitter Facebook Email Pinterest. Related Articles. With his particularly close relationship with his mother, the budding artist became more inspired to pursue his love for art as a primary vocation. Primarily a figurative artist, he became known for paintings of elongated female forms… Above: Lunia School of Paris In the early years of the twentieth century, Paris became a magnet for artists from all over the world and ….
[Show full text]