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ORIGEN, CELSUS AND LUCIAN ON THE ‘DÉNOUEMENT OF THE DRAMA’ OF THE GOSPELS
Margaret M. Mitchell
Robert M. Grant is the master of the six-page seminal essay.1 I am not. But in his honor I tried for once to emulate both his critical good sense and its formidable formal expression. I thought it might help that I was focusing on a single sentence in Origen’s contra Celsum. I was mistaken. , b - * &