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Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Crimea, Voto Ad Alta Tensione
Coltivo un’aspirazione: che siano deposte le armi nel conflitto israeliani-palestinesi. Non sono capace di rancore. Nemmeno nei confronti dei miei aguzzini. Edith Bruck 1,30 Anno 91 n. 73 Domenica 16 Marzo 2014 Frida Khalo Le parole elettriche Seedorf: eterna tutta colpa icona d’arte di Ivano Fossati di Allegri U: Matitti pag. 18-19 Scateni pag. 17 De Marzi pag. 23 Lavoro, la svolta di Parigi ● Patto tra il premier italiano e il presidente francese: crescita e occupazione sono la vera emergenza, l’Europa deve cambiare ● «L’Italia non sforerà il tetto del 3%» ● Domani faccia a faccia con Merkel Tra Renzi e Hollande è piena sintonia sulla svolta dell’Europa. Le priorità, di- LE INTERVISTE cono dopo l’incontro all’Eliseo, sono la- voro e crescita e la Ue deve cambiare. «L’Italia non sforerà il tetto del 3%», assicura il premier italiano. E domani Cuperlo: bene faccia a faccia con Merkel a Berlino. ZEGARELLI A PAG. 2 Matteo, ora La partita convenzione del premier della sinistra LUCA LANDÒ CARUGATI A PAG. 3 LO ZEN E L’ARTE DEL CONTROPIEDE. ● ANCHE SE DA MATTEO RENZI, EX Bonanni: dico sì SCOUT E CATTOLICO praticante, è diffici- le aspettarsi una passione per le religio- sui contratti, ni orientali, la tentazione di ripescare (non rottamare) il libro di Robert Pir- alt al precariato sig che univa le qualità più alte della meditazione a quelle più basse e grasse VENTIMIGLIA A PAG. 5 (nel senso di olio usato e mani sporche) della manutenzione della motociclet- ta, è piuttosto elevata. Con una sostitu- Grosso: leggi zione indispensabile: il calcio. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Twilight Singers: Wäre
anderer Leute Kollektive bin. Etwa bei den Italienern. Scott und ich haben mich, die Musik nicht mehr zu kategorisieren. Egal wie ein Lied klingt, es auch schon die Backing Band für andere Künstler gemacht. Es ist schwie- kann auf eine Platte kommen, so lange es großartig ist und zu den anderen rig für mich, eine Band zu haben. Ich bin keine 20 mehr, ich habe keine Kindern passt. ‘I'm Ready’ und ‘Underneath The Waves’ sollen beweisen, Lust, nach einer Show auf dem Boden von irgendjemandes Haus zu über- dass jetzt alles geht. nachten. Ich will auch nicht den Mentor für andere spielen. Stattdessen biete ich ein Projekt an, wo jeder bezahlt wird und anschließend machen Interview: Dietmar Stork kann, was er will. Ist eine Band zu eingeschränkt, weil man keine Leute dazu holen kann, die vielleicht besser für einen bestimmten Song wären? Greg: Ich fühlte mich am Ende der Afghan Whigs eingeschränkt, weil ich andere Leute dazu holen wollte. Nicht unbedingt einen Gitarristen oder Diskografie Greg Dulli (Auswahl): Bassisten, aber ich hatte damals Interesse an Electronica und so. John und Rick sind echte Rocker, die waren darüber entsetzt. Afghan Whigs: Scott: Ich weiß genau, was du meinst. Es gibt Lieder, die Greg schreibt, bei 1988 ‘Big Top Halloween’ (Ultrasuede) denen weiß ich, dass ich der Richtige dafür bin. Ich muss dieses Lied spie- 1990 ‘Up in It’ (Sub Pop) len. Und manchmal gibt es Lieder, wo ich dieses Gefühl nicht habe. Das 1992 ‘Congregation’ (Sub Pop) kann vielleicht jemand anderes besser. Auf Tour muss ich dann allerdings 1993 ‘Gentlemen’ (Elektra Records) den Stil anderer Bassisten kopieren. -
Racing Towards Summer
kcwKENSINGTON CHELSEA & WESTMINSTER today LONDON NEWS, GLOBAL VIEWS ISSUE 0062 JUNE 2017 FREE (EXCEPT WHERE SOLD) Photograph courtesy and © Steve and Jem Copley and Jem courtesy and © Steve Photograph RACING TOWARDS SUMMER BUSINESS & FINANCE NEWS EDUCATION HEALTH EVENTS TRAVEL & LIFESTYLE SPORTS MOTORING DINING OUT ARTS & CULTURE LITERATURE 2 June 2017 Kensington, Chelsea & Westminster Today www.KCWToday.co.uk 020 7738 2348 June 2017 Kensington, Chelsea & Westminster Today 3 Contents & Offices News online: www.KCWToday.co.uk impenetrable and gibberish. And worse Kensington, Chelsea KENSINGTON CHELSEA & WESTMINSTER compendium KENSINGTON CHELSEA & WESTMINSTER TODAY • MAY 2017 NO 2 Carolyn Jenkins www.carolynjenkins.co.uk than that, in French. & Westminster Today kcwtoday Contents Covfefe But basically: words and grammar LONDON NEWS, GLOBAL VIEWS crossrail • horticulture • maps • motoring • auctions • property Chelsea Flower Show Edition ISSUE 0061 MAY 2017 FREE (EXCEPT WHERE SOLD) By Marius Brill and the like are them things the elite use 80-100 Gwynne Road, London, to show they’re superior and enchant and SW11 3UW entrap us with their spells and suchlike. Tel: 020 7738 2348 Well, against all the odds, Deconstructionism has made it to the GENERAL mainstream. A populist movement led by ELECTION E-mail: [email protected] 8.06.2017 no less than the Commander-In-Chief Website: 3 News here are only two types of The United States is stripping away www.kcwtoday.co.uk news the very point of words by rendering of people. Those who them meaningless. He tirelessly tweets Advertisement enquiries: divide people into [email protected] 10 Opinion & Comment suggest that a simple assembly of words, can’t get anything done. -
Spillers Records New Release List 28 Feb 2020
NEW RELEASE CDs 28/2/20 JUNIORE Un Deux Trois Gorgeous Dinked Edition LP SOLD OUT ON PRESALE But get your orders in for these formats and we'll do the rest! CD (Due 13/3/20) LP (10/4/20) CARIBOU Suddenly [City Slang] £9.99 ELTON JOHN w/ RAY COOPER Live From Moscow 1979 [2CD] £10.99 GREG DULLI (The Afghan Whigs) Random Desire £10.99 GUIDED BY VOICES Surrender Your Poppy Field £12.99 HUMANIST Humanist [Ignition] £10.99 Feat Mark Lanegan, Dave Gahan (Depeche Mode), John Robb (Membranes), Jim Jones + Members / Collaborators of Ride, Portishead + more! JAMES TAYLOR American Standard [Concord] £10.99 PAT METHENY From This Place [Nonesuch] £10.99 REAL ESTATE The Main Thing [Domino] £9.99 SOCCER MOMMY Color Theory [Loma Vista] £9.99 THE ORIELLES Disco Volador [Heavenly] £9.99 THESE NEW PURITANS The Cut (2016-2019) [Ltd. INDIES EXC. CD] £15.99 WASTED SHIRT Fungus II £11.99 Wasted Shirt is Ty Segall & Brian Chippendale (Lightning Bolt)! BOBBY PREVITE, JAMIE SAFT & NELS CLINE (Wilco) Music From The Early 21st Century £10.99 BROOKE BENTHAM Everyday Nothing £9.99 Produced And Partly Co-Written With Bill Ryder-Jones CLOSE LOBSTERS Post Neo Anti (Arte Povera In The Forset Of Symbols) £9.99 EMICIDA AmarElo £10.99 FIVE FINGER DEATH PUNCH F8 £10.99 GRIMM GRIMM Ginormous £10.99 HELIOCENTRICS Infinity Of Now £10.99 I ROY Heavier Than Lead [Kingston Sounds] £9.99 INTRONAUT Fluid Existential Inversions [Metal Blade] £10.99 JEREMY CUNNINGHAM The Weather Up There [Northern Spy] £10.99 JOHN RENBOURN BAND The Enchanted Garden [Talking Elephant] £9.99 KEVIN KRAUTER -
Complete Christmas Songbook
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
The Devialet D-Premier Redefines High End Audio
Music.Gear.Style. No.35 February 2011 Conquering The Devialet D-Premier Space Redefines High End Audio n Music Extravaganza: Reviews of New LPs from Decemberists, 11th Dream Day, J. Mascis, Motörhead, Wanda Jackson, and more! n Twilight Singing: A Conversation with Greg Dulli Stereotypes Sound City Audio Classics Shelley’s Stereo Audio Vision S F Daytona Beach, FL 32114 Denville, NJ 07834 Vestal, NY 13850 Hi Fi Center San Francisco, CA 94109 386-253-7093 973-627-0083 607-766-3501 Woodland Hills, CA 91367 415-641-1118 818-716-8500 Sound Components The Sound Concept Home Theater Concepts Audio FX Coral Gables, FL 33146 Bedford Hills, NY 10507 Morton, IL 61550 DSS- Dynamic Sacramento, CA 95825 305-665-4299 914-244-0900 309-266-6640 Sound Systems 916-929-2100 Carlsbad, CA 92088 Audio Advisors Sound Image Audio and Global Sight & Sound 760-723-2535 Media Enviroments West Palm Beach, FL 33409 Video Design Group Sussex, WI 53089 San Rafael, CA 94901 561-478-3100 Carrollton, TX 75006 262-820-0600 L & M Home Entertainment 415-456-1681 972-503-4434 Tempe, AZ 85285 Independence Audio Freeman’s Stereo 480-403-0011 Pro Home Systems Independence, MO 64055 Advanced Home Charlotte, NC 28216 Oakland, CA 94609 816-252-9782 Theater Systems 704-398-1822 Joseph Cali Systems Design 510-653-4300 3800 Watts. Plano, TX 75075 Santa Monica, CA 90404 Definitive Audio 972-516-1849 Hi Fi Buys 310-453-3297 Overture Bellevue, WA 98005 Nashville, TN 37211 Winnington, DE 19803 360 lbs. 425-746-3188 Speaker Shop 615-832-3121 Systems Design Group 302-478-6050 Amherst, NY 14226 Redondo Beach, CA 90278 Audio Design 716-837-1557 Electronic System 310-370-8575 Devastating Bass. -
Afterhours Dopo Il Debutto Con Il Mini-Cd All the Good Children Go To
Afterhours Dopo il debutto con il mini-cd All the Good Children Go to Hell, nel 1990 esce l’album d’esordio During Christine’s Sleep che lascia già intendere il talento rock del gruppo milanese. Grazie all’influente rivista americana Alternative Press che lo segnala come disco del mese, vengono invitati a rappresentare l’Italia al New Music Seminar di New York. Nel 1991 esce il mini LP Cocaine Head. Immediatamente dopo, il gruppo viene invitato al Berlin Indipendence Days. Nel 1993 registrano Mio fratello è figlio unico di Rino Gaetano per l’album tributo legato ad Arezzo Wave - è la prima traccia ufficiale cantata in italiano - e pubblicano l’album Pop Kills Your Soul. L’anno seguente registrano una spettacolare versione de La canzone popolare per il tributo a Ivano Fossati. Nel 1995 il gruppo pubblica un nuovo album, Germi, il primo interamente cantato in lingua italiana. L’album contiene i semi della filosofia Afterhours: melodia e rumore, cut-up nei testi, sperimentazione pop e ironia. L’estratto Dentro Marilyn è stato reinterpretato dalla straordinaria voce di Mina, che lo ha intitolato Tre volte dentro me. Nel corso del 1997 firmano un contratto discografico con la Mescal e registrano l’album Hai paura del buio? Diciannove canzoni nelle quali sviluppano completamente il teorema “After”: marchiare con la loro personalità e il loro suono la ballata rock come l’urlo hard- core, la sperimentazione su quattro piste e l’hi-fi più evoluto. La produzione artistica di Manuel Agnelli, cantante e chitarrista del gruppo (che, ricordiamo, ha prodotto i primi due album di Cristina Dona’ e gli esordi di Pitch e Scisma), si spinge alla ricerca di interpretazioni sonore poco convenzionali nel pop, senza i complessi di inferiorità che tanto ossessionano gli addetti ai lavori della penisola, facendo largo uso di ironia dissacrante. -
SXSW 2006 Showcasing Artist 941 Songs, 2.5 Days, 3.39 GB
Page 1 of 27 SXSW 2006 Showcasing Artist 941 songs, 2.5 days, 3.39 GB Name Time Album Artist 1 DONT LET ME DOWN 3:25 SXSW 2006 Showcasing Artist A.J. Croce 2 Another Seven Years 3:59 SXSW 2006 Showcasing Artist Aberdeen City 3 Drive Away Slow 4:30 SXSW 2006 Showcasing Artist Abi Tapia 4 Sometimes 2:52 SXSW 2006 Showcasing Artist Abigail Washburn 5 THE GAME 3:18 SXSW 2006 Showcasing Artist Action Action 6 Voodoo Economics 3:50 SXSW 2006 Showcasing Artist Ad Astra Per Aspera 7 Tell Me, Tell Me 2:35 SXSW 2006 Showcasing Artist The Adored 8 My Love Will Keep 4:19 SXSW 2006 Showcasing Artist Adrienne Young & Little Sadie 9 Buildings 3:43 SXSW 2006 Showcasing Artist Adult Rodeo 10 This is my love 3:37 SXSW 2006 Showcasing Artist The Aeroplanes 11 Craked Teeth 2:41 SXSW 2006 Showcasing Artist Ahleuchatistas 12 Rockness Monster 3:09 SXSW 2006 Showcasing Artist Akimbo 13 World Came Tumbling Down 3:36 SXSW 2006 Showcasing Artist Al Anderson 14 I Am the Lazer Viking 0:45 SXSW 2006 Showcasing Artist An Albatross 15 WHAT I FEEL IS MINE 2:59 SXSW 2006 Showcasing Artist Alien Ant Farm 16 Playing the Game 3:28 SXSW 2006 Showcasing Artist AM 17 All My Wasted Days 3:44 SXSW 2006 Showcasing Artist The Amazing Pilots 18 Gone So Young 3:24 SXSW 2006 Showcasing Artist Amber Pacific 19 Seconds Until Midnight 3:40 SXSW 2006 Showcasing Artist Ambulette (aka Bella lea) 20 Radio 3:33 SXSW 2006 Showcasing Artist American Eyes 21 Buffalo Creek 3:39 SXSW 2006 Showcasing Artist American Minor 22 Stolen Blues 2:32 SXSW 2006 Showcasing Artist American Princes 23 Colors