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Con De Animaci Ó N Revista Anual De Investigación CON DE ANIMACI Ó N REVISTA ANUAL DE INVESTIGACIÓN Nº 7. 2017: LA ANIMACIÓN A ESCENA http://conadeanimacion.webs.upv.es Edita: Grupo de Animación: Arte e Industria Coordinación de este número: Departamento de Dibujo, Universitat Politècnica de València Beatriz Herráiz Zornoza María Lorenzo Hernández Dirección de la revista: María Lorenzo Hernández Asistencia a la edición: Dep. Dibujo, Universitat Politècnica de València Adriana Navarro Álvarez Consejo de Redacción: Maquetación y diseño web: Sara Álvarez Sarrat Patricia Lara Hernández Dep. Dibujo, Universitat Politècnica de València Mª Susana García Rams Soporte técnico: Dep. Dibujo, Universitat Politècnica de València Luis Morcillo Muñoz Raúl González Monaj DCADHA, Universitat Politècnica de València Imagen de cubierta: Beatriz Herráiz Zornoza Maduixa Teatre DCADHA, Universitat Politècnica de València Mª Ángeles López Izquierdo Colaboradores de este número: Dep. Dibujo, Universitat Politècnica de València Sara Álvarez Sarrat Beatriz Herráiz Zornoza Ignacio Meneu Oset Silvia Carpizo María Lorenzo Hernández Dep. Dibujo, Universitat Politècnica de València Juan Alberto Conde Aldana Blanca Machuca Casares Luis Morcillo Muñoz Juan M. Cristancho Hernández José Moo Dep. Dibujo, Universitat Politècnica de València Tania De León Yong Adriana Navarro Álvarez Miguel Vidal Ortega Adrián Encinas Salamanca Miguel Ángel Roque López Dep. Dibujo, Universitat Politècnica de València Marta Gil Soriano Vincenzo Sansone Raúl González Monaj Lynn Tomlinson Comité Científico: Eliane Gordeeff Cecilia Traslaviña Aramís Acosta Caulineau Estudios de Animación ICAIC, La Habana (Cuba) Jordi Costa Vila Agradecimientos: Crítico de cine César Díaz Meléndez, Barry Purves, Alberto Vázquez, Maduixa Jaume Duran Castells Teatre, Dolores Furió, Adolfo Muñoz, Bibiana Rojas, Marcelo Comunicació Audiovisual, Universitat de Barcelona Dematei, Kathy Rose, Miwa Matreyek. Tania De León Yong Escuela Nacional de Artes Plásticas, UNAM (México) Con A de animación es una revista de investigación, de periodi- Marina Estela Graça cidad anual y con revisión por pares, centrada en el estudio de los ESEC, Universidade do Algarve (Portugal) aspectos teóricos, técnicos, artísticos y humanos de la producción Antonio Horno López de imagen animada. Facultad de Humanidades y Ciencias de la Educación, Se pueden enviar artículos de investigación durante todo el año, Universidad de Jaén aunque preferentemente hasta el 15 de septiembre del año en curso. Alejandro Montiel Mues Para más información, contactar con el equipo editorial. DCADHA, Universitat Politècnica de València Vicente Ponce Ferrer E-mail: [email protected] DCADHA, Universitat Politècnica de València Alfonso Ruiz Rallo Editan: Facultad de Bellas Artes, Universidad de La Laguna, Tenerife Editorial UPV Lourdes Villagómez Oviedo Nau Llibres Realizadora y comisaria independiente Comité Asesor: Dirección postal: Distribución y suscripciones: Alan Cholodenko María Lorenzo Hernández Nau Llibres Department of Art History and Film Studies, Departamento de Dibujo, UPV www.naullibres.com The University of Sydney (Australia) Camino de Vera, s/n [email protected] Carmen Garzón 46022 Valencia (España) C/Periodista Badía, 10 Facultad de Artes, Universidad Nacional de Córdoba (Argentina) Tel: (00 34) 96 387 74 60 46010, Valencia (España) José Antonio Hurtado Fax: (00 34) 96 387 74 69 Tel.: (00 34) 96 360 33 36 IVAC-La Filmoteca, Valencia Carlos Plasencia Climent Esta revista se publica bajo una licencia Creative Commons Attribution – NonCommercial – Facultad de Bellas Artes, Universitat Politècnica de València NoDerivs 3.0 Unported License. Versión impresa: ISSN 2173-6049 Versión electrónica: EISSN 2173-3511 ISBN: 978-84-16926-17-6 Depósito Legal: V-542-2011 http://conadeanimacion.webs.upv.es 06 EDITORIAL 10 RESEÑAS DECORADO (una vida en escena), de Alberto Vázquez CON DE Adriana Navarro Álvarez 18 DOT. La animación en espectáculos de teatro ANIMACI Ó N Beatriz Herráiz Zornoza REVISTA ANUAL DE INVESTIGACIÓN Nº 7. 2017: LA ANIMACIÓN A ESCENA 26 http://conadeanimacion.webs.upv.es REPORTAJES Kathy Rose y Miwa Matreyek: danza animada y representación Lynn Tomlinson 38 Sobre cómo William Kendrige llegó a la luna. Journet to the Moon Tania de León Yong 48 PERFILES Barry Purves, el animador escénico Marta Gil Soriano 60 César Díaz Meléndez: Commissioned Animator de día, animador independiente de noche María Lorenzo Hernández 70 126 Teatro Cinema: espacio animado, ESPACIOS narración gráfica y puesta en escena Cuatro ediciones de en la obra Historia de Amor Prime the Animation! Juan Alberto Conde Aldana y Sara Álvarez Sarrat Juan Manuel Cristancho Hernández 144 78 La postproducción tridimensional PRODUCCIÓN de largometrajes con Blender. The Neverending Wall. Diario de Aproximación a los flujos de trabajo producción de un cortometraje con software libre en el desarrollo de Silvia Carpizo y Jose Moo secuencias de animación 90 Miguel Ángel Roque López Esculpiendo el fotograma. La 162 elaboración de "maquettes" en el Adagio - La materialidad como proceso de producción de elemento narrativo y simbólico largometrajes animados Eliane Gordeeff Adrián Encinas Salamanca 176 La escala de la animación. Desde 100 los escenarios de Karel Zeman al FIRMA INVITADA encuentro con Josef Svoboda Blanca Machuca Casares La animación experimental en el territorio de los afectos Cecilia Traslaviña 188 El Estudio de dibujos animados CIFESA y las películas de Rigalt-Reyes 108 Raúl González-Monaj INVESTIGACIÓN Nuevas formas de llevar una ópera al teatro. Un caso de estudio. La flauta mágica de la compañía 1927 y de 204 Kosky: animación 2D, nuevas tecnologías digitales y estilo vintage ENGLISH Vincenzo Sansone INFORMATION 6 Editorial A pesar de las incontables transformaciones del Goya al mejor Cortometraje de Animación, del ámbito audiovisual en las últimas décadas, y en segundo lugar, de la representación DOT, un con la expansión de los contenidos por internet espectáculo multimedia de Maduixa Teatre, en y la generalización de los procesos de producción representación desde 2013. En la sección Re- digitales, en la animación persisten rasgos que portajes, Lynn Tomlinson (Towson University, son consustanciales a su naturaleza y que se EEUU) hablará de las artistas Kathy Rose y han reafirmado con el intercambio e hibrida- Miwa Matreyek, cuyas singulares escenografías ción con otros medios, retornando con fuerza combinan interpretación actoral y animación. a su cualidad de prestidigitación, de magia de Seguidamente, Tania de León Yong, de la salón con la que encantar a la audiencia. Como UNAM (México), destacará la pieza Journey en el teatro Houdin de Georges Méliès, o en to the Moon, del artista sudafricano William Ken- los espectáculos de vodevil de Winsor McCay tridge (2003), centro de la exposición Fortuna a comienzos del siglo XX, las artes escénicas están que ha recorrido varios países de Sudamérica. experimentando hoy una evolución hacia el En Perfiles, hemos tenido el doble privilegio de espectáculo multimedia mediante la incorpora- entrevistar al británico Barry Purves, animador ción de imagen animada; o, dicho esto sin ironía, y director escénico de talla mundial, cuyos cor- la animación reanima el teatro. tometrajes independientes giran en torno a las Las artes escénicas también han sido motivo más diversas manifestaciones del teatro, la mú- de fascinación para los animadores, que acuden al sica y la danza; y a César Díaz Meléndez, uno teatro y a los géneros musicales como inspira- de los animadores españoles más polifacéticos ción, desde el cine de animación de autor — y requeridos internacionalmente en la bullente Raimund Krumme, Guione Leroy, los hermanos producción actual de largometrajes stop-motion. Quay, e incluso el fallecido animador y escenó- El apartado Espacios se centrará en la evolución grafo Emanuele Luzzati— hasta las manifes- de la muestra universitaria Prime the Anima- taciones más “mainstream” del género, como la tion!, que en 2016 alcanzó su mayoría de edad reciente ¡Canta! (Sing, Christophe Lourdelet, y en su próxima edición devendrá festival. En Garth Jennings, 2016). Por añadidura, los prin- Producción, Silvia Carpizo y Jose Moo, alumnos cipios teatrales de acting y puesta en escena son egresados del Máster de Animación de la UPV, fundamentales en la narrativa animada de hoy nos contarán en primera persona el diario de y de siempre, pues donde hay un animador, sin realización de The Neverending Wall (2017), uno duda encontraremos también a un actor. Nos de los principales cortos de animación españoles sobran los motivos, pues, para brindar en este que se estrenarán el presente año, y del que nos número un homenaje al intercambio entre la enorgullecemos porque ha sido producido en el animación y las artes escénicas, a las que tanto entorno de la Universitat Politècnica de València, debe y tantas veces retorna. con el apoyo de la compañía Abano Producións y En el apartado de Reseñas nos ocuparemos, la East Side Gallery de Berlín; asimismo, Adrián en primer lugar, del celebrado cortometraje de Encinas, ya imprescindible cronista de la anima- Alberto Vázquez Decorado (2016), flamante ganador ción stop-motion y flamante autor del exitoso Editorial 7 This World Made Itself (2013), "performance" de Miwa Matreyek. volumen ¡Bien hecho, Gromit! (Diábolo, 2016), llevar una ópera al teatro. Un caso de estudio. nos ofrece una semblanza sobre la realización La flauta mágica de la compañía 1927 y de de "maquettes" o modelos a escala en el proceso Kosky”, por Vincenzo Sansone (Universidad de producción
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