House Leaders Make U-Turn on Roads
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O Klahoma City
MEDIA GUIDE O M A A H C L I K T Y O T R H U N D E 2 0 1 4 2 0 1 5 THUNDER.NBA.COM TABLE OF CONTENTS GENERAL INFORMATION ALL-TIME RECORDS General Information .....................................................................................4 Year-By-Year Record ..............................................................................116 All-Time Coaching Records .....................................................................117 THUNDER OWNERSHIP GROUP Opening Night ..........................................................................................118 Clayton I. Bennett ........................................................................................6 All-Time Opening-Night Starting Lineups ................................................119 2014-2015 OKLAHOMA CITY THUNDER SEASON SCHEDULE Board of Directors ........................................................................................7 High-Low Scoring Games/Win-Loss Streaks ..........................................120 All-Time Winning-Losing Streaks/Win-Loss Margins ...............................121 All times Central and subject to change. All home games at Chesapeake Energy Arena. PLAYERS Overtime Results .....................................................................................122 Photo Roster ..............................................................................................10 Team Records .........................................................................................124 Roster ........................................................................................................11 -
Sport-Led Urban Development Strategies: an Analysis of Changes in Built Area, Land Use Patterns, and Assessed Values Around 15 Major League Arenas
Sport-led Urban Development Strategies: An Analysis of Changes in Built Area, Land Use Patterns, and Assessed Values Around 15 Major League Arenas By Stephanie F. Gerretsen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sport Management) in the University of Michigan 2018 Doctoral Committee: Professor Mark Rosentraub, Chair Professor Rodney Fort Assistant Professor Ana Paula Pimentel-Walker Associate Professor David Swindell, Arizona State University Stephanie F. Gerretsen [email protected] ORCID iD: 0000-0002-4934-0386 © Stephanie F. Gerretsen 2018 Table of Contents List of Tables ................................................................................................................................. xi List of Figures ............................................................................................................................. xvii List of Appendices ..................................................................................................................... xxiv Abstract ....................................................................................................................................... xxv CHAPTER 1. INTRODUCTION ................................................................................................... 1 1.1 CITIES, ARENAS, AND URBAN DEVELOPMENT ........................................................................ 1 1.1.1 The Cost of Arena-led Strategies: Public Subsidies for Major League Arenas ............ -
Boletin Cultural Febrero 2021
CONSULADO GENERAL DEL PERÚ EN NUEVA YORK BOLETÍN CULTURAL FEBRERO 2021 BOLETÍN CULTURAL DEL CONSULADO GENERAL DEL PERÚ EN NUEVA YORK Este boletín contiene información difundida por la Dirección General de Asuntos Culturales del Ministerio de Relaciones Exteriores del Perú entre sus misiones en el exterior, relativa a iniciativas, eventos y actividades realizados en cooperación y/o en coordinación con otras entidades nacionales e internacionales. FEBRERO 2021 BOLETÍN CULTURAL DEL CONSULADO GENERAL DEL PERÚ EN NUEVA YORK GRAN TEATRO NACIONAL PRESENTACION “RETABLO DE CANDELARIA” En conmemoración de la Festividad de la Virgen de la Candelaria – celebrada en febrero de cada año y declarada Patrimonio Cultural de la Nación en 2003 e inscrita en la Lista Representativa del Patrimonio Cultural Inmaterial de la Humanidad de UNESCO en 2014 –, se tiene el agrado de compartir la presentación de “Retablo de Candelaria”, dirigida por Fabricio Varela, a cargo del Ballet Folclórico Nacional y puesta en escena del Gran Teatro Nacional. ➔ Puede ver la referida presentación a través del siguiente enlace: https://envivo.granteatronacional.pe/video/retablo-candelaria Dicha Festividad consta de un grupo de actos de carácter religioso, festivo y cultural que tienen sus raíces en tradiciones católicas y elementos simbólicos de la cosmovisión andina, y que se organiza en torno a la procesión de la Virgen de la Candelaria por las calles de la ciudad de Puno, con una fiesta que prosigue mediante la realización de dos certámenes en los que compiten alrededor de 200 grupos de baile, provenientes de distintas partes de la región. Las festividades son organizadas por federaciones regionales, que también contribuyen a la preservación de las técnicas y conocimientos tradicionales relacionados con la danza, la música y la fabricación de las máscaras y el vestuario. -
National Basketball Association
NATIONAL BASKETBALL ASSOCIATION {Appendix 2, to Sports Facility Reports, Volume 13} Research completed as of July 17, 2012 Team: Atlanta Hawks Principal Owner: Atlanta Spirit, LLC Year Established: 1949 as the Tri-City Blackhawks, moved to Milwaukee and shortened the name to become the Milwaukee Hawks in 1951, moved to St. Louis to become the St. Louis Hawks in 1955, moved to Atlanta to become the Atlanta Hawks in 1968. Team Website Most Recent Purchase Price ($/Mil): $250 (2004) included Atlanta Hawks, Atlanta Thrashers (NHL), and operating rights in Philips Arena. Current Value ($/Mil): $270 Percent Change From Last Year: -8% Arena: Philips Arena Date Built: 1999 Facility Cost ($/Mil): $213.5 Percentage of Arena Publicly Financed: 91% Facility Financing: The facility was financed through $130.75 million in government-backed bonds to be paid back at $12.5 million a year for 30 years. A 3% car rental tax was created to pay for $62 million of the public infrastructure costs and Time Warner contributed $20 million for the remaining infrastructure costs. Facility Website UPDATE: W/C Holdings put forth a bid on May 20, 2011 for $500 million to purchase the Atlanta Hawks, the Atlanta Thrashers (NHL), and ownership rights to Philips Arena. However, the Atlanta Spirit elected to sell the Thrashers to True North Sports Entertainment on May 31, 2011 for $170 million, including a $60 million in relocation fee, $20 million of which was kept by the Spirit. True North Sports Entertainment relocated the Thrashers to Winnipeg, Manitoba. As of July 2012, it does not appear that the move affected the Philips Arena naming rights deal, © Copyright 2012, National Sports Law Institute of Marquette University Law School Page 1 which stipulates Philips Electronics may walk away from the 20-year deal if either the Thrashers or the Hawks leave. -
National Basketball Association
NATIONAL BASKETBALL ASSOCIATION OFFICIAL SCORER'S REPORT FINAL BOX Wednesday, October 25, 2017 Chesapeake Energy Arena, Oklahoma City, OK Officials: #45 Brian Forte, #11 Derrick Collins, #12 CJ Washington Game Duration: 2:18 Attendance: 18203 (Sellout) VISITOR: Indiana Pacers (2-3) POS MIN FG FGA 3P 3PA FT FTA OR DR TOT A PF ST TO BS +/- PTS 44 Bojan Bogdanovic F 28:51 0 7 0 5 4 4 0 2 2 2 2 1 5 0 -19 4 21 Thaddeus Young F 33:29 5 12 3 6 1 2 1 3 4 0 2 2 2 0 -15 14 11 Domantas Sabonis C 18:44 1 9 0 0 2 2 8 3 11 2 5 0 1 0 -11 4 4 Victor Oladipo G 35:50 11 18 5 8 8 8 0 5 5 0 5 1 3 2 -20 35 2 Darren Collison G 37:49 5 12 2 4 6 6 0 2 2 3 2 2 4 0 -13 18 25 Al Jefferson 18:11 1 4 0 0 3 3 1 6 7 2 2 2 3 0 -3 5 1 Lance Stephenson 17:05 2 7 0 2 1 3 0 4 4 1 2 1 0 0 4 5 22 TJ Leaf 19:22 1 4 0 1 0 1 1 2 3 1 1 1 0 0 -4 2 6 Cory Joseph 21:11 1 6 0 2 4 4 1 0 1 2 2 2 0 0 -5 6 0 Alex Poythress 02:22 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -1 0 3 Joe Young 02:22 1 2 0 0 1 2 1 0 1 0 0 0 0 0 -1 3 12 Damien Wilkins 02:22 0 1 0 1 0 0 0 0 0 0 0 0 0 0 -1 0 13 Ike Anigbogu 02:22 0 1 0 0 0 0 1 0 1 0 0 1 1 0 -1 0 240:00 28 83 10 29 30 35 14 27 41 13 23 13 19 2 -18 96 33.7% 34.5% 85.7% TM REB: 10 TOT TO: 19 (12 PTS) HOME: OKLAHOMA CITY THUNDER (2-2) POS MIN FG FGA 3P 3PA FT FTA OR DR TOT A PF ST TO BS +/- PTS 13 Paul George F 19:06 4 8 0 3 2 3 0 1 1 0 6 0 1 1 -2 10 7 Carmelo Anthony F 32:59 9 17 3 7 7 9 0 10 10 1 3 0 6 3 19 28 12 Steven Adams C 30:51 8 13 0 0 1 1 7 4 11 1 1 2 3 2 16 17 21 Andre Roberson G 20:40 2 5 0 1 0 0 2 0 2 1 3 0 1 1 11 4 0 Russell Westbrook G 35:09 10 18 -
Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael
Politicising stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. https://qmro.qmul.ac.uk/jspui/handle/123456789/675 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981). -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
NBA Arenas: Timeline and Cost of Development DRAFT 9/20/2017
NBA Arenas: Timeline and Cost of Development DRAFT 9/20/2017 Facility City Year Opened Total Cost Private Private (%) Public Public (%) Key Arena* Seattle 2020 (Expected)$ 565 $ 565 100%$ - 0% Chase Center San Francisco 2019 (Expected)$ 1,000 $ 1,000 100% $ - 0% Quicken Loans Arena 1 Cleveland 2019 (Expected)$ 140 $ 70 50%$ 70 50% Bucks Arena Milwaukee 2018 (Expected)$ 524 $ 274 52% $ 250 48% Philips Arena 1 Atlanta 2018 (Expected)$ 193 $ 50 26%$ 143 74% Little Caesars Arena Detroit 2017$ 733 $ 448 61% $ 285 39% Target Center 1 Minneapolis 2017$ 129 $ 55 43%$ 74 57% Vivint SmartHome Arena 1,2 Salt Lake City 2017$ 125 $ 102 82%$ 23 18% Golden1 Center Sacramento 2016$ 507 $ 284 56% $ 223 44% AT&T Center 1 San Antonio 2015$ 112 $ 27 24%$ 85 76% TD Garden 1 Boston 2015$ 70 $ 70 100%$ - 0% Moda Center 1 Portland 2015$ 16 $ 16 100%$ - 0% Madison Square Garden 1 New York City 2013$ 1,200 $ 1,200 100%$ - 0% Smoothie King Center 1 New Orleans 2013$ 54 $ - 0%$ 54 100% Talking Stick Resort Arena Phoenix 2012$ 10 $ 3 30%$ 7 70% Barclays Center 3 Brooklyn 2012$ 1,034 $ 396 38% $ 638 62% Chesapeake Energy Arena 1 Oklahoma City 2011$ 104 $ - 0%$ 104 100% Air Canada Centre 1 Toronto 2010$ 48 $ 48 100%$ - 0% Amway Center Orlando 2010$ 480 $ 62 13% $ 418 87% United Center 1 Chicago 2009$ 188 $ 174 93%$ 13 7% Verizon Center 1,7 Washington, DC 2007$ 50 $ - 0%$ 50 100% Time Warner Cable Arena Charlotte 2005$ 265 $ 35 13% $ 231 87% FedEx Forum Memphis 2004$ 270 $ 16 6% $ 254 94% Talking Stick Resort Arena 1 Phoenix 2003$ 67 $ 42 63%$ 25 37% Toyota Center Houston -
Opponents Nba Directory Nba Directory Eiw Eod History Records 16-17 Review Players Leadership
OPPONENTS NBA DIRECTORY NBA DIRECTORY LEADERSHIP PLAYERS 16-17 NATIONAL BASKETBALL ASSOCIATION CANADA NBA ENTERTAINMENT 50 Bay Street, Suite 1402, Toronto, Ontario, Canada M5J 3A5 WOMEN’S NATIONAL BASKETBALL ASSOCATION Telephone: . (416) 682-2000 Fax: ���������������������������������������������������������������������������������������������������������������������������������������������������������������� (416) 364-0205 NBA G LEAGUE NEW YORK ASIA/PACIFIC Olympic Tower, 645 Fifth Avenue, New York, NY 10022 Telephone: ���������������������������������������������������������������������������������������������������������������������� (212) 407-8000 HONG KONG REVIEW RECORDS HISTORY Fax: �������������������������������������������������������������������������������������������������������������������������������������(212) 832-3861 Room 3101, Lee Gardens One, 33 Hysan Avenue, Causeway Bay, Hong Kong Telephone: . .+852-2843-9600 NEW JERSEY Fax: �������������������������������������������������������������������������������������������������������������������������������������������������������������� +852-2536-4808 100 Plaza Drive, Secaucus, NJ 07094 Telephone: ����������������������������������������������������������������������������������������������������������������������� (201) 865-1500 TAIWAN Fax: �����������������������������������������������������������������������������������������������������������������������������������(201) 974-5973 Suite 1303, No. 88, Section 2, Chung Hsiao East Road, Taipei, Taiwan ROC 100 Telephone: -
Fall 2017 Best-Selling Titles IPG – Fall 2017
Fall 2017 Best-Selling Titles IPG – Fall 2017 9789888341030 9789888240654 9789888341184 9789888341207 9781936669479 9781936669455 9780975958001 9781936261376 9782924217795 9781936261277 9780996099936 9781933916972 9781405266710 9781405279291 9781936607365 9789888341016 99781940842011 99781940842097 99789888240494 9781629631103 9781555917241 9789888240937 9789888341047 9789888341375 9781884734724 IPG – Fall 2017 Best-Selling Titles 9781613749418 9781613736012 9781613736371 9781613734308 9781613731789 9781556520747 9781613743416 9781613735329 9781892005281 9781613736791 9780996864916 9781786695697 9780918172020 9781936218219 9781613731024 9781629371580 9781629371146 9781629373478 9781629374444 9781629372839 9781613734995 9781926760681 9781910496596 9781910904121 9781910904053 Fall 2017 Entertainment ����������������������������������������� 1–10 Pop Culture & Science ������������������������� 11–13 History & Politics ����������������������������������� 14–30 Sports ��������������������������������������������������� 31–50 Travel ���������������������������������������������������� 51–56 Religion ������������������������������������������������ 57–62 Biography & Autobiography ������������������� 63–66 Graphic Novels �������������������������������������� 67–75 Fiction �������������������������������������������������� 76–98 Poetry ���������������������������������������������������������99 Cooking �������������������������������������������� 100–104 Crafts & Hobbies ������������������������������� 105–113 Textile & Design �������������������������������� -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.