A New Inscription from Sidon. Against Which Other Blocks Were Laid
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Harvard Fall Tournament XIII Edited by Jon Suh with Assistance From
Harvard Fall Tournament XIII Edited by Jon Suh with assistance from Raynor Kuang, Jakob Myers, and Michael Yue Questions by Jon Suh, Michael Yue, Ricky Li, Kelvin Li, Robert Chu, Alex Cohen, Kevin Huang, Justin Duffy, Raynor Kuang, Chloe Levine, Jakob Myers, Thomas Gioia, Erik Owen, Michael Horton, Luke Minton, Olivia Murton, Conrad Oberhaus, Jiho Park, Alice Sayphraraj, Patrick Magee, and Eric Mukherjee Special thanks to Will Alston, Jordan Brownstein, Robert Chu, Stephen Eltinge, and Olivia Murton Round 3 Tossups 1. France banned this good in 1748 under the belief that it caused leprosy, a measure that was overturned through the efforts of Antoine Parmentier [“par-MEN-tee-ay”]. Frederick the Great was known as the “king” of this good for encouraging its cultivation. This good gives the alternate name of the War of the Bavarian Succession. The (*) “Lumper” variety of this good suffered a disaster that caused many people to practice “souperism” or flee in vessels known as “coffin ships.” A blight of this good decreased the population of a European nation by 25%. For 10 points, name this foodstuff that suffered the Great Famine of the 1840s in Ireland. ANSWER: potatoes <Suh> 2. An actress was able to commit to this show after the cancellation of the sitcom Muddling Through. A “shag” worn by a character on this show’s second season is one of the most copied women’s hairstyles of all time. Characters on this show often observe an “Ugly Naked Guy.” A character on this show is called a (*) “lobster” by a woman who wrote the song “Smelly Cat.” A character on this show continually justifies his infidelity by saying “We were on a break!” For 10 points, name this television series with the theme song “I’ll be There for You” about six companions, including Ross and Rachel, who often hang out at the Central Perk cafe in New York City. -
Transformation of a Goddess by David Sugimoto
Orbis Biblicus et Orientalis 263 David T. Sugimoto (ed.) Transformation of a Goddess Ishtar – Astarte – Aphrodite Academic Press Fribourg Vandenhoeck & Ruprecht Göttingen Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Publiziert mit freundlicher Unterstützung der PublicationSchweizerischen subsidized Akademie by theder SwissGeistes- Academy und Sozialwissenschaften of Humanities and Social Sciences InternetGesamtkatalog general aufcatalogue: Internet: Academic Press Fribourg: www.paulusedition.ch Vandenhoeck & Ruprecht, Göttingen: www.v-r.de Camera-readyText und Abbildungen text prepared wurden by vomMarcia Autor Bodenmann (University of Zurich). als formatierte PDF-Daten zur Verfügung gestellt. © 2014 by Academic Press Fribourg, Fribourg Switzerland © Vandenhoeck2014 by Academic & Ruprecht Press Fribourg Göttingen Vandenhoeck & Ruprecht Göttingen ISBN: 978-3-7278-1748-9 (Academic Press Fribourg) ISBN:ISBN: 978-3-525-54388-7978-3-7278-1749-6 (Vandenhoeck(Academic Press & Ruprecht)Fribourg) ISSN:ISBN: 1015-1850978-3-525-54389-4 (Orb. biblicus (Vandenhoeck orient.) & Ruprecht) ISSN: 1015-1850 (Orb. biblicus orient.) Contents David T. Sugimoto Preface .................................................................................................... VII List of Contributors ................................................................................ X -
Perceptions of Phoenician Identity and Material Culture As Reflected in Museum Records and Displays
Elusive Phoenicians | Perceptions of Phoenician identity and material culture as reflected in museum records and displays Lamia Sassine Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy September 2020 Acknowledgements First and foremost, this thesis goes to my parents, who have worked hard to ensure there was another doctor in the family (although probably not the kind they initially hoped for). Thank you for being my main sponsors and support. This work would also have been impossible without my amazing supervisors. Sue, it was an honour to be one of your last students, you have been a true hero to archaeology and working with you for three years made it very clear why. Jane, thank you for always being there on the more practical side of things and for always making time for me, academia needs you. I also owe a lot to every curator and archivist who made me feel welcome and fed this thesis with the information they gave me. These people are: Elena Aguilera Collado, Anne-Marie Afeiche, Carla Del Vais, Lucia Ferruzza, Lamia Fersi, Maria Grazia Griffo, Thomas Kiely, Aurora Ladero, Hélène Le Meaux, María Dolores López De La Orden, Reine Mady, Giuseppa Mizzaro, Sara Muscuso, José Ángel Palomares Samper, Despina Pilides, Manuela Puddu, Alicia Rodero, Virginia Salve, Concha San Martín, Giuliana Sara, Anna Satraki, Sharon Sultana, Pamela Toti, Jonathan Tubb, Juan Ignacio Vallejo Sánchez, Yiannis Violaris, and Eftychia Zachariou. Thank you to Hélène Sader for pushing me to pursue a PhD in the first place and seeing potential in me. -
And Type the TITLE of YOUR WORK in All Caps
BURIAL PRACTICES, FUNERARY TEXTS, AND THE TREATMENT OF DEATH IN IRON AGE ISRAEL AND ARAM by RACHEL VIRGINIA KING NABULSI Under the Direction of RICHARD FRIEDMAN ABSTRACT This research encompasses two branches of evidence regarding the treatment of death and burial among the Iron Age cultures of Israel and Aram – the archaeological and the textual. The importance of this investigation lies in placing these groups in dialogue with one another, and in the comprehensive use of both archaeological and textual information. The archaeological aspect of this research begins by collecting archeological data from a large number of burial sites throughout both of the target territories. The range of this data extends from the time of the Late Bronze Age into the Persian period, but the primary focus is upon the Iron Age. The first section of the dissertation relates to each of these areas and what can be learned from a survey of sites over this period, with particular attention paid to commonalities and contrasts among the two cultural groups. The second half of this research encompasses the textual and inscriptional data. Textual data include inscriptions from coffins, tombs, and funerary monuments from the Iron Age through the Persian period in Israel and Aram. Another crucial aspect of this textual data is the text of the Hebrew Bible. The biblical text, particularly the narrative sections of the text, provides a great amount of material for understanding death in Iron Age Israel and Judah. iv INDEX WORDS: Israel, Judah, Aram, Hebrew Bible, death, -
Demir Çağ'da Kutsal Fahişe Figürü: Kökeni
T.C. BİLECİK ŞEYH EDEBALİ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ ARKEOLOJİ ANABİLİM DALI PROTOHİSTORYA VE ÖNASYA ARKEOLOJİSİ PROGRAMI (Anadolu Üniversitesi ve Bilecik Şeyh Edebali Üniversitesi Tarafından Yürütülen Ortak Program) DEMİR ÇAĞ’DA KUTSAL FAHİŞE FİGÜRÜ: KÖKENİ, İKONOGRAFİSİ VE YAYILIMI YÜKSEK LİSANS TEZİ Mehmet Akçınar Tez Danışmanı Yard. Doç. Dr. Mahmut Bilge BAŞTÜRK BİLECİK, 2016 Ref. No: 10054245 T.C BİLECİK ŞEYH EDEBALİ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ ARKEOLOJİ ANABİLİM DALI PROTOHİSTORYA VE ÖNASYA ARKEOLOJİSİ PROGRAMI (Anadolu Üniversitesi ve Bilecik Şeyh Edebali Üniversitesi Tarafından Yürütülen Ortak Program) DEMİR ÇAĞ’DA KUTSAL FAHİŞE FİGÜRÜ: KÖKENİ, İKONOGRAFİSİ VE YAYILIMI YÜKSEK LİSANS TEZİ Mehmet Akçınar Tez Danışmanı Yard. Doç. Dr. Mahmut Bilge BAŞTÜRK Bilecik, 2016 10054245 BEYAN “Demir Çağ’da Kutsal Fahişe Figürü: Kökeni, İkonografisi Ve Yayılımı” adlı yüksek lisans tezinin hazırlık ve yazımı sırasında bilimsel ahlak kurallarına uyduğumu, başkalarının eserlerinden yararlandığım bölümlerde bilimsel kurallara uygun olarak atıfta bulunduğumu, kullandığım verilerde herhangi bir tahrifat yapmadığımı, tezin herhangi bir kısmını Bilecik Şeyh Edebali Üniversitesi veya başka bir üniversitedeki başka bir tez çalışması olarak sunmadığımı beyan ederim. Mehmet AKÇINAR 08.05.2016 ÖN SÖZ Demir Çağ’da; Anadolu-Kıbrıs arasında, bütün Levant ve Batı Akdeniz boyunca yayılmış olan “Astarte-Aphrodite Kültü”nün seramikler üzerindeki yansıması olarak karşılaştığımız “Kutsal Fahişe Figürü” bu tezin konusunu oluşturmaktadır. Demir -
Proceedings of the 2Nd International Congress on the Archaeology of the Ancient Near East
2 ICAANE Proceedings of the 2nd International Congress on the Archaeology of the Ancient Near East Volume 1 The Environment Images of Gods and Humans The Tell Excavation Reports and Summaries Varia Bogy, Technology, Arb Department of History and Cultures, University of Bologna Eisenbrauns Proceedings of the 2nd International Congress on the Archaeology of the Ancient Near East 22-26 May 2000, Copenhagen ALMA MATER STUDIORUM – UNIVERSITY OF BOLOGNA ORIENTLAB SPECIAL ISSUE DEPARTMENT OF HISTORY AND CULTURES Proceedings of the 2nd International Congress on the Archaeology of the Ancient Near East 22-26 May 2000, Copenhagen Volume 1 The Environment Images of Gods and Humans The Tell Excavation Reports and Summaries Varia (Chronology, Technology, Artifacts) Edited by Ingolf Thuesen Department of History and Cultures, University of Bologna / Eisenbrauns Bologna 2016 OrientLab. Special Issue www.orientlab.net/pubs © 2016 The individual authors Cover image: Middle Bronze IB female clay figurine 5A847 from Tomb II at Hama (after N. Marchetti, La coroplastica eblaita e siriana nel Bronzo Medio. Campagne 1964-1980. Materiali e Studi Archeologici di Ebla V. Roma 2001, pl. CCXLI: 1) Jointly published by the Department of History and Cultures and Eisenbrauns Department of History and Cultures, Alma Mater Studiorum – University of Bologna www.disci.unibo.it Eisenbrauns Inc., Winona Lake, Indiana www.eisenbrauns.com ISBN 978-88-6113-007-4 doi: 10.12878/orientlabsi2icaane-1 Contents VOLUME 1 Preface. xi INGOLF THUESEN Introduction . xiii INGOLF THUESEN Section I: The Environment The Landscape Archaeology of Jordan—Early Villages, Towns and Cities: Opening Speech . 3 ZEIDAN A. KAFAFI Policy, Activities and New Archaeological Discoveries in Israel . -
Acts 11:1-21
a Grace Notes course The Acts of the Apostles an expositional study by Warren Doud Lesson 210: Acts 11:1-21 Grace Notes 1705 Aggie Lane, Austin, Texas 78757 Email: [email protected] ACTS, Lesson 210, Acts 11:1-21 Contents Acts 11:1-21 ................................................................................................................. 3 Acts 11:1 .......................................................................................................................... 3 Acts 11:2 .......................................................................................................................... 3 Acts 11:3 .......................................................................................................................... 4 Acts 11:4 .......................................................................................................................... 5 Acts 11:5 .......................................................................................................................... 5 Acts 11:6 .......................................................................................................................... 7 Acts 11:7 .......................................................................................................................... 7 Acts 11:8 .......................................................................................................................... 8 Acts 11:9 ......................................................................................................................... -
S. Rebecca Martin, the Art of Contact: Comparative Approaches to Greek and Phoenician Art
S. Rebecca Martin, The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Philadelphia: University of Pennsylvania Press, 2017. 320 pages, 38 color, 59 b/w illus. ISBN 9780812249088 (cloth) $59.95. Exploring the relationship between theory, method, and interpretation, The Art of Contact provides a critique of commonly employed classifications, heuristics, and critical terminology whilst introducing several new methodological approaches and conceptual tools for the study of Greek and Phoenician art history. In equal measures challenging, provocative, and inspirational, Martin’s volume will undoubtedly evoke a plurality of reactions amongst its target audience (principally art historians, classicists, and classical archaeologists). By means of a highly selective examination of Greek and Phoenician artistic traditions and interactions during the first millennium BCE (with an emphasis on the fifth to second centuries) Martin highlights the pervasiveness of primordialism and its continued influence on scholarly perceptions and interpretations of ancient art whilst advocating a greater awareness of the relationship between theory and the writing of art history. Though Martin unavoidably opens herself to accusations of selection bias by eschewing tradition and presenting a series of geographically and chronologically diffuse case studies in preference to a sustained analysis of a specific place, time, or category of artefact, this approach does not undermine the volume’s value as a catalyst for future research and as a much-needed challenge to scholarly presumptions and prejudices. Arranged in roughly chronological order, the volume is divided into five thematic chapters. Each chapter explicates the strengths and weaknesses of a particular model or methodology by outlining the most contentious interpretive issues (specifically, those pertaining to genre, chronology, and context) and by critically evaluating the efficacy of related scholarly terminology. -
Acts 8:14, Now When the Apostles Which Were at the People
a Grace Notes course The Acts of the Apostles Chapters 8 to 14 Compiled by Warren Doud Grace Notes Web Site: http://www.gracenotes.info E-mail: [email protected] ACTS - compiled by Warren Doud Chapters 8 to 14 Contents ACTS 8 ........................................................................................................................................................... 3 ACTS 9 ......................................................................................................................................................... 23 ACTS 10 ....................................................................................................................................................... 42 ACTS 11 ....................................................................................................................................................... 56 ACTS 12 ....................................................................................................................................................... 75 ACTS 13 ....................................................................................................................................................... 86 ACTS 14 ..................................................................................................................................................... 116 The first clause should be the concluding verse The Acts course is published in four parts, with of chapter 7. The Vulgate (Latin) version, and seven chapters in each part. The files are titled: -
Unburning Fame Horses, Dragons, Beings of Smoke, and Other Indo-European Motifs in Ugarit and the Hebrew Bible Wikander, Ola
Unburning Fame Horses, Dragons, Beings of Smoke, and Other Indo-European Motifs in Ugarit and the Hebrew Bible Wikander, Ola 2017 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Wikander, O. (2017). Unburning Fame: Horses, Dragons, Beings of Smoke, and Other Indo-European Motifs in Ugarit and the Hebrew Bible. (Coniectanea Biblica, Old Testament Series; Vol. 62). Eisenbrauns. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Unburning Fame Horses, Dragons, Beings of Smoke, and Other Indo-European Motifs in Ugarit and the Hebrew Bible Coniectanea Biblica Old Testament Series 62 by Ola Wikander Originally published by Eisenbrauns, 2017 (that version copyright © Eisenbrauns 2017) . -
Nations Spoke This Language - the Original Language
1 All Nations Spoke this Language - The Original Language This topic heavily debated about because there are some who view language as "Evolutionary", meaning it started very Primitive and then Evolved. Now, I named my book and website “Primitive Sign Language” because Primitive means "first and original". I am not implying that the first language was basic, on the contrary, we have fallen in our language skills because the letters we use (in any and all languages) have no meaning (or in Asia too many letters, the people with the with the most illiteracy) and the rules change every so often years. Also, words are borrowed from other languages corrupting the language yet more. You need a dictionary to explain the origins of a word to be able to pronounce it and understand its meaning because the letters do not have any meaning. The first language of all mankind, the one which Noah spoke, defined words by their symbols. Long story short, language has not evolved, it has become "CONFUSED" and it is in decline as far as common sense is concerned. Every nation is speaking a confused a language. Humans no longer use these symbols... although, it is now making its way back with the efforts of many bible believers. The bible preserved the Ancient Hebrew Symbols above which coincide with these letters. All you need to do is switch over the fonts. This works only because the Ancient Symbols were the Original Biblical Hebrew Letters. I have been calling the letters "Ancient Hebrew" up until this point, but if I am to be honest and truthful .. -
Epigrafía E Historia Fenicias: Las Inscripciones Reales De Sidón*
Epigrafía e historia fenicias: Las inscripciones reales de Sidón* J. Á. Zamora El conjunto de inscripciones fenicias halladas en lo que hoy es el territorio de la república del Líbano constituye una documentación fundamental para la comprensión de la lengua, de la historia y del general de la cultura fenicias. Los documentos libaneses son además una excelente clave de acceso al resto de la epigrafía fenicio-púnica. Como es bien sabido, en el actual territorio libanés se encuentran los restos de las que fueron las más importantes ciudades fenicias. Las inscripciones en fenicio más largas, complejas e informativas del Oriente (con escasas, aunque significativas, excepciones) se hallaron en los templos y necrópolis de estas ciudades, de forma nada sorprendente. Por tanto, a través del estudio de un grupo pequeño, pero importante, de las inscripciones fenicias del Líbano nos será posible apreciar las particularidades del conjunto de la epigrafía fenicio-púnica, además de mostrar algunas de sus posibilidades en el terreno de la interpretación histórica. A modo de ejercicio, repasaremos desde estas fuentes selectas algunos problemas clásicos (de historia fáctica, de cronología) con una aproximación de corte tradicional que, sin embargo, nos permitirá también señalar, siquiera de paso, ulteriores posibilidades interpretativas. En las páginas que siguen dedicaremos pues nuestra atención, con tales intenciones, a un importante grupo de epígrafes hallados en el territorio de la antigua Sidón. Dicho grupo no sólo resulta un excelente ejemplo de las posibilidades y problemas de la documentación fenicia, si no que permite también repasar algunos aspectos de la historia de la ciudad y la del Levante en general a través de esta última.