A History of the Daniel Boone National Forest
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Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
(Summer 2018) John Filson's Kentucke
Edward A. Galloway Published in Manuscripts, Vol. 70, No. 3 (Summer 2018) John Filson’s Kentucke: Internet Search Uncovers “Hidden” Manuscripts In 2010 the University Library System (ULS) at the University of Pittsburgh embarked on an ambitious mission: to digitize the content of the Darlington Memorial Library. Presented to the university via two separate gifts, in 1918 and 1925, the Darlington library has become the anchor of the Archives and Special Collections Department within the university library. Comprised of thousands of rare books, manuscripts, maps, broadsides, atlases, lithographs, and artwork, the library showcased the collecting passions of the Darlington family who lived in Pittsburgh during the nineteenth and early-twentieth centuries. The patriarch, William M. Darlington (1815-1889), was born in Pittsburgh and practiced law in Allegheny County. A passionate collector, William M. Darlington found his equal in Mary Carson O’Hara (1824- 1915), whom he married in 1845.1 They subsequently moved into a newly-constructed Italianate home just a few miles up the Allegheny River from Downtown Pittsburgh. Here, they raised three children, O’Hara, Mary, and Edith, all recipients of their parents’ love of history and bibliophiles to the core. Having married into a wealthy family, Mr. Darlington retired from his law career in 1856 to manage the estate of his wife’s grandfather, James O’Hara, whose land holdings encompassed a major portion of Pittsburgh.2 He would devote most of his adult life to collecting works of Americana, especially that which documented western Pennsylvania. Even the land upon which he built his estate, passed down to his wife, dripped with history having been the last home of Guyasuta, a Seneca chief.3 The Darlingtons eventually amassed the “largest private library west of the Alleghenies” containing nearly 14,000 volumes. -
Topography Along the Virginia-Kentucky Border
Preface: Topography along the Virginia-Kentucky border. It took a long time for the Appalachian Mountain range to attain its present appearance, but no one was counting. Outcrops found at the base of Pine Mountain are Devonian rock, dating back 400 million years. But the rocks picked off the ground around Lexington, Kentucky, are even older; this limestone is from the Cambrian period, about 600 million years old. It is the same type and age rock found near the bottom of the Grand Canyon in Colorado. Of course, a mountain range is not created in a year or two. It took them about 400 years to obtain their character, and the Appalachian range has a lot of character. Geologists tell us this range extends from Alabama into Canada, and separates the plains of the eastern seaboard from the low-lying valleys of the Ohio and Mississippi rivers. Some subdivide the Appalachians into the Piedmont Province, the Blue Ridge, the Valley and Ridge area, and the Appalachian plateau. We also learn that during the Paleozoic era, the site of this mountain range was nothing more than a shallow sea; but during this time, as sediments built up, and the bottom of the sea sank. The hinge line between the area sinking, and the area being uplifted seems to have shifted gradually westward. At the end of the Paleozoric era, the earth movement are said to have reversed, at which time the horizontal layers of the rock were uplifted and folded, and for the next 200 million years the land was eroded, which provided material to cover the surrounding areas, including the coastal plain. -
Daniel Boone Homestead Visitor Guide
Pennsylvania Daniel Boone Daniel Boone in Pennsylvania After the Boones The name Daniel Boone will forever be In Pennsylvania, Daniel’s boyhood home Trails of History synonymous with the saga of the American changed to reflect the growth, prosperity and Homestead frontier. Born on November 2, 1734, and raised cultural diversity of the Oley Valley. In Pennsylvania, all roads lead to history. here, Boone was the inveterate wayfarer who Squire Boone moved his family from To help find your path, the Pennsylvania achieved lasting fame guiding land-hungry Pennsylvania in 1750 and sold his house and Historical and Museum Commission (PHMC) Birdsboro, Berks County settlers to the Kentucky frontier and fighting part of his homestead to his cousin William has blazed several special-interest trails to defend them against attack. Maugridge. Maugridge, also born in Devon- leading to some of Pennsylvania’s most Daniel’s father, Squire Boone, was an Eng- shire, worked as a shipwright in Philadelphia historic sites. We invite you to explore one lish Quaker born in Devonshire in 1696. While prior to 1750 and later served as a magistrate site at a time, travel an entire trail or create still a youth, Squire, his brother George and sister and judge for Berks County from 1752 until his your own road trip to Pennsylvania’s past. Sarah embarked for Philadelphia to appraise the death in 1766. The Maugridges were not Quakers No matter whether you choose one of our possibilities of settlement for their father’s family, who but leaders among the local Anglicans. classic trails, a trail based on PHMC’s annual immigrated finally in 1717. -
Jeremiah & Mary Whitaker West
Jeremiah & Mary Whitaker West Submitted by Dorothy R. Hyde Editor's Foreword Dorothy R. Hyde, of Asheville writes "I was inspired after reading the May, 2007 issue of A Lot of Bunkum to write the role of the Jeremiah West family in the Civil War." Mrs. Hyde is a great-great granddaughter of Jeremiah and Mary West. The editor, after reviewing the records, notes that Mary Whitaker, wife of Jeremiah West, contributed ten or eleven family members to the Confederate side of the Civil War. She lost three or four sons, or sons-in-law, and a grandson to the cause. The West Family and the Confederacy Another family that should be recognized for its contribution to the cause of the Confederacy is that of Jeremiah and Mary Whitaker West. Their oldest son, John West, was born in 1817 and served with Company K, 11th NC Regiment. He resided in Buncombe Co., where he enlisted at age 44 on March 1, 1862. He was mustered in as sergeant and promoted to I st Sergeant on April 11, 1864, present or accounted for until wounded at Spotsylvania Court House, VA on May 11, 1864. He died on wounds on May 11, 1864. His son, John Preston West, 18, was also mustered in as Private, 51 promoted to Corporal on March 1 , 1862, and was with his father at the time of his death. The following letter was in the possession ofVaughtie Shook, a granddaughter, written by John P. West, Jr. to his mother telling her of his father's death. A copy was given to me by Mrs. -
Chapter 2: Struggle for the Frontier Quiz
Chapter 2: Struggle for the Frontier Quiz 1. Which of the following tribes lived or hunted in Tennessee? (Select all that apply) a. Cherokee b. Shawnee c. Iroquois d. Creek e. Chickasaw 2. What is Cumberland Gap? a. A low area between the mountains that allowed travelers to cross the mountains more easily b. A trail cut by Richard Henderson through the mountains c. An early settlement in Tennessee d. A mountain peak between Tennessee and Kentucky 3. During the French and Indian War, the British built which Fort in an effort to keep the Cherokee loyal to their side? (Choose 1) a. Fort Nashborough b. Fort Donelson c. Fort Watauga d. Fort Loudoun 4. Choose one answer to complete this sentence: The Proclamation of 1763… a. Ended fighting between the British and the French. b. Prohibited settlements beyond the Appalachian Mountains in an effort to avoid further conflict with Native Americans. c. Was an agreement among the Cherokee about how to deal with the settlers. d. Ended the French and Indian War. Tennessee Blue Book: A History of Tennessee- Student Edition https://tnsoshistory.com 5. Why did the Watauga settlers create the Watauga Compact in 1772? a. Their settlement was under attack by the Cherokee b. Their settlement was outside the boundaries of any colony c. Their settlement was under the control of the British government d. Their settlement needed a more efficient system of government 6. Who cut the trail known as the Wilderness Road? a. James Robertson b. John Donelson c. Daniel Boone d. John Sevier 7. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:_December 13, 2006_ I, James Michael Rhyne______________________________________, hereby submit this work as part of the requirements for the degree of: Doctor of Philosophy in: History It is entitled: Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region This work and its defense approved by: Chair: _Wayne K. Durrill_____________ _Christopher Phillips_________ _Wendy Kline__________________ _Linda Przybyszewski__________ Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region A Dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of History of the College of Arts and Sciences 2006 By James Michael Rhyne M.A., Western Carolina University, 1997 M-Div., Southeastern Baptist Theological Seminary, 1989 B.A., Wake Forest University, 1982 Committee Chair: Professor Wayne K. Durrill Abstract Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region By James Michael Rhyne In the late antebellum period, changing economic and social realities fostered conflicts among Kentuckians as tension built over a number of issues, especially the future of slavery. Local clashes matured into widespread, violent confrontations during the Civil War, as an ugly guerrilla war raged through much of the state. Additionally, African Americans engaged in a wartime contest over the meaning of freedom. Nowhere were these interconnected conflicts more clearly evidenced than in the Bluegrass Region. Though Kentucky had never seceded, the Freedmen’s Bureau established a branch in the Commonwealth after the war. -
Results of Investigations of Surface-Water Quality, 1987-90
WATER-QUALITY ASSESSMENT OF THE KENTUCKY RIVER BASIN, KENTUCKY: RESULTS OF INVESTIGATIONS OF SURFACE-WATER QUALITY, 1987-90 By Kirn H. Haag, Rene Garcia, G. Lynn Jarrett, and Stephen D. Porter U.S. GEOLOGICAL SURVEY Water-Resources Investigations Report 95-4163 Louisville, Kentucky . 1995 U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Gordon P. Eaton, Director For additional information write to: Copies of this report can be purchased from: District Chief U.S. Geological Survey U.S. Geological Survey Earth Science Information Center District Office Open-File Reports Section 2301 Bradley Avenue Box 25286, MS 517 Louisville, KY 40217 Denver Federal Center Denver, CO 80225 FOREWORD The mission of the U.S. Geological Survey (USGS) is to assess the quantity and quality of the earth resources of the Nation and to provide information that will assist resource managers and policymakers at Federal, State, and local levels in making sound decisions. Assessment of water-quality conditions and trends is an important part of this overall mission. One of the greatest challenges faced by water-resources scientists is acquiring reliable information that will guide the use and protection of the Nation's water resources. That challenge is being addressed by Federal, State, interstate, and local water-resource agencies and by many academic institutions. These organizations are collecting water-quality data for a host of purposes that include: compliance with permits and water-supply standards; development of remediation plans for a specific contamination problem; operational decisions on industrial, wastewater, or water-supply facilities; and research on factors that affect water quality. -
UNIT HISTORIES Regimental Histories and Personal Narratives
A Guide to the Microfiche Edition of CIVIL WAR UNIT HISTORIES Regimental Histories and Personal Narratives Part 1. The Confederate States of America and Border States A Guide to the Microfiche Edition of CIVIL WAR UNIT HISTORIES Regimental Histories and Personal Narratives Part 1. Confederate States of America and Border States Editor: Robert E. Lester Guide compiled by Blair D. Hydrick Library of Congress Cataloging-in-Publication Data Civil War unit histories. The Confederate states of America and border states [microform]: regimental histories and personal narratives / project editors, Robert E. Lester, Gary Hoag. microfiches Accompanied by printed guide compiled by Blair D. Hydrick. ISBN 1-55655-216-5 (microfiche) ISBN 1-55655-257-2 (guide) 1. United States--History~Civil War, 1861-1865--Regimental histories. 2. United States-History-Civil War, 1861-1865-- Personal narratives. I. Lester, Robert. II. Hoag, Gary. III. Hydrick, Blair. [E492] 973.7'42-dc20 92-17394 CIP Copyright© 1992 by University Publications of America. All rights reserved. ISBN 1-55655-257-2. TABLE OF CONTENTS Introduction v Scope and Content Note xiii Arrangement of Material xvii List of Contributing Institutions xix Source Note xxi Editorial Note xxi Fiche Index Confederate States of America Army CSA-1 Navy CSA-9 Alabama AL-15 Arkansas AR-21 Florida FL-23 Georgia GA-25 Kentucky KY-33 Louisiana LA-39 Maryland MD-43 Mississippi MS-49 Missouri MO-55 North Carolina NC-61 South Carolina SC-67 Tennessee TN-75 Texas TX-81 Virginia VA-87 Author Index AI-107 Major Engagements Index ME-113 INTRODUCTION Nothing in the annals of America remotely compares with the Civil War. -
What Is a Dance? in 3 Dances, Gene Friedman Attempts to Answer Just That, by Presenting Various Forms of Movement. the Film Is D
GENE FRIEDMAN 3 Dances What is a dance? In 3 Dances, Gene Friedman attempts to answer just that, by presenting various forms of movement. The film is divided into three sections: “Public” opens with a wide aerial shot of The Museum of Modern Art’s Sculpture Garden and visitors walking about; “Party,” filmed in the basement of Judson Memorial Church, features the artists Alex Hay, Deborah Hay, Robert Rauschenberg, and Steve Paxton dancing the twist and other social dances; and “Private” shows the dancer Judith Dunn warming up and rehearsing in her loft studio, accompanied by an atonal vocal score. The three “dances” encompass the range of movement employed by the artists, musicians, and choreographers associated with Judson Dance Theater. With its overlaid exposures, calibrated framing, and pairing of distinct actions, Friedman’s film captures the group’s feverish spirit. WORKSHOPS In the late 1950s and early 1960s, three educational sites were formative for the group of artists who would go on to establish Judson Dance Theater. Through inexpensive workshops and composition classes, these artists explored and developed new approaches to art making that emphasized mutual aid and art’s relationship to its surroundings. The choreographer Anna Halprin used improvisation and simple tasks to encourage her students “to deal with ourselves as people, not dancers.” Her classes took place at her home outside San Francisco, on her Dance Deck, an open-air wood platform surrounded by redwood trees that she prompted her students to use as inspiration. In New York, near Judson Memorial Church, the ballet dancer James Waring taught a class in composition that brought together different elements of a theatrical performance, much like a collage. -
Take the Effective June 2016
2016-2017 Take the EFFECTIVE JUNE 2016 A comprehensive guide to touring Nashville attractions riding MTA buses and the Music City Star. For schedules and other information, visit NashvilleMTA.org or call (615) 862-5950. Nashville MTA & RTA @Nashville_MTA RIDE ALL DAY FOR $5.25 OR LESS Purchase at Music City Central, from the driver, or online at NashvilleMTA.org Take the The Nashville MTA is excited to show you around Music City, whether you’re visiting us for the first time, fifth time, or even if you’re a Middle Tennessee resident enjoying hometown attractions. There’s so much to see and do, and the MTA bus system is an easy, affordable way to see it all. We operate a free downtown service, the Music City Circuit, which is designed to help you reach sports and entertainment venues, downtown hotels, residences, and offices more quickly and easily. The Blue and Green Circuits operate daily with buses traveling to the Bicentennial Mall and the Gulch, a LEED certified community. The Music City Circuit connects many key downtown destinations including the Farmers’ Market, First Tennessee Park, Schermerhorn Symphony Center, Riverfront Station, and the Gulch’s restaurants, bars and condominium towers and numerous points in between. Of course, there are also our other MTA and regional bus routes throughout Middle Tennessee that can be utilized. You can access them by taking a bus to Music City Central, our downtown transit station. Once there, you’ll see how we’re making public transportation more convenient and comfortable, and how making the most of your Nashville experience is now even easier with the MTA. -
Cumberland Gap National Historical Park Foundation Document Overview
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Overview Cumberland Gap National Historical Park Kentucky, Tennessee, and Virginia Contact Information For more information about the Cumberland Gap National Historical Park Foundation Document, contact: [email protected] or (606)248-2817 or write to: Superintendent, Cumberland Gap National Historical Park, 91 Bartlett Park Road, Middlesboro, KY 40965 Purpose Significance Significance statements express why Cumberland Gap National Historical Park resources and values are important enough to merit national park unit designation. Statements of significance describe why an area is important within a global, national, regional, and systemwide context. These statements are linked to the purpose of the park unit, and are supported by data, research, and consensus. Significance statements describe the distinctive nature of the park and inform management decisions, focusing efforts on preserving and protecting the most important resources and values of the park unit. • Crossing the Great Appalachian Barrier. The Cumberland Gap represents a turning point in American history as the Gap witnessed nearly 300,000 settlers pushing through the Appalachian barrier during the late 18th to early 19th century. Today some 40 million Americans can trace their history to crossing through the Gap. • Geology. Cumberland Gap National Historical Park protects an extensive array of geologic features formed over the course of hundreds of millions of years in the wake of numerous Appalachian orogenies (mountain-forming periods). The park’s notable concentration of caves and The purpose of Cumberland Gap karst formations, cliffs, pinnacles, and other geologic national HistoriCal park is to features provide a valuable window into the dynamic nature preserve, protect, and interpret the of the landscape and the impact of geology on human geologic “doorway to the west”—the migration and culture.