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BURRARD BRIDGE Past, Present — and Future?
Volume 11 Number 1 January 2002 HERITAGE Vanco N e w s l e tu t ev r er BURRARD BRIDGE Past, Present — and future? he Burrard Bridge is one of the primary landmarks Increasing traffic demands, ongoing maintenance issues and a of Vancouver, and is considered a civic icon. The origins lack of separation between vehicular, cycling and pedestrian traf- of this historic structure lie in the optimistic recommen- fic have prompted the City of Vancouver to examine options for Tdations of the city’s first comprehensive town plan, the reconfiguring the Bridge. Bartholomew Plan, which was released just before the Great Extensive alterations were originally proposed in 1995-1996 but Depression. Major J.R. Grant, a consulting engineer, was com- never went past the conceptual phase. Today, as part of the cur- missioned to design the high-level bridge that was required to rent False Creek Crossings Study, the City is looking at options handle traffic to the new residential developments in Point Grey for Burrard Bridge that include removing the existing concrete and the new UBC campus. It was recognized that this prominent railings and widening the structure. These options would radically location deserved a landmark, and its high and bulky mass alter its appearance. As a stakeholder in the Crossings Study, would also screen a proposed civic centre on Burrard Street from Heritage Vancouver has expressed its strong opposition to any the visual clutter of False Creek industry. option that will result in a loss of the Bridge’s heritage character. Construction commenced in 1930. Grant’s utilitarian structure In order to better understand the heritage issues associated with was beautified by associated architects Sharp & Thompson, and the Burrard Bridge, the City of Vancouver commissioned a heri- decorated with the sculpture of Charles Marega. -
West End Heritage Context Statement
WEST END HISTORIC CONTEXT STATEMENT July 28, 2013 Revised April 2015 Birmingham & Wood • Denise Cook Design • John Atkin • Elana Zysblat • Kamala Todd 1 2 West End Historical Context Report April 2015 City of Vancouver WEST END HISTORIC CONTEXT STATEMENT July 28, 2013 Revised April 2015 Birmingham & Wood • Denise Cook Design • John Atkin • Elana Zysblat • Kamala Todd 3 TABLE OF CONTENTS 1. INTRODUCTION Brief description of the area . 5 Purpose of the report . 5 2. CHRONOLOGY . 7 Timeline with important events 3. HISTORIC CONTEXT STATEMENT . 19 A description of West End’s formation and evolution 4. THEMES . 35 What are theme? Thematic Framework for the West End 5. HERITAGE VALUE STATEMENT BY THEME A Hən̓q̓əmin̓əm̓ Speaking Peoples . 37 B Making the Desirable Suburb . 43 C Apartment and Tower Living . 47 D Diverse Culture . 50 E Regional Icon . 53 6. HERITAGE FEATURES What are Heritage Features? . 50 Heritage Features listed by Theme . 51 7. PHOTO CREDITS . 94 8. REFERENCES . 99 4 West End Historical Context Report April 2015 City of Vancouver INTRODUCTION BRIEF DESCRIPTION OF THE AREA The West End is the area of present-day Vancouver bounded to the south by English Bay, to the north by West Georgia Street, to the east and west by Burrard Street and Stanley Park respectively. PURPOSE Of THE REPORT The purpose of this report is to provide a brief history of the formation and evolution of the West End, in order to understand where heritage values lie, and to identify examples of features in the West End that would best illustrate the full range of those values. -
HVS Newsletters 1994
January 1994 Vol.3 Number 1 tter PRESIDENT'S COLUMN The new year is upon us and unfortunately the city has already lost depression and the First World War. So we are left with this eclectic an important heritage building to the demon fire. The Arcadian Hall mixture of buildings that now line this block of Seymour. on Main Street home to numerous arts companies and a superb If B.C.I.T. wants to contribute more than just students to the rehersal and performance space burned to the ground in an early downtown it should look at building a memorable piece of architec morning fire. This east side landmark is one of a growing number of ture that both respects the past and looks to the future. heritage buildings to go up in flames in the last few years. Somehow if it were natural causes you wouldn't mind so much , but when its The photograph on arson the question is why? the front page shows The Mount Pleasant Area Network has started a program of iden the Millar and Coe store tifying vulnerable buildings in their neighbourhood and notifying the on Hastings in the owner of potential arson risks and suggesting ways to minimize those 1920s. That remarkable risks. building with its glass The Network is also so exploring ways to monitor vacant butidings. front still exists. But Two different alarm systems are also being looked into. One uses where you ask? Well, it infared motion detectors wired so that power and monitoring comes lurks behind the pale from next door, the second option wraps the building in a fine wire blue steel siding that that when disturbed sets off a number of electric roadside flares on top currently passes for a of the building. -
Historic Context Statement and Thematic Framework Summary Donald Luxton and Associates Inc
PLANNING, URBAN DESIGN AND SUSTAINABILITY Urban Design Division Heritage DRAFT CONSULTANT REP ORT June 9, 2017 Historic Context Statement and Thematic Framework Summary Donald Luxton and Associates Inc. Dated June 2017 Notice to Reader: The attached report was prepared as part of the Heritage Action Plan to inform the update of the Vancouver Heritage Register. This work includes broadening the understanding of heritage values and identification of potential sites to add to the Heritage Register that reflect greater diversity. Review of this report is underway by staff, stakeholders and the public. Feedback received will inform staff recommendations to City Council on the Heritage Action Plan. To keep updated on this work please join the email list by visiting the project website at vancouver.ca/heritage-action-plan or call 3-1-1. City of Vancouver, Planning, Urban Design and Sustainability Urban Design Division, Heritage 453 West 12th Avenue Vancouver, British Columbia V5Y 1V4 Canada tel: 3-1-1, Outside Vancouver 604.873.7000 fax: 604.873.7100 website: vancouver.ca/heritage HERITAGE ACTION PLAN VANCOUVER HISTORIC CONTEXT STATEMENT AND THEMATIC FRAMEWORK SUMMARY JUNE 2017 TABLE OF CONTENTS INTRODUCTION 4 THEME 2: ECONOMIES 82 Subtheme 2.A: Port City 84 PART A: HISTORIC CONTEXT STATEMENT 8 2.A.1: The Working Harbour 86 2.A.2: The Working River 87 1. Where the River and the Mountains Meet the Ocean 10 Subtheme 2.B: Transportation & Infrastructure 88 2. First Nations 14 2.B.1: Railways 90 3. Contact 16 2.B.2: Roads 91 4. Early Burrard Inlet Settlements 20 2.B.3: Bridges 92 5. -
PUBLIC ART in VANCOUVER by DORIS C. MUNROE B.A., University
PUBLIC ART IN VANCOUVER by DORIS C. MUNROE B.A., University of British Columbia, 1963. THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF FINE ARTS We accept this thesis as conforming to the required standard. THE UNIVERSITY OF BRITISH COLUMBIA . April, 1972 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada ABSTRACT This survey of public art in Vancouver is presented in the form of a catalogue. My aim is to list the works of art of a permanent nature which are accessible to the general public within the city limits of Vancouver, the camous of the University of British Columbia and the Vancouver International Airport. It covers sculpture in parks, in playgrounds and on city streets, as -well as works of art integrated with arch• itecture. It does not include church art, Indian art, works in apartment houses, shopping malls, cocktail lounges and restaurants (with three exceptions). The information included on each item is, as near as possible, the date, the item, the location, the artist, the medium, the size, and any other pertinent facts.