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Austin Theatre Alliance Archive Promotional Materials
Austin Theatre Alliance Archive promotional materials Includes Single-Sheet Promotional Materials, Newsletters, Fundraising Materials (most in the form of letters with envelopes), and glossy head shots and other Photographs: Head Shots Paramount Collection: Photo Box 1. Single-Sheet Promotional Materials 1) Tuna Does Vegas. Oct 23-Nov 11 (no year). Paramount Theater. Two signatures on front, Joe Sears and Jaston Williams. 2) Lu Ann Hampton; Laverty Oberlander. The Belle of Bradleyville, Texas. By Preston Jones. A Paramount Theatre Production, available for booking February, 1987. 3) Carmen. Texas Opera Theater. Paramount Theatre. November 3, 1985. 4) Blade Runner: The Final Cut. November 18-23, 2007. Paramount Theatre. 5) Late Nite Catechism. By Vicki Quade & Maripat Donovan. Directed by Patrick Trettenero. No date, no location. Includes New York Times review from October 1996. 6) A Tuna Christmas. Joe Sears and Jaston Williams. Jan 2-7 (no year). Paramount Theatre. 7) Big. Feb 12-14 (no year). Paramount Theatre. 8) Hot Mouth. Tues Jan 26 (no year). Paramount Theatre. ―Masters of vocalogy‖ 9) Madame Butterfly. Texas Opera Theater. Sun Mar 4 (no year). Paramount Theatre. 10) Biloxi Blues. By Neil Simon. Directed by Gene Saks. Paramount Theatre. Feb 20-22, 1987. 1985 Winner, Tony Award, Best Play. 11) George Carlin: Live in Concert. Fri June 8 (no year). Paramount Theatre. With Dennis Blair. 12) The Glass Menagerie. By Tennessee Williams. Directed by Michelle Polgar. State Theater Company. March 13-April 7 (no year). 13) Anton in Show Business. By Jane Martin. State Theater Company. March 16-April 8 (no year). 14) The Little Prince: the musical. -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
The Hunger Games: an Indictment of Reality Television
The Hunger Games: An Indictment of Reality Television An ELA Performance Task The Hunger Games and Reality Television Introductory Classroom Activity (30 minutes) Have students sit in small groups of about 4-5 people. Each group should have someone to record their discussion and someone who will report out orally for the group. Present on a projector the video clip drawing comparisons between The Hunger Games and shows currently on Reality TV: (http://www.youtube.com/watch?v=wdmOwt77D2g) After watching the video clip, ask each group recorder to create two columns on a piece of paper. In one column, the group will list recent or current reality television shows that have similarities to the way reality television is portrayed in The Hunger Games. In the second column, list or explain some of those similarities. To clarify this assignment, ask the following two questions: 1. What are the rules that have been set up for The Hunger Games, particularly those that are intended to appeal to the television audience? 2. Are there any shows currently or recently on television that use similar rules or elements to draw a larger audience? Allow about 5 to 10 minutes for students to work in their small groups to complete their lists. Have students report out on their group work, starting with question #1. Repeat the report out process with question #2. Discuss as a large group the following questions: 1. The narrator in the video clip suggests that entertainments like The Hunger Games “desensitize us” to violence. How true do you think this is? 2. -
Grand Masters of Illusion
GRAND MASTERS OF ILLUSION Written and Directed by Ted & Marion Outerbridge Choreography Pattie Obey, Don Jordan Lighting Design Brad Trenaman Sound Design Ethan Rising Costume Design Peter de Castell, Marion Outerbridge Illusion Design Illusions Unlimited Artistic Consultant Lorna Wayne Haze Effects MDG Poster Design Melinda Tymm Photography Dermot Cleary Publicist Stuart McAllister Management Cameron Smillie, Live at the Hippo Pool Events PRESS KIT 2012 - 2013 SHOW OVERVIEW CLOCKWORK MYSTERIES Written and Directed by Ted and Marion Outerbridge A professionally orchestrated theatrical production with over twenty custom-designed illusions and world-class lighting and set design, OUTERBRIDGE – Clockwork Mysteries is a high-energy magical adventure for both adult and family audiences. Recognized as one of the most creative and dynamic shows of its kind, critics have hailed Ted and Marion Outerbridge as “the most successful magicians in Canada” (Montreal Gazette) and “champions of magic” (Bergedorfer Zeitung, Hamburg, Germany). As the largest and most successful touring illusion show in the country, it has received both the 2011 Award of Excellence from Ontario Contact and the 2010 Touring Artist of the Year award from the B.C. Touring Council. OUTERBRIDGE – Clockwork Mysteries takes its audience on a bizarre and fascinating journey through time. Within seconds of taking the stage, the Outerbridges fuse their revolutionary illusions with split-second artistry to hold viewers spellbound. With the help of an elaborate Victorian time machine, the performers and spectators travel back in time together. The audience is invited into a mysterious clock tower equipped with a variety of timekeeping devices. They become part of a race against time, experience time accelerating and slowing down, and participate in predicting the contents of a time capsule. -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Quote of the Day Happy Birthday!
THE MONDAY, JUNE 1, 2020 On This Date 1813 – Mortally wounded, Captain Quote of the Day James Lawrence, commander of the “Learning how to be still, U.S. warship Chesapeake, uttered his last words, “Don’t give up the to really be still and let life ship,” as his crew fought against happen—that stillness the British during the War of 1812. becomes a radiance.” 1939 – The Douglas DC-3, a popular ~ Morgan Freeman and reliable passenger plane, made its first flight from Chicago to New York. It also served as a Happy Birthday! transport plane during World War II and the Berlin Airlift. Morgan Freeman, born in 1937, is an American actor who found 1949 – Lawrence Welk and his fame in the 1970s band first performed as with his work on The the house orchestra for Electric Company, an the radio show High educational children’s Life Review. Two years TV show. Known for later, Welk transitioned his rich, deep voice, to television. Freeman has become a popular narrator and voice actor as well as famous for his live-action Did You Know? roles. He has been nominated for Despite an intense marketing numerous Oscars, winning the Best campaign, toy companies failed Supporting Actor award for 2004’s to duplicate the success of Million Dollar Baby. Some of his Theodore Roosevelt’s teddy other notable films include The bear with William Taft’s Shawshank Redemption, Seven, and “Billy Possum.” Driving Miss Daisy. ©ActivityConnection.com – The Daily Chronicles (U.S.) THE TUESDAY, JUNE 2, 2020 On This Date 1924 – President Calvin Coolidge signed the Indian Citizenship Act Quote of the Day into law, granting citizenship to all “I was always that kid. -
TCM CFF 2012 Talent 1 and Passes on Sale Announcement Nov 2
For Release: November 2, 2011 TCM Classic Film Festival to Open with Gala Screening of Cabaret Passes Go on Sale Nov. 9 for Four-Day Festival, Coming to Hollywood April 12-15, 2012 Turner Classic Movies (TCM) will open the 2012 edition of the TCM Classic Film Festival with the world premiere of a new 40th anniversary restoration of Bob Fosse’s Cabaret (1972). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Cabaret to kick off the four-day, star-studded event, which will take pace Thursday, April 12 – Sunday, April 15, 2012, in Hollywood. Passes are set to go on sale Wednesday, Nov. 9, at 10 a.m. (ET) through the official festival website: http://www.tcm.com/festival. One of the most acclaimed films of its era, Cabaret stars Oscar®-winner Liza Minnelli as an American singer looking for love and success in pre-World War II Berlin. Michael York and Academy Award® winner Joel Grey co-star in the film, which earned Fosse an Oscar for Best Director and serves as a perfect showcase for his unique choreography and imaginative visual style. Cabaret will kick off an extensive roster of screenings for the 2012 TCM Classic Film Festival. As part of TCM’s ongoing commitment to supporting film preservation, the festival will showcase several new restorations, including three Best Picture Oscar winners, one of the greatest movie musicals of all time and a nearly forgotten gem ready to be rediscovered: Wings (1927) – 85th Anniversary Restoration Charles “Buddy” Rogers, Richard Arlen and Clara Bow star in William A. -
Rosalind Russell Papers, 1930-1970
http://oac.cdlib.org/findaid/ark:/13030/tf8779p27v No online items Finding Aid for the Rosalind Russell Papers, 1930-1970 Processed by Performing Arts Special Collections staff; machine-readable finding aid created by D.MacGill; UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 1998 The Regents of the University of California. All rights reserved. Finding Aid for the Rosalind 183 1 Russell Papers, 1930-1970 Finding Aid for the Rosalind Russell Papers, 1930-1970 Collection number: 183 UCLA Library, Performing Arts Special Collections Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: UCLA Library, Performing Arts Special Collections staff Date Completed: 1998 Encoded by: D.MacGill Last updated: 14 December 1998 © 1998 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Rosalind Russell Papers, Date (inclusive): 1930-1970 Collection number: 183 Origination: Russell, Rosalind Extent: 68 boxes (28.4 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Shelf location: Held at SRLF. Please contact the Performing Arts Special Collections for paging information. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 Permalink https://escholarship.org/uc/item/2kv6s20v Author Harris, Jessica Lynne Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jessica Lynne Harris 2016 © Copyright by Jessica Lynne Harris 2016 ABSTRACT OF THE DISSERTATION Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 by Jessica Lynne Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Brenda Stevenson, Co-chair Professor Geoffre W. Symcox, Co-chair “Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975” examines the development and growth of a mass consumer-based society in Italy after the Second World War. Employing a gendered and transnational approach, the dissertation puts women at the center of the analysis by specifically focusing on American female consumer culture’s influence on Italian women’s lives from 1945-1975. This study, in contrast to existing literature on the topic, provides a more comprehensive understanding of the nature of the models and messages of American female consumer culture in Italy during this period, how they influenced Italian women, and the extent of this culture’s influence. Furthermore, the analysis of the intersection of the modern “American woman” (the white middle-class suburban American ii housewife), consumerism, and Italian female culture and identities provides new insight into the unique cultural relationship between the United States and Italy following the Second World War. -
Tape ID Title Language System
Tape ID Title Language System 1375 10 English PAL 0361sn 101 Dalmatians - Live Action (NTSC) English NTSC 0362sn 101 Dalmatians II (NTSC) English NTSC 6826 12 Monkeys (NTSC) English NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian PAL 1078 18 Again English Pal 5163a 1900 - Part I English pAL 5163b 1900 - Part II English pAL 1244 1941 English PAL 0172sn 2 Days In The Valley (NTSC) English NTSC f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French PAL 1304 200 Cigarettes English Pal 6474 200 Cigarettes (NTSC) English NTSC 2401 24 - Season 1, Vol 1 English PAL 2406 24 - Season 2, Part 1 English PAL 2407 24 - Season 2, Part 2 English PAL 2408 24 - Season 2, Part 3 English PAL 2409 24 - Season 2, Part 4 English PAL 2410 24 - Season 2, Part 5 English PAL 5675 24 Hour People English PAL 2402 24- Season 1, Part 2 English PAL 2403 24- Season 1, Part 3 English PAL 2404 24- Season 1, Part 4 English PAL 2405 24- Season 1, Part 5 English PAL 3287 28 Days Later English PAL 5731 29 Palms English PAL 5501 29th Street English pAL 3141 3000 Miles To Graceland English PAL 6234 3000 Miles to Graceland (NTSC) English NTSC f103 4 Adventures Of Reinette and Mirabelle (Subtitled) French PAL 0514s 4 Days English PAL 3421 4 Dogs Playing Poker English PAL 6607 4 Dogs Playing Poker (NTSC) English nTSC g033 4 Shorts By Werner Herzog (Subtitled) English PAL 0160 42nd Street English PAL 6306 4Th Floor (NTSC) English NTSC 3437 51st State English PAL 5310 54 English Pal 0058 55 Days At Peking English PAL 3052 6 Degrees Of Separation English PAL 6389 60s, The (NTSC) English NTSC 6555 61* (NTSC) English NTSC f126 7 Morts Sur Ordonnance (NOT Subtitled) French PAL 5623 8 1/2 Women English PAL 0253sn 8 1/2 Women (NTSC) English NTSC 1175 8 Heads In A Duffel Bag English pAL 5344 8 Mile English PAL 6088 8 Women (NTSC) (Subtitled) French NTSC 5041 84 Charing Cross Road English PAL 1129 9 To 5 English PAL f220 A Bout De Souffle (Subtitled) French PAL 0652s A Funny Thing Happened On The Way To The Forum English PAL f018 A Nous Deux (NOT Subtitled) French PAL 3676 A.W.O.L. -
The Many Editions of the Front Page: How Gender Shapes the Story
Conspectus Borealis Volume 5 Issue 1 5th Anniversary Issue Article 14 3-27-2020 The Many Editions of The Front Page: How Gender Shapes the Story Nicole Moore Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Dramatic Literature, Criticism and Theory Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Moore, Nicole (2020) "The Many Editions of The Front Page: How Gender Shapes the Story," Conspectus Borealis: Vol. 5 : Iss. 1 , Article 14. Available at: https://commons.nmu.edu/conspectus_borealis/vol5/iss1/14 This Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. Moore 1 Nicole Moore Dr. David Wood HON495X November 29, 2019 The Many Editions of The Front Page: How Gender Shapes the Story Have you ever been upset that a movie adaptation was not faithful to the book? That the remake was not as good as the original? This gut instinct to reject a performance’s interpretation of the text haunted me at the 2019 Stratford Festival. After falling in love with the written play, The Front Page (1928), I could not wait to see it staged. The quick wit, overlapping dialogue, and ever-present power dynamics would surely be impressive when performed live. By intermission, however, I felt disappointed but hopeful.