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United States V. Hodges: Treason, Jury Trials, and the War of 1812
FOREWORD: Title United States v. Hodges: Treason, Jury Trials, and the War of 1812 Author Jennifer Elisa Smith Document Type Article Publication Date 2016 Keywords Legal history, treason, jury, Justice Gabriel Duvall, War of 1812 Abstract In August 1814 a number of British soldiers were arrested as stragglers or deserters in the town of Upper Marlboro, Maryland. Upon learning of the soldiers’ absences the British military took local physician, Dr. William Beanes, and two other residents into custody and threatened to burn Upper Marlboro if the British soldiers were not returned. John Hodges, a local attorney, arranged the soldiers’ return to the British military. For this, Hodges was charged with high treason for “adhering to [the] enemies, giving them aid and comfort.” The resulting jury trial was presided over by Justice Gabriel Duvall, a Supreme Court Justice and Prince Georges County native, and highlights how the crime of treason was viewed in early American culture and the role of the jury as deciders of the facts and the law in early American jurisprudence. Contextually, Hodges’ trial took place against the backdrop of the War of 1812 and was informed by the 1807 treason trial of Aaron Burr. Disciplines Law, constitutional history, legal history 1 UNITED STATES V. HODGES:1 TREASON, JURY TRIALS, AND THE WAR OF 1812 Jennifer Elisa Smith INTRODUCTION In August 1814 as British forces left a burned and ravaged Washington, D.C. a number of British soldiers were arrested as stragglers or deserters in the town of Upper Marlboro in Prince Georges County Maryland.2 Upon learning of the soldiers’ absences the British military took local physician, Dr. -
Any Victory Not Bathed in Blood: William Rosecrans's Tullahoma
A BGES Civil War Field University Program: Any Victory Not Bathed in Blood: William Rosecrans’s Tullahoma Advance With Jim Ogden June 17–20, 2020; from Murfreesboro, TN “COMPEL A BATTLE ON OUR OWN GROUND?”: William Rosecrans on the objectives of his Tullahoma advance. A “victory not bathed in blood.” A campaign with no major battle. Only a “campaign of maneuver.” You are a real student of the Civil War if you have given serious consideration to this key component of Maj. Gen. William Starke Rosecrans’s command tenure. Sadly, if not entirely overlooked, it usually is only briefly reviewed in histories of the war. Because of the way it did turn out, it is easy to say that it is only a campaign of maneuver, but as originally conceived the Federal army commander intended and expected much more. Henry Halleck’s two “great objects” were still to be achieved. Rosecrans hoped that when he advanced from Murfreesboro, much would be accomplished. In this BGES program we’ll examine what Rosecrans hoped would be a campaign that might include not the but rather his planned “Battle for Chattanooga.” Wednesday, June 17, 2020 6 PM. Gather at our headquarters hotel in Murfreesboro where Jim will introduce you to General Rosecrans, his thinking and combat planning. He is an interesting character whose thinking is both strategic and advanced tactical. He was a man of great capacity and the logic behind this operation, when juxtaposed against the expectations of the national leadership, reveals the depth of Rosecrans’s belief in his ability to deliver decisive results that supported Lincoln’s war objectives. -
THE COUNCIL for EXCELLENCE in GOVERNMENT Elliot Richardson Prize Event Acceptance Remarks
THE COUNCIL FOR EXCELLENCE IN GOVERNMENT Elliot Richardson Prize Event Acceptance Remarks Washington, D. C. March 8, 2004 Remarks By Sandra Day O’Connor Associate Justice, Supreme Court of the United States Building Bridges: The Rewarding Life of Public Service An old man, going a lone highway Came at the evening, cold and gray To a chasm, vast and deep and wide, Through which was flowing a sullen tide. The old man crossed in the twilight dim; The sullen stream had no fears for him; But he turned when safe on the other side And built a bridge to span the tide. “Old man,” said a fellow pilgrim near, “You are wasting strength with building here; Your journey will end with the ending day; You never again must pass this way; You have crossed the chasm, deep and wide— Why build you the bridge at the eventide?” The builder lifted his old gray head. “Good friend, in the path I have come,” he said, “There followeth after me today A youth whose feet must pass this way. This chasm that has been naught to me To that fair-haired youth may a pitfall be. He, too, must cross in the twilight dim; Good friend, I am building the bridge for him.” By Will Allen Dromgoole The Bridge Builder Council for Excellence in Government — Page 2 If I may, I would like to take a few moments this afternoon to talk about building bridges. Building bridges through public service Of all of the reasons that I am honored to receive this touching recognition today, the greatest is that it puts me in the company of some truly remarkable individuals who dedicated their lives to building bridges for the future of our country. -
LINCOLN's OFFICIAL FAMILY-Bffiuography
LINCOLN LORE Bulletin of the Lincoln National Life Foundation -- --- Dr. Louis A. WarreniEditor Published each week by The Lincoln National Life Insurance Company, Fort Wayne, ndlana Number 753 FORT WAYNE, INDIANA September 13, 1943 LINCOLN'S OFFICIAL FAMILY-BffiUOGRAPHY Sometimes the appearance of a new Salmon P. Chase, 1861-1864 Seward, F. W., Stward at Wa8hington book will call to the attention of the 1.18 Senat<w and Secretary of State, public a considerable number of titles Schuckers, J. W., Life and Public Serv· ices of Salm<m Portland Clwse, 1846·1881, 650pp., 1891. with which it may be classified. Gideon Seward, F. W., Seward at Washington \Velles, Lincoln's Navy Department, 669pp., 1874. is such a book. Chase, S. P., AgaimJt tl~ Re,Jealof the as Sent~.t<w and Secretary of State, Missottri Prohibition of Suwery, 1861-187!, 561pp., 1891. Just outside the pale which separates 16pJ>., 1854. Bancroft, F., Life of William H. Sew· Lincolniana from a general library is ard, 2 vols., 1900. an indefinite number of books called Luthin, R. H., Salmon P. Chase'tt P(}o collateral items. A bibliography of this litical Career Bef&re the Civil ll'ar. Seward, 0. R., William H. Seward's (23) pp., 1943. Travel• Arormd the World, 730pp., large number of Lincoln J'cference 1873. items has never been attempted, except Chase, S. P., Diary and Cor-rcttpon· in Civil War compilations, where many tlence of S. P. Cl1.0.11c, 2 vols., 1903. Seward, W. H., Recent SpeecJwg and of them properly belong, yet, most of Writing• of William H. -
The Attorney General's Ninth Annual Report to Congress Pursuant to The
THE ATTORNEY GENERAL'S NINTH ANNUAL REPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVED CIVIL RIGHTS CRIME ACT OF 2007 AND THIRD ANNUALREPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVEDCIVIL RIGHTS CRIMES REAUTHORIZATION ACT OF 2016 March 1, 2021 INTRODUCTION This is the ninth annual Report (Report) submitted to Congress pursuant to the Emmett Till Unsolved Civil Rights Crime Act of2007 (Till Act or Act), 1 as well as the third Report submitted pursuant to the Emmett Till Unsolved Civil Rights Crimes Reauthorization Act of 2016 (Reauthorization Act). 2 This Report includes information about the Department of Justice's (Department) activities in the time period since the eighth Till Act Report, and second Reauthorization Report, which was dated June 2019. Section I of this Report summarizes the historical efforts of the Department to prosecute cases involving racial violence and describes the genesis of its Cold Case Int~~ative. It also provides an overview ofthe factual and legal challenges that federal prosecutors face in their "efforts to secure justice in unsolved Civil Rights-era homicides. Section II ofthe Report presents the progress made since the last Report. It includes a chart ofthe progress made on cases reported under the initial Till Act and under the Reauthorization Act. Section III of the Report provides a brief overview of the cases the Department has closed or referred for preliminary investigation since its last Report. Case closing memoranda written by Department attorneys are available on the Department's website: https://www.justice.gov/crt/civil-rights-division-emmett till-act-cold-ca e-clo ing-memoranda. -
Rush Family Papers Rush Finding Aid Prepared by Finding Aid Prepared by Holly Mengel
Rush family papers Rush Finding aid prepared by Finding aid prepared by Holly Mengel. Last updated on September 02, 2020. Library Company of Philadelphia Rush family papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Administrative Information......................................................................................................................... 14 Related Materials......................................................................................................................................... 15 Controlled Access Headings........................................................................................................................15 Other Finding Aids note..............................................................................................................................17 Collection Inventory.................................................................................................................................... 18 Series I. Benjamin Rush papers........................................................................................................... -
James Knox Polk Collection, 1815-1949
State of Tennessee Department of State Tennessee State Library and Archives 403 Seventh Avenue North Nashville, Tennessee 37243-0312 POLK, JAMES KNOX (1795-1849) COLLECTION 1815-1949 Processed by: Harriet Chapell Owsley Archival Technical Services Accession Numbers: 12, 146, 527, 664, 966, 1112, 1113, 1140 Date Completed: April 21, 1964 Location: I-B-1, 6, 7 Microfilm Accession Number: 754 MICROFILMED INTRODUCTION This collection of James Knox Polk (1795-1849) papers, member of Tennessee Senate, 1821-1823; member of Tennessee House of Representatives, 1823-1825; member of Congress, 1825-1839; Governor of Tennessee, 1839-1841; President of United States, 1844-1849, were obtained for the Manuscripts Section by Mr. and Mrs. John Trotwood Moore. Two items were given by Mr. Gilbert Govan, Chattanooga, Tennessee, and nine letters were transferred from the Governor’s Papers. The materials in this collection measure .42 cubic feet and consist of approximately 125 items. There are no restrictions on the materials. Single photocopies of unpublished writings in the James Knox Polk Papers may be made for purposes of scholarly research. SCOPE AND CONTENT The James Knox Polk Collection, composed of approximately 125 items and two volumes for the years 1832-1848, consist of correspondence, newspaper clippings, sketches, letter book indexes and a few miscellaneous items. Correspondence includes letters by James K. Polk to Dr. Isaac Thomas, March 14, 1832, to General William Moore, September 24, 1841, and typescripts of ten letters to Major John P. Heiss, 1844; letters by Sarah Polk, 1832 and 1891; Joanna Rucker, 1845- 1847; H. Biles to James K. Polk, 1833; William H. -
Boletin Cultural Febrero 2021
CONSULADO GENERAL DEL PERÚ EN NUEVA YORK BOLETÍN CULTURAL FEBRERO 2021 BOLETÍN CULTURAL DEL CONSULADO GENERAL DEL PERÚ EN NUEVA YORK Este boletín contiene información difundida por la Dirección General de Asuntos Culturales del Ministerio de Relaciones Exteriores del Perú entre sus misiones en el exterior, relativa a iniciativas, eventos y actividades realizados en cooperación y/o en coordinación con otras entidades nacionales e internacionales. FEBRERO 2021 BOLETÍN CULTURAL DEL CONSULADO GENERAL DEL PERÚ EN NUEVA YORK GRAN TEATRO NACIONAL PRESENTACION “RETABLO DE CANDELARIA” En conmemoración de la Festividad de la Virgen de la Candelaria – celebrada en febrero de cada año y declarada Patrimonio Cultural de la Nación en 2003 e inscrita en la Lista Representativa del Patrimonio Cultural Inmaterial de la Humanidad de UNESCO en 2014 –, se tiene el agrado de compartir la presentación de “Retablo de Candelaria”, dirigida por Fabricio Varela, a cargo del Ballet Folclórico Nacional y puesta en escena del Gran Teatro Nacional. ➔ Puede ver la referida presentación a través del siguiente enlace: https://envivo.granteatronacional.pe/video/retablo-candelaria Dicha Festividad consta de un grupo de actos de carácter religioso, festivo y cultural que tienen sus raíces en tradiciones católicas y elementos simbólicos de la cosmovisión andina, y que se organiza en torno a la procesión de la Virgen de la Candelaria por las calles de la ciudad de Puno, con una fiesta que prosigue mediante la realización de dos certámenes en los que compiten alrededor de 200 grupos de baile, provenientes de distintas partes de la región. Las festividades son organizadas por federaciones regionales, que también contribuyen a la preservación de las técnicas y conocimientos tradicionales relacionados con la danza, la música y la fabricación de las máscaras y el vestuario. -
The Song of the Lark I
HE ONG OF THE ARK T S L BY WILLA CATHER © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor This PDF eBook was produced in the year 2010 by Tantor Media, Incorporated, which holds the copyright thereto. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. -
Sherman's March and Georgia's Refugee Slaves Ben Parten Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2017 "Somewhere Toward Freedom:" Sherman's March and Georgia's Refugee Slaves Ben Parten Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Parten, Ben, ""Somewhere Toward Freedom:" Sherman's March and Georgia's Refugee Slaves" (2017). All Theses. 2665. https://tigerprints.clemson.edu/all_theses/2665 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “SOMEWHERE TOWARD FREEDOM:” SHERMAN’S MARCH AND GEORGIA’S REFUGEE SLAVES A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters of Arts History by Ben Parten May 2017 Accepted by: Dr. Vernon Burton, Committee Chair Dr. Lee Wilson Dr. Rod Andrew ABSTRACT When General William T. Sherman’s army marched through Georgia during the American Civil War, it did not travel alone. As many as 17,000 refugee slaves followed his army to the coast; as many, if not more, fled to the army but decided to stay on their plantations rather than march on. This study seeks to understand Sherman’s march from their point of view. It argues that through their refugee experiences, Georgia’s refugee slaves transformed the march into one for their own freedom and citizenship. Such a transformation would not be easy. Not only did the refugees have to brave the physical challenges of life on the march, they had to also exist within a war waged by white men. -
Charles Spaak and the Thesis Film Geoffrey Wagner
New Mexico Quarterly Volume 24 | Issue 2 Article 10 1954 Charles Spaak and the Thesis Film Geoffrey Wagner Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Wagner, Geoffrey. "Charles Spaak and the Thesis Film." New Mexico Quarterly 24, 2 (1954). https://digitalrepository.unm.edu/nmq/ vol24/iss2/10 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Wagner: Charles Spaak and the Thesis Film BOOKS and COMMENT Geoffrey Wagner CHARLES SPAAK AND THE THESIS FILM HET RIC 0 LOR waves over the Palais de Justice. Three words are engraved on the ancient stone: LIBERTt T;EGALITt-FRATERNITt. The camera drops a frac tion. We see a harshly modern enamel plate-Place d'Arret. This shot from Avant Ie deluge, written and co-directed by Charles Spaak, bespeaks the thesis, with all its attendant over simplifications, of one of the most provocative screen writers working today-namely, that we are all assassins and that justice is never done. While the cinema in this country is suffering from an overdose of skill-fetichism (one technical gimmick after an other vainly trying to make up. for an emptiness of soul) , and while the Italian realist film is proving steadily more inelastic, Spaak is quietly proceeding with the serious business of the cin ema, enlarging it "in depth" by lending it that most unlikely di mension, real intellectual fervor. -
Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael
Politicising stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. https://qmro.qmul.ac.uk/jspui/handle/123456789/675 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981).