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Filmåret I Siffror Facts and Figures 2020 1 Spring Uje Spring Var Den Svenska Film Som Fick Högst Betygsindex (4,08) Under Året

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Filmåret I Siffror Facts and Figures 2020 1 Spring Uje Spring Var Den Svenska Film Som Fick Högst Betygsindex (4,08) Under Året Filmåret i siffror Facts and Figures 2020 1 Spring Uje spring var den svenska film som fick högst betygsindex (4,08) under året. På Guldbaggegalan 2021 tilldelades filmen tre guldbaggar i kategorierna Bästa film,Bästa manus och Bästa manliga huvudroll – som speladesav Uje Brandelius själv. Spring Uje spring was the Swedish film that received the highest review index (4,08) in 2020. At the Guldbagge Award ceremony in 2021, the film was awarded three golden beetles in the categories Best Film, Best Screenplay and Best actor in a leading role – which was played by Uje Brandelius himself. © Johan Paulin Redaktör / Editor: Torkel Stål Produktionsledare / Production Manager: Ida Kjellgren Grafisk formgivning / Graphic Design: Fräulein Design Tryck / Printing: Lenanders Grafiska AB, Kalmar 2021 2 Innehåll Contents Kontakt / Contact 4 Förord / Foreword 5 Nyckeltal 2020 / Key Figures 2020 6 Filmutbud / Film Releases 7 Filmkonsumtion / Film Consumption 18 Produktionsstöd och finansiering / Production Funding 32 Jämställdhet / Gender Equality 42 Definitioner: Genrer / Definitions: Genres 49 Källor / Sources 50 Förkortningar / Abbreviations 50 3 Kontakt Contact Josefin Schröder Torkel Stål Sara Karlsson Strategisk analytiker Analytiker Analytiker Strategic Analyst Analyst Analyst +46 79 075 11 91 +46 70 330 42 34 +46 70 617 12 29 [email protected] [email protected] [email protected] Svenska Filminstitutet är en samlande röst för filmen i Sverige och en mötesplats för upplevelser och insikter som stärker filmen i alla led. Vi bevarar och tillgängliggör det svenska filmarvet, verkar för att barn och unga har goda kunskaper om film och rörlig bild, stödjer produktion, distribution och visning av värdefull film samt representerar den svenska filmen internationellt. Genom en mångfald av berättelser skapas samtal och insikter som stärker individen och vår demokrati. Tillsammans möjliggör vi för fler att skapa, uppleva och berikas av film. The Swedish Film Institute is a collective voice for film in Sweden, and a meeting-place for experiences and insights that elevate film on all levels. We preserve and make available Sweden’s film heritage, work to educate children and young people in film and moving images, support the production, distribution and screening of valuable film, and represent Swedish film internationally. Through a diversity of narratives discussions and insights are established, which strengthen the individual and our democracy. Together, we enable more people to create, experience and be enriched by film. 4 Förord Preface 2020 var ett minst sagt utmanande år för den svenska filmbranschen. Hela värdekedjan påverkades, från inställda och fördyrade produktioner, till uteblivna intäkter för distributörer och visningsaktörer. Den digitala utvecklingen intensifierades kraftigt under pandemin. Samtidigt som året i mångt och mycket kan beskrivas med ordet ”kris” har intresset för att se film, inte minst svensk film, varit högt. Stängda biografer och inställda premiärer tycks inte ha påverkat konsumentens efterfrågan på filminnehåll, snarare tvärtom. Under året ökade filmtittandet via vod (video on demand) kraftigt och digitala tjänster stod för lejonparten av filmkonsumtionen under 2020. Årets rapport visar effekterna av pandemin på den svenska filmmarknaden utifrån flera olika perspektiv. Rapporten är indelad i fyra kapitel; Filmutbud, Filmkonsumtion, Produktionsstöd och finansiering samt Jämställdhet. Förhoppningen är att detta sammantaget ska ge en heltäckande bild över filmen i Sverige idag och ge nya insikter om filmmarknadens utveckling. Josefin Schröder, Strategisk analytiker 2020 was a challenging year for the Swedish film industry, to say the least. The whole value chain was affected, from cancelled and more expensive productions, to loss of revenue for distributors and cinemas. The digital development greatly intensified during the pandemic. The year can in many ways be described with the word ”crisis”, but at the same time the interest in watching film, and Swedish film in particular, has been considerable. Closed cinemas and cancelled releases do not seem to have had an effect on the consumer’s demand for film content – rather the opposite. During the yearfilm viewing via VOD (video on demand) increased heavily and digital services made up the majority of film consumption in 2020. This year’s report shows the effects of the pandemic on the Swedish film market from different perspectives. The report is divided into four chapters: Film Releases, Film Consumption, Production Funding and Financing, and Gender Equality. We hope that this will give a comprehensive picture of film in Sweden today and provide new insights regarding the development of the film market. Josefin Schröder, Strategic Analyst 5 Nyckeltal 2020 Key Figures 2020 42 58% 64% Andel konsulentstödda långa Svenska Andel av befolkningen spelfilmer med en kvinna som regissör långfilmspremiärer som gick på bio Share of feature-length fiction films Swedish feature-length Share of the population with funding from a film commissioner releases who attended cinemas that were directed by a woman 27,5 Genomsnittlig budget för långa spelfilmer med produktionsstöd, 244 23% miljoner kronor Antal långfilmspremiärer totalt Svensk marknadsandel på tv Average budget of feature-length Number of feature-length Market share of Swedish fiction films with production releases in total film on TV funding, million SEK 41% Filminstitutets andel av budgeten 67% 26,8 % för långa dokumentärfilmer med produktionsstöd Digitala visningsfönsters andel Svensk marknadsandel på bio The Swedish Film Institute’s share av det totala filmtittandet Market share of Swedish film of the budget for feature-length Share of total film viewing at cinemas documentary films with production for VOD funding 6 © Eric Josjö/C More Antalet filmpremiärer minskade under året, även inräknat filmer som lanserades direkt på vod. Men antalet vod-premiärer ökade markant. Se upp för Jönssonligan var den enda svenska filmen som hade en renodlad vod-lansering. The number of releases decreased during the year, including films that were launched directly on VOD. But the number of VOD releases increased significantly. Se upp för Jönssonligan was the only Swedish film that was released straight-to-VOD. Filmutbud Film Releases Med premiär avses i denna rapport antingen att filmen ska ha visats på biograf i Sverige för första gången eller ha visats första gången i Sverige i annat visningsfönster samt vara recenserad av minst 5 av 15 utvalda källor i Filminstitutets betygsindex. In this report, film release means either that a film has been released in Swedish cinemas for the first time or that it has been released for the first time in Sweden on another platform and reviewed by at least 5 of 15 selected sources in the Film Institute’s review index. Antal långfilmer med svensk premiär 2016–2020 1 Number of feature-length film releases in Sweden 2016–2020 varav digitalt / of which digital 307 295 286 285 244* 2016 2017 2018 2019 2020 *Av dessa hade 217 premiär på biograf. / *Of these, 217 had a theatrical release. 8 Långfilmer med svensk premiär 2020 per ursprungsområde 2 Feature-length film releases in Sweden 2020 by origin 1,6% 0,8% Latinamerika Oceanien Latin America Oceania 0,4% 6,6% Afrika Asien Africa Asia 17,2% 38,5% Sverige Europa Sweden Europe 34,8% Nordamerika North America Antal svenska långfilmer med premiär 2016–2020 3 Number of Swedish feature-length film releases 2016–2020 Långfilmer totalt / All feature-length films Varav spelfilmer / Fiction films Varav dokumentärfilmer / Documentaries 50 51 51 45 42 31 29 25 23 22 25 22 20 22 20 2016 2017 2018 2019 2020 9 Långfilmer med svensk premiär 2020 per målgrupp 4 Feature-length film releases in Sweden 2020 by target group 81% 78% Svenska filmer / Swedish films Utländska filmer / Foreign films 10% 11% 7% 8% 2% 3% Vuxen Ungdom 13–18 år Barn 7–12 år Barn 0–6 år Adults Teenagers Children 7–12 years Children 0–6 years 13–18 years Under 2020 lanserades Berts dagbok, en ny film om den tuffa dagboksskrivande © tonåringen Bert Ljung. Filmen riktade sig Johan Paulin / SF Studios till målgruppen 7–12 år. In 2020, Bert’s diary, a new film about the tough diary-writing teenager Bert Ljung was launched. The film was aimed at the target group 7–12 years. 10 Långfilmer med svensk premiär 2020 per genre* 5 Feature-length film releases in Sweden by genre 2020* Drama 26% Svenska filmer / Swedish films Drama 30% Utländska filmer / Foreign films Komedi 5% Comedy 15% Dokumentär 48% Documentary 10% Äventyr 7% Adventure 9% Svenska filmer / Swedish films Action 0% Utländska filmer / Foreign films Action 7% Skräck 7% Horror 7% Romantik 0% Romance 3% Thriller 5% Thriller 3% Kriminal 0% Crime 3% Biografisk 0% Biography 2% Musikal 2% Musical 2% Krig 0% War 2% Övriga** 0% Others** 4% * För definitioner av genrer se sid 50. / * For definition of genres see page 50. ** Musik/dans, Fantasy, Historisk, Science Fiction. / ** Music/dance, Fantasy, History, Science Fiction. 11 © SF Studios Pelle Svanslös var den enda svenska filmen som hade barn under sju år som målgrupp. Det var också den enda animerade svenska långfilmen under 2020. Pelle Svanslös was the only Swedish film that had children under seven years as a target group. It was also the only animated Swedish feature film in 2020. Min pappa Marianne var en av de svenska premiärerna med hbtq-tema 2020. My father Marianne was one of the Swedish releases with a LGBTQ theme in 2020. © Nordisk Film AB 12 Topp 10 högsta betygsindex för filmer med premiär 2020 6 Top 10 film releases in 2020 by review index Titel Produktionsland Betygsindex* Title Production country Review index* 1 Till min dotter / For Sama Storbritannien / UK 4,40 2 Uncut Gems USA / US 4,38 3 Colectiv / Collective Rumänien / Romania 4,33 4 Mank USA / US 4,23 5 Själen / Soul USA / US 4,09 6 Spring Uje spring / Run Uje Run Sverige / Sweden 4,08 7 Honey Boy USA / US 4,00 8 Los lobos / The Wolves Mexiko / Mexico 4,00 9 Unga kvinnor / Little Women USA / US 4,00 10 Babyteeth** Australien / Australia 3,92 * Betygsindex bygger på recensioner i 15 svenska källor.
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