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Halebid Travel Guide - Page 1
Halebid Travel Guide - http://www.ixigo.com/travel-guide/halebid page 1 Famous For : City Very cold weather. Carry Heavy woollen, umbrella. When To Max: 13.4°C Min: 5.5°C Rain: 177.0mm Halebid Halebid, now just a little town in Southern Karnataka, was once the capital of the Sep Hoysala Empire, which flourished in the 12th VISIT Cold weather. Carry Heavy woollen, and 13th centuries. And, Hale Bidu (Old City) umbrella. Max: 9.9°C Min: 12.7°C Rain: 129.0mm is the most apt of several names (such as http://www.ixigo.com/weather-in-halebid-lp-1104929 Dorasamudra) that it acquired. For the Oct tourist, it is one of those deserted charming Jan Cold weather. Carry Heavy woollen, places that unexpectedly come upon you as umbrella. Cold weather. Carry Heavy woollen. Max: 17.1°C Min: 15.0°C Rain: 291.0mm you round a bend in the road. Because it is Max: 21.6°C Min: 18.8°C Rain: 24.0mm so close to Bengaluru, most people do Nov Halebid as a day-trip, so ironically it’s a great Feb Cold weather. Carry Heavy woollen. Cold weather. Carry Heavy woollen. place to spend a couple of days since not Max: 20.9°C Min: 19.2°C Rain: 48.0mm many people stay the night. The town is Max: 18.7°C Min: 12.1°C Rain: 3.0mm Dec surrounded by fields and, should one Mar Cold weather. Carry Heavy woollen. choose to, one can cover it on foot. On clear Cold weather. -
Indian Archaeology 1972-73
INDIAN ARCHAEOLOGY 1972-73 —A REVIEW EDITED BY M. N. DESHPANDE Director General Archaeological Survey of India ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA NEW DELHI 1978 Cover Recently excavated caskets from Piprahwa 1978 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price : Rs. 40.00 PRINTED AT NABA MUDRAN PRIVATE LTD., CALCUTTA, 700004 PREFACE Due to certain unavoidable reasons, the publication of the present issue has been delayed, for which I crave the indulgence of the readers. At the same time, I take this opportunity of informing the readers that the issue for 1973-74 is already in the Press and those for 1974-75 and 1975-76 are press-ready. It is hoped that we shall soon be up to date in the publication of the Review. As already known, the Review incorporates all the available information on the varied activities in the field of archaeology in the country and as such draws heavily on the contributions made by the organizations outside the Survey as well, viz. the Universities and other Research Institutions, including the Physical Research Laboratory, Ahmadabad and the Birbal Sahni Institute of Palaeobotany, Lucknow, and the State Departments of Archaeology. My grateful thanks are due to all contributors, including my colleagues in the Survey, who supplied the material embodied in the Review as also helped me in editing and seeing it through the Press. M. N. DESHPANDE New Delhi 1 October 1978 CONTENTS PAGE I. Explorations and Excavations ... ... ... ... ... ... ... 1 Andhra Pradesh, 1; Arunachal, 3; Bihar, 3; Delhi, 8; Gujarat, 9; Haryana, 12; Jammu and Kashmir, 13; Kerala, 14; Madhya Pradesh, 14; Maharashtra, 20; Mysore, 25; Orissa, 27; Punjab, 28; Rajasthan, 28; Tamil Nadu, 30; Uttar Pradesh, 33; West Bengal, 35. -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
Construction Techniques of Indian Temples
International Journal of Research in Engineering, Science and Management 420 Volume-1, Issue-10, October-2018 www.ijresm.com | ISSN (Online): 2581-5782 Construction Techniques of Indian Temples Chanchal Batham1, Aatmika Rathore2, Shivani Tandon3 1,3Student, Department of Architecture, SDPS Women’s College, Indore, India 2Assistant Professor, Department of Architecture, SDPS Women’s College, Indore, India Abstract—India is a country of temples. Indian temples, which two principle axis, which in turn resulted in simple structural are standing with an unmatched beauty and grandeur in the wake systems and an increased structural strength against seismic of time against the forces of nature, are the living evidences of forces. The Indian doctrine of proportions is designed not only structural efficiency and technological skill of Indian craftsman to correlate the various parts of building in an aesthetically and master builders. Every style of building construction reflects pleasing manner but also to bring the entire building into a a clearly distinctive basic principle that represents a particular culture and era. In this context the Indian Hindu temple magical harmony with the space. architecture are not only the abode of God and place of worship, B. Strutural Plan Density but they are also the cradle of knowledge, art, architecture and culture. The research paper describes the analysis of intrinsic Structural plan density defined as the total area of all vertical qualities, constructional and technological aspects of Indian structural members divided by the gross floor area. The size and Temples from any natural calamities. The analytical research density of structural elements is very great in the Indian temples highlights architectural form and proportion of Indian Temple, as compared to the today's buildings. -
General Introduction to Odishan Temple Architecture
Odisha Review May - 2012 General introduction to Odishan Temple Architecture Anjaliprava Sahoo INTRODUCTION Sastras recognize three main styles of temple architecture known as the Nagara, the Dravida Temple is a ‘Place of Worship’. It is also called 1 the ‘House of God’. Stella Kramrisch has defined and the Vesara. temple as ‘Monument of Manifestation’ in her NAGARA TEMPLE STYLE book ‘The Hindu Temple’. The temple is one of Nagara types of temples are the typical the prominent and enduring symbols of Indian Northern Indian temples with curvilinear sikhara- culture: it is the most graphic expression of religious spire topped by amlakasila.2 This style was fervour, metaphysical values and aesthetic developed during A.D. 5th century. The Nagara aspiration. style is characterized by a beehive-shaped and The idea of temple originated centuries multi-layered tower, called ‘Sikhara’. The layers ago in the universal ancient conception of God in of this tower are topped by a large round cushion- a human form, which required a habitation, a like element called ‘amlaka’. The plan is based shelter and this requirement resulted in a structural on a square but the walls are sometimes so shrine. India’s temple architecture is developed segmented, that the tower appears circular in from the Sthapati’s and Silpi’s creativity. A small shape. Advancement in the architecture is found Hindu temple consists of an inner sanctum, the in temples belonging to later periods, in which the Garbha Griha or womb chamber; a small square central shaft is surrounded by many smaller room with completely plain walls having a single narrow doorway in the front, inside which the image is housed and other chambers which are varied from region to region according to the needs of the rituals. -
Circumambulation in Indian Pilgrimage: Meaning And
232 INTERNATIONAL JOURNAL OF SCIENTIFIC & ENGINEERING RESEARCH, VOLUME 12, ISSUE 1, JANUARY-2021 ISSN 2229-5518 Circumambulation in Indian pilgrimage: Meaning and manifestation Santosh Kumar Abstract— Our ancient literature is full of examples where pilgrimage became an immensely popular way of achieving spiritual aims while walking. In India, many communities have attached spiritual importance to particular places or to the place where people feel a spiritual awakening. Circumambulation (pradakshina) around that sacred place becomes the key point of prayer and offering. All these circumambulation spaces are associated with the shrines or sacred places referring to auspicious symbolism. In Indian tradition, circumambulation has been practice in multiple scales ranging from a deity or tree to sacred hill, river, and city. The spatial character of the path, route, and street, shift from an inside dwelling to outside in nature or city, depending upon the central symbolism. The experience of the space while walking through sacred space remodel people's mental and physical character. As a result, not only the sacred space but their design and physical characteristics can be both meaningful and valuable to the public. This research has been done by exploring in two stage to finalize the conclusion, In which First stage will involve a literature exploration of Hindu and Buddhist scripture to understand the meaning and significance of circumambulation and in second, will investigate the architectural manifestation of various element in circumambulatory which help to attain its meaning and true purpose. Index Terms— Pilgrimage, Circumambulation, Spatial, Sacred, Path, Hinduism, Temple architecture —————————— —————————— 1 Introduction Circumambulation ‘Pradakshinā’, According to Rig Vedic single light source falling upon central symbolism plays a verses1, 'Pra’ used as a prefix to the verb and takes on the vital role. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Architecture of Light of the Orthodox Temple
DOI: 10.4467/25438700ŚM.17.058.7679 MYROSLAV YATSIV* Architecture of Light of the Orthodox Temple Abstract Main tendencies, appropriateness and features of the embodiment of the architectural and theological essence of the light are defined in architecturally spatial organization of the Orthodox Church; the value of the natural and artificial light is set in forming of symbolic structure of sacral space and architectonics of the church building. Keywords: the Orthodox Church, sacral space, the light, architectonics, functions of the light, a system of illumination, principles of illumination 1. Introduction. The problem raising in such aspect it’s necessary to examine es- As the experience of new-built churches testifies, a process sence and value of the light in space of the of re-conceiving of national traditions and searches of com- Orthodox Church. bination of modern constructions and building technologies In religion and spiritual life of believing peo- last with the traditional architectonic forms of the church bu- ple the light is an important and meaningful ilding in modern church architecture of Ukraine. Some archi- symbol of combination in their imagination tects go by borrowing forms of the Old Russian church archi- of the celestial and earthly worlds. Through tecture, other consider it’s better to inherit the best traditions this it occupies a central place among reli- of wooden and stone churches of the Ukrainian baroque or gious characters which are used in the Saint- realize the ideas of church architecture of the beginning of ed Letter. From the first book of Old Testa- XX. In the east areas the volume-spatial composition of the ment, where the fact of creation of the light Russian “synod-empire” of the church style is renovated as by God is specified: “And God said: “Let it be the “national sign of church architecture” and interpreted as light!”(Genesis 1.3-4), to the last New Testa- the new “Ukrainian Renaissance” [1]. -
The Krishna Temple Complex, Hampi: an Exploration of Its Identity As a Medieval Temple in the Contemporary Context
THE KRISHNA TEMPLE COMPLEX, HAMPI: AN EXPLORATION OF ITS IDENTITY AS A MEDIEVAL TEMPLE IN THE CONTEMPORARY CONTEXT A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Ashima Krishna January, 2009 © 2009 Ashima Krishna ABSTRACT Hindu temples in India have been in abundance for centuries. However, many have lost their use over time. They lie vacant and unused on vast tracts of land across the Indian subcontinent, in a time when financial resources for the provision of amenities to serve the local community are hard to come by. In the case of Hampi, this strain is felt not only by the community inhabiting the area, but the tourism sector as well. Hampi’s immense significance as a unique Medieval-city in the Indian subcontinent has increased tourist influx into the region, and added pressure on authorities to provide for amenities and facilities that can sustain the tourism industry. The site comprises near-intact Medieval structures, ruins in stone and archaeologically sensitive open land, making provision of tourist facilities extremely difficult. This raises the possibility of reusing one of the abundant temple structures to cater to some of these needs, akin to the Virupaksha Temple Complex and the Hampi Bazaar. But can it be done? There is a significant absence of research on possibilities of reusing a Hindu Temple. A major reason for this gap in scholarship has been due to the nature of the religion of Hinduism and its adherents. Communal and political forces over time have consistently viewed all Hindu temples as cultural patrimony of the people, despite legal ownership resting with the Government of India. -
PPT 1 Land of Gods
TURE EN TO V UR D S A www.freedomriderss.com LAND OF GODS Best Time : March - April September to November RIDE.EXPLORE.ADVENTURE Explore the most beautiful rides in India, with Royal Enfield, which is just not a motorcycle it’s a history. Experience a motorcycle TRIP through the Mystic Himalayas with majestic Views and Breathtaking Scenery. Everything from adventure experience, to relaxing motorcycle holidays. Day 1 - Jim Corbett Riders will depart from Delhi in an AC Coach on a 4-6 hour drive to Jim Corbett National Park, One of the oldest Safari Parks in World, Residing on the Foothills of Himalayas This Park has some great Forest Views and superb Wildlife Around including Wild Elephants, Tigers, Rhinos and many other Himlayan Birds. After lunch we'll gather to inspect our Royal Enfield motorcycles, and head out on a casual ride through the surroundings of the National Park and Get Use to the Bikes. Day 2 - Jim Corbett to Kasar Devi 216 Kms - Riding Time 6 to 7 hours Ride through breath-taking landscapes of the Himalayan Region. Kasar Devi is Small Ancient Temple village located in Himalayas. It offers great views of snow capped peaks and Himalayan Forests. Spend a night in magnificent Retreat in the lap of Himalayas. Day 3 - Kasar Devi To Munsiyari 189 Kms - Riding Time 6 to 7 hours Ride to Munsiyari, a beautiful little village in the lap of Himalayas offering the great views of panchkula Ranges in Himalayas. This is practically the Last Village on the Indian Borders. Enjoy the Local traditons of Kumaon Ranges and Visit the Himalayan Hot Springs This is going to be the Highest Village We will visit on our Ride, Its located at height of 2300 metres in Himalayan Region. -
The Case Study of Kandaria Mahadev Temple, Khajuraho & Ashapuri Temples of India
International Research Journal of Architecture and Planning Vol. 4(2), pp. 089-096, August, 2019. © www.premierpublishers.org. ISSN: 1530-9931 Research Article The Proportioning System of the Mandapas as a Tool for Analyzing Indian Temple Architecture: The Case Study of Kandaria Mahadev Temple, Khajuraho & Ashapuri Temples of India Ragima N Ramachandran University of Nagpur Email: [email protected] Proportion and measurements have been the guiding tools for the construction of Indian temples from the 5th century AD onwards to till date. Through-out the history, Proportion dominated as a tool, which determined the monuments spatial arrangements as well as their forms. The ancient texts, therefore, insist on a high degree of precision in their measurements. The standard text Mayamata mentions – “Only if the temple is constructed correctly according to a mathematical system, can it be expected to function in harmony with the universe. Only if the measurement of the temple is in every way perfect, there will be perfection in the universe as well.” In this paper, Mandapas in Indian temples are studied with respect to various parameters like expression, function, proportion, orientation, chronology, etc. This study analyzes the proportion of mandapa in the Indian temple architecture, especially focusing on Nagara style. The evolution of Mandapa and other parameters are discussed in general. These factors are studied with respect to a selected sample. Temples ascribed to the time period between 8th C AD to 15th C AD are taken for the study, as Mandapas were added proportionately from 8th C AD onwards. This comprises the literature part, and is depicted through drawings and diagrams.