The EGGER Group Customer Magazine www.egger.com 02

Adapting to Change

The future has radical changes in store. Companies must respond to this change and yet remain true to themselves. It helps to understand the nature of new trends and how they emerge. New trends take shape and demand decisions: Should we stick to the tried Contents and tested or invest in the new?

03 Editorial

10 E_InspirAtion

11 Ideas for Tomorrow

12 Focus: Adapting to Change Reinventing the New Walter Schiegl (Production/Technology), 15 A Question of the Right Timing Ulrich Bühler (Marketing/Sales) and Thomas Leissing (Finances/Administration/Logistics) 16 A Conversation with EGGER Group Management Andrej Kupetz

18 The Company Hunger: Not to be taken lightly In 2050, will be the world’s largest He did so in the knowledge that certain changes 19 The Company Lemet: economy, followed by the US and , had to come and he was fully conscious of Consistency in Change according to a study published in 2011 by the the importance of wood as a resource. Just investment bank HSBC entitled “The World in the like the current generation, Fritz and Michael Year 2050”. By then, transition nations such as Egger, who have built up their father’s plant 20 E_solutionS Brazil, Mexico, and will have caught up into an international enterprise employing 21 The EGGER Team with the world’s ten most important economies, 6,800 people. To this day, leading the way 22 The Company Roma: sending some European economies sliding in innovations in processing and refining wood- Bridges & Edges down the rankings. Change is also reflected by based materials, from decor to finished parts, 28 Beauty Sleep: technology and design. New trends take shape while focussing on the benefits to the customer, Marriott opted for Eurolight Boards and demand decisions: should we stick to the remains a decisive factor in EGGER’s ongoing with matching Decor by EGGER tried and tested or invest in innovation? This success. is why this edition of MORE is paying special 32 E_Nature attention to the topic of change. At this juncture we would also like to express

33 Sustainable Living our thanks for the overwhelming feedback we A good decision in a rapidly changing world received about our first edition in December 34 A Conversation with … Udo Mantau takes intelligence, gut feeling and courage. It’s a 2011. Much of it was praise and we were also topic close to our hearts, since EGGER’S success happy to take on board critical suggestions. 38 Certified Growth: FSC and PEFC is largely thanks to the efforts of its founder, We hope that MORE 02 will inspire you and Fritz Egger Senior, who closed the old family saw give you a better idea of our perspective on 42 Going Regional: Why successful Furniture mill in 1961, banking on what was an entirely things. On behalf of the EGGER team, we wish Design looks natural new technology at the time: chipboard. you an enjoyable and engrossing read.

46 Five Things about Lignin

48 Tree-Huggers’ Corner The Picture Puzzle for Connoisseurs

49 Imprint InCreAsed CApACItY

Demand for laminate materials is growing. EGGER has responded. Management at the plant in Gifhorn (Photograph: Monika Wiora and Elmar Hagspiel) had a new, continual lamination press con- structed according to their specifications by the company Hymmen. The press will increase capacity for CPL laminate production by about 20 per cent. Annual production will rise by 4.5 million m² to over 27 million m². GIANT MAN!MADE TREES

They can be clearly seen from the airplane as it approaches the landing strip: Singapore’s 18 new giant trees. The “Super Tree Groves” belong to the “Gardens by the Bay”. This 54-hectare botanical park was formally opened in June 2012. The trees don’t just emulate the shape of their natural counterparts, they also perform similar functions: channelling fresh air to the ventilation shafts of the greenhouses. They also collect water: not through their roots, but by storing rainwater. And eleven of them use the light of the sun: not for photosynthesis, but for conversion into electricity through solar panels. A boldly curved bridge connects these giant steel plants and provides stunning views of the park, bay and island state. The government is investing a billion dollars to transform the metropolis into a garden city. Two further projects similar to the “Gardens” are in the pipeline, to provide the people of Singapore with more green oases. www.gardensbythebay.com.sg ESPIONAGE AT THE ZOOM EVENT

Right on time for the start of spring 2012, EGGER presented its new Zoom collection. Twelve colour ranges allow decors, edging and coreboards to be combined to create modern interiors. Our partners had the opportunity to use the SpyTank to explore these decor worlds. The mobile spies use their on-board cameras to radio information about the racing track, made up of new colours and surfaces from the collection, back to their drivers who were able to follow proceedings on their iPad touch screens. The Zoom collection is part of the Virtual Design Studio (VDS), with which users can try out more than 200 decors in room settings on their computer screens. www.egger.com/zoom CHAMBER MUSIC

What does architecture sound like? Jean Nouvel has provided answers to this question. His concert halls in Lucerne and Copenhagen are temples of both music and contemporary architecture. But how does one go about creating the perfect sound for a large audience? Before construction work began on the new Philharmonic concert hall in Paris, designed by Atelier Jean Nouvel (opening scheduled for 2013), architect Brigitte Métra had a model built with MDF – the wood-based material whose neutral sound characteristics make it ideal for building high-fi delity loudspeakers. In collaboration with the acoustic engineers Harold Marshall and Yasuhisa Toyota, the architect can now use her model to get a miniature impression of what major symphonies will sound like in the future. www.philharmoniedeparis.com E _ INSPIRATION

Ideas for Tomorrow

THAT BIBLICAL FEELING www.ro-ad.org

It parts the water as Moses once did at Red Sea: the pedestrian bridge “Moses”, _ INSPIRATION which crosses the moat of a Dutch fort from the 17th century. From a distance, the E bridge, designed by ro&aD, literally disappears, seen from up close the wooden channel splits the waters. The bridge is made of Accoya wood, an acid-treated high-tech wood that is harder and more durable than tropical hardwood. “Good product design is the result of a creative process aimed at the needs of the future user.”

Andrej Kupetz, Design Expert CORKER www.welsky.net Interview “Good design is user-oriented” (Pages !" to !#)

This stool has a screw loose. For a practical reason: its height can be adjusted simply by turning the body. The SCRW stool by the designer Manuel Welsky is composed of just two parts: a steel pipe shaped like a screw thread and a solid cork cylin- der. The cork’s properties make the stool light and comfort- able and its low thermal conductivity keep it at the perfect temperature – just like a good bottle of wine.

SOMETHING OLD, SOMETHING NEW www.mecanoo.nl

“The sea giveth and the sea taketh away”, is an old saying on the Dutch island of Texel, which recently opened a new “Museum of Seafarers and Beachcombers”. In keeping with the island’s tradition of recycling, the company Mecanoo made the facade out of glass and driftwood cut to size by the local cabinet maker. The design of the roof was infl uenced by the traditional gables of the nearby fi shermen’s houses.

!! FOCUS ADAPTING TO CHANGE E _ INSPIRATION

! FOCUS: ADAPTING TO CHANGE Reinventing the New "

Nothing is more constant than change. At the same time, people yearn for continuity. In this report the phenomenon of trends and the relationship between

change and continuity is examined.

!" Clemens Niedenthal

! Coff ee Culture !%#$. " Coff ee Culture "$!".

“History doesn’t repeat itself”, Mark It says a lot about Apple’s philosophy Twain is quoted as saying, “but it does that the Braun design was so well- rhyme.” Perhaps the American gold- known and, indeed, worshipped by the digger, steamboat captain, best-selling computer developers. In every other author, journalist and publisher is regard, the iPod represents a radical the perfect model for refl ecting on the break with the traditional technologies nature of trends and change. His motley career, of the kind that is becoming increasingly common in the modern world, refl ects the fact that Twain had “ No society can prosper if it does not accept no fear of change. dynamics and change. ” So history rhymes. The pairs of objects Peter Schwartz, American futurologist illustrated on the following pages TOPIC OVERVIEW tell the same story. Here, we have the 13—15 Reinventing the New Porsche 911, an icon of engineering art which has been continually developed of listening, not seen since the inven- 15 A Question of the Right Timing for nearly half a century, without sacri- tion of the gramophone. We also have fi cing its distinctive silhouette. Always the classic sneaker, whose shape has 16 —17 Interview with Design Expert Andrej Kupetz up to date, yet always true to itself. hardly changed in the last forty years, 18 On the Right Track 1: the Hunger company Then, we have Apple’s fi rst iPod, whose although it has has gone from the cin- design was deliberately intended to pay der track to the dance fl oor and from the 19 On the Right Track 2: the Lemet company tribute to the Braun T3 transistor radio. tennis court to the business meeting. Left #$-watt bulb, clear, !%"$s The radio was designed in 1958 by the Things change in terms of their technol- Right LED bulb with E!& Edison leading product designer of post-war ogy and production, their aesthetics screw fi tting. modernity: Dieter Rams. and how they are used and consumed.

#$ E _ INSPIRATION FOCUS ADAPTING TO CHANGE FOCUS ADAPTING TO CHANGE E _ INSPIRATION

! ( )

" & # GOOD BUSINESS PRACTICE

A QUESTION OF THE RIGHT TIMING

Practical examples show that always being the fi rst is not enough. Successful trend-setters must also be able to wait. For example, the digital camera is part of everyday life but hardly anyone knows ! Sneaker, "$!!. " Adidas retro who was the fi rst to make one. It operated with an audio cassette sneaker, "$!!. ( Braun T( transistor and !# Mignon batteries, had $.$! megapixels and an exposure radio, designed in !%)+. time of "( seconds. The (.#-kilogramme device was presented & Apple iPod, fi rst generation, in !%*) by the Kodak engineer Steve Sasson. It represents the launched on the market in "$$!. beginning of one of the biggest trends in consumer electronics, ) Porsche %!!, fi rst generation which would ultimately lead to the demise of the Kodak brand. Of model, !%#&. # Porsche %!!, contem- all companies, the inventor of the digital camera launched it on porary model, "$!!. the market too early – and then stuck with analogue technology for far too long.

But when is a market ready? According to the American consumer researchers Paco Underhill, the decisive factor can be the so- called “second movers”, those consumers whose collective size Companies must foresee or even create design is radically focussed on intui- ing multi-national giant in the 1990s. It involve continuing to do things the and individual purchasing power can help a product or entire the conditions for their products or busi- tive operation – and on the marketing redefi ned its identity, turning sporting same way. product segment make its breakthrough. The electric car is a good ness areas to expand and increase in message that computers are fun. A equipment into lifestyle accessories. It contemporary example: an avant-garde manufacturer (the Califor- value. And that’s a good thing. For “no further selling point was a new sensual no longer matters whether you wear the “The vanity of the present” is how the nian brand Tesla) manufactures exclusive E-cars for avant garde society can prosper if it does not accept quality: swiping the touch screens of latest sneakers to go jogging or to go futurologist Matthias Horx describes consumers (for example, the actor Brad Pitt). Today, one thing is dynamics and change”, as Twain’s com- the iPhone, iPod and iPad. shopping. the inability, especially of successful already clear: the fi rst aff ordable, mass-produced E-car won’t be patriot, the futurologist Peter Schwartz, companies, to acknowledge the chang- made by Tesla. Brands such as Toyota or VW will be ready when the puts it. It is believed that company founder Change is good. But do people not ing nature of markets and consumers herd mentality of consumers – consumer psychologists speak of Steve Jobs regarded computers as a cul- yearn for consistency and authentic- and to depart from their own successful “contagion theory” – spreads to E-mobility. The success of the iPad is based tural technology, as part of a lifestyle. ity in this modern age? Starbucks, strategy. Success, according to Horx, not on the invention of the To meet this demand, Apple became the the epitome of globalised coff ee-to-go can make people blinkered. Starbucks, tablet computer, but on its user- fi rst computer manufacturer to produce culture, opened branches in Seattle and however, dismantled the strategy of a friendliness. a mass-produced consumer brand. The San Francisco that look like traditional uniform global design at certain points, play on words of the “iFamily” devel- cafés from a bygone era, with their dark although it was still yielding success. Success stories often begin with the oped its own dynamic, enhancing the wooden chairs and plush sofas. In an In other words, companies that set breaking of taboos. Apple committed products’ cult status. Infl uenced and ad- increasingly accelerated and virtualised trends or successfully take part in them one of the most prominent breaches: vised by the German designer Hartmut world, these little oases of familiarity are characterised by the conscious- there is only one button on the iPad – Esslinger, Jobs the visionary and perfec- take on a new signifi cance. The need to ness, confi dence and determination of a radical simplifi cation that made the tionist applied the best-known rule of slow down, enjoy slow food, the need their decisions. Especially at a point tablet computer one of the most suc- modern design: form follows function for a homeliness is expressed in comfy when their own success can give the cessful products of our time. Yet Apple – from the planning and logistics to the cushions. A return to the lifestyle of impression that no further decisions are did not invent the tablet, it merely marketing of the new product. older generations, yet a modern and required. touched a nerve with consumers at the global trend. right time: a mobile, easily understood And it was a new way of looking at terminal that could perform all the an old product that helped Adidas go Decisions should be taken essential functions of a computer. The from crisis-ridden company to boom- consciously, especially when they

#& #% E _ INSPIRATION FOCUS ADAPTING TO CHANGE FOCUS ADAPTING TO CHANGE E _ INSPIRATION

Andrej Kupetz: Good product design is trend to another, quite simply a res- scarcer resources. The designer’s duty the result of a creative process aimed at ponse to an accelerated era? is to increase the social acceptability of the needs of the future user. And nowa- Andrej Kupetz: That’s an interesting lightweight materials through attractive days, the user could be anywhere in the question. In the industrial age, the applications. Many people still think: whole world – that makes global think- pace was definitely quicker. Back then, lightweight equals poor quality. ing unavoidable. On the other hand, people worked a good deal more than design classics are a result of their we do today. But what little leisure own unique characteristics, their own time they were left with was defined by authenticity, of the desire to achieve the rituals and habits. There was a clear “ I can make out a trend towards light best possible solution – and these are and well-defined separation of work materials, which, at the same time, have “Good design is very personal, often regional ideas and and free time. This is no longer the requirements. case. Fewer and fewer men wear ties to extremely stable attributes. This trend work, they look more like people on a MORE: You mentioned authenticity – weekend break or on their way to the towards lightness is first and foremost a is that why retro design is so popular? gym. At the same time, these men are user-friendly” Andrej Kupetz: I regard these develop- not capable of detaching themselves response to ever scarcer resources.” ments more as respect for of tradition: fully from the net when they leave the Andrej Kupetz the more digitised our living environ- office. In reality, this phenomenon of a People want things that last. At the same time, they ment becomes, the more attractive fast life style is a result of the blurred things from the mechanical age appear. distinction between work and leisure also want them to be fashionable. We talk with the People are looking for values beneath and our inability to acknowledge that MORE: So you are appealing for the user surface, things which do not we won’t miss anything by not follow- design to be taken more seriously in designer Andrej Kupetz about well-designed products behave like their new iPhones do. This ing this trend. terms of its social effect and signi- trend definitely reflects creative energy: ficance ... and their commercial added value. the avant garde of design is currently MORE: This is also a central question Andrej Kupetz: ... because I believe experimenting with traditional mate- for companies: do we have to follow with all my heart in its social relevance. !"#$%&!$' () Clemens Niedenthal rials and hand-craft techniques, with every trend? Should we take it so far Holistic design is the result of living astonishing results. as to sacrifice a successfully estab- both corporate culture and social re- lished product? sponsibility with the goal of improving MORE: A very basic question: How Andrej Kupetz: It is quite simple and at people’s quality of life in a sustainable does industrial design work? What is the same time, very complicated. You manner. design? can only build up a brand image by Andrej Kupetz: If we consider the remaining true to yourself, by maintain- large majority of tasks that industry ing characteristics which the customer requires of designers, it all boils down attributes to you and only you. Audi, for to product differentiation – a marketing example, is the only automotive brand requirement, a surface requirement. which consistently follows the school Andrej Kupetz grew up with good de- of corporate design. Each model speaks sign. His father Günter Kupetz designed MORE: But your idea of design quite the clearly formulated language of the the “Pearl bottle”, a returnable bottle literally goes deeper than that. brand. With impressive commercial for mineral water which has been a Andrej Kupetz: Probably the first success. But the old truism is equally familiar sight in almost every German designer of all, Michael Thonet, was a valid: only by changing can you remain fridge since the 1970s. His son, An- carpenter, an entrepreneur and some- true to yourself. That means you must drej, is also professionally devoted to one who changed the world. He saw find a way to integrate technical, social, exquisite forms: as general manager of no contradiction or difference between cultural change into your own portfolio the German Design Council he annually design and innovation. His aim was to in a manner that comes to be regarded adjudicates the German Design Award. industrialise chair and as your own independent approach. PORTRAIT Last year, one of the award-winners he looked for suitable processes and, was EGGER’S Virtual Design Studio. We at the same time, aesthetic expression. MORE: Today, Thonet’s bistro chair is ANDREJ KUPETZ spoke with the well respected Kupetz He was no market researcher but his a classic. In 1852 the design he chose Born in !"#$, he has been general manager of the about creative processes, sustainable no. 14 bistro chair was possibly the for industrial production was radi- German Design Council in Frankfurt. He studied in- development strategies and the never- world’s first international best-seller. It cally modern. Can you name some of dustrial design, philosophy and product marketing ending search for the new. has been produced for more than 160 today’s radically modern, innovative in Berlin, London and Paris. From !""%, he worked years using the same techniques. Need developments? for Deutsche Bahn AG, where he was responsible I say more about the durability of good Andrej Kupetz: I can make out a trend MORE: The first design classics of for brand management and the implementation of design? towards light materials, which, at the the 21st century – the iPod and the a new corporate identity. Andrej Kupetz is married same time, have extremely stable at- iPhone – have become global icons. with three sons. Is it not the case that designers and MORE: Is our fast life-style, the rapid tributes. This trend towards lightness companies must think globally? change from one fashion or design is first and foremost a response to ever

*, *+ E _ INSPIRATION FOCUS ADAPTING TO CHANGE FOCUS ADAPTING TO CHANGE E _ INSPIRATION Not to be taken lightly

Oliver Hunger sees the future of furniture manufacturing in light-weight materials – but he feels that there is a lack of enthusiasm for them.

!" Clemens Niedenthal

Oliver Hunger is only too familiar with Westphalia aims to make the rational gut decisions. For example, when he advantages of lightweight manufactur- The Lemet factory is located in the lush green hinterland of the city of Campina, whose prosperity is based on its oil reserves. gets excited about a new car: “Why ing emotionally tangible, for example, do I buy something new? Because it with “electrified” furniture: “If all I have awakens my emotions.” He is also to do to charge my smart phone is to familiar with rational decisions. For place it on a shelf – that’s cool technol- example, as an entrepreneur, when ogy that gets people excited.” Hunger Consistency in Change he invests in the future of his firm, an conceals the cables in the cavities of the innovative furniture manufacturer. Eurolight boards. The same goes for the It’s a mixture of common sense and The Romanian family-run company Lemet manufactures modular furniture. For over twenty relishing a challenge, like when EGGER approached him with the idea of the years, it has been a master of change – while remaining true to its principles. lightweight board Eurolight. “Light- “ If a car is very light, it’s justifi- weight manufacturing spares resources !" Kirsten Niemann and, because of its constructive charac- ably celebrated as high-tech. teristics, is genuinely innovative. In a That’s not the case with word, I believed in lightweight manu- facturing.” In 2007, Hunger bought an furniture manufacturing. ” In July 2011, the Romanian entrepre- sive furniture at a time when con- more than a 100 franchised Lem Stores edging machine for sandwich boards neur Alexandru Rizea had people sumers had very little money at their throughout the country sell Lemet fur- with honeycomb core – the first to hit Oliver Hunger, Manager of Hunger Furniture Manufacturing shaking and scratching their heads disposal. niture. They are similar to IKEA in terms the German market. when he said: if someone approached of concept and popularity: modular him with “a sack containing 50 mil- That was right at the time. Today, how- furniture that can be combined indi- Oliver Hunger believes in lightweight little electric motor that powers the slid- lion euros”, he still would not sell ever, Lemet is continually improving vidually and taken away immediately in manufacturing. He also believes that ing doors – which are four times lighter his company Lemet for that price. the quality of its products to attract new flat packs. But despite all the changes, it makes sense to produce components than their conventional equivalents. It’s The previous year, Lemet had sold customer groups. “Constant change is Lemnet remains true to its basic prin- with a minimum of raw material. Yet with ideas like this that Oliver Hunger 34 million euros-worth of furniture. essential for survival”, says his son, ciples. Because: “Without consistency, lightweight manufacturing still ac- awakens emotions and connects with Many of his compatriots would have counts for just 15 per cent of his sales. the consumer. Because consumers – just decided otherwise, given that the The problem: “The furniture market in like himself – are inclined to make gut Romanian economy had been in is largely price-oriented. The decisions. crisis since 2008. But it is at times like “ Change is essential for survival. storm damage caused by hurricane Ky- this that Lemet seizes the opportunity rill brought down the price of wood and www.hunger-moebel.de The furniture factory in to adapt to new market conditions. But without consistency, you the price of wood-based materials also Bünde covers an area That is the company philosophy. cannot win over the consumer’s fell immediately.” The prevailing opin- of !,"## m². ion is that lightweight materials should Twenty years earlier, the technician faith in the brand. “ be, above all, cheap. That annoys him: Rizea was staring into the abyss. The “If a car is very light, it’s justifiably revolution of 1989 meant everything Adrian Rizea, Director of Lemet’s Marketing Department celebrated as high-tech. In furniture was starting from scratch and his job construction, on the other hand, heavy as a company director in the town of is still associated with quality.” Hunger Campina was about to get the chop. Adrian Rizea. He is due a large part of you cannot win over the consumer’s is somewhat envious of Holland or , Two years later, he produced his first the credit for Lemet’s success. In 1996, faith in the brand”, says Adrian Rizea. “where producers and consumers have 15 coffee tables in the hope of selling he introduced modern marketing to That also includes remaining a family- long since approached innovative mate- them to his friends. With a mixture the company, investing in a factory, run company. Selling it or going public rials with a more open mind.” of courage, organisational talent and machines and staff. But his biggest remain taboo. That’s why the entrepreneur from versatility, he got through the difficult coup was in 2005, when he opened the Bünde in the western German region of start-up phase. His concept: inexpen- company’s first furniture store. Today, www.lemet.ro

#% #$ E _ SOLUTIONS

The EGGER Team

THERESA WEILEI QIAN Sales, Shanghai (China)

EGGER has been active in the Chinese market since 1999. In 2009, the college graduate Theresa Weilei Qian took up a po- sition in administration and marketing in the sales offi ce in Shanghai. “It’s the beginning of my career”, says the young Chinese woman enthusiastically. One of the highlights for her so far: EGGER’s stand at Interzum Guangzhou trade fair. Not only does she provide simultaneous translations at inter- views and presentations for business partners, she also acts as a mediator between the cultures and marketing philoso- E _ SOLUTIONS phies of the two continents. And there’s one trump card that she is especially fond of playing: “Telling people that EGGER is a family-run company”, says Theresa, “that means a lot to “Acquiring Roma has put us in a the Chinese.” position to produce our own ABS and laminate edges to match the

Eurodekor range. We are the only ANDREY BALAKIREV Manager of the Wood Purchasing Department, Shuya () manufacturers of wood-based When Andrey Balakirev is asked about his line of work, all he says is: EGGER. The company is one of the most stable and reliable companies in the region materials who can do so.” of Ivanovo. Everybody knows EGGER, according to Balakirev, and admires the respect with which the company treats its business partners. The 47 year- old electrical engineer is manager of the wood purchasing department at the Walter Schiegl, Technology and Production Manager of the EGGER Group Shuya plant. The atmosphere in his department is good and 2011 was the most Of Bridges and Edges (Pages !! to !") successful year so far for the plant. In the rare event of diffi culties, he says, “all people have to do is approach management and we will solve the problem. That’s typical EGGER for me.”

DIDIER SOISSON Shift Manager, Rion des Landes ()

Didier Soisson was production shift manager at two other manufacturers before he came to EGGER in 1994. A trained electrician, he knows all about the ins and outs of his job. His responsibilities include managing fi ve teams and control- ling quality, capacities and safety. As safety commissioner, the latter is especially important to him: “Work can’t just be run-of-the-mill.” That includes things such as eating together with colleagues and celebrating each others birthday. For he knows that “good relations are essential to team spirit.”

!" The Fatih Sultan Mehmet Bridge in Istanbul connects E _ SOLUTIONS Europe with Asia. The motorway leads from the site of Roma Plastik‘s original workshop to the current factory.

By integrating the Turkish edging manufacturer into its Bridges & operations, EGGER is now in a position to offer a full range of edging. Decor and edging must match precisely. That also applies to cooperation between the two producers – across Edges all cultural boundaries. !" Till Schröder

Crisis? Change? The two young men according to the country portrait issued who founded Roma Plastik are experts by the information service Germany at managing both. It’s an essential Trade and Invest. “By the first quarter ability for anyone who wants to thrive of 2010, Turkey was able to achieve an in their native city, Istanbul. This me- economic growth rate of 11.7 per cent, tropolis on the Bosphorus, spanned by the second highest in the G20 after bridges connecting Asia with Europe, China.” has been through many crises in its long history, most recently in 2001. That Roma Plastik also emerged suc- “Economic activity fell by 70 per cent, cessfully from the crisis has a lot to do the value of our currency was halved with the level-headedness of its leader- and we had to cut our workforce from ship duo. When Lehman Brothers went 200 to 70 employees”, explains Ari bankrupt in 2008, Baler and Mazon Mazon. Today, he and his partner Aydin immediately grasped the seriousness of Robert Baler employ more than 550 the situation. First, they took measures people in the edging factory. to secure their liquidity. They reduced fixed costs and kept their employee In 2010, EGGER took a 71.5 per cent numbers flexible. Roma reacted quickly stake in the firm. “Roma and EGGER and resolutely, putting investments have the same genes”, explains Thomas on ice, taking the risk of initially los- Leissing, Director of Finances, Admin- ing market share. But when demand istration and Logistics for the EGGER suddenly began to rise again in spring Group: “The drive for success and 2009, the company had enough capital growth”. And it is this entrepreneurial to take on orders that other companies mentality that forms the bridge between on the market were unable to cope with. Tyrol and Turkey. “We share the same The falling price of oil also played into values, business ethics and entrepre- the edging manufacturer’s hand. neurial philosophy as EGGER”, says Ari Mazon. It is a meeting of entrepreneurs 1996: the beginnings of Roma Plastik who are unanimous in their goals, deci- in a small, central workshop in siveness and mutual respect. Istanbul.

When the two companies began talks, What is now the third-largest edg- another crisis had just been success- ing manufacturer in the world, with fully mastered: in 2009, the Turkish customers in more than 50 countries, economy recovered swiftly from the eco- began in 1996 in a small workshop in nomic crisis. The country had learned an industrial park in Istanbul. “The its lessons from 2001 and reformed the curve did not always point upwards”, banking system. The “relatively stable says Robert Baler, drawing a zig-zag line Turkish banking sector” withstood on a piece of paper. He and Ari Mazon the crisis “without state intervention, were childhood friends. They grew up in contrast to other OECD countries”, as the sons of businessmen in a city

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that is bursting at its seams, constantly European side. Just before it reaches the ! growing outwards and upwards: there imposing Sultan Mehmet Bridge to Asia, are construction sites everywhere; sky- it passes the industrial park of work- scrapers, housing estates and industrial shops and small factories where Baler parks. Istanbul is the gateway to the and Mazon set up their first extruders in expanses of Asia – and Asian markets. 1996. They had bought the used equip- With a population of 18 million, which ment in Italy. In the mid-1990s, the is more an estimate than a calculation, chipboard industry in Turkey enjoyed a huge boom. Suddenly, there was a shortage of edging. Producers were dependent on suppliers from abroad. “ We share the same values, “Orders had to be paid for in advance, there were several weeks waiting time”, business ethics and recalls Ari Mazon, who worked for a entrepreneurial philosophy regional laminate producer at the time. Many producers would simply cut a as EGGER. ” strip off the laminate and use it as edg- ing. That meant accepting a black edge. Ari Mazon, co-founder of Roma Plastik Service orientation opened up doors and opportunities for Roma. First of this is one of the biggest conurbations all, customers did not have to pay in the world. The majority of the inhab- until their goods were delivered. It itants are under 25, the estimated aver- wasn’t long before the two business- age age is 29. Many are well educated, men had to hire their first employee to western-orientated and cosmopolitan. process the orders. He is still working for the company. More colours meant The extrusion plant handles all pro- more extruders. The company rented cesses, from mixing the raw materi- additional floorspace in their original als, printing the edging and rolling it building, and then across the road. up. Extruders play a prominent role Overhead telephone cables were run in Roma Plastik production processes across the street to enable communica- from start to finish. tion between the two sides. After four years, the narrow streets were unable At seven in the morning, the traffic is to accommodate the trucks needed to # still moving freely on the orbital that transport the goods. To keep growing, circles the centre of Istanbul on the the company needed its own, bigger plant.

The next step followed from 2000 to 2006: construction of the new factory in the industrial park at Gebze. ! The factory halls and EGGER’s new sales offices The drive from here across the bridges are located beside Roma Plastik’s head office. to Gebze on the Asian side takes about " The printed rolls are cut to edging width. an hour. Ten years ago, this area was # The jumbo rolls are stacked, ready for printing. covered in forest, today the motorway is lined with logistics centres, production " facilities and office complexes. In the year 2000, four years after the com- pany was founded, Roma Plastik set up its factory and head office here on a 30,000 m² plot of land. The wasteland next door was soon added – enough reserves for further expansion. But first, there were two crises to master. The extrusion plant handles all processes, from mixing the raw materials, printing the edging As mentioned already: the first came and rolling it up. Extruders play a prominent role in Roma Plastik production processes from immediately, in the year after the move, start to finish. 2001. Roma had to go into “survival

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mode”, as Robert Baler calls it. The nels. So Roma Plastik had to find a new synergies. It went into operation in ity as head of edging sales for EGGER. remaining staff made their contribution production partner. And all the while, November 2011 and houses a sample ex- “It was just as well that we had twelve to the company’s survival by taking a they were confronted with the prejudice hibition, a Virtual Design-Studio (VDS) months in which to adapt the new Zoom temporary salary cut of 50 per cent. At that Turkey was a low-wage country. in HD with 70-inch touch screen and collection.” For this collection, the fac- the time, the owners did not take any “We cannot reduce our production Mixed Reality Interface (MRI). tory specially installed an automatic in- pay at all. Family, friends and loyal costs”, says Robert Baler. “We are not in spection plant for quality control, which business partners helped them out. China”. Wage costs accounted for about EGGER and Roma Plastik have been monitors colour,width, thickness and They offloaded their laminate produc- ten per cent of production costs. Roma growing together since 2010. Decor tion business, selling the machines at had to buy its machines, chemicals and and edging match perfectly. low prices to competitors, who, became raw materials in Europe, for the usual partners at one fell stroke. At times of prices. “We are orientated towards Istanbul is the gateway to Asia. “Turkey “ We apply western European crisis, Roma Plastik returned to its core European quality standards.” and the countries on its borders are business and recipe for success: edging. among the most interesting growth mar- quality standards. We cannot In 2009, the first talks were held with kets in the world”, says Ulrich Bühler, produce more cheaply, we are 2006 to 2010: investors get involved, EGGER, with a successful conclusion director of Sales and Marketing for the helping Roma Plastik to become the following year – a strategically EGGER Group. In addition, Roma aims not China. ” market leader. important step for the Austrian wood- to expand its European market shares based material producer: “Acquiring with EGGER. To make it in these highly Robert Baler, co-founder of Roma Plastik THE ROMA STORY The lessons of the crisis were hard: Roma Plastik has put us in a position competitive markets, western Euro- “The weak die off, only the strong to produce our own ABS and laminate pean quality standards are required. ROMA PLASTIK: AN OVERVIEW survive”, says Robert Baler succinctly. edges to match the Eurodekor range”, Consistency of colour and structure are flatness. It involved accommodating two Roma survived. But they could no says Walter Schiegl, Director of Tech- analysed more closely, the more envi- cultures, which had to get to know each Roma Plastik was founded in !&&' by longer finance their big investments nology and Production for the EGGER ronmentally friendly ABS edging is fa- others clients priorities. Wehmeyer re- Robert Baler and Ari Mazon. In "(((, reliably under their current system. Group. “We are the only manufacturers voured over the cheaper PVC. The nerve calls long meetings, a proud “No!” here the company moved to its new head- Luckily, a Private Equity Society noticed of wood-based materials who can do centre of this technical integration is a and there and the occasional flying roll quarters in Gebze, Istanbul. In "(!(, the growth rate of the Turkish edging so while maintaining a consistently small room where the printed edging of edging, but also cordial relations and EGGER took a $!.) per cent stake in manufacturer. In 2005, Roma accepted high quality.” Back then, Roma was is compared with the decors by expert mutual pride and satisfaction at what it. Roma Plastik produces ABS, PVC, the investors’ offer. The new partners already planning a new social centre eyes. The team manages 2,500 “colour was achieved. Today, the integration PMMA, melamine and aluminium edg- gave the entrepreneurs free rein in tech- with canteen and changing rooms for matches” every year. “Integrating the process functions like the bridges over ing under its own brand name. The fac- nical decisions. One of the few compro- its employees, adjacent to the produc- two was hard work, both in terms of the Bosphorus: the traffic flows freely in tory also manufactures the complete mises they had to make was an increase tion hall. To accommodate EGGER’s human and technical resources”, says both directions. Seen from Asia, Istan- range of edging for EGGER décors. in returns. But the new investments did new sales office, they promptly decided Michael Wehmeyer, who took charge of bul is also the gateway to Europe. And not bring with them new sales chan- to add a storey on top, to make use of the integration process in his capac- now, it’s wide open for Roma.

! " Turkey in Numbers GDP in Billions of USD (*Estimate, **Projection) Economic Growth in "#$#, by Sector

The Turkish market is growing rapidly #''( $"$.% +(.$% +!$.!% Construction and the country is considered the #'') '"'.$ -*.%% +!#.'% Industry lynch-pin of the Middle East. However, #'*' $#".& +&% +!#.#% important markets are currently on hold Trade due to political crises such as those in #'** $%(.) +'.)%* +!.&% Housing Syria, Iran and Libya, increasing the #'*# %!!.$ +*%** +!."% Agriculture/Forestry importance of the EU as a market. Per cent: growth compared to the previous year

# Top ! for Furniture Imports and Exports in "#$$ (in Billions of USD) Furniture Market in "#$$ (in Billions of USD)

IRAQ "%'.) #*#.& CHINA &.( $.) %.( GERMANY !'%.% &#.* ITALY $.( ).' '.( IRAN !!(.$ %$.% GERMANY *.% ).")

! Edging for EGGER collections at a sales exhibi- AZERBAIJAN !(%.) RU )!.* #''( #'') #'*' #'** tion. " The printed edges are matched precisely FRANCE &!.% *".) FRANCE Consumption Production with the customer’s choice of decor. # Roma Plastik Source: Germany Trade & Invest ("), MOSDER (") archives all edging samples. Exports Imports

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Beneath the oak decor: Eurolight, with its recycled paper honeycomb core.

Beauty Sleep The dominant design in the bedrooms of the Residence Inn by Marriott is the Natural Aragon Oak look. It was also used in the bar and reception areas.

It’s a hotel for long-term guests. Hotel operators regularly refurbish their offer the solution – materials with just interior of the Residence Inn went to Ica were very taken with the lightweight establishments. On average, beds, car- these characteristics. Interiors, who specialise in hotel de- Eurolight boards, with their many uses The new Residence Inn by Marriott in pets, wallpaper and floors are replaced sign. In search of the best materials for and significant weight advantage over every five to seven years and bathrooms Residence Inn has been an established the hotel fittings and furnishings, these solid timber. the Scottish capital, Edinburgh, was every ten years. Ecologically responsi- hotel brand in the US for decades – yet renowned interior architects turned to ble hotel operators also have an eye for the chain, which belongs to the Marriott EGGER. Choosing the right decor with matching designed with sustainability in mind. scarce resources. And since the people Group, did not start expanding into surface turned out to be trickier than who run the Residence Inn hotel chain Europe until about two years ago. The Melamine faced boards are versatile, picking the coreboards. “We wanted a The architects opted for Eurolight boards place great store in being ecologically plan was to open two branches, one in attractive – and lighter than solid finish, not matt but shiny and fresh- responsible, they decided to make this Munich and the other in Edinburgh. timber. looking,” says Dawn Campbell, Associ- with matching decor by EGGER. a prerequisite when planning their The hotel in the Scottish capital was ate Director at Ica Interiors. Because the new establishment in Edinburgh. They part of Foster & Partners‘ plans for the “We had already shown the architects Residence Inn is conceived primarily !" Patrick Fink stipulated that the materials used in revitalisation of the Quartermile district of Ica Interiors our products two years as an apartment hotel for business- the design should consume as few raw in the city centre, which also include previously. They were impressed by the people, who often spend days or even materials as possible and be easily re- office buildings, shopping mews, tourist standards we set with the high qual- weeks in their suites. The idea was that cycled. They wanted materials that look apartments and residential quarters. ity of our laminates,” says Richard the surfaces should suit not only the natural and ruled out anything that The project is scheduled for comple- Milligan, architectural consultant with bedrooms, but also the separate living appeared synthetic. EGGER was able to tion in 2015. The task of designing the EGGER UK. In particular, the architects room,kitchen and study areas. Our aim

#% #$ E _ SOLUTIONS E _ SOLUTIONS

" The hotel suites are also equipped with a kitchenette. ! For the Eurolight boards, the designers chose ABS edging. "+# EGGER Products were utilized in the work-, living- and sleepingspaces of the hotel rooms. !

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“ We wanted a finish, EGGER products a recurring feature of not matt but shiny and the hotel furnishing. In all, 306 sheets of Eurolight with Natural Aragon Oak “ Guests see our product fresh-looking. ” finish were used in the Residence Inn, immediately when they walk and not just in the 107 suites, but also Dawn Campbell, Interior Architect in public spaces such as the reception in the door and recognise it counter and bar. again in their own rooms. ” Expansion of the Marriott brand to Richard Milligan, Architectural Consultant Europe is still in progress, with other markets still to come. was to create a healthy working atmos- management team flew out to Britain phere while, at the same time, making specially from the firm’s headquarters The Residence Inn in Edinburgh opened manufactured and versatile product,” sure that our guests could relax and near the US capital Washington. Once in November 2011, becoming the Mar- says Dawn Campbell. However, in the recover in their rooms. One decor that there, the decisions did not take long: riot chain’s second in Europe, just a event of another Residence Inn being has been tried and tested with Eurolight the owners of the Residence Inn were month after the Apart-Hotel in Munich built, another décor would be needed, and is popular with interior architects delighted with the choice. welcomed its first guests. The amenities because every hotel is to have its own is “Light Ferrara Oak”. Ica, however, available to guests of the Residence Inn individual character and design. The decided to break new ground and opted EGGER, meanwhile, set about adapt- include a fitness room and a twenty- same goes for Marriot’s latest new pro- for “Natural Aragon Oak”. The naked ing the chosen decor to the lightweight four-hour supermarket. Those who do jects around the world: in 2012, eye can barely discern it from the dis- Eurolight boards. That included manu- not wish to do their own shopping can Marriott plans to inaugurate a Resi- tinctive natural wood, which is current- facturing the matching edging: all told, have it brought up by hotel staff. dence Inn in Saudi-Arabia and a new ly all the rage in furniture design. The some 5,700 linear metres of the environ- hotel is scheduled to open in the North use of the Natural Aragon Oak design in mentally-friendly ABS edging. Hopefully, the hotel in Scotland won’t African city of Algiers in 2014. But even combination with Eurolight was a first. be the last project that EGGER and Ica if there are no concrete plans for Europe Meanwhile the interior architects Interiors work on together. “We can at the moment – Marriot’s expansion Before a final decision was made, decided that the decor should not be re- envisage using Eurolight in other hotel into the old world is anything but senior representatives of the Marriot duced to a mere detail, but to make the buildings, since it is a sustainably complete.

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Sustainable Living

FUEL FROM PAPER MANUFACTURING www.biodme.se

If all the paper produced by the Smurfi t Kappa plant in one day were to be rolled out, it would stretch from Piteå to Paris. There would also be a similar amount of waste produced, as paper manufacturing only uses 43 percent of the actual raw wood. Due to this, scientists at the University of Stockholm have joined forces with the truck builder Volvo and other partners to turn waste products into a gas mix called BioDMe. E _ NATURE Now, wood-fuelled trucks are doing the rounds in Lapland - far-sighted and far-reaching recycling.

“The wood market has changed fundamentally in the last ten years. It has become more SOPHISTICATED FOREST complex, leading to greater OWNERS www.efi .int uncertainty.” Experts are increasingly paying atten- tion to the cultural and social factors in the mobilisation of native timber. Udo Mantau, economist, Wood Management Centre, University of Hamburg About 50 percent of Europe’s forests How much wood can we expect? (Pages 34 to 37) are privately owned, but only a frac- tion of the land-owners manage their forests commercially. The European Forest Institute (eFI) is planning an initial project in 2012 to work out solutions.

WIND AND WOOD POWER www.timbertower.de

The higher a wind turbine, the more ef- fi ciently it produces energy – but once a height of 100 metres is reached, it is no longer economically viable to build the structure out of steel. Wood, on the other hand, is cheaper, more environmentally friendly and very durable: laminate board constructions can last decades. After fi ve years of development, the company “timbertower” aims to put the fi rst 100 metre-high wooden wind turbine into operation in 2012.

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are diff erent types of tree, diff erent fl oors are very popular at the A CONVERSATION WITH UDO MANTAU forms and diff erent regional tradi- moment – is this putting our tions. Furthermore, competition for raw oak forests under threat? materials is very intense nowadays. The Udo Mantau: Usually, this is regulated subsidisation of wood as a source of en- by price and the attractiveness of alter- ergy changed the market a lot. Certain natives. If a raw material gets expensive, factors, which are now being analysed people turn to other materials. The much more precisely than in the past, world changes when a resources grows How much became more relevant. scarce but it does not stop going around.

MORE: How bad is the situation MORE: You mentioned the diff erent when it comes to wood as a resource? traditions in the use of wood. Are wood can Udo Mantau: I would not say it’s “bad” there similar diff erences among ex- just yet but we have to get used to the perts in the wood market – or do you fact that there is just enough wood avail- all share the same opinion? able right now for our energy and pro- Udo Mantau: We have settled most of we expect? duction needs. At the moment, we use our diff erences. They were mainly the about 825 million cubic metres of forest result of diff erent methods of cal- wood and other wooden raw materials culating the scale of wood reserves. every year. If we produce wood sustain- Unfelled wood is measured diff erently ably, we have about 1,025 million cubic from country to country: one country metres per annum at our disposal. How- measures it at chest height, another at ever, availability on the market is scarcer ground level. It is also wrong to equate than the fi gures suggest. Most of the available timber is in Northern Europe. We also have a mobilisation problem in Central Europe, where scarcity is already “ Competition for the order of the day. This scarcity will worsen considerably in the future. If we timber is intensifying. are serious about reaching our goals for That is changing renewable energy sources by 2020, we will need about 320 million cubic metres the wood market. ” more per annum than we have now.

MORE: What are the most pro mising approaches to that with the quantity harvested: you meeting this challenge? must deduct the bark, branches and It’s about more than just stem wood. Udo Mantau highlights misunderstandings regarding the way the resource wood is used in Europe. Udo Mantau: In many countries, politi- waste through sawdust to calculate the cians have focussed on their energy amount of the raw material available. policy goals and promoted demand for What actually gets transported away renewable energy sources. Now they after logging can be up to 30 per cent must recognise that this has made sup- less than the unfelled timber. It took Ten years ago, the wood market could hardly have To get to the Forestry Centre of the Uni- than others. It’s a raw materials market, ply scarce. That means they must focus us ten years before everybody accepted versity of Hamburg, you have to leave but it is more complex than the oil mar- more closely on improving supply. But this discrepancy. The EUwood project been described as dynamic. The development the bustling city centre and drive out to ket or the copper market, for example. that will only ease the situation, it can’t set standards throughout Europe. the suburb of Bergedorf. The institute is It is also a part of our everyday lives, solve the scarcity issue. of alternative energy sources brought about far- located in a quiet park with a pond. The because wood is not extracted from MORE: Do you sense diff erent atti- shrubs and trees are marked with name- some remote copper mine in , it MORE: What has to happen so that tudes when you discuss how to solve reaching change. The question of how much of the plates, exotic trees stand side by side is to be found “next door”. That means demand and supply are more balan- the problem with colleagues from with native species. Professor Udo Man- the wood market is also the focus of ced in the future? Sweden, England, Russia or Spain? raw material was available suddenly became much tau is an economist, but he values the social interest to a much greater extent Udo Mantau: The most eff ective meas- Udo Mantau: Oh yes. That’s what makes forest highly, he says – reason enough to than other markets. ure I can think of is to quickly expand Europe so diffi cult and so interesting more complex. The economist Udo Mantau set conduct the interview in the park. the use of other renewables, so that the at the same time. For example, the MORE: What makes it so complex? pressure on wood as a quickly available Scandinavians are fundamentally more new standards with his study “EUwood”. Read our MORE: You are regarded as an expert Udo Mantau: With other markets for resource is eased. interested in wood as a raw material in the wood market. What fascinates raw materials, we are more or less and they also have the biggest reserves. conversation about traditions, change and the future. you about it? dealing with the same material: like MORE: What sort of an eff ect Wood scarcity is not a big issue for Udo Mantau: All markets are diff erent our previous examples, copper and oil. do design trends have on wood them. The Central Europeans are more !"#$%&!$' () Till Schröder but the wood market is more diff erent With wood, on the other hand, there reserves? Oak furniture and interested in environmental aspects.

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They consider the forest a place of on the façade of the Centre Pompi- recreation that is of cultural value, they dou in Paris (laughs). In other words: observe every interference closely and by illustrating all the flows of main it is the object of public debate. And products and by-products, we make it the Southern Europeans are inclined look very complicated indeed. But it to place more value on the produce of was a necessary step, so that we could the forest, such as fruits and berries, calculate clearly and correctly. Next, we mushrooms, cork and other things. A started trying to filter out the politically Spaniard has to live with the risk that important issues from this tangle of ma- terial flows. We then had transparency but a lack of consistency. One aspect is science, the other communication. Both “ The best way to control complex systems are important in practise but they need each other to be effective. is to concentrate on the dominant factors of influence. We should not MORE: All the same – how would you formulate your core message? try to control every little detail. ” Udo Mantau: Agricultural policy in Eu- rope is very homogeneous but forestry Udo Mantau, Economist policy, in contrast, functions on a more regional level. On the other hand, the wood market is increasingly becoming his forest will burn down before it can more international. That makes a cer- be harvested. Naturally, that affects tain uniformity necessary, for example how he manages his forest. regarding terminology and measuring techniques. The core messages are to MORE: Can a pan-European solution improve use cascades and recycling to be found nonetheless – or does every get as much as possible out of the raw country have to find its own way, one materials. Currently, timber is used that matches its culture? approximately one and a half times Udo Mantau: We could have the same before it burned. That can be improved conversation about the euro, but wood on. 30 per cent of our wood reserves are may be slightly simpler. If a country secondary raw materials (e.g. saw-mill chooses to follow its own path, it may by-products, second-hand wood) whose run into trading difficulties but other- potential will be exploited more wise there won’t be any far-reaching efficiently by the timber and paper effects. Maybe I’m overlooking some- industries in the future. I’m optimistic thing but I do not consider diversity of about that. Because the forestry and individual markets to be a fundamental timber industries have always been problem. Difficulties may arise in terms exemplary when it came to making ef- of transparency, which is a challenge ficient use of raw materials. for internationally active companies.

MORE: Is there any way of under- standing the globalised wood market PORTRAIT from a national point of view? Udo Mantau: The market for timber UDO MANTAU has changed fundamentally in the last A trained economist, he has been ten years. It has grown more complex, Professor of Forestry Economics at the leading to greater insecurity. The best Centre of Forestry of the University of way to control complex systems is to Hamburg since !""!. In #$$%, he initi- concentrate on the dominant factors of ated the EUwood project along with influence. We should not try to control organisations such as UNECE/FAO, every little detail. We need to find out the European Forest Institute (EFI) and first which details are important. For other partners. EUwood set standards example, we recently conducted an when it came to calculating Europe’s analysis of material flows in Europe. wood reserves. We illustrated the flows with a graphic. It looked like all the intertwined pipes

*- CERTIFICATES Certified Growth

Spruce monoculture: not every forest is considered worthy of protection by PEFC – which does not insist on fixed quotas for protecting forest areas.

Certificates guarantee sustainability and Making sure forests have a future is in hesion and maintain their profits. Ideal The FSC regulations also stipulate: nesses and livelihoods. The increasing the interests of a broad range of parties: production chains integrate economic, “private forest owners shall strive to competition for wood as a raw material transparency – and that also applies to where the from the fawn and fox to the hedgehog, ecological and social aspects. That’s remove 2 per cent of their forest area makes the issue a controversial one. If from the carpenter to the forester, from an aim shared by “Forest Stewardship from harvesting in the long term, in supplies are no longer available region- timber comes from. Two labels have established the cabinet-maker to the architect. Council” (FSC) and “Programme for return for economic compensation”. ally, transport distances will increase In short: it is in the interests of all life the Endorsement of Forest Certification The main argument is preventing the accordingly. These transports go hand themselves internationally: FSC and PEFC. forms which breathe in O₂ and breathe Schemes” (PEFC). Their certificates are loss of biodiversity. “Nature-orientated in hand with increased greenhouse gas out CO₂. The proposed solutions for the both selling and buying points, since foresters, eco-system researchers and emissions. The two organizations pursue similar goals but preservation of our forests are almost both value the forest as a source of environmentalist groups are in favour equally diverse. But we can identify products made of certified timber – but of protecting parts of forests”, says The PEFC is in favour of protecting parts with different philosophies. two main parties: the environmental- according to different rules. Marion Karmann, manager of the FSC of forests but does not insist on fixed ist movement, which demands as little International Monitoring and Evalua- quotas. “Not every forest has an area of !"#$%&!$'( )* Jan Ahrenberg, Lars Klaaßen human interference as possible, and One focus is on protecting sections tion Programme. “Be it to maintain bio- five percent that is worthy of conserva- the pragmatists, who wish to make the of forests: bio-diversity comes at the diversity or as a reference area by which tion”, says Thorsten Arndt, Head of unavoidable exploitation of wood as a cost of increasingly scarce timber to evaluate the natural development of Communication at PEFC International resource as harmless as possible. resources. the harvested area.” in Geneva. “Sometimes, especially with regard to group certification, it can be Hence, responsible users of wood are The FSC requires that “five percent of Industry and trade unions are con- better for one owner to preserve none banking on the principle of “sustaina- the area covered by the forest be identi- cerned about this requirement that of his forest while another preserves bility”: they aim to minimize illegal log- fied as an area of special importance to parts of forests should be protected. 20, 30 or 40 per cent, because it is more ging and clear cutting, secure social co- nature conservation.” It is not just about securing busi- worthy of protection.

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With some 243 million hectares of certi- fied forest, PEFC is the current market leader. But because the organization was launched on the initiative of forest owners and the timber industry in 1998, the label is widely regarded as an indus- try certificate. Thorsten Arndt does not agree, saying it is recognized by envi- ronmental groups such as Conservation International in the USA, the Austrian umbrella environmental organization and France Nature Environnement. “In Finland, for example, the typical forest owner has an area of about 1.7 hec- tares, which yield about 170 Euro per annum.” The axe is only wielded twice every generation. “Certification can only contribute to forest conservation if it offers an economic incentive for the forest owner not to clear his forest for more lucrative purposes, such as tillage or livestock farming.”

PEFC and FSC also differ in their geo- graphical emphasis: Until now, FSC has certified 148.62 million hectares of for- certification for small forest owners, est, of which 17.70 million hectares are but often, the FSC seal is not economi- tropical. “In Brazil, for example, it has cally viable.” The cost for a five-year been shown that certification can make audit of a foresting organization with a significant contribution to protecting 1,000 members and 2,000 hectares of forests”, says Karmann. “Experience forest: about 15,000 euro. And there’s a has shown that certified companies are further, even more demanding factor: much more consistent than uncerti- the requirement that a certain percent- fied operators in complying with the age of forest is protected. “If we assume demand – also set down by the govern- a growth rate of eight solid cubic metres ment – that they preserve five percent of per hectare and an average yield of virgin forest.” She adds that the areas 40 euro per cubic metre, this would in question usually boast high levels of amount to a yield of just 64,000 euro bio-diversity. over five years: not counting harvesting costs”, says Zwingmann. “Selling the However, according to PEFC, only timber does not always yield a profit, nine per cent of the world’s forests and many forest owners opt for FSC for are certified, and 90 per cent of those idealist rather than economic reasons.” are in moderate climate zones. PEFC, PEFC certification, on the other hand, GUARDIANS OF THE FOREST therefore, does not see itself as being in can also be economically viable even competition with FSC, but as helping for the owners of small, private forests. FSC PEFC to find common ways of increasing this The numbers prove the point: some Representatives of indig- In #$$(, forest share worldwide. 450 hectares of forest are FSC-certified FSC PEFC HECTARES enous people, environ- owners initiated the in Germany, in comparison with more Certified Forests . /00 000 + mental organisations and “Programme for the In Europe, the decision to seek certifica- than 7.3 million hectares of PEFC-certi- The world map shows where the certified tim- / 000 000 1 . 233 333 sections of the timber and Endorsement of Forest tion pits economic arguments against fied woodlands. ber comes from. FSC stands out for its protec- 4 /00 000 1 2 333 333 forestry industries founded Certification Schemes”. idealistic views: “in Germany, for exam- tion of rain forests in India, South America and ./0 000 1 4 233 333 the Forest Stewardship Council in #$$%. PEFC allows interest groups such as ple, private forest owners have an aver- But despite their different emphases, Russia. PEFC is also represented world-wide, 4/0 000 1 .23 333 FSC certification stipulates ten principles trade unions, industrial federations age of two to three hectares”, says Wer- Marion Karmann and Thorsten Arndt but predominantly in Europe. The two forms of 500 1 423 333 and &' criteria, according to which more or environmental organisations to ner Zwingmann, who purchases timber agree on one thing: the competition certification are established in equal measure No certified forests than (" national working groups define have their say through stakeholder for EGGER in southern Germany and between FSC and PEFC contributes to in North America. regionally adapted regulations. voting rights. is responsible for the topic of certifica- better protection of our forests. And in Source: latest comparable information provided by www.fsc.org www.pefc.org tion for the entire EGGER Group. “The the end, that’s good for all involved, the organisations FSC and PEFC in !"#". FSC does offer the possibility of group including fawn, fox and hedgehog.

67 68 ! E _ NATURE

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! Vegetable patches on the !"-metre-high roof of a former factory in Brooklyn, New York. # City and country in flux – the futurology workshop of the trend researcher Matthias Horx near Vienna.

The country life is all the rage. The ternet-connected smart homes through There is no competition between the must be home to an “alpha industry” rural idyll – at least as portrayed by to 30-storey greenhouses or forested city and the country, merely between in the form of an international com- Going the media, is setting the tone for style metropolitan high-rises: “Bosco Verti- different regions. pany or an entire industry branch. Or, and design both in the countryside cale”, Vertical Forest, is the name given it must be home to a well-established, and in the city. This is also reflected in to the two towers currently being built Many modern life concepts incorporate prospering middle class, complete with the latest furniture and interior trends. in Milan by the architect Stefano Boeri. both metropolitan and rural culture. the companies to sustain it. Or, a third Authenticity is in big demand, as Each of the two towers will be deco- Wenzel sees competition taking place at ingredient of success, a region can live Regional expressed, for example, by the au- rated with more than 900 trees and 5 a different interface: “In the future, the off a sustainably and successfully devel- thenticity and sensual quality of solid 000 shrubs: that’s equivalent to the decisive factor will be the distinction oped tourism industry. Locally-based wood. Recycled wood, reused wood vegetation in a hectare of woodland. between flourishing, booming regions companies can use the high quality of and the patina of old wood are part of The perfect symbiosis of urbanity and and cities on the one hand, and on leisure time to compete for the most the modern chic. Bulky beams, splits pastoral idyll: a vision of the future? the other hand, regions left behind by highly-qualified people. Today, successful furniture design looks natural and and knots – what used to be regarded these developments”, says Wenzel. The as flaws now stand for honesty and Urban and rural life are changing cities and regions which win the race Since the 1990s, this competition has authentic. MORE looks at the reasons why. authenticity. rapidly and radically. “The character- to attract companies and high-earning been intensifying as a result of de- istics of the city and of certain regions professionals will offer a quality of life, mographic change and the dominant !" Johanna Rüdiger, Till Schröder This design trend is a reflection of a are converging all the time”, says which, thanks to motorways, regional media image of big cities as centres of dominant feeling in society and our Eike Wenzel, director of the renowned airports and the Internet, are becoming decision-making, creative ideas and changing living environment. The Institute for Trend and Future Research increasingly similar to the advantages trends. “The big cities and their good differences between urban and rural in Hamburg. He was the first German of a metropolis. jobs still have great pulling power”, life and the criteria by which they are trend researcher to investigate the trend says Wenzel. defined are also changing. Vision- towards the “Lifestyle of Health and In this competition, it is not agriculture ary architects illustrate this with Sustainability”, or LOHA. This ecologi- that makes the difference, rather the Our working lives are changing, too. new, green approaches, ranging from cally conscious individual does not rule urban sectors of industry and service: Career-building is no longer strictly computer-controlled, low-energy, in- out the use of modern technology. to thrive, according to Wenzel, a region the domain of the city. Modern careers

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are often influenced by multi-nationals River and the Manhattan skyline, ! # which have their headquarters in rural tomatoes in the “Rooftop Farm” glow surroundings. Many of them started red in the sun, pumpkins bulge out out as family-owned companies. Rather the vegetable beds and the scent of than relinquish their local bonds, many basil mingles with the sweet aroma of of them remain loyal to their traditions ripe strawberries. The first years were and regional ties, seeing them as part hard, but in the meantime, business is and parcel of their successful company booming in the farmyard shop, whose philosophy. customers include six restaurants.

At the same time, typically urban It’s hands-on work, but the feeling professionals such as freelance consult- of moist earth and the taste of home- farmed produce have their rewards: “You can immediately taste the differ- ence between our tomatoes and the “ You can immediately taste the difference ones you buy in the supermarket”, says Annie Novak. And this is about more between our tomatoes and the ones than the airs and graces of a food con- you buy in the supermarket. ” noisseur. The taste of these tomatoes stands for genuine, natural farming, Annie Novak, urban farmer and the food is ecologically sound: the movement has its roots in the Local Food Movement, which calls on people ! Quality without frills: the new Monte Rosa Hut ants, creatives and experts can escape to buy their foodstuffs from the sur- sets the standard for modern Alpine architecture. the constraints of place with their rounding region. And if the surrounding # The country guest house “Landgasthaus Berge” laptops and smart phones – and move region consists of high-rises, then the by designer Nils Holger Moormann reflecting con- their offices temporarily or permanently skyscapes can be turned into land- temporary interior style. to the countryside. After all, here they scapes, too. can find peace and quiet, nature and authenticity. These are soft location A network of neighbours donate seeds, factors which offer the opportunity to hereby earning the right to harvest the concentrate on creative work and lead goods. The local residents enjoy the a time-efficient lifestyle. Many erst- country life on the rooftop. The city while big-city-dwellers are changing gardener and her friends emanate the the reality of regional life: by buying kind of social warmth and familiarity $ % and refurbishing farmhouses, tending normally associated with village life – gardens, increasing the demand for amid the anonymity of the metropolis. local produce and frequenting local restaurants and inns with their friends Nature is a place of human desires. or relatives. Today, it is to be found in the city just as much as in the country, in furniture This attraction to the country life is also design with authentic timber and in being reflected in the cities, in the form eating culture. And “rural” no longer of “urban gardening”. This is not about automatically means “provincial”. allotments, this is an entire cultural Architectural examples such as the URBAN FARMING movement whose epicentre is in New award-winning Monte Rosa Hut in the York, home town of Annie Novak. Not Upper Valais region of $ “Vertical Farming” is what the HIGH&RISE GREENHOUSES only is she founder and head of the demonstrate that the city no longer has American architect Blake Kurasek organisation “Growing Chefs”, which a monopoly on contemporary architec- calls his vision of multi-storey “Urban gardening” is the product of introduces children to natural nourish- ture. It goes without saying, of course, greenhouses in the city. % The Bosco neighbourhood action groups. It is ment and explains the food chain from that the main construction material Verticale (Vertical Forest) by Stefano not to be confused with blueprints soil to plate. Three years ago, when used here was wood. Boeri: the building is currently being for high-rise greenhouses that could Novak piled 90 000 kilogrammes of soil constructed in Milan. represent the future of food produc- onto the roof of a former bagel factory tion in large conurbations. One of the in the Greenpoint area of Brooklyn, she pioneers of “vertical farms” is the New also became the first ever gardener in York professor, Dickson Despommier. North America to start a commercial www.verticalfarm.com farm 15 metres above ground. Against the spectacular backdrop of the East

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FIVE THINGS ABOUT Lignin Researchers are getting very excited about plastics made of # AS A WELD SEAM Put simply, lignin holds the fi bres of renewable raw materials. Lignin can play a special role. the timber together. There are new methods of activating this adhesive characteristic to hold manufactured parts together. This includes welding wood, a procedure developed at the Bern University of Applied Sciences. When vibrated under pressure, lignin turns into a form of Thermoplast: it becomes liquid and penetrates the pores of the manufactured parts. One $ AS A POWDER of the fi rst companies to use the tech- Wood is composed of lignin, cellulose and hemi- nique commercially is the snowboard cellulose. Global paper production yields an manufacturer Nidecker, which uses estimated 70 million tonnes of lignin as a it for the core of its top-of-the-range by-product every year. It usually hits the board. Not only does the glue saved market in powdered form, which was the allow the “Ultralight” to live up to its basis for plastics before the petrochemicals name, it also makes it an ecologically boom. sound product.

% AS A CASING It’s still too early to imagine the use of lignin-based biological plastics on a large scale. However, there’s always an excep- tion that proves the rule and in this case, it’s the computer ! AS A HEEL manufacturer Fujitsu. Its product range includes a mouse Arboform by the Tecnaro and keyboard made of Arboform and Biograde, both biologi- company is also known as cally degradable plastics. “liquid wood”. Its makers say it is not just interesting because " AS BLACK LIQUOR it is biodegradable but also The paper industry extracts the lignin because it can be fi nished even from the cellulose using various salts. more precisely than aluminium The commonly applied sulfi te process for making machine parts. yields what is known as black liquor. It also has its own aesthetic Many manufacturers burn this black qualities, as demonstrated by liquor to produce energy and recover the heel of the Gucci stillettos the chemicals used. They have little in the photograph. interest in selling their black liquor. This is why there are state subsidies for biorefi nieries which produce lignin for manufacturing bioplastics.

"' "& Picture Puzzle

_ Publisher FRITZ EGGER GmbH & Co. OG Holzwerkstoffe Weiberndorf 20 6380 St. Johann in Tirol Österreich t +43 50 600-0 f +43 50 600-10111 [email protected]

Project Management Christina Werthner (V.I. S. d. P.)

_ Concept / Design PLAYFRAME GmbH Agency for Brand Communication www.playframe.de

Creative Director Volker Pook Art Director Vicky Tiegelkamp

_ Editing / Design / Production Raufeld Medien GmbH www.raufeld.de

Editor-in-Chief Till Schröder Art Director Daniel Krüger

_Photography Anne Kathrin Schuhmann/Raufeld Medien (p. 2, 34–37), Craig Sheppard (p. 4–5), Alexander Egel (p. 6–7), Nicolas Borel (p. 8–9), RO&AD Architects (p. 11), Rolf Lang (p. 11), Mecanoo Architects (p. 11), istockphotos (p. 13), Babimo/Fotolia (p. 13), Christian Werner/Raufeld Medien (p. 13, 33, 38), Braun (p. 13), Apple (p. 13), Tree-Huggers’ Corner Porsche (p. 14), Kodak (p. 14), Lutz Sternstein (p. 17), Heike Schmitt (p. 18), IMA Klessmann (p. 18), Lemet (p. 19), Rebecca Law (p. 21), Aleksey Danilov (p. 21), Alice Betbeder (p. 21), istockphoto (p. 22), Till Schröder/Raufeld Medien (p. 24–27), This time we are looking for the creator of a brand great success: to this day, these nautical classics ­EGGER (p. 3, 25–26, 28, 31), Marriott (p. 28 - 31), MB Photography (p. 30–31), that is considered the Rolls Royce of leisure boats, are much sought-after icons of “la dolce vita”. Maria Fäldt (p. 33), TimberTower (p. 33), Johanna Rüdiger/Raufeld Medien (p. 42), synonymous with the glitz and glamour of the Haus Horx (p. 44), Tonatiuh Ambrosetti/ETH-Studio Monte Rosa (p. 45), Côte d’Azur in the 1960s. It conjures up images What is the name of the boat-builder? Send the Jäger & Jäger (p. 45) Boeri Studio (p. 45), Blake Kurasek (p. 45), Johann-Heinrich- of style, water skiing and an American-built V8 solution to [email protected]. Correct answers von-Thünen Institut (vTi) (p. 46–47), Fujitsu (p. 46), Nidecker (p. 47), Fraunhofer- in the tail. Sean Connery, Sophia Loren, Brigitte will go into a draw for one of Manuel Welsky’s Institut/Sergio Rossi (p. 47), Nikolaus Brade (p. 48), Bildredaktion: Gerd Metzner Bardot and Gunter Sachs all fell in love with new cork stools. (p. 11). Closing date for entries the exquisitely worked mahogany panelling. is 31 December 2012. There is no right to redress _ Printing Xerox Global Document Outsourcing, Translated, the brand name would mean “quay” through the courts. Neuss or “bank”. While the boat comes from the banks www.xerox.de of a famous Italian lake, its name is that of its The photo puzzle in the last edition featured a hand playing inventor. Inspired by American “pleasure boats”, a tree like a cello. The personality in question was Antonio _ Date of Publication September 2012 the person we are looking for gave the racing boats Stradivari. Our thanks to all those who sent in the correct answer: built by his father a more elegant design – with for each one, we donated a tree to “Plant for the Planet”. _ Note Please send your comments and suggestions to [email protected]

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