Top 100 Jazz 2018
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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
July 23, 2018 Jazz Album Chart
Jazz Album Chart July 23, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds John Coltrane 1 3 160 1 Both Directions at Once - The Lost Album Impulse / Verve 275 258 17 2 55 13 Most Reports 2 1 1 1 Joey Alexander Eclipse Motema 237 315 -78 10 48 0 3 2 4 2 Kenny Barron Quintet Concentric Circles Blue Note 227 284 -57 10 49 0 4 4 2 2 Eddie Henderson Be Cool Smoke Sessions 223 257 -34 10 48 0 5 14 64 5 Bob Mintzer Big Band - New York Voices Meeting of Minds MCG Jazz 222 190 32 2 49 4 6 8 5 4 Allan Harris The Genius of Eddie Jefferson Resilience 212 233 -21 9 45 1 7 6 10 6 Buster Williams Audacity Smoke Sessions 207 243 -36 4 54 1 8 18 14 8 Ellis Marsalis The Ellis Marsalis Quintet Plays the Music of ELM 206 180 26 8 42 3 Ellis Marsalis 9 10 3 3 Mike LeDonne and The Groover Quartet From The Heart Savant 200 223 -23 7 45 1 10 12 7 5 Jim Snidero & Jeremy Pelt Jubilation! Savant 185 215 -30 11 43 1 11 5 9 5 Freddy Cole My Mood Is You HighNote 184 249 -65 7 46 0 12 10 25 10 Marcus Miller Laid Black Blue Note 178 223 -45 3 40 1 13 7 6 2 Don Braden Earth, Wind and Wonder Creative Perspective Music 177 240 -63 11 42 0 14 9 7 6 Tia Fuller Diamond Cut Mack Avenue 175 231 -56 9 40 0 Black Art Jazz Collective 15 21 114 15 Armor Of Pride HighNote 172 164 8 2 55 5 Most Reports 16 22 21 16 Brad Mehldau Trio Seymour Reads The Constitution! Nonesuch 170 160 10 5 46 2 17 14 12 12 Cyrille Aimée Live Mack Avenue 167 190 -23 5 45 1 18 17 15 8 Benito Gonzalez, Gerry Gibbs & Essiet Essiet Passion, Reverence, Transcendence Whaling City Sound 166 184 -18 10 35 0 19 49 142 19 Kamasi Washington Heaven and Earth Young Turks 163 112 51 2 43 7 20 22 16 16 Tiffany Austin Unbroken Con Alma Music 158 160 -2 5 35 0 Cory Weeds Little Big Band 21 52 - 21 Explosion Cellar Live 154 111 43 1 43 10 Highest Debut 22 13 10 8 Manhattan Transfer The Junction BMG 152 194 -42 11 32 0 23 16 19 13 McClenty Hunter, Jr. -
2013 Brian Lynch Full Press Kit(Bio-Discog
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When you’re as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: Spheres Of Influence Unsung Heroes Project The Brian Lynch Quartet Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good. Not to sound like a pastiche or shifting styles; but like someone with a lot of range and understanding." Trumpeter and Grammy© Award Winner Brian Lynch brings to his music an unparalleled depth and breadth of experience. -
John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
June 25, 2018 Jazz Album Chart
Jazz Album Chart June 25, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Joey Alexander 1 1 1 1 Eclipse Motema 302 285 17 7 49 2 6 weeks at No. 1 Kenny Barron Quintet 2 2 3 2 Concentric Circles Blue Note 287 257 30 7 58 5 Most Reports 3 3 2 2 Eddie Henderson Be Cool Smoke Sessions 272 246 26 7 55 1 4 4 4 2 Don Braden Earth, Wind and Wonder Creative Perspective Music 254 242 12 8 53 2 5 5 7 5 Jim Snidero & Jeremy Pelt Jubilation! Savant 242 232 10 8 53 0 6 6 5 4 Allan Harris The Genius of Eddie Jefferson Resilience 231 221 10 6 54 4 6 7 8 6 Tia Fuller Diamond Cut Mack Avenue 231 217 14 6 48 3 8 13 22 8 Manhattan Transfer The Junction BMG 211 178 33 8 40 2 9 13 11 9 Mike LeDonne and The Groover Quartet From The Heart Savant 210 178 32 4 55 6 10 23 25 10 Freddy Cole My Mood Is You HighNote 193 155 38 4 51 5 10 10 10 10 Ellis Marsalis The Ellis Marsalis Quintet Plays the Music of ELM 193 196 -3 5 45 2 Ellis Marsalis 12 9 13 7 Van Morrison and Joey DeFrancesco You’re Driving Me Crazy Sony / Legacy 192 201 -9 8 38 2 13 16 15 13 McClenty Hunter, Jr. The Groove Hunter Strikezone 191 171 20 5 48 2 14 8 16 8 Benito Gonzalez, Gerry Gibbs & Essiet Essiet Passion, Reverence, Transcendence Whaling City Sound 183 202 -19 7 41 2 15 12 6 1 Kurt Elling The Questions OKeh 182 189 -7 13 37 0 16 16 20 16 Brubeck Brothers Timeline Blue Forest 178 171 7 9 44 3 17 11 9 7 Bill O’Connell Jazz Latin Savant 175 191 -16 7 42 0 18 15 11 2 Renee Rosnes Beloved Of The Sky Smoke Sessions 173 177 -4 11 40 1 19 18 21 2 Wynton Marsalis Septet United -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master. -
SAMMY NESTICO Music Distributed by K ENDOR M Usic
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Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
See the List of Performers from 1992 Through 2021 Here
th Institute’s Jazz Festival Since 1992, somTe of thher woorlud’sg prhem ietr hjazez arYtists heavae brros ught their music to the Jazz Festival hosted by The Institute, creating a history of memorable performances. Jazz Fest artists through the years are listed below, including those performing for us today. Thank you for attending our 30th Annual Institute Jazz Fest ! 3Ji0 m Snidero (sax) , Paul Bollenback (guitar) , Drew Gress (bass) , (drummer never showed up) 19 92– 1993– Buck Hill (sax) , Paul Bollenback (guitar) , Steve Novosel (bass) , Jerry Jones (drums) 1994– David “Fathead” Newman (sax & flute) , Paul Bollenback (guitar) , Steve Novosel (bass) , Kadino Newman (drums/vocals) 1995– Gary Thomas (sax) , Paul Bollenback (guitar) , Tommy Williams (trumpet) , Tommy Cecil (bass) , Byron Landham (drums) 1996– Ron Holloway (sax) , Paul Bollenback (guitar) , Ed Howard (bass) , Allison Miller (drums) 1997– Paul Bollenback (guitar) , Marshall Keyes (sax) , James King (bass) , Nasar Abadey (drums) , Melissa Walker (vocals) 1998– Steve Wilson (sax) , Paul Bollenback (guitar) , Steve Novosel (bass) , Lenny Robinson (drums) 1999– René Marie (vocals) , Paul Bollenback (guitar) , Allison Miller (drums) , Sam Yahel (organ) 2000– Frank Morgan (sax) , Bob Butta (piano) , James King (bass) , Nasar Abadey (drums) 2001– Gary Bartz (sax) , Paul Bollenback (guitar) , Ed Howard (bass) , Winard Harper (drums) 2002– Jeff “Tain” Watts (drums) , Paul Bollenback (guitar) , Shunzo Ohno (trumpet) , Ed Howard (bass) , Chris McNulty (vocals) 2003– Joe Locke (vibes) -
The Bob Devos Organ Quartet
The Bob DeVos Organ Quartet Bob DeVos Guitar Ralph Bowen Tenor Saxophone Dan Kostelnik Hammond B-3 Organ Steve Johns Drums “I play, compose and arrange to explore a new potential of the Hammond B3 organ genre without losing the tradition, the spirit and—at—heart—the blues feeling of the great organ groups I came up through the ranks with.” – Bob DeVos The Bob DeVos Organ Group has been performing to enthusiastic, full houses and great acclaim since 2005. It unites Bob with two terrific musicians: Hammond B3 organist Dan Kostelnik and drummer Steve Johns frequently joined by tenor great Ralph Bowen. With long, blues-drenched melodic lines and a distinctive, horn-like sound, guitarist-composer Bob DeVos is hailed as “a master with a sound to die for: rich, full, deep, positive, round and warm.“ Bob cut his teeth in jazz as the replacement for Pat Martino in the Trudy Pitts & Mr. C. Trio, then went on to perform and record extensively with other Hammond B-3 Organ group legends: Charles Earland, Jimmy McGriff-Hank Crawford, Richard “Groove” Holmes-Sonny Stitt, Jack McDuff and modern organists Joey DeFrancesco, Dr. Lonnie Smith, and Mike LeDonne, as well as many, many jazz greats past and current outside the organ jazz genre. Dan Kostelnik brings a mastery over the traditional organ idiom combined with the ability to handle modern, harmonically complex structures. An in-demand player, Dan is a Down Beat Rising Star. Like Bob, Steve Johns is a complete musician—dynamic and musical with extensive experience playing and recording in a wide range of styles.