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Issue 41 Contact: [email protected]
June 2012, Issue 41 Contact: [email protected] See all issues to date at the 503rd Heritage Battalion web site: http://corregidor.org/VN2-503/newsletter/issue_index.htm _______________________________________________________________________________________________________________________________________ ~ 2/503d Photo of the Month ~ 335th AHC Cowboys delivering their cargo of 2/503d troopers into the rice paddies of SVN. (Photo by Door-Gunner John Cavinee, Cowboys, cousin of Ron Cavinee, A/2/503d, KIA) 2/503d VIETNAM Newsletter / June 2012 – Issue 41 Page 1 of 60 that the criticism that pastors face was countered and that Chaplain’s Corner his needs were being shared, met, and overcome. The next Sunday, the Pastor stood up behind the podium as church started and on the podium were a stack of notes- "I Got Your 6" each saying..."Pastor, I got your 6 covered.” They were praying for him and guarding him, so to speak, and they were part of his team. his is my second opportunity to share Just maybe the Lord has a call on your life to reach out with you, and I'm and help someone else. I believe He has a mission for glad that you are you and me. Even as you read this message, and T back! Let me regardless where we might be....God has a purpose for review, just a moment, where us right now, right where you are, and no matter who we were and where we you and I are. Whatever we might have encountered in finished last month. The our past or what's in our future, He has permitted us to Scripture I used was from Cap be in this place and time for a specific reason.. -
Introduction
Introduction This collection of essays and reviews follows right on from Anglo- English Attitudes. The last piece in that book was written in 1999; the earliest one here is from the same year. To be honest, nothing much has changed in the interim. I write about whatever happens to interest me, sometimes accepting commissions from editors, sometimes writing pieces and sending them in on spec. A decade from now, by which time I’ll be in my sixties, I hope to have enough new mate- rial to bring out a third volume. You see, I’ve got tenure on this pecu- liarly vacant chair – or chairs, rather. It’s a job for life; more accurately, it is a life, and hardly a day goes by without my marvelling that it is somehow feasible to lead it. As in the earlier collection, there’s no area of specialised concern or expertise; on the contrary, the pleasure, hopefully, lies in the pick ’n’ mix variety, the way one thing leads to another (often Quite different) thing. Actually, one thing has changed: in the last ten years I’ve been asked to contribute introductions to Quite a few books, either re - issued literary classics or photographic monographs and catalogues. I love doing this and am especially grateful to the editors who somehow got wind of the idea that I was interested in Rebecca West or Richard Avedon or whoever and gave me the chance to get between the covers of a shared volume with them. This seems to me the greatest privilege that can be afforded any reader (even if it slightly under- mines the idea of being – as I claim in a piece to be found later in this volume – a gatecrasher). -
Michael Kamber
Why Photography WHY PHOTOGRAPHY Michael Kamber I grew up in a time, in the 1960s and 70s, when photographs made a difference. My family got The Portland Press Herald every morning. There was always a black-and-white news image on the front page. This photo was a representation of an important event in the world from the previous day. Weekly news magazines, such as Time and Newsweek, were packed with photos too; I pored over them eagerly, occasionally cutting photos from their pages. They were my only links to far-off happenings in a distant world. The iconic photos of the civil rights movement in particular were burned into my consciousness. I studied the defiant marchers, snarling dogs, and pot-bellied Southern sheriffs with insouciant grins. Pictures from the Vietnam War changed my consciousness as well. We watched grainy clips on TV every evening. Yet it was the photos, rather than the news footage, that seared the deepest. I remember the photos and the photographers: Larry Burrow's color work from the field of battle, exhausted men and blood-stained ban- dages against the brown earth; Henri Huet, a French-Vietnamese As- sociated Press photographer, took pictures with the eye of a poet; the classic images that I would see again and again in my youth: Eddie Adams' Saigon execution photo; Nick Ut's picture of the napalmed girl running down Highway One. These photos were credited with 69 CREATIVE LIVES turning the American public against the war. These photos provided evidence of people's lives, their suffering, American foreign-policy failures; realities that needed to change. -
2/503 Photo of the Month ~
October 2012, Issue 46 Contact: [email protected] See all issues to date at the 503rd Heritage Battalion website: http://corregidor.org/VN2-503/newsletter/issue_index.htm _______________________________________________________________________________________________________________________________________ ~ 2/503 Photo of the Month ~ The Aftermath C/2/503 troopers taking care of their buddies, circa ’66/’67. Photo by Jack Leide, CO C/2/503d. 2/503d VIETNAM Newsletter / October 2012 – Issue 46 Page 1 of 60 Boats could not be used and a helicopter was called, but Chaplain’s Corner its chance of success was not good, as the whipping snowstorm would be risky, just as it was when it brought the airplane down. Nevertheless, twenty minutes after He Died For Us the crash and as the sun was going down a rescue chopper came. One victim was hoisted out, and then as Once more into the battle…it was St. the cable was lowered again something miraculous Crispen’s Day - the year 1415. We’re happened. The man who grabbed it, passed it on to in France near Agincourt. The two “Cap” another who was hauled out. Again the cable was enemies, France and England, face one lowered and the man passed it on to another who was another, and exchanging taunts designed to provoke an lifted out. Again the same thing happened. As the attack. King Henry marches his force close enough to chopper seconds later wheeled to again drop the cable, allow his archers to unleash a hail of arrows upon the the man had vanished beneath the icy water. Who was French. The French knights charged forward only to be he? Arland Dean Williams, Jr. -
The 100 Greatest Military Photographs
The 100 Greatest Military Photographs From Military Times Publishing Company, insert to the 25 Sept 2000 issues of Army/Navy/AF Times No. 100 Robert Capa WWII No. 99 U.S. Navy Archives Pearl Harbor No. 98 Jacob Harris WWII No. 97 Ray Platnick WWII No. 96 David Turnley Operation Desert Storm No. 95 Charles Kerlee WWII No. 94 Christopher Morris USS Stark No. 93 Philip Jones Griffiths Vietnam, 1968 No. 92 Christopher Morris Persian Gulf War No. 91 U.S. Army Archives WWII, July 1944 No. 90 William Dinwiddle Rough Riders, 1898 No. 89 Brad Markel Andrews AFB, 1991 No. 88 Philadelphia Public Ledger WWI, Nov 1918 No. 87 Adrian Duff WWI, Sep 1918 No. 86 Stanley Tretick South Korea No. 85 U.S. Army Signal Corps Lt Gen George S. Patton No. 84 Robert Jakobsen Ca National Guard, 1940 No. 83 Wayne Miller WWII, 1944 No. 82 U.S. Army Air Force WWII, 1943 No. 81 U.S. Army Archives WWII, 1944 Paris, France No. 80 Peter Turnley “Highway of Doom” Persian Gulf War, 1991 No. 79 Hank Walker South Korea, 1950 No. 78 U.S. Marine Corps Vietnam No. 77 Steve Elfers Operation Desert Storm No. 76 Steve Elfers Operation Desert Storm No. 75 Bruno Barbey Persion Gulf War No. 74 Alexander Gardner Civil War, 1862 No. 73 Jeff Tuttle Operation Desert Shield No. 72 U.S. Army Archives WWII, 1943 Tarawa Atoll No. 71 Alfred Cooperman WWII, 1943 No. 70 Rich Mason Persian Gulf War No. 69 W. Eugene Smith Saipan, WWII No. 68 Larry Burrows Vietnam, 1966 Plane is a Douglas A–1 Skyraider No. -
T: the Student Newspaper of North Carolina State University Since 1920
T: THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 WEDNESDAY FEBRUARY 18 CHNlClA ‘ Raleigh, North Carolina Survey probes profiling N. C. State researchers concluded in sociology and the primary investigator managers should address the problem by monitoring the race composition ofstops factor in of the study. that racial profiling is not a The high citation rates ofAfrican-Amer— by individual officers. police stops icans in several districts could be due to the In addition to determining if North troopers’ practices ofpatrolling areas ofa Carolina State Highway Patrol officers highwaywhere African-American drivers engaged in racial profiling when making Tara Zechini traffic stops, the study looked at North Staijeporter are overrepresented. According to researchers, there are rea- Carolina citizens’ thoughts about the sons for patrolling some areas more than issue. A recent study done by NC. State re— others. Areas patrolled more frequently are The study found that both African- searchers shows that there is no evidence those that have a high accident rate or a American and white citizens experience of systematic racial profiling in the North safe place to stop vehicles. disrespectful treatment during a stop, Carolina Highway Patrol. While the study shows that racial or learn of disrespectful treatment from TAYLO PLET N/TECHNICIAN “I was surprised by the results,” William profiling is not a pervasive issue, some friends or family, developing a dramati— Whyteria Bullock takes in the new photography exhibit at DH. Hill. ”Requiem: Smith, associate professor who holds a students feel that the isolated cases are cally reduced trust in the police force. -
1 the WARS of DON MCCULLIN Michel Guerrin & Alain Frachon
THE WARS OF DON MCCULLIN Michel Guerrin & Alain Frachon, "Les guerres de Don McCullin" Le Monde, 15 -19 August 2018, various pages. A suite of articles written for the summer edition of Le Monde by Michel Guerrin and Alain Frachon, journalists with Le Monde. DON MCCULLIN, PHOTOGRAPHER 1 | 6 From his poor childhood to his landscapes, passing through Vietnam, for this British master of photography, all is conflict. Le Monde went to visit him and retraces the journey which led him from the gangs of London to his fame. Batcombe, Somerset (UK) - Special correspondents The photographer closes the door of his darkroom – the room of his “ghosts.” It is from there which they emerge, the “ghosts,” from a prefabricated cabin behind the house. They come from four immaculate white bins – developer, bath, fiXer and wash. Beside these are the enlargers, and on shelves there are reams of paper, all of which float in a putrid smell of potassium iodide. “You know that almost everything happens here, in this darkroom,” says Donald McCullin: siXty years of photography of which eighteen were devoted to war. “Soon, I’m going to get rid of all of it. I am at the end of my journey.” It is hard to believe. This man risked a thousand deaths in wars. In 2016 again, he was in Iraq. He was injured in Cambodia, beaten up in prisons in Idi Amin Dada. A price was put on his head in Lebanon. In PalmyrA, Syria, only two years ago, his lung was pierced from a fall. “I paid a good price,” he says, but in half a century of reportage in the form of ‘eXtreme journalism’, McCullin was never K.O. -
HENRI HUET Photographe De La Guerre Du Vietnam
HENRI HUET Photographe de la guerre du Vietnam Henri Huet © AP Le 10 février 1971, le photographe français Henri Huet, qui travaillait pour l'agence américaine Associated Press depuis 6 ans (AP), disparaît : son hélicoptère est abattu par des tirs du Vietcong au-dessus du Laos. Les Vietcongs sont ravitaillés par la fameuse piste Ho Chi Minh qui, côté Laos, longe la frontière. En 1971, les américains décident d’envahir le Laos en envoyant les troupes sud-vietnamiennes. En même temps qu'Henri Huet, trois autres photographes ont péri dans l'attaque de son hélicoptère : le Japonais Keisaburo Shimamoto (Newsweek), l'Américain Kent Potter (United Press International), et le Britannique Larry Burrows, star du magazine Life. Dans le domaine du photojournalisme, les photos en noir et blanc d’Henri Huet de la guerre du Vietnam sont une référence pour les photographes d’aujourd’hui. A leur époque, elles ont changé la façon dont l’Amérique voyait la guerre. Elles eurent plus d’impact que les millions de mots qui emplissaient les journaux. Henri Huet était très à l’aise avec les soldats dans la jungle et dans la boue des marais "comme on va au bureau, au moins cinq jours par semaine, et cela chaque semaine", selon les mots de son collègue et ami Horst Faast. Il partageait leur détresse, jour et nuit. Les officiers demandaient souvent qu’on leur envoyât Henri car ils aimaient discuter avec lui. La compassion faisait partie de ses qualités et il savait la traduire en photographie. http://www.lintermede.com/exposition-henri-huet-guerre-du-vietnam-mep-maison-europeenne-de-la- photographie.php https://www.mep-fr.org/event/henri-huet/ Avant, pendant la seconde guerre mondiale, la photographie de la guerre était surtout le fait de militaires. -
IMMF 13 Bios Photogs.Pdf (188
Index of photographers and artists with lot numbers and short biographies Anderson, Christopher (Canada) - Born in British Columbia 1971). He had been shot in the back of the head. in 1970, Christopher Anderson also lived in Texas and Colorado In Lots 61(d), 63 (d), 66(c), 89 and NYC. He now lives in Paris. Anderson is the recipient of the Robert Capa Gold Medal. He regularly produces in depth photographic projects for the world’s most prestigious publica- Barth, Patrick (UK) Patrick Barth studied photography at tions. Honours for his work also include the Visa d’Or in Newport School of Art & Design. Based in London, he has been Perpignan, France and the Kodak Young Photographer of the working since 1995 as a freelance photographer for publications Year Award. Anderson is a contract photographer for the US such as Stern Magazine, the Independent on Sunday Review, News & World Report and a regular contributor to the New Geographical Magazine and others. The photographs in Iraq York Times Magazine. He is a member of the photographers’ were taken on assignment for The Independent on Sunday collective, VII Agency. Review and Getty Images. Lot 100 Lot 106 Arnold, Bruno (Germany) - Bruno Arnold was born in Bendiksen Jonas (Norway) 26, is a Norwegianp photojournal- Ludwigshafen/Rhine (Germany) in 1927. Journalist since 1947, ist whose work regularly appears in magazines world wide from 1955 he became the correspondent and photographer for including GEO, The Sunday Times Magazine, Newsweek, and illustrated magazines Quick, Revue. He covered conflicts and Mother Jones. In 2003 Jonas received the Infinity Award from revolutions in Hungary and Egypt (1956), Congo (1961-1963), The International Centre of Photography (ICP) in New York, as Vietnam, Cambodia, Laos (1963-1973), Biafra (1969-1070), well as a 1st prize in the Pictures Of the Year International Israel (1967, 1973, 1991, 1961 Eichmann Trial). -
Abstract Democratic Oversight and Military
! Abstract Democratic Oversight and Military Autonomy: The U.S. Army’s Management of American Journalism, 1939-2004 Thomas Crosbie 2014 This dissertation investigates the historical development of the U.S. Army’s public affairs policy as a dimension of that organization’s domestic political strategy. I sketch key aspects of how changes in media technologies and the types of conflicts confronting militaries have shifted the burden of war within contemporary democratic polities. While the theory of a critical press has been challenged by several scholars, one key issue, the Army’s own role in shaping the relationship, has been largely overlooked. I believe this link helps explain the broader phenomenon of why some American reporters became unprecedentedly critical of their military during the Vietnam War. Each chapter in the dissertation addresses a pivotal moment in the history of the Army’s relationship with state and society. In the first chapter, I investigate the degree to which press work occupied the attention of the Army’s top soldier, Chief of Staff George C. Marshall, during the golden age of the military’s relations with the American public, World War II. In the second chapter, I provide a thick description of the collapse of the golden age paradigm in the first phase of the Vietnam War and the revitalizing of Army media management in the wake of the Tet Offensive in the second phase of the war. Finally, in the third chapter I analyze contemporary dynamics of military mediatization through the lens of scandal, focusing on the Abu Ghraib affair, the biggest scandal of the Global War on Terror. -
A Atuação De Jornalistas Mulheres Em Coberturas De Guerra
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS ESCOLA DE COMUNICAÇÃO WOMEN’S ANGLE: A ATUAÇÃO DE JORNALISTAS MULHERES EM COBERTURAS DE GUERRA ANA CRISTINA DE MORAES VIVAS OSORIO RIO DE JANEIRO 2018 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO WOMEN’S ANGLE: A ATUAÇÃO DE JORNALISTAS MULHERES EM COBERTURAS DE GUERRA Monografia submetida à Banca de Graduação como requisito para obtenção do diploma de Comunicação Social / Jornalismo. ANA CRISTINA DE MORAES VIVAS OSORIO Orientadora: Profa. Dra. Cristiane Henriques Costa RIO DE JANEIRO 2018 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO TERMO DE APROVAÇÃO A Comissão Examinadora, abaixo assinada, avalia a Monografia Women’s Angle: a atuação de jornalistas mulheres em coberturas de guerra, elaborada por Ana Cristina de Moraes Vivas Osorio. Monografia examinada: Rio de Janeiro, no dia . / . / . Comissão Examinadora: Orientadora: Profa. Dra. Cristiane Henriques Costa Doutora em Comunicação pela Escola de Comunicação – UFRJ Departamento de Comunicação – UFRJ Profa. Dra. Cristina Rego Monteiro da Luz Doutora em Comunicação e Cultura pela Escola de Comunicação – UFRJ Departamento de Comunicação – UFRJ Prof. Dr. Mohamed El Hajji Doutor em Comunicação e Cultura pela Escola de Comunicação – UFRJ Departamento de Comunicação – UFRJ FICHA CATALOGRÁFICA OSORIO, Ana Cristina de Moraes Vivas. Women’s Angle: a atuação de jornalistas mulheres em coberturas de guerra. Rio de Janeiro, 2018. Monografia (Graduação em Comunicação Social/ Jornalismo) – Universidade Federal do Rio de Janeiro – UFRJ, Escola de Comunicação – ECO. Orientadora: Cristiane Henriques Costa OSORIO, Ana Cristina de Moraes Vivas. Women’s Angle: a atuação de jornalistas mulheres em coberturas de guerra. -
The Border Battles of Vietnam the Border Battles of Vietnam by Michael A
Page 134 The Border Battles of Vietnam The Border Battles of Vietnam By Michael A. Eggleston . The fight at Dak To was the third engagement during the fall of 1967 that collectively became known as the "Border Battles." . Dak To was possibly the greatest portent if it was the opening round in "a con- centrated offensive effort" throughout South Vietnam1. General William C. Westmoreland The Border Battles2 1967 brought major fighting to the border areas of South Vietnam. It was an effort by Hanoi to draw U.S. Forces from the densely populated cities of the coastal region to the border areas. This was in preparation for the Tet offensive planned for January 1968 when the cities would be the target of Hanoi’s offensive. The Border Battles would extend from the Demilitarized Zone in the north to the border region north of Saigon in South Vietnam. This required a major commitment of forces by North Vietnam into the border region while the VC would bear the brunt of the fighting in The Border Battles2 the cities during Tet. The Allies would see a new strategy by the NVA. Rather than guerrilla warfare, a conventional war would emerge. Most of the fighting would occur in the Central Highlands of South Vietnam. Dak To fighting started a year before Tet ’68 and would peak in the fall of 1967 after two previous Border Battles. Fighting in the Central Highlands occurred at over a dozen locations, but the most decisive and costly to both sides was at Hill 1338 and Hill 875.