Humbert of Romans Commentary on the Dominican Constitutions
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The Antiphonary of Bangor and Its Musical Implications
The Antiphonary of Bangor and its Musical Implications by Helen Patterson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Helen Patterson 2013 The Antiphonary of Bangor and its Musical Implications Helen Patterson Doctor of Philosophy Graduate Department of Music University of Toronto 2013 Abstract This dissertation examines the hymns of the Antiphonary of Bangor (AB) (Antiphonarium Benchorense, Milan, Biblioteca Ambrosiana C. 5 inf.) and considers its musical implications in medieval Ireland. Neither an antiphonary in the true sense, with chants and verses for the Office, nor a book with the complete texts for the liturgy, the AB is a unique Irish manuscript. Dated from the late seventh-century, the AB is a collection of Latin hymns, prayers and texts attributed to the monastic community of Bangor in Northern Ireland. Given the scarcity of information pertaining to music in early Ireland, the AB is invaluable for its literary insights. Studied by liturgical, medieval, and Celtic scholars, and acknowledged as one of the few surviving sources of the Irish church, the manuscript reflects the influence of the wider Christian world. The hymns in particular show that this form of poetical expression was significant in early Christian Ireland and have made a contribution to the corpus of Latin literature. Prompted by an earlier hypothesis that the AB was a type of choirbook, the chapters move from these texts to consider the monastery of Bangor and the cultural context from which the manuscript emerges. As the Irish peregrini are known to have had an impact on the continent, and the AB was recovered in ii Bobbio, Italy, it is important to recognize the hymns not only in terms of monastic development, but what they reveal about music. -
Central Province
CENTRAL PROVINCE INITIATE FORMATION 4. STUDY “WITHOUT KNOWLEDGE EVEN ZEAL IS NOT GOOD.” (Proverbs 19: 2) STUDY is the next pillar of the Dominican Order. It is fitting that it should follow Prayer because Dominicans see both as flowing one into the other. To a Dominican Study is the contemplation of ‘Veritas’ (Truth) and God is Truth. So our Study is another form of Prayer which is why the Dominican takes Study so seriously. THE CHURCH Of course Study is not simply the province of the Dominican but is necessary for all Christians, ordained, consecrated and lay. The Church assures us of this: “Since they are called by baptism to lead a life in keeping with the teaching of the gospel, the Christian faithful have the right to a Christian education by which they are to be instructed properly to strive for the maturity of the human person and at the same time to know and live the mystery of salvation”. (Canon 217) The Church encourages all to seek out and pursue this knowledge: “Lay people who are capable and trained may also collaborate in catechetical formation, in teaching the sacred sciences, and in use of the communications media.” (Catechism 906) This knowledge should be shared with others: “In accord with the knowledge, competence, and preeminence which they possess, [lay people] have the right and even at times a duty to manifest to the sacred pastors their opinion on matters which pertain to the good of the Church, and they have a right to make their opinion known to the other Christian faithful with due regard to the integrity of faith and morals…( Canon 212) 1 The Church was founded to spread the kingdom of Christ throughout the world. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
ABOUT the Middle of the Thirteenth Century the Dean and Chapter of St
XIII.—Visitations of certain Churches in the City of London in the patronage of St. Paul's Cathedral Church, between the years 1138 and 1250. By W. SPARROW SIMPSON, D.D., Sub-Dean and Librarian of St. Paul's. Read January 16, 1896. ABOUT the middle of the thirteenth century the Dean and Chapter of St. Paul's Cathedral Church made a minute and careful visitation of churches in their gift, lying in the counties of Essex, Hertfordshire, and Middlesex. The text of that visitation has been lately printed in a volume issued by the Camden Society.'1 The record of their proceedings is so copious that a clear and distinct account can be given of the ornaments, vestments, books, and plate belonging to these churches; and some insight can be gained into the relations which existed between the parishioners, the patrons, and the parish priest. The visitations now for the first time printed are not so full and ample as could be desired. But so little authentic information is to be gathered about the furniture and ornaments of churches in the city of London at this very early period, that even these brief records may be acceptable to antiquaries. The manuscript from which these inventories have been transcribed is one of very high importance. Mr. Maxwell Lyte describes it as " a fine volume, of which the earlier part was written in the middle of the twelfth century," and he devotes about eighteen columns of closely-printed matter to a calendar of its contents illustrated by very numerous extracts." The book is known as Liber L, and the most important portions of it are now in print. -
Treatise on Preaching - Humbert of Romans Humbert of Romans Fifth Master General of the Order of Preachers Translated by the Dominican Students Province of St
i Treatise on Preaching - Humbert of Romans Humbert of Romans Fifth Master General of the Order of Preachers Translated by the Dominican Students Province of St. Joseph Edited by WALTER M. CONLON, O.P. Dust Jacket Introduction The majority of modern books on preaching fall rather easily into one of several categories: collections of sermons, suggested outlines for sermons, or the method of writing sermons. This volume, written by Humbert of Romans, the fifth Master General of the Order of Friars Preachers, is more fundamental. It is concerned with the basic principles and consequently, even though it was written in the thirteenth century, it is timely and applicable today. Humbert treats the main aspects of preaching and displays a happy capacity for combining general principles with minute details. The general tone is lofty with a wealth of quotations from Scripture and the Fathers and the whole is studded with many excellent practical suggestions. Text from the 1951 Newman Press edition, Walter Conlon, O.P., editor Editor’s Preface To one who has no close association with the Order of Preachers, the ap- pearance of this volume should give rise to at least one question, namely, who is Humbert of Romans? This is quite understandable since Humbert is almost exclusively a “family” celebrity; his fame rests upon the literary and administrative talents he exercised within and in behalf of the Dominican Order. His life, though rich in sanctity and solid achievement, was devoid of the spectacular. The exact date of his birth (in the small village of Romans) is unknown, but it was at the end of the twelfth century. -
THE DISSEMINATION and RECEPTION of the ORDINES ROMANI in the CAROLINGIAN CHURCH, C.750-900
THE DISSEMINATION AND RECEPTION OF THE ORDINES ROMANI IN THE CAROLINGIAN CHURCH, c.750-900 Arthur Robert Westwell Queens’ College 09/2017 This dissertation is submitted for the degree of Doctor of Philosophy 2 Arthur Robert Westwell Thesis Summary: The Dissemination and Reception of the Ordines Romani in the Carolingian Church, c.750- 900. The ordines romani are products of a ninth-century attempt to correct liturgy across Europe. Hitherto, scholarship has almost exclusively focused on them as sources for the practices of the city of Rome, narrowly defined, disregarding how they were received creatively and reinterpreted in a set of fascinating manuscripts which do not easily fit into traditional categories. This thesis re- envisages these special texts as valuable testimonies of intent and principle. In the past few decades of scholarship, it has been made very clear that what occurred under the Carolingians in the liturgy did not involve the imposition of the Roman rite from above. What was ‘Roman’ and ‘correct’ was decided by individuals, each in their own case, and they created and edited texts for what they needed. These individuals were part of intensive networks of exchange, and, broadly, they agreed on what they were attempting to accomplish. Nevertheless, depending on their own formation, and the atmosphere of their diocese, the same ritual content could be interpreted in numerous different ways. Ultimately, this thesis aims to demonstrate the usefulness of applying new techniques of assessing liturgical manuscripts, as total witnesses whose texts interpret each other, to the ninth century. Each of the ordo romanus manuscripts of the ninth century preserves a fascinating glimpse into the process of working out what ‘correct’ liturgy looked like, by people intensely invested in that proposition. -
Institute for Christian Studies Institutional Repository Sweetman
Institute for Christian Studies Institutional Repository Sweetman, Robert. "Exempla and the Promotion of Religious Identity: Gerard of Frachet's Vitae Fratrum." IN Weapons of Mass Instruction: Secular and Religious Institutions Teaching the World. Proceedings of a St. Michael's College Symposium (25- 26 November, 2005), pp. 41-50. Eds. Joseph Goering, Francesco Guardiani, Giulio Silano. New York: LEGAS, 2008. Permission granted by the author to digitize this article for the ICS institutional repository. Dated: April 9, 2014. S t . M ic h a e l 's C o l l e g e S e r ie s © 2008 LEGAS No part of this book may be reproduced in any form, by print, photoprint, microfilm, microfiche, or any other means, without written permission from the publisher. Library and Archives Canada Cataloguing in Publication St. Michael's College Symposium (8th: 2005: University of Toronto) Weapons of mass instruction : proceedings of a St. Michael's College symposium (25-26 November 2005) / edited by Joseph Goering, Francesco Guardiani, Giulio Silano. (St. Michael's College series; 9) Includes bibliographical references. ISBN 978-1-894508-97-1 1. Church and education—Philosophy—Congresses. 2. Church and education—History—Congresses. 3. Teaching—Religious aspects— Christianity— Congresses. 4. Teaching—Religious aspects—Congresses. I. Goering, Joseph, 1947- II. Guardiani, Francesco, 1949- III. Silano, Giulio, 1955- IV. Tide. V. Series. LA91.S68 2005 268'.601 C2008-903452-X For further information and for orders: http://www.legaspublishing.com LEGAS P. O. Box 040328 3 Wood Aster Bay 2908 Dufferin Street Brooklyn, New York Ottawa, Ontario Toronto, Ontario USA 11204 K2R1B3 M6B 3S8 Printed and bound in Canada Weapons of Mass Instruction Secular a n d R eligious Institutions T eaching t h e W orld Proceedings of A St. -
Sacrificium Laudis
Western Rite to the rather bare Prayer Book Liturgy, so the AB THE SAINT MARK’S was created as an immense enrichment of the Daily Offi ce of Catholic-minded Anglicans. Many High Churchmen and Anglo-Catholics had pro- duced similar Daily Offi ce books long before the publication of the AB. Some of these publications were rather eclectic in their compilation, drawing from medieval English, continen- ION tal Roman (Tridentine), and Eastern Orthodox usages. Most L of these books were actually diurnals – containing seven “day MAY 2003 VOLUME CXXVIII, NO. 5 hours” and excluding the eighth, night vigil offi ce of Matins. These publications provided the translators and compilers of An Unoffi cial Newsletter of S. Mark’s Parish, the AB with models and inspiration. Denver, Colorado for Members only The AB, however, was the fi rst complete Anglo-Catholic Daily Offi ce book, containing all seven of the day hours as well as the vigil offi ce of Matins. The AB is a careful, accurate and beautiful rendering of the prayers, lessons, antiphons, and responsories of the Breviarium Romanum. The SACRIFICIUM translation of the Psalter is that of the endur- ingly beautiful Coverdale Psalter of the Book LAUDIS of Common Prayer. Likewise many of the Collects are the versions which derive The Anglican Breviary and from the Book of Common Prayer. Most the Ancient Western of the Scriptural lessons, antiphons Orthodox Divine Offi ce and responsories are taken from the Authorised Version translation of 1611 BY READER BENJAMIN JOSEPH (“King James”) (except for certain ANDERSEN, B.PHIL. instances where the Vulgate and Septuagint refl ect a more traditional INTRODUCTION catholic and orthodox interpreta- tion). -
Pope Gregory X and the Crusades
1 POPE GREGORY X AND THE CRUSADES A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE SCHOOL OF HISTORY AT QUEEN MARY, UNIVERSITY OF LONDON BY PHILIP BRUCE BALDWIN UNDER THE SUPERVISION OF DR. THOMAS ASBRIDGE 2 FOR MY PARENTS 3 ABSTRACT This study examines the crusading movement during the reign of Pope Gregory X in the latter part of the thirteenth century, before the Latin presence in the Levant came to an end. It seeks to demonstrate the important position of this little-known pope, who formed the bridge between what can now be seen as two separate eras in the crusading period, namely, the era of the traditional passagium generale, and the ‘new’ era of the passagium particulare. To do this, it will study Western and Muslim sources to understand the condition of the Holy Land during Gregory’s pontificate to see the effect it had on the manner in which he organised his crusade, using both traditional and ‘new’ methods. By drawing on sources from crusading in Iberia, it will show that Gregory approached the crusade flexibly, and was not, as commonly described by historians, wholly obsessed with the Holy Land. It also seeks to dispel one of the more popular myths surrounding Gregory, which is that he wanted to change the government of the kingdom of Jerusalem by putting Charles of Anjou in charge there. A study of the Angevin chancery records – little used by crusade historians – will demonstrate that it was not Gregory’s idea, but rather Charles’ own. Finally, using Gregory’s papal registers and chronicle evidence, this study will attempt to imagine the crusade that would have occurred had Gregory not died prematurely. -
Natlon Hu B««N Ifinohiiil Cm Cllr U Nctind 66*312 BARR, FS . P .A
Thl* itlii »natlon hu b««n ■IfinOhiiil cMcllr u nctind 66*312 BARR, F.S. P .A ., Sister M. Cyrtlla. 1929- TH E L A U D E FRANCESCA NE A N D T H E DISCI P LIN A TI OF THIRTEENTH CENTURY UM BRIA A N D TUSCANY: A C R IT IC A L STUDY OF THE CORTONA CODEX 91. (VOLUMES I AND I I ) (S tu d ie s in Music, No. 2 1 ). The Catholic University of Am erica, Ph.D., 1965 Music University Microfilms, Inc.. Ann A rb o r. Michigan Copyright by ster M. CyrI I la Borr, F.S.P.A. 1966 THE CATHOLIC UNIVERSITY OF AMERICA Stuoies in Music No. 21 THE LAUDE FRANCESCANE AND THE DISC I PL I NAT I OF THIRTEENTH CENTURY UMBRIA AND TUSCANY: A CRITICAL STUDY OF THE CORTONA CODEX 91 A DISSERTATION Submitted to the Faculty of the Graduate School of Arts and Sciences Of the Catholic University of America In Partial Fulfillment of tne Requirements For the Degree Doctor of Philosophy by Sister M. Cyri I la Barr, F.S.P.A, Washington, D. C. 1965 This dissertation was conducted under the direction of Tkovn(x/> os Major Professor and was approved by ( j t and /C '- y ^ _______ os readers THE LAUDE FRANCESCANE AND THE DISC I PL I NAT I OF THIRTEENTH CENTURY UMBRIA AND TUSCANY: A CRITICAL STUDY OF THE CORTONA CODEX 91 VOLUME I PREFACE Italian music of the middle ages followed a somewhat d if ferent course than did that of northern Europe and England. -
TRADITIO S'füdies in ANCIENT and MEDIEVAL HISTORY, THOUGHT, and RELIGION
c> TRADITIO S'fÜDIES IN ANCIENT AND MEDIEVAL HISTORY, THOUGHT, AND RELIGION Editors EDWIN A. QUAIN CHARLES H. LOHR RICHARD E. DOYLE R. E. KASKE ELIZABETH A. R. BROWN Editors Emeriti STEPHAN KUTTNER ANSELM STRITTMATTER BERNARD M. PEEBLES VOLUME XXXI FORDHAM UNIVERSITY PRESS NEW YORK 1975 MEDIEVAL LITURGICAL BOOKS AT AROUCA, BRAGA, EVORA, LISBON, AND PORTO: SOME PROVISIONAL INVENTORIES Some of the information presented in this catalogue is taken, with a minimum of critical assessment, from sources which must be considered unreliable. A perusal will quickly reveal that the inventories vary in thoroughness and that a few indeed are incomplete. Why then the temerity to publish material which in some respects is inaccurate, inconsistent, and unfinished? Very few published catalogues describe liturgical books in as much detail as is included here and the libraries of Portugal, in common with those of the rest of Europe and North Amertca,! have no catalogues which offer more than a) the type of book (occasionally inaccurate), b) the century (often inaccurate), c) the number of folios, d) the size (often expressed by the approximations of folio or octavo, etc., and e) occasionally, the provenance or Use. This article is accurate as to a), c), d), and can sometimes improve on b) and e). Moreover, it lists the main sections of each book so that the user (and more particularly the user who does not have the book to hand) can tell whether or not his Bre- viary includes the Kalendar, or the Sanctorale, and so on. Most of the inventories also list the contents of each section, giving the folio number on which begin the main feasts of the year, and the main Offices of the saints. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 1 Genre, Taxonomy and Repertory in Insular Polyphony of the “Long Thirteenth Century” (c. 1150-c.1350) by Amy Williamson Thesis for the degree of Doctor of Philosophy March 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy GENRE, TAXONOMY AND REPERTORY IN INSULAR POLYPHONY OF THE “LONG THIRTEENTH CENTURY” (c. 1150-c.1350) Amy Williamson Modern scholarship has often viewed insular medieval music unfavourably in comparison to continental and, specifically, Notre Dame composition. This is, in part, due to the fragmentary remains of the insular repertory and the lack of theoretical literature relevant to insular composition, which clearly contrasted with French practices, at times.