Crisis & Creativity • Dream Gifted Music
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MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018
MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018 Subcontractor Spotlight: HVAC, Inc. Non-Profit Org. US Postage PAID Asheville, NC Permit No. 101 The Museum is pleased to highlight HVAC, Inc. as a Subcontractor Spotlight. Headquartered in Asheville, NC and Bristol, TN and an expert serving the region, HVAC, Inc. is a full service specialty mechanical contractor offering a -1717 full complement of building solutions. HVAC, Inc. company philosophy states 2 2880 828.253.3227 Asheville, NC P.O. Box 1717 “We believe in and support the communities in which we live and work. And ashevilleart.org we strive daily to improve anything and everything @ www.ashevilleart.org we can. Every project we do is special and we are mailbox innovators in mechanical problem solving.” Asheville Art Museum Assoc. Since 1986, HVAC has grown from eight to more than 100 dedicated, innovative, hard-working employees. The Asheville Art Museum is proud to have HVAC, Inc. team members working on the 5:00 p.m. installation of the critical heating, ventilation and cooling systems, which are a major component of the Museum new Museum. These new systems will provide the necessary climate-controlled environment to house rt A and showcase the Museum’s Permanent Collection HVAC, Inc. has been working hard and special exhibitions. the past few months installing critical mechanical and climate systems, a Sun. 1:00 – 5:00 p.m. 175 Biltmore Avenue Tues. – Sat. 10:00 a.m. major component of the new building. Collections Spotlight: [email protected] www.ashevilleart.org Asheville 2 South Pack Square | Under Construction My Big Black America, Wesley Clark On TheSlope For information call828.253.3227 The Asheville Art Museum is excited to have recently acquired a new work titled My Big Black America by artist Wesley Clark through its newly PERFORMANCES + WORKSHOP formed Acquisition Response Team (A.R.T.), a support network for acquiring exciting works of art that require Midday Music Break in the Gallery rapid funding and quick decision-making. -
A Narrative Approach to the Philosophical Interpretation Of
A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: Curriculum and Instruction A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Stephen Carpenter Patrick Slattery Committee Members, Valerie Hill-Jackson Toby Egan Head of Department, Dennie Smith May 2011 Major Subject: Curriculum and Instruction iii ABSTRACT A Narrative Approach to the Philosophical Interpretation of Dreams, Memories, and Reflections of the Unconscious Through the Use of Autoethnography/Biography. (May 2011) Antonio Rivera Rosado, B.A., Interamerican University of Puerto Rico; M.Ed., The University of Texas at El Paso Co-Chairs of Advisory Committee, Dr. Stephen Carpenter Dr. Patrick Slattery The purpose of the present study aimed to develop a comprehensive model that measures the autoethnographic/biographic relevance of dreams, memories, and reflections as they relate to understanding the self and others. A dream, memory, and reflection (DMR) ten item questionnaire was constructed using aspects of Freudian, Jungian, and Lacanian Theory of Dream Interpretation. Fifteen dreams, five memories, and five reflections were collected from the participant at the waking episode or during a moment of deep thought. -
Confrontations with the Unconscious :: an Intensive Study of the Dreams of Women Learning Self-Defense. Deborah S
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1992 Confrontations with the unconscious :: an intensive study of the dreams of women learning self-defense. Deborah S. Stier University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Stier, Deborah S., "Confrontations with the unconscious :: an intensive study of the dreams of women learning self-defense." (1992). Masters Theses 1911 - February 2014. 2212. Retrieved from https://scholarworks.umass.edu/theses/2212 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CONFRONTATIONS WITH THE UNCONSCIOUS: AN INTENSIVE STUDY OF THE DREAMS OF WOMEN LEARNING SELF-DEFENSE A Thesis Presented by DEBORAH S. STIER Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE February 1992 Psychology CONFRONTATIONS WITH THE UNCONSCIOUS: AN INTENSIVE STUDY OF THE DREAMS OF WOMEN LEARNING SELF-DEFENSE A Thesis Presented by DEBORAH S. STIER Approved as to style and content by: Murrayray M. Schwartz, ClVa ir Sally^fA. Freeman, Member Ronnie .i|»nof f-Bulman, Member D^avid M. Todd /^-Member C_jGharles'"E. CI if tc«1, Acting Chair Department of Psychology — — — DREAMS All night the dark buds of dreams open richly. In the center of every petal is a letter, and you imagine if you could only remember and string them all together they would spell the answer. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
A Graduate Recital in Voice
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2014 A graduate recital in voice Brent M. Smith University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2014 Brent M. Smith Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Smith, Brent M., "A graduate recital in voice" (2014). Dissertations and Theses @ UNI. 258. https://scholarworks.uni.edu/etd/258 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by BRENT M. SMITH 2014 All Rights Reserved A GRADUATE RECITAL IN VOICE A Recital Abstract Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music Brent M. Smith University of Northern Iowa May 2014 THIS RECITAL ABSTRACT BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice has been approved as meeting the thesis requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. John Hines, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Jean McDonald, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Korey Barrett, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Michael J. Licari, Dean, Graduate College THIS RECITAL BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice DATE OF RECITAL: March 3, 2014 has been approved as meeting the recital requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. -
Manifestations S01 E14: Change
Manifestations S01 E14: Change Intro Music - Breathe, by Chill Carrier https://chillcarrier.bandcamp.com/ Voiceover: Manifestations is a podcast of the Ostium Network Voiceover: Time is not linear, but our story is. Please join us ... on our journey. We, are Manifestations. Music becomes dramatic then fades out Episode background music is a fast and percussive electric piano - Burst, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - I took some time to get a shower and have a fresh change of clothes. [two beat alarm sound begins] I’m just tying my boots when I’m startled by a strange noise. It’s not loud, but it’s shrill and repeating. If this is their idea of an alarm, it certainly has my attention. Alan - I check the phone for any notices. The only thing I see is a glyph marked “QILA.” I touch it and a message opens, it tells me there’s an incident in the medical section. [alarm sound ends] The anomalies are awake. Security measures have been taken. There’s also a map and instructions on how I can get there. Alan - I grab Thomas’ shoulder bag and head for the door. There’s no one in the hall. I make it to the elevator, down to the main floor and across to a set of stairs. I’m 3 floors down before I see anyone else. They look at me strange, but keep going about their business. I’m a fellow employee afterall. Episode background music is tense, synth, somewhat muted - Nova, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - One more level down and I take a door out into a long hallway. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
PDF (V. 86:13, January 18, 1985)
THE CALIFORNIA VOLUME 86 PASADENA, CALIFORNIA I FRIDAY, JANUARY 18, 1985 NUMBER 13 SURF Applications Marcus Wins Now Available Wolf Prize by Lily Wu made during the school year to by Lily Wu The Summer Undergraduate groups such as the Caltech Alum Rudolph A. Marcus, the Noyes Research Fellowship (SURF) ap ni Board and an IBM technical Professor ofChemistry at Caltech, plications are now available for the group. Also, a total of 41 papers will be awarded the $100,000 Wolf summer. have been published by SURFers Prize in Chemistry for 1984-85. The SURF program is and their sponsors as a result of Marcus was selected in operating this year with additional their research project work. recognition ofhis career-long con contributions and a new ad Later this month, a two-time tributions to chemical kinetics. He ministrative committee. SURFer, Tak Leuk Kwok helped to pioneer work iri reaction Last April, President Marvin (1982,1983) will receive the Apker rate theories with the RRKM Goldberger created a new Ad Award from the American Physical theory in 1951, which he ministrative Committee for SURF. Society. The national prize will be co-authored. The committee is chaired by Pro awarded to Kwok for the most pro Marcus also worked on models fessor Fred Shair and it includes 15 mising undergraduate research in <: to describe molecular break-up members of the faculty and ad physics, which he performed in a ~:;, rates of uni-molecular reactions ministration. The purpose for the surf. ~ and electron transfer reactions. committee is to plan and administer The stipends for this year will ~ Such information helps chemists SURF every year, as well as to again be $2800. -
Copyright American Psychological Association. Not for Distribution
Copyright American Psychological Association. Not for distribution. Copyright American Psychological Association. Not for distribution. CONTENTS Acknowledgments ................................................................................... ix Introduction. The Neurocognitive Approach to Dreams ..................... 3 Chapter 1. Toward a Neurocognitive Model of Dreams .................. 9 Chapter 2. Methodological Issues in the Study of Dream Content .......................................................... 39 Chapter 3. The Hall–Van de Castle System .................................. 67 Chapter 4. A New Resource for Content Analysis ........................ 95 Chapter 5. New Ways to Study Meaning in Dreams ................... 107 Chapter 6. A Critique of Traditional Dream Theories ................ 135 References .............................................................................................. 171 Index ...................................................................................................... 197 About the Author ................................................................................. 209 vii Copyright American Psychological Association. Not for distribution. ACKNOWLEDGMENTS Thanks to David Foulkes for two careful readings of the entire manu- script; to Adam Schneider for his superlative work in creating the tables and figures in the book; to Teenie Matlock and Raymond Gibbs, Jr., for their help in developing the ideas about figurative thinking in dreams; to Sarah Dunn, Heidi Block, and Melissa Bowen -
The Christmas Revels Program Book
The 48th annual production With David Coffin Merja Soria The Kalevala Chorus The Solstånd Children Infrared listening devices and The Briljant String Band large print programs are available The Northern Lights Dancers at the Sanders Theatre Box Office. The Midnight Sun Mummers The Pinewoods Morris Men for Please visit our lobby table Karin’s Sisters Revels recordings, books, cards Cambridge Symphonic Brass Ensemble and more. Our new CD, The Gifts of Odin: A Nordic Christmas Revels, features much of the music from Lynda A. Johnson, Production Manager this year’s show! Jeremy Barnett, Set Design Jeff Adelberg, Lighting Design Heidi Hermiller, Costume Design Bill Winn, Sound Design Ari Herzig, Projection Design Thanks to our generous Corporate Partners With support and Media Sponsors: from: TM www.cambridgetrust.com CONTENTS Introduction Please join us in “All Sings” on pages 5, 10, 12, 14 and 16! Welcome to the 48th annual Christmas Revels! Sven is a dreamer and his father’s patience is wearing THE PROGRAM page 4 thin. It is Christmas and the big house is bustling with preparations for a party that will bring together ministers PARTICIPANTS page 17 and dignitaries from all the Scandinavian countries to meet the new Ambassador of Finland. The seasonal festivities do little to reduce Sven’s moodiness that FEATURED ARTISTS page 22 seems to be tied to the loss of his favorite uncle. Change comes in the guise of three unusual Christmas presents. They usher Sven into an alternative universe populated by witches, A NOTE ON THE KALEVALA snakes and superheroes, where he is reunited with his late uncle Finland Finds Its National Identity page 35 in a series of life-changing adventures. -
Modern Man in Search of a Soul
MODERN MAN IN SEARCH OF A SOUL Downloaded from https://www.holybooks.com MODERN MAN IN SEARCH OF A SOUL BY C. G. JUNG ''l'S'YCJIOLOGJCAL 'tYJ>Bs'', ''TBB l'SYCROLOGY OJ' THIE UJl'COHSC'IOUS'' ''CONTJIIBUTIOJl'5 ro ANALYTICAL l"SYCROLOGY'', arc i! LONDON KEGAN PAUL, TRENCH, TRUBNER e- CO LTD, BROADWAY HOUSE, 68-74 CARTER LANE, EC 1933 Downloaded from https://www.holybooks.com Tramlt,ted by W. S. DELL AND CARY F. BAYNES Downloaded from https://www.holybooks.com CONTENTS I. DREAM ANALYSIS IN ITS PRACTICAL APPLICATION II. PROBLBHS OF MODERN PsYCBOTBERAPY 32 Ill. AIMS OF PsYCBOTHERAPY 63 IV. A PsYcHOLOGICAL THEORY OF TYPES 85 V. Tim STAGES OF Lura 109 VI. FREUD AND JUNG-CONTRASTS l:J:2 VII. ARCHAIC MAN 143 VIII. PsYCHOLOGY AND LITERATURE 175 IX. THE BASIC POSTULATES OF ANALYTICAL PSYCHOLOGY 200 X. THE SPIRITUAL PROBLEM OF MODERN MAN 226 XJ PSYCHOTHERAPISTS OR THE CLERGY 255 Downloaded from https://www.holybooks.com TRANSLATORS' PREFACE WnBIN the last decade there have been many references from varied sources to the fact that the western world stands on the verge of a spiritual rebirth, that is, a funda. mental change of attitude toward the values of life After a long period of outward expansion, we are beginning to look within ourselves once more. There is very general agreement as to the phenomena surmundmg this increasing shift of interest from facts as such to their meaning and value to us as individuals, but as soon as we begin to analyse the anticipations nursed by the various groups in our world with respect to the change that is to be hoped for, agreement is at an end and a sharp confhct of forces makes itself felt. -
Art & Early Childhood: Personal Narratives & Social Practices
Occasional Paper Series 31 BAnk Street College of Education Art & Early Childhood: Personal Narratives & Social Practices Introduction by Kris Sunday, Marissa McClure, Christopher Schulte Young children are explorers of their worlds—worlds filled with unfamiliar things, first experiences, and tentative explanations. As Lowenfeld (1957) recognized, art originates with children’s experiences of their immediate surroundings. Young children’s encounters with art provide a means to explore ideas and materials, invent worlds, and set them in motion. As a language and mode of communication, art offers children the opportunity to play with ideas and generate conclusions about themselves and their experiences. The communicative nature of children’s artwork suggests their desire to be heard and understood by those around them. In this issue of Bank Street’s Occasional Paper Series, we explore the nature of childhood by offering selections that re/imagine the idea of the child as art maker, inquire about the relationships between children and adults when they are making art, and investigate how physical space influences our approaches to art instruction. We invite readers to join a dialogue that questions long-standing traditions of early childhood art—traditions grounded in a modernist view of children’s art as a romantic expression of inner emotional and/or developmental trajectories. We have also selected essays that create liminal spaces for reflection, dialogue, and critique of the views that have heretofore governed understandings of children and their art. We draw from current perspectives on children’s art making as social practice (Pearson, 2001). In framing our understanding of children’s art within larger conversations about contemporary art, we move beyond the modernist view.