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Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection
Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection Paul Cézanne Mont Sainte-Victoire, c. 1904–06 (La Montagne Sainte-Victoire) oil on canvas Collection of the Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum TEACHER’S STUDY GUIDE WINTER 2015 Contents Program Information and Goals .................................................................................................................. 3 Background to the Exhibition Cézanne and the Modern ........................................................................... 4 Preparing Your Students: Nudes in Art ....................................................................................................... 5 Artists’ Background ...................................................................................................................................... 6 Modern European Art Movements .............................................................................................................. 8 Pre- and Post-Visit Activities 1. About the Artists ....................................................................................................................... 9 Artist Information Sheet ........................................................................................................ 10 Modern European Art Movements Fact Sheet .................................................................... 12 Student Worksheet ............................................................................................................... -
Modigliani's Recipe: Sex, Drugs and Long, Long Necks
The New York Times, August 3, 2003 Modigliani's Recipe: Sex, Drugs and Long, Long Necks By PETER PLAGENS VINCENT VAN GOGH had a 10-year working life that can hardly be called a "career," and yet he's just about the biggest draw ever in museum exhibitions, at least per square inch of canvas covered. When the 1998 "Van Gogh's van Goghs" exhibition entered the home stretch of its run at the Los Angeles County Museum of Art, officials had to keep the place open 24 hours a day on the last weekend to accommodate the crowds. Amedeo Modigliani O.K., that's van Gogh. But since June 26, visitors have been streaming into the same museum at the rate of more than 1,400 a day (which a spokesperson calls "astounding" for them) to see the work of a different painter with an equally brief working life. The attraction, which originated at the Albright-Knox Gallery in Buffalo (where the museum had to turn away visitors during the last two weeks) and then stopped at the Kimbell Museum in Fort Worth, is an exhibition called "Modigliani and the Artists of Montparnasse." (It runs through Sept. 28.) Although the show includes healthy doses of Chagall, Soutine and Rivera (among others), the benighted Amedeo Modigliani (1884- 1920) is the real draw. What is it about this artist, who painted deceptively simple, semi-abstracted, sloe-eyed women over and over again, that pleases the public so much? It could be at least partly the biography. Modigliani was born an outsider — his parents were Sephardic Jews in Livorno, Italy — and grew up sickly and tubercular. -
The Museum of Modern Art 11 West 53 Street, New York 19, N
LOCAL ORANGE THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE CIRCLE 5-8900 5lOl|05 - 22 FOR WEDNESDAY RELEASE EXHIBITION OP LIFE WORK OF MODIGLIANI, ITALIAN PAINTER AND SCULPTOR, TO GO ON VIEW Fifty-two oils, 7 sculptures and h£ drawings, watercolors and pastels by the well-known Italian artist Amedeo Modigliani (l88lj.-1920) will occupy the third floor galleries of the Museum of Modern Art, 11 West 53 Street, from April 11 through June 10, Organized in collaboration with The Cleveland Museum of Art, where it has just concluded its showing,, the exhibition has been brought together from collections in Paris and Milan, England and Brazil, and many parts of this country. Among the foreign loans is a large group of early works never exhibited before outside of France, The exhibition was organized by the Depart ment of Painting and Sculpture and installed by Margaret Miller, Associate Curator of the Department, The catalog contains an appreciative essay on the artist by James thrall Soby, the well-known art writer and expert on modern Italian art; lj2 plates, 2 in color; a check-list and bibliography. Biographical Notes: Modigliani was born in Leghorn, Italy, on July 12, I88I4., the youngest of k children of a banker of Jewish origin. He died in Paris at the age of only 35• Following a sickly childhood and an interrupted schooling, he developed tuberculosis at the age of l6 and was taken by his mother to an art school in Rome. In 1906 he went to Paris, where his work was at first influenced by the style of the 1890a, He was soon to come under the spell of Picasso and Ce'zanne. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Montmartre the Tour: La Place Des Abbesses (The Abbesses Square), the Small Streets, La Place Du Tertre (The Tertre Square), Le Sacré-Coeur (The Sacred Heart)
MONTMARTRE THE TOUR: LA PLACE DES ABBESSES (THE ABBESSES SQUARE), THE SMALL STREETS, LA PLACE DU TERTRE (THE TERTRE SQUARE), LE SACRÉ-COEUR (THE SACRED HEART) LE SACRÉ-COEUR THE SMALL STREETS LA PLACE DU TERTRE LES ABBESSES Lenght: Means of locomotion: on foot - 3H00 walking, Access for persons with reduced - half a day: walking + visit of the mobility : no Sacré-Coeur, Total distance: 4km - the entire day: walking + visit of Starting point: Place des Abbesses the Sacré-Coeur, the Montmartre (metro line 12, Abbesses station, museum and the Dali area. or the Montmartrobus Abbesses station) Public: All restaurant, « Le Relais de la Butte » (The Mound Inn), once called « Chez Azon » (At Azon’s). At the beginning of the 20th century, Father Azon gladly welcomed and fed all the penniless artists from the bateau- lavoir who paid him with works of art... which did not prevent him from Take rue des Abbesses going bankrupt ! (Abbesses Street) on your right and keep going forward for about 50 Climb the steps of this Emile metres. Goudeau small square (ex Ravignan Square). It is the same quietness At the Abbesses passage entrance, impression that we found in the on your right, graffities, drawings, Place des Abbesses, with benches, stencils and other inlays are trees, the big Wallace fountain, and animating the walls. some funny graffities. Pay close attention, you will have the opportunity to see many others On your left, with your back turned throughout the walk. to the steps, stands a recently cleaned building with white blinds Carry on and take rue Ravignan and green doors is the famous (Ravignan Street) on your right. -
Museum Map Welcome to the Musée National Picasso-Paris
MUSEUM MAP WELCOME TO THE MUSÉE NATIONAL PICASSO-PARIS FLOOR PAGES -1 THE STUDIOS 3/4 EXIT 0 CAFETERIA SHO P PICASSO GRAND TOUR 5 PICASSO GRAND TOUR 6 PICASSO GRAND TOUR 7 1 PICASSO GRAND TOUR 8 2 PICASSO GRAND TOUR 9/11 The Hôtel Salé was built between 1656 and 1660 by architect Jean Boullier of PICASSO GRAND TOUR 10 Bourges. It owes its name (‘salty’) to its first owner, Pierre Aubert de Fontenay, PICASSO GRAND TOUR 12 a financier who was appointed “fermier général des gabelles” responsible for th th collecting the salt tax. From the 18 to the mid-20 century, the mansion had a 3 DIALOGUES, 13 number of occupants and was rented to various private individuals and institutions THE PRIVATE COLLECTION until its allocation as museum. In 1964, the City of Paris bought the building, which was subsequently declared a historic monument in 1968. Between 1979 and 1985, the Hôtel was renovated, restructured and refurbished by Roland Simounet to house the collections of the future museum. After 25 years of operation, the museum closed for a programme of renovation, modernisation, restoration and expansion led by Jean-François Bodin and, for the listed part of the Hôtel Salé, by Stéphane Thouin, chief architect for the state’s historical monuments. It reopened on 25 October 2014. LEVEL LEVEL THE STUDIOS -1 THE STUDIOS -1 -1.4 -1.3 -1.2 -1.4 -1.3 -1.2 -1.5 -1.6 -1.1 -1.5 -1.6 -1.1 -1.7 -1.7 Entrance Entrance ROOM -1.1 ROOM -1.2 ROOM -1.3 ROOMS -1.4 and -1.5 ROOM -1.6 Le Bateau-Lavoir The apartment-studio The Parisian After a few years Displayed around at Montmartre is at 23 rue La Boétie studio at 7 rue des spent at the villa of the press used by without a doubt the in Paris had the Grands-Augustins La Californie in Cannes, Picasso at the villa most famous of the advantage of being is emblematic of and successively of La Californie is a Cubist studios, but located at the heart Picasso’s work during at the château de selection of prints not the only one. -
Portraits of Sculptors in Modernism
Konstvetenskapliga institutionen Portraits of Sculptors in Modernism Författare: Olga Grinchtein © Handledare: Karin Wahlberg Liljeström Påbyggnadskurs (C) i konstvetenskap Vårterminen 2021 ABSTRACT Institution/Ämne Uppsala universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Olga Grinchtein Titel och undertitel: Portraits of Sculptors in Modernism Engelsk titel: Portraits of Sculptors in Modernism Handledare Karin Wahlberg Liljeström Ventileringstermin: Höstterm. (år) Vårterm. (år) Sommartermin (år) 2021 The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed. The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The thesis is also a contribution to the bibliography of portraits of sculptors. 2 Acknowledgements I would like to thank my supervisor Karin Wahlberg Liljeström for her help and advice. I also thank Linda Hinners for providing information about Annie Bergman’s portrait of Gertrud Linnea Sprinchorn. I would like to thank my mother for supporting my interest in art history. 3 Table of Contents 1. Introduction ....................................................................................................................... -
ART HISTORY REVEALED Dr
ART HISTORY REVEALED Dr. Laurence Shafe This course is an eclectic wander through art history. It consists of twenty two-hour talks starting in September 2018 and the topics are largely taken from exhibitions held in London during 2018. The aim is not to provide a guide to the exhibition but to use it as a starting point to discuss the topics raised and to show the major art works. An exhibition often contains 100 to 200 art works but in each two-hour talk I will focus on the 20 to 30 major works and I will often add works not shown in the exhibition to illustrate a point. References and Copyright • The talks are given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • The notes are based on information found on the public websites of Wikipedia, Tate, National Gallery, Oxford Dictionary of National Biography, Khan Academy and the Art Story. • If a talk uses information from specific books, websites or articles these are referenced at the beginning of each talk and in the ‘References’ section of the relevant page. The talks that are based on an exhibition use the booklets and book associated with the exhibition. • Where possible images and information are taken from Wikipedia under 1 an Attribution-Share Alike Creative Commons License. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 ART HISTORY REVEALED 1. Impressionism in London 1. -
Assignment #3 - (Two Weeks) - Due May 11 Modigliani Inspired Portrait
Name: Class Period: Assigned April 27 Assignment #3 - (two weeks) - Due May 11 Modigliani Inspired Portrait Directions: Read and complete the “I can statements” for each day by filling in the bolded boxes. (If you are uploading/emailing a picture of your written work, label each day’s prompt with Part # and upload to Classroom like most of you have been. You may also send it to: [email protected]. Thanks!) *NFCS District expectations are that students spend 20-30 minutes on each class Monday through Friday. While you have the weekend before turning it in and I post the next assignment, it is not required that you work on it over the weekend. Please enjoy your weekends! Do your best and have fun! I understand there may be limitations, please reach out on Remind! @parkerart ← By Modigliani Student Example→ Important Vocabulary Words: Art Movement: Expressionism Inspirational Artist/Style: Amedeo Modigliani (Nickname- Modi) Introduction: Amedeo Modigliani (1884-1920) declared that his life would be “short but intense”- and it was. This Italian born artist spent most of his life in Paris meeting artists like Pablo Picasso, immersing himself in art, and developing his own style of portraiture. Unfortunately, Modigliani- who had always been in poor health- was also attracted to the excesses of Parisian nightlife. He died at a relatively young age, his tuberculosis complicated by alcoholism. Modigliani used simple organic and geometric shapes to create his haunting and mysterious portraits. Part 1 (Mon- Wed) ● I can analyze -
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz. -
WE the Moderns' Teachers' Pack Kettle's Yard, 2007 WE the Moderns: Gaudier and the Birth of Modern Sculpture
'WE the Moderns' Teachers' Pack Kettle's Yard, 2007 WE the moderns: Gaudier and the birth of modern sculpture 20 January - 18 March 2007 Information for teachers • What is the exhibition about? 2 • Key themes 3 • Who was Gaudier? 4 • Gaudier quotes 5 • Points of discussion 6 • Activity sheets 7-11 • Brief biography of the artists 12-18 1 'WE the Moderns' Teachers' Pack Kettle's Yard, 2007 What is the exhibition about? "WE the moderns: Gaudier-Brzeska and the birth of modern sculpture", explores the work of the French sculptor in relation to the wider continental context against which it matured. In 1911, aged 19, Gaudier moved to London. There he was to spend the rest of his remarkably concentrated career, which was tragically cut short by his death in the trenches four years later. These circumstances have granted the sculptor a rather ambiguous position in the history of art, with the emphasis generally falling on his bohemian lifestyle and tragic fate rather than on his artistic achievements, and then on his British context. The exhibition offers a fresh insight into Gaudier's art by mapping its development through a selection of works (ranging from sculptures and preparatory sketches to paintings, drawings from life, posters and archival material) aimed at highlighting not only the influences that shaped it but also striking affinities with contemporary and later work which reveal the artist's modernity. At the core of the exhibition is a strong representation of Gaudier's own work, which is shown alongside that of his contemporaries to explore themes such as primitivism, artists' engagement with the philosophy of Bergson, the rendition of movement and dynamism in sculpture, the investigation into a new use of space through relief and construction by planes, and direct carving. -
50 WASHINGTON, BC July 8, 1965. John
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • REpublic 7-4215 extension 248 Releases:z 800 FOR IMMEDIATE RELEASE Photographs: 50 WASHINGTON, B.C. July 8, 1965. John Walker, Director of the National Gallery of Art, announced today that an exhibition of 19TH AND 20TH CENTURY EUROPEAN DRAWINGS will open to the public on Sunday, July 11, at 12 noon. The show will be on view at the National Gallery of Art every day and every evening through August 29 u Fifty three drawings illustrate the range of European draughtsmanship, from a meticulous Ingres portrait of 1815 to two expressive abstractions of 1965, Sponsored by the Samuel R u Kress Foundation, the exhibition has been chosen by Elaine Evans Dee, Assistant Curator, Department of Drawings and Prints, The Pierpont Morgan Library, New York, It has been organized and will be circulated by The American Feder ation of Arts . This is the first exhibition of drawings held at the Gallery to have been selected from public and private collections exclu sively in the United States It is also the first survey of European 19th and 20th century drawings to be shown here, A check list of the exhibition is attached. Unlike many previous exhibitions of drawings at the Gallery which have been based on national schools, this show concentrates on an epoch, cutting across frontiers. France, the dominant artistic force during much of the period covered, is represented by such famous names as Delacroix, Ingres, Daumier, Corot, Renoir, Pissarro, Cezanne, Seurat, Toulouse-Lautrec, and Matisse, up to the brutally sardonic Jean Dubuffet of our own day.