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Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
407637-Question-Paper-Unit-F504-01
2 Document 1 Photo manipulation: acceptable or not? (a) Photoshopped: friend Original replaced with glamorous holiday building, double chin photograph. removed and lips darkened. (b) One of Stalin’s enemies removed from a photo around 1930. © OCR 2016 F504/01/RB Jun16 3 Document 2 L’Oréal’s Julia Roberts and Christy Turlington ad campaigns banned The cosmetic company, L’Oréal, was forced to withdraw advertisement campaigns featuring Pretty Woman star Julia Roberts and supermodel Christy Turlington, after the advertising watchdog 1 upheld complaints that the images were overly airbrushed. L’Oréal admitted that Turlington’s image had been ‘digitally retouched to lighten the skin, clean up makeup, reduce dark shadows and shading around the eyes, smooth the lips and darken the 2 eyebrows’. The company also admitted that digital post-production techniques had been used on Roberts but maintained that the changes were not ‘directly relevant’ and that the ad was an ‘aspirational 3 picture’. Source: The Guardian Document 3 Dr D Elliott and Professor PM Lester, Ethical Matters: The Word We Love to Hate, News Photographer Magazine. Removed due to third party copyright restrictions. © OCR 2016 F504/01/RB Jun16 Turn over 4 Document 4 Reclaiming photography for the artist A photograph is one moment, frozen in time. The artist David Hockney creates ‘joiners’ – photo- collages that depict several points of view over a period of time. Hockney thinks of his ‘joiners’ as drawings, ‘because there is no single way to join the photographs. If you make a decision about 1 something like that, isn’t that exactly what you are doing when you are drawing? So collage itself is a form of drawing. -
Krapina and Other Neanderthal Clavicles: a Peculiar Morphology?
Krapina and Other Neanderthal Clavicles : A Peculiar Morphology? Jean-Luc Voisin To cite this version: Jean-Luc Voisin. Krapina and Other Neanderthal Clavicles : A Peculiar Morphology?. Periodicum Biologorum, 2006, 108 (3), pp.331-339. halshs-00352689 HAL Id: halshs-00352689 https://halshs.archives-ouvertes.fr/halshs-00352689 Submitted on 13 Jan 2009 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. PERIODICUM BIOLOGORUM UDC 57:61 VOL. 108, No 3, 331–339, 2006 CODEN PDBIAD ISSN 0031-5362 Original scientific paper Krapina and Other Neanderthal Clavicles: A Peculiar Morphology? Abstract JEAN-LUC VOISIN The clavicle is the less studied element of the shoulder girdle, even if it is USM 103 a very important bone for human evolution because it permits all move- Institut de Paléontologie Humaine ments outside the parasagittal plan. In this work, clavicle curvatures are 1 rue René Panhard 75013 Paris studied by projecting them on a cranial and a dorsal plan, which are perpen- E-mail: [email protected] dicular. In cranial view, there is no difference within the genus Homo, and [email protected] Neanderthal clavicles are not more S-shaped than modern human ones. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Jane Eve Photo: M.A.D
Room 403, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Jane Eve Photo: M.A.D. Photography Appearance: White Hertfordshire, England, United Kingdom Nationality: British Location: Greater London, England, United Kingdom Eye Colour: Hazel Cambridgeshire, England, United Kingdom Hair Colour: Light/Mid Brown Height: 5'3" (160cm) Hair Length: Mid Length Weight: 9st. 4lb. (59kg) Voice Character: Friendly Playing Age: 50 - 65 years Voice Quality: Warm Credits Documentary, Dancer, The Sex Clinic: Artist in Residence Bryony Kimmings, All 4, Producer: Hannah Keep Television, Dancer, Cuckoo series 4:1, BBC 3 Site Specific, Dancer, Under the Vaulted Sky, Rosemary Lee Dance, Dance Artist, DanceBase 2010-2017, ActOne, Suzie Birchwood Music Video, Dancer, Cliff Richard - Some People, Choregrapher: Chrissy wickham Music Video, Dancer, Tina Turner live at Camden Palace, David Mallet, Choreographer: Arlene Phillips Commercial, Dancer, Kellogs Cornflakes, Kellogs, Choregrapher: Bruno Tonioli Musical, Assistant choreographer to Arlene Phillips, Starlight Express Apollo Victoria 1984-1985, Andrew Lloyd Webber, Trevor Nunn Commercial, Dancer, British Rail, Choreographer: Bruno Tonioli Feature Film, Dancer, The Meaning of Life, Monty Python, Terry Jones Music Video, Dancer, Bucks Fizz London Town, Sony BMG music, Choreographer: Chrissy Wickham Television, Dancer, The Main Attraction, BBC, Choreographer: Brian Rogers Feature Film, Dancer, Can't Stop the Music, Village People, Allan Carr Television, Dancer, Hot Gossip 1979-1983 -
K = Kenyanthropus Platyops “Kenya Man” Discovered by Meave Leaky
K = Kenyanthropus platyops “Kenya Man” Discovered by Meave Leaky and her team in 1998 west of Lake Turkana, Kenya, and described as a new genus dating back to the middle Pliocene, 3.5 MYA. A = Australopithecus africanus STS-5 “Mrs. Ples” The discovery of this skull in 1947 in South Africa of this virtually complete skull gave additional credence to the establishment of early Hominids. Dated at 2.5 MYA. H = Homo habilis KNM-ER 1813 Discovered in 1973 by Kamoya Kimeu in Koobi Fora, Kenya. Even though it is very small, it is considered to be an adult and is dated at 1.9 MYA. E = Homo erectus “Peking Man” Discovered in China in the 1920’s, this is based on the reconstruction by Sawyer and Tattersall of the American Museum of Natural History. Dated at 400-500,000 YA. (2 parts) L = Australopithecus afarensis “Lucy” Discovered by Donald Johanson in 1974 in Ethiopia. Lucy, at 3.2 million years old has been considered the first human. This is now being challenged by the discovery of Kenyanthropus described by Leaky. (2 parts) TC = Australopithecus africanus “Taung child” Discovered in 1924 in Taung, South Africa by M. de Bruyn. Raymond Dart established it as a new genus and species. Dated at 2.3 MYA. (3 parts) G = Homo ergaster “Nariokotome or Turkana boy” KNM-WT 15000 Discovered in 1984 in Nariokotome, Kenya by Richard Leaky this is the first skull dated before 100,000 years that is complete enough to get accurate measurements to determine brain size. Dated at 1.6 MYA. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Periodontal Disease and Dental Caries from Krapina Neanderthal to Contemporary Man – Skeletal Studies
Clinical science Acta Medica Academica 2012;41(2):119-130 DOI: 10.5644/ama2006-124.45 Periodontal disease and dental caries from Krapina Neanderthal to contemporary man – skeletal studies Berislav Topić1, Hajrija Raščić-Konjhodžić2, Mojca Čižek Sajko3 1 Academy of Sciences and Arts Objective. The aim of this study was the quantification of alveolar of Bosnia and Herzegovina, Sarajevo bone resorption as well as the number and percentage of teeth with Bosnia and Herzegovina dental caries. Materials and Methods. Four samples of jaws and sin- 2 Faculty of Stomatology, University gle teeth were studied from four time periods, i.e. from the Krapina of Sarajevo, Sarajevo, Bosnia and Neanderthals (KN) who reportedly lived over 130,000 years ago, and Herzegovina groups of humans from the 1st, 10th and 20th centuries. Resorption of 3 Institute for Biostatistics and Medical the alveolar bone of the jaws was quantified by the tooth-cervical- Informatics, Faculty of Medicine height (TCH) index. Diagnosis of dental caries was made by inspec- Ljubljana, Slovenia tion and with a dental probe. TCH-index was calculated for a total of 1097 teeth from 135 jaws. Decay was calculated for a total of 3579 Corresponding author: teeth. Results. Resorptive changes of the alveolar bone in KN and 1st Berislav Topić century man were more pronounced on the vestibular surface than Academy of Sciences and Arts interdentally (p<0.05), while no significant difference could be con- of Bosnia and Herzegovina firmed for 10th and 20th century man (p=0.1). The number (percent- 71000 Sarajevo age) of decayed teeth was 0 (0%, n=281 teeth) in KN, 15 (1.7%; n=860 Bosnia and Herzegovina teeth) in 1st century, 24 (3.4%; n=697 teeth) in 10th century, and 207 [email protected] (11.9%, n=1741 teeth) in 20th century. -
The Global History of Paleopathology
OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd i 11/31/2012/31/2012 44:03:58:03:58 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY Pioneers and Prospects EDITED BY JANE E. BUIKSTRA AND CHARLOTTE A. ROBERTS 3 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiiiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 1 Oxford University Press Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With o! ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland " ailand Turkey Ukraine Vietnam Copyright © #$%# by Oxford University Press, Inc. Published by Oxford University Press, Inc. %&' Madison Avenue, New York, New York %$$%( www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. CIP to come ISBN-%): ISBN $–%&- % ) * + & ' ( , # Printed in the United States of America on acid-free paper 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iivv 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN To J. -
Evaluation of a Full-Time Ride Service Program
0 U.S. Department of Transportation National Highway Traffic Safety People Saving People Administration www.nhtsa.dot.gov Evaluation of a Full-Time Ride Service Program: Aspen, Colorado's Tipsy Taxi Service * DOT HS 8og i 55 October 2000 * Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. DOT HS 809 155 4. Title and Subtitle 5. Report Date October 2000 Evaluation of a Full-Time Ride Service Program: Aspen, Colorado's Tipsy Taxi Service 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Lacey, J. H.; Jones, R. K.; and Anderson, E. W. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Mid-America Research Institute 611 Main Street Winchester, MA 01890 11. Contract or Grant No. DTN H22-93-C-05127 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered National Highway Traffic Safety Administration Final Report Office of Research and Traffic Records 400 7"Street, S. W. 14. Sponsoring Agency Code Washington, DC 20590 15. Supplementary Notes Amy Berning was the Contracting Officer's Technical Representative (COTR) for this project. 16. Abstract This report summarizes a study of Aspen Colorado's Tipsy Taxi ride service program. This service, which provides a free ride home for persons who are too intoxicated to drive, has been in place since December 1983. Funded through donations from the community, this program is available 365 days a year, 24 hours per day. The program is distinctive in that it has been operating for over sixteen years and is self-sustaining. -
A RESOURCE for DANCE EDUCATION Written in the Words of Kate Prince
A RESOURCE FOR DANCE EDUCATION Written in the words of Kate Prince. By: Rachel Howes Teacher of Dance @MissRHowes1. Published by: ZooNation: The Kate Prince Company. www.zoonation.co.uk @ZooNationUK CONTENTS ABOUT THE COMPANY, ABOUT KATE PRINCE & A MESSAGE FROM KATE 3 SYNOPSIS & PURPOSE OF THE SHOW 5 CAST, CREATIVES & CREW 6 THEMES, ISSUES & CONTEXTUAL INFLUENCES 7 ABOUT THE CREATION OF SOME LIKE IT HIP HOP – FROM PAGE TO STAGE 8 COLLABORATING WITH OTHER CREATIVES 10 PICTURE POSTCARD TECHNIQUE 11 SCENE SYNOPSIS 12 A DEEP DIVE INTO FIVE SIGNIFICANT SCENES 13 INITIAL THOUGHTS TASK 15 INTERVIEW WITH SET DESIGNER, BEN STONES & A DESIGN BASED WORKSHOP 16 INTERVIEW WITH COMPOSER, DJ WALDE & A MUSICAL STIMULUS WORKSHOP 19 INTERVIEWS WITH CAST MEMBERS, BRADLEY CHARLES AND CARRIE-ANNE INGROUILLE 21 PRACTICAL EXPLORATION WORKSHOP 23 CHARACTER DEVELOPMENT WORKSHOP 24 FURTHER WORKSHOP OPPORTUNITIES 26 USEFUL RESOURCES & FINAL MESSAGES 27 2 ABOUT ZOONATION : THE KATE PRINCE COMPANY ZooNation was founded by Kate Prince in 2002 and is best known for its work in the theatre, creating full length narrative dance productions influenced in equal parts by musical theatre, Hip Hop culture and music. ZooNation’s work is fortified with an extensive programme of engagement and talent development, working with different communities and young artists to expand their skills, knowledge and confidence in our style of dance theatre. For further information please visit: zoonation.co.uk/explore/company-biography/ 3 ABOUT KATE PRINCE Kate Prince MBE Choreographer, Director & Writer Kate is artistic director of ZooNation, which she founded in 2002. She is an associate artist at The Old Vic and at Sadler’s Wells, where ZooNation is also a Resident Company. -
Handing Over Their Hearts…
HANDING OVER THEIR HEARTS... continually experiment, The Last Tango, Vincent Simone Handing over challenging one another and Flavia Cacace’s third and to reach new heights. fi nal stage show, opens next month The real leap of faith their hearts… comes in trusting that work to your dancers. “It’s a bit like removing your We asked Dance heart and handing it off to Today readers to tell someone else,” says British us their favourite choreographer Tom Ridley. “But when you succeed, choreograpahers. Who the joy you get from that made our list – and who shared accomplishment did you pick? Marianka is extraordinary. I’m not Swain reveals all dancing one part or one show: I get to be part of that dance experience forever.” he body says what “ words cannot,” Here are some of the T proclaimed best in the business... contemporary legend Martha Graham. Dancers Ballroom act as intercessors between choreographers and Fred Astaire audiences, communicating Astaire, working with the former’s ideas to the collaborators such as Eleanor latter, but in appreciating the Powell (pictured below) and performers in front of us, we Hermes Pan, gave dance musical through his dazzling, honouring all the ballroom sometimes forget to honour a starring role in the fi lm seemingly effortless routines. fundamentals, with the creators upon whose interesting choreography. visionary work they rely. Gene Kelly at work on Jason Gilkison We’ll forgive her Dollgate!” Every dance medium Invitation to the Dance “Burn The Floor got me into Emma Barnett needs choreography ballroom – Jason makes for constant reinvention it look so cool and sexy.