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2009 Sundance Film Festival Announces Films in Competition
Media Contacts: For Immediate Release Brooks Addicott, 435.658.3456 December 3, 2008 [email protected] Amy McGee, 310.492.2333 [email protected] 2009 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Festival Celebrates 25 Years of Independent Filmmaking and Cinematic Storytelling Park City, UT—Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 25th Sundance Film Festival. In addition to the four Competition categories, the Festival presents films in five out-of-competition sections to be announced tomorrow. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. "This year's films are not narrowly defined. Instead we have a blurring of genres, a crossing of boundaries: geographic, generational, socio-economic and the like," said Geoffrey Gilmore, Director, Sundance Film Festival. "The result is both an exhilarating and emotive Festival in which traditional mythologies are suspended, discoveries are made, and creative storytelling is embraced." "Audiences may be surprised by how much emotion this year's films evoke," said John Cooper, Director of Programming, Sundance Film Festival. "We are seeing the next evolution of the independent film movement where films focus on storytelling with a sense of connection and purpose." For the 2009 Sundance Film Festival, 118 feature-length films were selected including 88 world premieres, 18 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
'Absent and Yet Somehow Present': Idealized Landscapes and The
‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing Lehner, S. (2017). ‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing. Review of Irish Studies in Europe, 1. http://www.imageandnarrative.be/index.php/rise/article/view/1438/1168 Published in: Review of Irish Studies in Europe Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:30. Sep. 2021 ‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing Stefanie Lehner This article explores how three artists are responding to the idealized landscape that is contemporary Northern Ireland. I argue that the rural/urban dichotomy which implicitly or explicitly forms a point of departure in the photographic collections of David Farrell’s Innocent Landscapes (2001) and John Duncan’s Trees from Germany (2003) is also evident in David Park’s 2008 novel, The Truth Commissioner, offering a new lens to explore the play of absences and presences that constitute the peace process. -
2016 Film Festival Programme
TAKE THE FORM OF COMMODITIES, VANISHES THEREFORE, SO SOON AS WE COME TO OTHER FORMS OF PRODUCTION THE FORM OF COMMODITIES, VANISHES TAKE SURROUNDS THE PRODUCTS OF LABOUR AS LONG THEY OF COMMODITIES, ALL THE MAGIC AND NECROMANCY THAT THE WHOLE MYSTERY k k belfast Belfast Film Festival film festival 14th-23rd April 2016 16 OUR FUNDERS ACCOMMODATION OFFICIAL MEDIA PARTNER PARTNERS OFFICIAL DRINKS SPONSOR VENUE PARTNERS INTRODUCTION The 16th Belfast Film Festival like any self-loathing teenager – has attitude! It is packed with premieres, guests, documentaries, shorts and much more. This year we present our biggest programme ever, with more than 133 films and events from 30 countries around the world. We welcome as our special guest, a man who is arguably the greatest living British filmmaker, Terence Davies. Belfast Film Festival is delighted to be honouring Terence with our Outstanding Contribution to Cinema award. Programme highlights include Stephen Frears’ hilarious new feature starring Hugh Grant with Meryl Streep as ‘Florence Foster Jenkins’; the Oscar-nominated must-see Turkish film ‘Mustang’; a 6 hour marathon watch with ‘Arabian Nights’, the mastery of Alan Clarke; the brilliant Icelandic tale ‘Virgin Mountain’, and the 2016 Oscar Winner Son of Saul. We have an exciting celebration of the artistry of sound in film in partnership with SARC; films on 1916; discussions; music; fancy dress; film installations, and a plethora of new talent in our short film and NI Independents sections; And perhaps most exciting of all we have a programme of new film showcasing more female directors than ever before. Michele Devlin. -
Narrating Northern Ireland 2013 Dr
Dr. Phil Metres, Office: OC219 Phone: 216-397-4528 [email protected] PJHR 375/51 Peace-Building and Conflict Transformation: Narrating Northern Ireland 2013 Dr. Philip Metres, professor of record Dr. Richard Clark, Peace, Justice and Human Rights Director Dr. John Spencer, Theology and Religious Studies Course Description and Goals: This course is designed to explore the dynamics of conflict and peacemaking at work in Northern Ireland. We will examine the historical and cultural roots of conflict from a multidisciplinary approach by reading histories, cultural studies, literary narratives, and film. While we will estab- lish a background for how and why these conflicts persisted, we will focus on gaining skills nec- essary to do the courageous but difficult work of peace-building, conflict transformation, recon- ciliation, and social restoration. We take as our inspiration the call for a well-educated solidarity, in which we pose the question, “How can we live together in this time and place?” The goals of the course will include interdisciplinary analysis of subjects, critical thinking, experiential learning, problem solving, active learning, and articulation of ideas and concepts. Our in-class sessions at John Carroll will be run as a seminar, which means that a critical portion of the class will be provided by student-focused contributions. As a result, it is exceedingly important that you prepare for each class, complete the appropriate readings, and reflect on those readings before class begins. Please bring all reading materials to every class. We will take advantage of our presence in Northern Ireland in two ways. We will frequently call upon local officials and experts to speak to the class. -
Reconciliation and the Politics of Friendship in Post-Troubles Literature
Chapter 2 - Nation: Reconciliation and the Politics of Friendship in Post-Troubles Literature Lehner, S. (2020). Chapter 2 - Nation: Reconciliation and the Politics of Friendship in Post-Troubles Literature. In P. Reynolds (Ed.), The New Irish Studies: Twenty-First Century Critical Revisions (pp. 47-62). Cambridge University Press. Published in: The New Irish Studies: Twenty-First Century Critical Revisions Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2020 Cambridge University Press. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:01. Oct. 2021 1 Reconciliation and the Politics of Friendship in post-Troubles Literature Stefanie Lehner Jan Carson’s title story from her collection Children’s Children (2016) envisages a necessitated union between the last young inhabitants from an island’s split northern and southern sides: They were leftover children … married for the good of the island, both northern and southern sides. -
Northern Ireland
Communications Market Report: Northern Ireland Research Document Publication date: 19 August 2010 Introduction This is Ofcom’s fifth annual review of communications markets in Northern Ireland. The report offers a detailed overview of Northern Ireland’s communications services, compares their take-up and use within different parts of Northern Ireland, and explores the contrasts with other UK nations. The story of Northern Ireland’s communications market in 2009 begins with relatively high levels of take-up of a range of communications services. Nearly nine in ten people (88%) claimed to have a mobile handset in Q1 2010 – putting Northern Ireland on a par with the UK average. 2G mobile signal covers 89% of the population of Northern Ireland (the UK figure is 97%). Higher-speed 3G mobile, which is available to 91% of the UK population, covers 40% of people in Northern Ireland. 70% claim to have broadband in Northern Ireland, up by six percentage points in a year and close to the UK average (71%). Cable broadband is available to 30% of homes in Northern Ireland, compared to the UK-wide figure of 48%. And 100% of fixed exchanges are capable of supporting broadband. But we know that even then, the fixed broadband speeds experienced by consumers depend on a variety of factors. These include the length of the line from the exchange to a customer’s premises, and the number of people connected to a single exchange that are logged on to the internet concurrently. As competition between communications providers intensifies, a growing proportion of homes are taking services in bundles of two or more. -
To Change the Script. Alan Mcbride, Gerry
philip metres To Change the Script Alan McBride, Gerry Adams, and Five Minutes of Heaven here are two northern irelands, ” Alan McBride “Tsays, after we’ve settled into our seats in the main room at the WAVE Trauma Centre, welcomed with the customary tea and cookies. Recently, he says, at an event for visiting business leaders, he sat through a fantastical promotional video of Northern Ireland. It featured a sunny Northern Ireland (they must have filmed on the one sunny day that year), horses running along a beautiful beach, a scene from the gorgeous Crown Bar, testimonies from Rory McIlroy and other white-toothed celebrities, and dazzling drone-height images of the Titanic Centre. As the lights went up after the video, he turned to someone and joked, “I would love to go there on holiday.” But there’s another Northern Ireland, and that’s why we’re here to talk with McBride. We’ve come from our university in the United States to study the country’s long road to peace, one that began in the midst of the Troubles, that thirty-year period of civil strife, terrorism, revolutionary violence, and sectarianism that led to the deaths of 4,000 people and hundreds of thousands of victims. McBride is one of them — or was a victim. Can one stop being a victim? He’s dressed in a maroon pullover and blue oxford shirt, his sandy blond hair ceding to gray, blue-green eyes a bit tired behind thick brown glasses, a light beard around his jaw. Mostly, he passes as a well-adjusted denizen of the inter- national middle class. -
IRISH FILM and TELEVISION ‐ 2009 the Year in Review Tony Tracy (Ed.)
Estudios Irlandeses, Number 5, 2010, pp. 203-255 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION ‐ 2009 The Year in Review Tony Tracy (ed.) Irish Film and Television Review 2009. Introduction Tony Tracy ..............................................................................................................................204 Myth and Murder in The Daisy Chain Zélie Asava ..............................................................................................................................209 Troubles Cinema: Five Minutes of Heaven & Fifty Dead Men Walking Ruth Barton .............................................................................................................................213 “Looking at the Stars”: TV3 adapts Lady Windermere’s Fan Liam Burke.............................................................................................................................216 Masks and Faces: Identities Dennis Condon .....................................................................................................................220 Being Digital – Irish cinema and digital production Roddy Flynn ............................................................................................................................223 The Yellow Bittern Robert Furze ............................................................................................................................228 Donal Donnelly: An Appreciation Michael Patrick Gillespie -
From Rage to Reconciliation
From rage to reconciliation The portrayal of Northern Ireland’s Troubles in Oliver Hirschbiegel’s Five Minutes of Heaven Valtteri Väyrynen Bachelor’s seminar and thesis (682285A) English Philology Faculty of Humanities University of Oulu 14 December 2016 Abstract/Abstrakti This study examines the portrayal of Northern Ireland’s Troubles in the 2008 docudrama film Five Minutes of Heaven by Oliver Hirschbiegel. The study’s goals were to determine if the film manifests any kind of bias against Northern Ireland’s Catholics/republicans or Protestants/loyalists, and how the film relates to earlier Troubles films and their conventions. The film was analysed on the levels of content and style, with focus being divided mainly between the film’s main characters and its use of documentary film techniques. Scholarly literature dealing with earlier Troubles cinema was consulted for the purpose of comparing the film to its predecessors. The study’s findings suggest that Five Minutes of Heaven portrays the Troubles with exceptional neutrality and authenticity. Tässä tutkielmassa tarkastellaan, kuinka Pohjois-Irlannin konflikti on esitetty Oliver Hirschbiegelin vuoden 2008 dokudraamaelokuvassa Five Minutes of Heaven. Tutkielmassa selvitetään, onko elokuvassa nähtävissä puolueellisuutta Pohjois-Irlannin katolilaisia/republikaaneja tai protestantteja/lojalisteja vastaan, sekä lisäksi arvioidaan elokuvan suhdetta aiempiin konfliktista kertoviin elokuviin ja niiden konventioihin. Elokuvaa on tutkielmassa analysoitu sekä sisällön että tyylin kannalta keskittyen -
University of Belgrade Faculty of Political Sciences Regional Master's Programme in Peace Studies Identity Politics in Western
University of Belgrade Faculty of Political Sciences Regional Master’s Programme in Peace Studies Identity politics in Western film: between cultural narrative and cinematic hegemony Academic Supervisor: Student: Siniša Atlagić Anlan Cheney Index no. 11/2015 Nebraska, 2018 1 Contents Abbreviations……………….………………………………………….………………….3 Tables and figures…………….………………………………………..………………….3 Introduction……………………………………………………………………………….4 Problem and Purpose Limitations Work aims and structure 1. Theoretical Framework………………………………………………………….…….8 Literature Review 2. Methodology and Research Design…………………………………………………….19 2.1 — Objectives and Hypothesis 2.2 — Methodology: Formal Film Analysis 2.3 — Research Design: Semiotic Analysis 2.4 — Data Set: Units of Analysis 3. Constructive Analysis……………………………………………………………….……32 3.1 — “The Troubles” in Northern Ireland 3.2 — “Apartheid” in South Africa 3.3 — Summary of Findings: Convention and Identity Politics in Western Film Conclusion ………………………………………………………………………………….65 Bibliography ………………………….…………………………………………………….67 3 ABBREVIATIONS African National Congress (ANC) British Academy of Film and Television Arts (BAFTA) British Film Institute (BFI) British Independent Film Association (BIFA) International Movie Database (IMDB) Irish Republican Army (IRA) Member of Parliament (MP) Pan-Africanist Congress (PAC) Screen Actors Guild (SAG) South African Broadcasting Association (SABA) South African Communist Party (SACP) Ulster Volunteer Force (UVF) United Kingdom (UK) United States of America (USA) TABLES AND FIGURES Figure -
FIVE MINUTES of HEAVEN UK, 2009, Oliver Hirschbiegil
FIVE MINUTES OF HEAVEN UK, 2009, Oliver Hirschbiegil A film well worth seeing and reflecting on. We are taken into Northern Ireland and the Troubles of the 1970s. What begins like an ordinary day for a teenager turns into a symbolic day of bigotry and violence as he takes a gun, meets up with friends, takes orders from the paramilitary officers, is eager to shoot anyone associated with Catholics or the IRA – and does so in cold blood in front of the victim's young brother. We have glimpsed the victim's family and the little boy innocently in the street kicking his football. The murder has long-term disastrous consequences for the boy, his mother blaming him for not stopping his brother's death and his continued feelings of anxiety and guilt. This is important because most of this brief film takes place in the present. A television channel has persuaded both of them to meet on air. The killer has served time and is now a respectable documentary maker. He is played with quiet intensity by Liam Neeson. The grown-up boy is a bundle of nerves, fidgety, distracted, changing and re-changing his mind. He is played by James Nesbitt at his best. While a lot of the time is spent at the house where the two are to meet and the discussions between producers, minders, make-up artists, camera operators (who bungle walks down stairs which have to be re-shot), the focus is on the two men. The killer knows reconciliation might be too difficult.