The Magic and Mysteries of Mexico Or the Arcane Secrets and Occult Lore of the Ancient Mexicans and Maya
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Metaphors of Relative Elevation, Position and Ranking in Popol Vuh
METAPHORS OF RELATIVE ELEVATION, POSITION AND RANKING IN POPOL VUH Nathaniel TARN and Martin PRECHTEL Rutgers University This paper is an account of work very much in progress on the textual analysis of Popol V uh, and is one study among others (since this theme is attracting a number of students today) of inter-con nections and mutual illuminations between Popol Vuh and the con temporary ethnographic record in Highland Guatemala and Chiapas. For some considerable time now Popol Vuh has been considered as the major extant text of the Mesoamerican literary traditions, and as one of the most remarkable of all human creation stories, both for its beauty and for the complexity of its cosmological and mythical messages. While it may or may not have had a hieroglyphic original, the present alphabetic version of Po pol V uh wars written down some where between 1545 and 1558 by an anonymous member of the Cavek lineage of the Quiche Maya of Guatemala. This lineage had been a ruling house until it fell to the Spaniards in 1524. The manu script was copied by Francisco de Ximenez, a Spanish priest, some 150 years later. While there are references to Christianity in the text, these are few and it is generally regarded as one of the purest extant accounts of prehispanic Maya world-view. At the end of the hook, what we call mythical history shades into the historical history of the Quiche, so that the hook can serve as an illustration of the extent to which these two kinds of history are not held a,part by Maya generally. -
Hindu America
HINDU AMERICA Revealing the story of the romance of the Surya Vanshi Hindus and depicting the imprints of Hindu Culture on tho two Americas Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand. Little flower— but if I could understand What you arc. root and all. and all in all, I should know what God and man is — /'rimtjihui' •lis far m the deeps of history The Voice that speaVeth clear. — KiHtf *Wf. The IIV./-SM#/. CHAMAN LAL NEW BOOK CO HORNBY ROAD, BOMBAY COPY RIGHT 1940 By The Same Author— SECRETS OF JAPAN (Three Editions in English and Six translations). VANISHING EMPIRE BEHIND THE GUNS The Daughters of India Those Goddesses of Piety and Sweetness Whose Selflessness and Devotion Have Preserved Hindu Culture Through the Ages. "O Thou, thy race's joy and pride, Heroic mother, noblest guide. ( Fond prophetess of coming good, roused my timid mood.’’ How thou hast |! THANKS My cordial chaoks are due to the authors and the publisher* mentioned in the (eat for (he reproduction of important authorities from their books and loumils. My indchtcdih-ss to those scholars and archaeologists—American, European and Indian—whose works I have consulted and drawn freely from, ts immense. Bur for the results of list investigations made by them in their respective spheres, it would have been quite impossible for me to collect materials for this book. I feel it my duty to rhank the Republican Governments of Ireland and Mexico, as also two other Governments of Europe and Asia, who enabled me to travel without a passport, which was ruthlessly taken away from me in England and still rests in the archives of the British Foreign Office, as a punishment for publication of my book the "Vanishing Empire!" I am specially thankful to the President of the Republic of Mexico (than whom there is no greater democrat today)* and his Foreign Minister, Sgr. -
Panthéon Maya
Liste des divinités et des démons de la mythologie des mayas. Les noms sont tirés du Popol Vuh des Mayas Quichés, des livres de Chilam Balam et de Diego de Landa ainsi que des divers codex. Divinité Dieu Déesse Démon Monstre Animal Humain AB KIN XOC Dieu de poésie. ACAN Dieu des boissons fermentées et de l'ivresse. ACANTUN Quatre démons associés à une couleur et à un point cardinal. Ils sont présents lors du nouvel an maya et lors des cérémonies de sculpture des statues. ACAT Dieu des tatouages. AH CHICUM EK Autre nom de Xamen Ek. AH CHUY KAKA Dieu de la guerre connu sous le nom du "destructeur de feu". AH CUN CAN Dieu de la guerre connu comme le "charmeur de serpents". AH KINCHIL Dieu solaire (voir Kinich Ahau). AHAU CHAMAHEZ Un des deux dieux de la médecine. AHMAKIQ Dieu de l'agriculture qui enferma le vent quand il menaçait de détruire les récoltes. AH MUNCEN CAB Dieu du miel et des abeilles sans dard; il est patron des apiculteurs. AH MUN Dieu du maïs et de la végétation. AH PEKU Dieu du Tonnerre. AH PUCH ou AH CIMI ou AH CIZIN Dieu de la Mort qui régnait sur le Metnal, le neuvième niveau de l'inframonde. AH RAXA LAC DMieu de lYa Terre.THOLOGICA.FR AH RAXA TZEL Dieu du ciel AH TABAI Dieu de la Chasse. AH UUC TICAB Dieu de la Terre. 1 AHAU CHAMAHEZ Dieu de la Médecine et de la Guérison. AHAU KIN voir Kinich Ahau. AHOACATI Dieu de la Fertilité AHTOLTECAT Dieu des orfèvres. -
Aztec Mythology
Aztec Mythology One of the main things that must be appreciated about Aztec mythology is that it has both similarities and differences to European polytheistic religions. The idea of what a god was, and how they acted, was not the same between the two cultures. Along with all other native American religions, the Aztec faith developed from the Shamanism brought by the first migrants over the Bering Strait, and developed independently of influences from across the Atlantic (and Pacific). The concept of dualism is one that students of Chinese religions should be aware of; the idea of balance was primary in this belief system. Gods were not entirely good or entirely bad, being complex characters with many different aspects and their own desires and motivations. This is highlighted by the relation between Quetzalcoatl and Tezcatlipoca. When the Spanish arrived with their European sensibilities, they were quick to name one good and one evil, identifying Quetzalcoatl with Christ and Tezcatlipoca with Satan during their attempts to integrate the Nahua peoples into Christianity. But to the Aztecs neither god would have been “better” than the other; they are just different and opposing sides of the same duality. Indeed, their identities are rather nebulous, with Quetzalcoatl often being referred to as “White Tezcatlipoca” and Tezcatlipoca as “Black Quetzalcoatl”. The Mexica, as is explained in the history section, came from North of Mexico in a location they named “Aztlan” (from which Europeans developed the term Aztec). During their migration south they were exposed to and assimilated elements of several native religions, including those of the Toltecs, Mayans, and Zapotecs. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
CRÓNICAS Mesoamericanas Tomo I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008
CRÓNICAS MESOAMEricanas TOMO I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008 Consejo Directivo: Félix Javier Serrano Ursúa, Jorge Rubén Calderón González, Claudia María Hernández de Dighero, Carlos Enrique Chian Rodríguez, Ana Cristina Estrada Quintero, Luis Roberto Villalobos Quesada, Emilio Enrique Conde Goicolea. Editor: Horacio Cabezas Carcache. Traducción de textos mayas-quichés: Marlini Son, Candelaria Dominga López Ixcoy, Robert Carmack, James L. Mondloch, Ruud van Akkeren y Hugo Fidel Sacor. Revisor de estilo: Pedro Luis Alonso. Editorial responsable: Editorial Galería Guatemala. Consejo Editorial: Estuardo Cuestas Morales, Egemberto Alvergue Oliveros, Carlos Enrique Zea Flores, María Olga Granai de Zoller, Mario Estuardo Montes Granai. Diseño y diagramación: QUELSA. Ilustraciones en acuarela: Victor Manuel Aragón. Fotografía proporcionada por Fundación Herencia Cultural Guatemalteca, Fototeca de Justin Kerr de su catálogo Maya Vase Database y Fototeca de Fundación G&T Continental (páginas 119,134,140). Impresión: Tinta y Papel Derechos reservados. La reproducción total o parcial de esta obra sólo podrá hacerse con autorización escrita de la Universidad Mesoamericana. http://www.umes.edu.gt 40 Calle, 10-01, Zona 8, Guatemala, C. A. CRÓNICAS MESOAMEricanas TOMO I CONTENIDO PRÓLOGO 9 FÉLIX JAVIER SERRANO URSÚA INTRODUCCIÓN 11 HORACIO CABEZAS CARCACHE CÓDICES mayas Y MEXICANOS 17 TOMÁS BARRIENTOS Y MARION POPENOE DE HATCH Crónicas DE YAXKUKUL Y CHAC Xulub CHEN 31 ERNESTO VARGAS PACHECO CRÓNICA DE CHAC XULUB CHEN 44 TÍTULO DE LOS SEÑORES DE Sacapulas 59 RUUD VAN AKKEREN HISTORIA DE SU ORIGEN Y VENIDA DE SUS PADRES EN LAS TIERRAS DEL QUICHÉ. 78 PARTE I. FRAGMENTO QUIChé [K’iChe’] 88 TÍTULO DE CAGCOH [KAQKOJ] 93 ENNIO BOSSÚ TESTAMENTO Y TÍTULO DE LOS ANTECESORES DE 100 LOS SEÑORES DE CAGCOH SAN CRISTÓBAL VERAPAZ. -
The Mayan Gods: an Explanation from the Structures of Thought
Journal of Historical Archaeology & Anthropological Sciences Review Article Open Access The Mayan gods: an explanation from the structures of thought Abstract Volume 3 Issue 1 - 2018 This article explains the existence of the Classic and Post-classic Mayan gods through Laura Ibarra García the cognitive structure through which the Maya perceived and interpreted their world. Universidad de Guadalajara, Mexico This structure is none other than that built by every member of the human species during its early ontogenesis to interact with the outer world: the structure of action. Correspondence: Laura Ibarra García, Centro Universitario When this scheme is applied to the world’s interpretation, the phenomena in it and de Ciencias Sociales, Mexico, Tel 523336404456, the world as a whole appears as manifestations of a force that lies behind or within Email [email protected] all of them and which are perceived similarly to human subjects. This scheme, which finds application in the Mayan worldview, helps to understand the personality and Received: August 30, 2017 | Published: February 09, 2018 character of figures such as the solar god, the rain god, the sky god, the jaguar god and the gods of Venus. The application of the cognitive schema as driving logic also helps to understand the Maya established relationships between some animals, such as the jaguar and the rattlesnake and the highest deities. The study is part of the pioneering work that seeks to integrate the study of cognition development throughout history to the understanding of the historical and cultural manifestations of our country, especially of the Pre-Hispanic cultures. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Picture Editing For A Structured Or Competition Program Alone Cold War August 16, 2018 Winter arrives in full force, testing the final participants like never before. Despite the elements, they’re determined to fight through the brutal cold, endless snow, and punishing hunger to win the $500,000 prize. While they all push through to their limits, at the end, only one remains. The Amazing Race Who Wants A Rolex? May 22, 2019 The Amazing Race makes a first ever trip to Uganda, where a massive market causes confusion and a labor intensive challenge on the shores of Lake Victoria exhausts teams before they battle in a Ugandan themed head-to-head competition ending in elimination. America's Got Talent Series Body Of Work May 28, 2018 Welcoming acts of any age and any talent, America’s Got Talent has remained the number one show of the summer for 13 straight seasons. American Idol Episode #205 March 18, 2019 Music industry legends and all-star judges Katy Perry, Lionel Richie and Luke Bryan travel the country between Los Angeles, New York, Denver and Louisville where incredibly talented hopefuls audition for a chance to win the coveted Golden Ticket to Hollywood in the search for the next American Idol. American Ninja Warrior Series Body Of Work July 09, 2018 American Ninja Warrior brings together men and women from all across the country, and follows them as they try to conquer the world’s toughest obstacle courses. Antiques Roadshow Ca' d'Zan, Hour 1 January 28, 2019 Antiques Roadshow transports audiences across the country to search for America’s true hidden treasure: the stories of our collective history. -
19 = 260. the Holy Quran and the Law of Time
The Holy Quran and the Law of Time: 19 = 260 An Investigation of the Mathematical Cosmology Unifying the Holy Quran and the Science of Fourth-Dimensional Time as Decoded from the Tomb of Pacal Votan Presented by José Argüelles, Ph.D. Valum Votan “Closer of the Cycle” Copyright 1999, José Argüelles Dedicated to Dr. Rashad Khalifa 1935-1990 “Do not say of those who are killed in the cause of God, ‘They are dead.’ They are alive at their Lord, but you do not perceive.” Holy Quran, Sura 2:154 That the Mission of the Messenger of the Covenant May Be Fulflled in this Generation That the Quran May Expand the Breasts of the Righteous of Every Nation “And The World Will Live as One!” * * John Lennon, Kin 114 (19 x 6), “Imagine” Holy Quran and the Law of Time: 19=260 Table of Contents Preface: The Word of God and the Science of Time Part I. Introductory Considerations: The Book and the Tomb • Introductory Invocation • What is the Quran and how can it be understood by people of present-day Global Civilization? • What is the Law of Time and how does it complement Holy Quran? • Muhammad and Pacal Votan • Pacal Votan’s Timing: the Miracle of Quran and God’s Messenger Service • The Prophecy Telektonon and the 0-19 Code Quranic Timetable Part II. Rashad Khalifa’s Contribution: The Nineteen Code and the Final Testament • Rashad Khalifa’s Contribution • Nineteen in the 20-count positional system • 19 = 7: Nineteen in the 0-19 dot-bar notational system • 19 =260: The Tzolkin “Over it is Nineteen” Strand • The 20 +1 multiples of 19 defning the 20 x 20 Count Part III. -
The Myths of Mexico and Peru
THE MYTHS OF MEXICO AND PERU by Lewis Spence (1913) This material has been reconstructed from various unverified sources of very poor quality and reproduction by Campbell M Gold CMG Archives http://campbellmgold.com --()-- 1 Contents Contents .................................................................................................................................................. 2 Illustrations .............................................................................................................................................. 3 Map of the Valley of Mexico ................................................................................................................ 3 Ethnographic Map of Mexico ............................................................................................................... 4 Detail of Ethnographic Map of Mexico ................................................................................................. 5 Empire of the Incas .............................................................................................................................. 6 Preface .................................................................................................................................................... 7 Chapter 1 - The Civilisation of Mexico .................................................................................................... 9 Chapter 2 - Mexican Mythology ........................................................................................................... -
El Complejo Escenico De Chinkultic, Chiapas
Navarrete, Carlos 2007 El complejo escénico de Chinkultic, Chiapas. En XX Simposio de Investigaciones Arqueológicas en Guatemala, 2006 (editado por J. P. Laporte, B. Arroyo y H. Mejía), pp. 987-1006. Museo Nacional de Arqueología y Etnología, Guatemala. (Versión digital). 58 EL COMPLEJO ESCÉNICO DE CHINKULTIC, CHIAPAS Carlos Navarrete Palabras clave Arqueología Maya, México, Chiapas, Chinkultic, arquitectura, función, espacios útiles, plazas ceremoniales Abstract THE SCENIC COMPLEX AT CHINKULTIC, CHIAPAS The possible function of the great plazas in Maya architecture has given rise to many interpretations. They can be seen as public places where large concentrations of people can participate in religious activities, as meeting points during pilgrimages on specific dates in the ritual calendar, as well as places to celebrate commemorative politic or ideological acts and also as fields for tianguis or periodic markets. Architecturally, these are wide, open areas with room to accommodate multitudes of people. Some are open while others are enclosed by walls and flanked by long low structures, generally stepped, together with low mounds; all of these structures had a public nature: ballcourts, ceremonial water reservoirs, platforms for dance or orations, raised platforms with poles carrying symbols, and a sequential placement of commemorative monuments, stelae and altars. This paper highlights a perfectly designed square plaza, formed by stands on three sides, open on one end, with three low mounds spaced along the open end, and a small central platform. Groups with these characteristics are scarce and have been referred to as “scenic complexes” or theatrical stages. In this work, other examples of this complex from the Lowland Maya area are discussed. -
No.65 2001 Guatemala, 200 L REVISTA T:Studios SOCIALES No
Universidad Rafael landívar Instituto de lnv.estigadones Económicas y Sociales No.65 2001 Guatemala, 200 l REVISTA t:sTUDIOS SOCIALES No. 65 CUARTA EPOCA LA COSMOVISIÓN INDÍGENA GUATEMALTECA, AYER Y HOY Autor: Juan de Dios González Martín Editor: © 2001 Universidad Rafael Landívar Instituto de Investigaciones Económicas y Sociales (IDIES) CONSEJO DEL IDIES UNIVERSIDAD RAFAEL LANDÍVAR Director: Rector: Miguel von Hoegen Gonzalo de Villa, S.J. Secretario: Vicerrectora General: Danilo Palma Ramos Guillermina Herrera Peña Decana de la Facultad de Vicerrector Administrativo-Financiero: Hugo Beteta Méndez-Ruíz Ciencias Políticas y Sociales: Vicerrector Académico: Carla Villagrán René Poitevin Decano de la Facultad de Secretario General: ~iencias Económicas: Renzo Lautaro Rosal Alejandro Arévalo Decano de la Facultad de Ciencias Jurídicas y Sociales: Edición: Mario Fuentes Destarac · Ana Victoria Peláez Ponce Representante de catedráticos: Diagrarnación: Aída Franco de Linde Ernrn y Liliana Chang Reyes URL 113 G643 González Martín, Juan de Dios, 1943 - La cosmovisión indígena guatemalteca, ayer y hoy/ Juan de Dios González Martín.--Guatemala: Universidad Rafael Landívar. Instituto de Investigaciones Económicas y Sociales, 2001. viii, 254 p. ; il. Revista de Estudios Sociales No. 65·; 4a. Época. 1. Cosmovisión maya 2. Mayas 3. Mayas - Vida social y costumbres 4. Antropología cultural 5. Mayas - Religión l. t. Esta publicación es realizada con financiamiento de la fundación Konrad Adenauer, de la República Federal de Alemania. Derechos reservados. Se autoriza su reproducción parcial para fines académicos y de divulgación, siempre que sefcite-la fuente. El contenido de esta publicación es responsabilidad del autor. ,, ONTENIDO , PRESENTACION . Vll PRIMERA PARTE 1 PRÓLOGO . ... ..........· . 3 INTRODUCCIÓN . 19 1. Los documentos indígenas del siglo XVI .