Chicago Remastered Discography Torrent Download
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Intermezzo May/June 2021
Virtual Membership Meeting: Virtual Membership Meeting: May/June 2021 Monday, May 10th, 2021 Monday, June 14th, 2021 Vol. 81 No. 3 @ 6:00 pm @ 6:00 pm Musician Profile: Chicago’s Jimmy Pankow and Lee Loughnane Page 6 Looking Back Page 11 The Passing of Dorothy Katz Page 28 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS TABLE OF CONTENTS OFFICERS – DELEGATES 2020-2022 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS FROM THE PRESIDENT Robert Bauchens Nick Moran Rich Daniels Charles Schuchat Jeff Handley Joe Sonnefeldt Janice MacDonald FROM THE VICE-PRESIDENT CONTRACT DEPARTMENT Leo Murphy – Vice-President ASSISTANTS TO THE PRESIDENT - JURISDICTIONS FROM THE SECRETARY-TREASURER Leo Murphy - Vice-President Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) Dean Rolando CFM MUSICIANS Recordings, Transcriptions, Documentaries, Etc. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE RESOLUTION ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Terryl Jares Leo Murphy WHO, WHERE, WHEN B.J. Levy DELEGATES TO CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL Rich Daniels Leo Murphy LOOKING BACK Terryl Jares DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS Rich Daniels B.J. Levy HEALTH CARE UPDATE Terryl Jares Leo Murphy Alternate: Charles Schuchat PUBLISHER, THE INTERMEZZO FAIR EMPLOYMENT PRACTICES COMMITTEE Terryl Jares CO-EDITORS, THE INTERMEZZO Sharon Jones Leo Murphy PRESIDENTS EMERITI CFM SCHOLARSHIP WINNERS Gary Matts Ed Ward VICE-PRESIDENT EMERITUS Tom Beranek OBITUARIES SECRETARY-TREASURER EMERITUS Spencer Aloisio BOARD OF DIRECTORS EMERITUS ADDRESS AND PHONE CHANGES Bob Lizik Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M. -
Blues in the 21St Century
Blues in the 21 st Century Myth, Self-Expression and Trans-Culturalism Edited by Douglas Mark Ponton University of Catania, Italy and Uwe Zagratzki University of Szczecin, Poland Series in Music Copyright © 2020 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019951782 ISBN: 978-1-62273-634-8 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Jean-Charles Khalifa. Cover font (main title): Free font by Tup Wanders. Table of contents List of Figures vii List of Tables ix Preface xi Acknowledgements xix Part One: Blues impressions: responding to the music 1 1. -
Testimonials
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CONGRESSIONAL RECORD— Extensions of Remarks E2431 HON
November 15, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E2431 their staff on many of our most critical edu- Chicago reached the top of the charts with fa- In 1959, he was appointed by U.S. Presi- cational issues. In the past 10 years, she has vorites such as ‘‘If You Leave Me Now,’’ ‘‘Hard dent Dwight D. Eisenhower to serve as special specialized in elementary and secondary edu- to Say I’m Sorry,’’ and ‘‘Look Away.’’ In addi- assistant to U.S. Secretary of State John Fos- cation, including No Child Left Behind. Sandra tion to their incredible commercial success, ter Dulles. A year later, he ran and was elect- was involved in helping to pass NCLB and has Chicago has garnered considerable respect ed to the U.S. House of Representatives from kept the lines of communication open between among critics and has won numerous awards, the 10th Congressional District of Pennsyl- the Executive and Legislative branches of including three Grammy Awards as well as a vania. Government. Favorite Rock Group award at the American In 1962, he was elected governor of the Sandra is a career civil servant who knows Music Awards. Commonwealth of Pennsylvania and, during that Federal education policy matters. She has Awards and honors aside, Chicago has a his term, he signed into law sweeping reforms served under administrations of both parties special gift for bringing people together, some- in the State’s educational system including and has consistently received internal recogni- thing I have personally experienced. My wife, creation of the State community college sys- tion for her professionalism and commitment Judy, and I are long-time fans of the band, tem, the State board of education and the to excellence. -
'Ch'iccigo Victimize,D· by Art
'Ch'iccigo Victimize,d· By Art Chicago XI (CBS) , orie cannot help but think 'that Chicago not know how to perform. "Chicago XI" serious symphonic setting. "Portrait" is By Bernie Russell heard the Eagles' orchestral beginning to is by no means a terrible record (Chicago Schickele's sixth P.D.Q. Bach record and "Victim Of Love" and said "Hey, that's fans will love it), it would have just been the gimmick is starting to wear a little Chicago, one of rock's most durable deep! Let's do that too!~' This classical a much better album if Chicago had not thin. Included in "Portrait of P.D.Q. groups, has been accused recently of music does not even fit in with the soul tried to be so deep and moving and ar Bach" is a kidding of Bach's musical ylaying it too safe-sticking too closely sounding tune that it introduces, "Little tistic. masses in "Missa Hilarious," also ' "Eine to the same tried-and-true formula that One." It just seems to have been put in to Kleine' Nichtmusik," "Echo Sonata;" made their music so popular in the late show the critics that Chicago can be Shorf Cut and "A Consort of Choral Christmas Sixties. Some critics feel that the mix every bit as "artistic" in their music as "Portrait of P.D.Q. Bach" Music." Anyone who likes classical ture of brass and guitars that made the Eagles are in theirs. , - (Vanguard)-Professor ' Peter Schickele music and does not mind hearing it Chicago's sound so fresh and different in A rock act should play the music that (and his character ofP.D.Q. -
The Ultimate Monitoring Experience
The Ultimate Monitoring Experience Revolutionary Monitoring Solution …With Any Monitors “Awesome” Elliot Scheiner – Engineer (Foo Fighters, The Eagles, Steely Dan) Willisoundz II, Nashville, TN 2 There is no more important element in a control room than accurate monitoring. “The PhantomFocus™ System Our experience implementing dozens and dozens of PhantomFocus Systems in every imaginable (PFS™) addresses the sonic control room environment – from bedrooms to response of the Acoustic Trinity™ million-dollar recording complexes of our own — the relationship between the design or others’ – has taught us this: Great Yes Master mastering, Nashville, TN, speakers in a great room do not equal great with Lipinski monitors in a Mid–Field speaker, the listener and the room monitoring. PhantomFocus System — as a single entity, as if it were a new speaker being designed on a The PhantomFocus System is a The award–winning Blue Grotto, Nashville, TN, with Dynaudio M3 and test bench in an audio lab, custom turnkey solution for M1 monitors in a Dual PhantomFocus rendering the ultimate monitoring studios desiring the highest level System experience. Attempting to of monitoring accuracy in their optimize these three elements control room environment – any independently rather than by environment – any speakers! their sum in a monitoring system, Utilizing an amalgam of techniques, is tantamount to acoustic sacrilege proprietary protocols, hardware and software, and challenges the laws of the acclaimed PhantomFocus System is a powerful tool in optimizing monitor systems. physics.” — Carl Tatz Without using any sort of psychoacoustic effects, but rather relying on the laws of Great speakers in a great room do physics and powerful high-resolution digital not equal great monitoring. -
CHICAGO TRANSIT AUTHORITY 50 Th ANNIVERSARY REMIX
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] CHICAGO TRANSIT AUTHORITY 50 th ANNIVERSARY REMIX Chicago feiern das 50-jährige Jubiläum ihres bahnbrechenden Debüts mit einer neu abgemischten Version ihres 2-fach Platin-ausgezeichneten Doppelalbums LOS ANGELES – Chicagos Debütalbum Chicago Transit Authority (bei Erscheinen noch selbstbetitelt) war eine bahnbrechende Doppel-LP, die das einfallsreiche Songwriting der Band, ihre meisterliche Musikalität und eine Genre-übergreifende Mixtur aus Rock, Jazz, Funk und Pop unter Beweis stellte. In Anerkennung seines prägenden Einflusses wurde das Album 2014 in die Grammy Hall of Fame aufgenommen. Anlässlich des 50. Jubiläums des Albums haben sich Chicago mit Toningenieur Tim Jessup zusammengetan, um das gesamte Album neu abzumischen. CHICAGO TRANSIT AUTHORITY (50th ANNIVERSARY REMIX) erscheint am 30. August auf CD und Doppel-LP auf 180g-Vinyl. Es wird auch eine nummerierte Limited Edition des 2LP-Sets auf Gold-Vinyl geben, die über rhino.com erhältlich ist. Das neu abgemischte Album wird am 30.August auch als Download und Stream veröffentlicht. Ursprünglich veröffentlicht am 28. April 1969, stieg Chicago Transit Authority in die US-Charts ein, erreichte Doppel- Platin und erhielt eine Grammy-Nominierung als „Best New Artist“. Das Werk erreichte zudem das seltene Alleinstellungsmarkmal, sich ganze drei Jahre (171 Wochen) in den US-Charts zu halten – zur damaligen Zeit ein neuer Rekord. Das zeitlose Doppelalbum enthält einige der unvergesslichsten Hits der Band: „Beginnings”, „Does Anybody Really Know What Time It Is?” und „Questions 67 and 68”. Es enthält außerdem das unverkennbare Gitarrenspiel des 1978 verstorbenen Terry Kath auf „South California Purple”, „Free Form Guitar” und ein gleißendes Cover von „I’m A Man”. -
Legendary American Rock Band Chicago to Perform Live with Charlotte Symphony One Night Only: 8 Pm Sat, Sept 21 at Belk Theater
FOR IMMEDIATE RELEASE Contact: Jamie Wolf, 704-714-5112 or [email protected] LEGENDARY AMERICAN ROCK BAND CHICAGO TO PERFORM LIVE WITH CHARLOTTE SYMPHONY ONE NIGHT ONLY: 8 PM SAT, SEPT 21 AT BELK THEATER August 21, 2013 | CHARLOTTE, NC - Chicago—one of the most successful rock groups in history—is bringing its powerful live show to open the Charlotte Symphony's Pops Series this fall. From the signature sound of the Chicago horns, their iconic vocalists and a few dozen ever-classic songs, this band’s concerts are celebrations! The band line-up includes original Chicago members Robert Lamm on keyboards and vocals, Lee Loughnane on trumpet, James Pankow on trombone and Walt Parazaider on woodwinds. Other members are Jason Scheff on bass and vocals, drummer Tris Imboden, guitarist Keith Howla, Lou Pardini on keyboards and vocals and Wally Reyes on percussion. Symphony-goers may find this interesting: original member Parazaider, a De Paul University graduate, was offered a spot with the Chicago Symphony in the early years but opted to stick with the band instead. The “legendary rock and roll band with horns,” Chicago is the first American rock band to chart Top 40 albums in six consecutive decades. In Billboard Magazine's list of Top 100 artists of all time, Chicago came in at #13, the highest charting American band, having produced an incredible 47 gold and platinum records. Most recently, in March of 2013, Chicago’s multi-platinum two-disc bestseller, The Very Best Of Chicago, Only The Beginning charted at #1 on two Billboard charts: the Catalog Chart and the Digital Catalog chart. -
Chicago Tribute Band, Chi-Town Transit Authority, to Play Greenwood Performing Arts
Chicago tribute band, Chi-Town Transit Authority, to play Greenwood Performing Arts • By ST. CLAIRE DONAGHY [email protected] | Jan 7, 2018 Atlanta-based Chi-Town Transit Authority is bringing the legendary sounds of the band Chicago to Greenwood Performing Arts for the series’ 7:30 p.m. performance Jan. 12 at Greenwood Community Theatre. Tickets are $45, available at the Greenwood Community Theatre box office, 864-229-5704. This newly formed seven-piece band has been wowing audiences at performing arts showcases with renditions from the famed “rock band with horns.” The band Chicago is known for hits such as “Just You ‘n’ Me,” “Saturday in the Park,” “You’re the Inspiration,” “Hard Habit to Break” and many more. The band has a tremendous music catalog spanning decades. For Laurence Cohen, trombonist for Chi-Town Transit Authority, Chicago’s early years particularly offer up musical gems. Perhaps that’s why the tribute band’s name is inspired by the name of Chicago’s debut album from 1969, “Chicago Transit Authority.” Chicago’s big hits were great, Cohen said, but he said the band’s first two albums are worth a listen now. “Those albums might not have charted big hits, but they are great songs, great rock ‘n’ roll,” Cohen said. “At the time Chicago was emerging, their horns were used in an extremely innovative way. Many ‘60s bands had horns, but they were kind of background. With Chicago, they are front and center.” Among those earlier songs, Cohen has enjoyed rediscovering “Wake Up Sunshine,” which is happy and Beatles-esque, and the more rock and blues- influenced, “South California Purples.” Although Chi-Town is based in Atlanta, Cohen actually grew up in Chicago and got his first professional job as a 16-year-old musician playing the amusement park Six Flags Chicago. -
The Roots Report: E-Nnoying!: Those Highway Signs Should Hit the Road
The Roots Report: E-nnoying!: Those highway signs should hit the road Okee dokee folks… Have you noticed the illuminated message signs along our major highways and the annoyingly punny sayings on them? Personally, I think that these signs should be used for one thing only: emergencies. Instead, they visually shout stupidity at you as you pass. They are such a turn-off because they never seem to be turned off so I TRY to ignore them, which is exactly the opposite of what they are there for. Last month, with St. Paddy’s approaching, they constantly flashed out messages like, “Make your own luck, drive sober” and “You’re someone’s pot of gold, drive sober.” Yes, I agree, drive sober, but a driver has to take their eyes off the road to read the message. If you don’t know enough to drive sober, I seriously doubt that this electronic conscience is going to influence your imbibing, especially with puerile quips such as these. Other examples read: “Use yah blinkah,” “That seat belt looks good on you” and “Santa sees you when you’re speeding.” Maybe the sign people just aren’t getting enough emergencies to light write about. Maybe they should become songwriters and hit the open mics; they might be less annoying this way. Am I alone? Read on… Ding, Da-Ding, Ding, Ding, Ding, Ding, Ding, Ding… Does that sound familiar? Ha! Well, it’s the plucking banjo intro of the instrumental “Dueling Banjos” from the motion picture, Deliverance. The film was about four friends taking an ill-fated canoe trip through northern Georgia and starred Burt Reynolds, Jon Voight, Ned Beatty and Ronny Cox. -
Off the Record Band
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