Toots & the Maytals, Linton Kwesi Johnson

Total Page:16

File Type:pdf, Size:1020Kb

Toots & the Maytals, Linton Kwesi Johnson TOOTS & THE MAYTALS, LINTON KWESI JOHNSON: FULL CAMPAIGN DETAILS SEE PAGE IV 1 i ISUVHI If t Tr®(o®gs LKJ: biffs1 ^BOB MARLEY & THE WAITERS start their world tour with their first- A POET mmum 111111© ever Japanese concerts this month. The band also play in Australia - again a first - before hitting Hawaii in May. The Wailers' new album will be avail- &HIS able in June ... m ; -'.ii ^ A-.--: BIFFS THIRD WORLD are working on a new album, the follow-up to the brilliant JOURNEY TO ADDIS. The fm new elpee is being recorded in Los Angeles with Ibo, the band's key- boards player, as producer. Again, we're aiming for a summer release ... Tfi RIFFS O Toots Hibbert is a genuine reggae 1LPS 9534), which has been available t legend. Few artists can boast the kind since April 6. This is a stunning album, HI-TENSION'S new single will of revered status Toots has won for fully the equal of Toots' past achieve- be released in mid-May, just before himself over the past decade or so. ments, But, of course, you've already the band embark on a headlining Toots & The Maytals have been re- heard one of the tracks, FAMINE, British tour. Dates have yet to be sponsible for countless classics of which came out as a single back in finalised, but they will include at least Jamaican music during that period, January. FAMINE hit Radio One's one major London show^ from the compulsive DO THE REG- playlist and even figured in the BMRB/ GAY (the first time the word 'reggae', Music Week chart. albeit with a different spelling, had Full track listing is, side one. Famine, been used in a song title), to PRES- Inside Outside, Feel Free, Get Up t SURE DROP the brilliant FUNKY Stand Up. Side two: No Difference KINGSTON album and REGGAE Here, Rhythm Down Low, My Love Is , , Expect a real bonanza this sum- GOT SOUL. So Strong. Take It From Me (No mer with new platters by the SLITS, E And now comes Toots & The Maytals' Money No Love). MARIANNE FAITHFULL, CHARLIE new album, PASS THE PIPE (Island DORE and the JAGS. ★ Linton Kwesi Johnson has been recognised as one of Britain's most important black artists. The music critics have been unani- mous in their praise of FORCES OF VICTORY; the prelude to an exten- sive media campaign for the album. Island Records marketing campaign for the album features : ★ Strip advertisements in the New Musical Express, Melody Maker and Sounds for two weeks, starting on April 7 ; ★ Full page advertisements in the New Musical Express and Sounds on April 21 ; ★ Special Linton Kwesi Johnson shirts - featuring the microphone sleeve A design - for distribution to both record dealers and the media; • Nick Drake died on November 25, choly to the point of morbidity. Yet viously unreleased tracks, VOICE somehow he escaped self-indulgence FROM THE MOUNTAIN, RIDER ★ Thousands of LK] badges ; 1974. He was 26-years-o!d, His legacy ★ Posters, for use as in-store displays. was three albums, FIVE LEAVES . , listening to music so beautiful, you ON THE WHEEL, BLACK-EYED are shamed by the ugliness of the DOG and HANGING ON A STAR. They will be also flyposled in major LEFT, BRYTER LAYTER and PINK The album, which includes a booklet, cities. MOON, all of which must now be world," commented a recent issue of In addition, a 45 minute television regarded as classics of contemporary the American magazine, New Times. lyrics, photographs and illustrations, On April 20, Island Records release is a celebration of brilliance, -a com- documentary on Linton, called Dread music. memoration of Nick Drake's achieve- Beat And Blood, will be screened by "If he won any battles in his short life, FRUIT TREE: THE COMPLETE BBC-1 on June 7. This much-acclaimed Nick Drake mastered the challenge of RECORDED WORKS (NDSP 100), a ments. three-album box set featuring all the The album is released as a 10,000 film has already been on selected authenticity. He was of one piece. His limited edition. Retail price is £9.50. cinema release. songs, like his clothes, were melan- material from his LPs plus four pre- .
Recommended publications
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • A Hard Days Night Angie About a Girl Acky Breaky Heart All Along the Watchtowers Angels All the Small Things Ain`T No Sunshine A
    A hard days night Angie About a girl Acky breaky heart All along the watchtowers Angels All the small things Ain`t no sunshine All shook up Alberta Alive And I love her Anna (go to him) 500 miles 7 nation army Back to you Bad moon rising Be bop a lula Beds are burnng Big monkey man Bitter sweet symphony Big yellow taxi Blue suede shoes Born to be wild Breakfast at Tiffany`s Bonasera Brown eyed girl Can`t take my eyes off of you Californication Change the world Cigarettes and alcohol Cocain blues Baby,Come back Chasing cars Come together Creep Come as you are Cocain Cotton fields Crazy Country roads Crazy little thing called love Dont look back in anger Don't worry be happy Dancing in the moonlight Don`t stop belivin` Dance the night away Dead or alive Englishman in NY Every breath you take Easy Faith Feel like making love Fortunate son Fields of gold Further on up the road Free falling Gimme all your lovin' Gimme love Gimme all your love Great balls of fire Green grass of home Happy Hello Heart-shaped box Have you ever seen the rain Hello Mary Lou Highway to hell High and dry Hey jude Hotel california Human touch Hurt Hound dog (ISun Can't is shining Get No) Satisfaction I'm yours I don't wanna miss a thing I saw her staning there I got stripes I walk the line Imagine I`m a believer It`s my life (D) Impossible Jamming Johny be goode Keep on rockin` in a free world Knockin` on the heavens door Kingston town La bamba (E) Lay down Sally Learn to fly Light my fire Let her go Let it be Love is all around Layla Learning to fly Living next door
    [Show full text]
  • Marxman Mary Jane Girls Mary Mary Carolyne Mas
    Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You)
    [Show full text]
  • And Toy Selectah Bridge Friendship and Music for Their New Project, Compass, Collaborating with Over 90 Artists from Across the World
    COMPASS CAMILO LARA & TOY SELECTAH AWARD-WINNING MEXICAN PRODUCERS CAMILO LARA (MEXICAN INSTITUTE OF SOUND) AND TOY SELECTAH BRIDGE FRIENDSHIP AND MUSIC FOR THEIR NEW PROJECT, COMPASS, COLLABORATING WITH OVER 90 ARTISTS FROM ACROSS THE WORLD Producers Toy Selectah and Camilo Lara have traveled the globe in the name of music. They have played in front of thousands of fans at important festivals and have performed on some of the world’s most prominent stages. These two DJs who produce, write and make music utilizing creative and high-energy beats with sharp melodic centerpieces, have been colleagues and friends for years. They’ve always known that someday they would work together on a project of a bigger scale. Then one night the musical yarn inside Toy’s head—and laptop—began to spin. Known for his pioneering work as a maestro of the hip hop en español movement, Toy has been traveling the world for the last 15 years DJing, producing and pioneering the New Cumbia and Global Bass phenomena. Toy sent Camilo a series of intricate beats he was saving for something special. Upon hearing the thumps and the bumps of those fast-moving and hypnotic rhythms, Camilo called Toy to say he was ready to begin work. In that moment, a new album concept was born out of their friendship and commitment to uniting the masses through music. They called it COMPASS, a name that refers to both the magnetized instrument and a shortened word for compadres or godfathers, and it would take two years of their lives in between gigs, tours and other projects to come to fruition.
    [Show full text]
  • 1960S and 1970S Music Folk Influenced Music
    1960s and 1970s music Folk Influenced Music • Folk music is usually simple (vocals and accompanying instrument) and the lyrics comment on social issues of the day • Bob Dylan was a folk singer and sang about the war in Vietnam, nuclear arms and civil rights • Folk Rock music is a development of folk music and uses amplified and electronic instruments British Pop Music in the 1960’s • Although the origins of popular music lie in America in the 1960’s British groups began to play and major part in creating new and exciting music • Some British bands like the Beatles, The Who, and the Rolling Stones became so popular in the UK and America that they started to influence American music The Beatles • Four Members: John Lennon, Paul McCartney, Ringo Starr and George Harrison • Their first big hit was in 1963 with ‘Please, please me’ • Other hits include: ‘Hard Days Night’, ‘Yellow Submarine’ and ‘Love me Do’ • Their music was a mix of rhythm and blues, country and western and rock n roll • They later used Indian Classical music as an influence after a visit to India The Rolling Stones • Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts • Opposite in style to the Beatles. The Beatles were smart and charming while the Stones were scruffy, casual and were usually provocative which angered adults and parents • Their music was raw and distinctive being influenced by rhythm and blues with distortion in the guitar parts • Hits include: No Satisfaction, Brown Sugar and Jumpin’ jack Flash The Who • Pete Townsend, Roger Daltry, John Entwistle and Keith Moon • Their music was frenzied and wild with the use of feedback and power chords (just the 1st and 5th notes of a chord) • Popular with the Mod culture of the sixties • Big hits included: My Generation and Pinball Wizard Rock Music • Developed from rock n roll • Instrumental grouping: Electric Lead Guitar, Bass Guitar, Drum Kit and often has a keyboard or synthesiser • There is an emphasis on the lead guitar and a strong back beat • It is often extremely loud and exciting displaying virtuoso performances.
    [Show full text]
  • Still Is Still Moving to Us
    toots.q 9/13/04 12:10 PM Page 2 ANDTOOTS THE MAYTALS STILL IS STILL MOVING TO US What traits must a music superstar possess? Charisma, the injection of one’s heart and soul in every note, every song, every album, every concert and an unwavering commitment to one’s craft are essential characteristics of a recording artist whose music stands the test of time. These characteristics define the legendary career of Jamaican singer Toots Hibbert. Over the years, Toots and the Maytals have inspired countless youngsters. Many, of course, be- came reggae singers because of the remarkable influence this band has had. From the Caribbean, to Africa, to the United Kingdom, to the United States, the Maytals have secured a legacy that can only be described this way: The band is part of the foundation of reggae (more on that later), and, like a fine wine, Toots has aged to perfection. Casper Lomayesva, a Hopi-Navajo from Arizona and the frontman for reggae band Casper and the Mighty 602 Band, summarizes the sentiments of many when he says, “Toots is an awesome performer as well as an awesome guy. “I have had the chance to see him on numerous occasions and he gets better with time. He kind of reminds me of James Brown with his style of dance and song. He truly is a pioneer,” Lomayesva continues. (Others say Toots reminds them of the late Otis Redding, a fellow who sang soul tunes with unbridled passion.) Casper has first-hand recollections of dealing with Toots in his element: live at a concert.
    [Show full text]
  • Tarrus Riley “I Have to Surprise You
    MAGAZINE #18 - April 2012 Busy Signal Clinton Fearon Chantelle Ernandez Truckback Records Fashion Records Pablo Moses Kayla Bliss Sugar Minott Jah Sun Reggae Month Man Free Tarrus Riley “I have to surprise you. The minute I stop surprising you we have a problem” 1/ NEWS 102 EDITORIAL by Erik Magni 2/ INTERVIEWS • Chantelle Ernandez 16 Michael Rose in Portland • Clinton Fearon 22 • Fashion Records 30 104 • Pablo Moses 36 • Truckback Records 42 • Busy Signal 48 • Kayla Bliss 54 Sizzla in Hasparren SUMMARY • Jah Sun 58 • Tarrus Riley 62 106 3/ REVIEWS • Ital Horns Meets Bush Chemists - History, Mystery, Destiny... 68 • Clinton Fearon - Heart and Soul 69 Ras Daniel Ray, Tu Shung • 149 Records #1 70 Peng and Friends in Paris • Sizzla In Gambia 70 Is unplugged the next big thing in reggae? 108 • The Bristol Reggae Explosion 3: The 80s Part 2 71 • Man Free 72 In 1989 MTV aired the first episode of the series MTV Unplugged, a TV show • Tetrack - Unfinished Business 73 where popular artists made new versions of their own more familiar electron- • Jah Golden Throne 74 Anthony Joseph, Horace ic material using only acoustic instrumentation. It became a huge success • Ras Daniel Ray and Tu Shung Peng - Ray Of Light 75 Andy and Raggasonic at and artists and groups such as Eric Clapton, Paul McCartney and Nirvana per- • Peter Spence - I’ll Fly Away 76 Chorus Festival 2012 formed on the show, and about 30 unplugged albums were also released. • Busy Signal - Reggae Music Again 77 • Rod Taylor, Bob Wasa and Positive Roots Band - Original Roots 78 • Cos I’m Black Riddim 79 110 Doing acoustic versions of already recorded electronic material has also been • Tarrus Riley - Mecoustic 80 popular in reggae music.
    [Show full text]
  • English for Specific Purposes (Music)
    English for Specific Purposes (Music) Mauricio San Martín Gómez EFL Teacher (UMCE – Chile) Minor in Literary Studies and Educational Psychology (CQUniversity – Australia) Bachelor in Classical Singing (Universidad de Chile) AUGM Scholar – Bachelor in Music (UFSCar – Brazil) Bachelor in Latin-American Popular Music (UNCuyo - Argentina) Copyright © Por/ By Mauricio San Martín Gómez 1ª Edición / 1st Edition: 2013 – Mendoza, Provincia de Mendoza, República Argentina. Mendoza, Mendoza Province, Argentina. 2ª Edición / 2nd Edition: 2017 - Mendoza, Provincia de Mendoza, República Argentina. Mendoza, Mendoza Province, Argentina. Hecho el depósito que marca la ley 17,336 de la República de Chile. Se permite usar la presente obra y generar obras derivadas, siempre y cuando esos usos no tengan fines comerciales y sean educacionales; y siempre reconociendo al autor y/o los autores citados en él, previa autorización por escrito. Mauricio San Martín Gómez has asserted his right under the Copyright law of Chile No. 17,336, to be identified as the author of this e-book. The author permits this publication to be reprinted or reproduced under prior written permission, only for educational and non-commercial purposes, and always crediting the author and/or other cited authors. [email protected] Attribution-NonCommercial-ShareAlike 4.0 International / Reconocimiento-NoComercial- CompartirIgual 4.0 Internacional (CC BY-NC-SA 4.0) Contents About the author / Sobre el autor _______________________________________________________ 1 Introduction
    [Show full text]
  • Jamaican Canadian Music in Toronto in the 1970S and 1980S
    Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Jimmy Cliff by ROB BOWMAN ^■ J
    Jimmy Cliff BY ROB BOWMAN ^■ j Jimmy Cliff had done nothing but star in the the recordings, which they kept for exclusive use at their 1972 film The Harder They Come, he would sound-system dances. Shortly after he turned 14, Cliff merit induction into the Rock and Roll Hall convinced Leslie Kong, who with his two brothers owned [ of Fame. Masterfully playing the role of Ivan, Beverley’s - a combination restaurant, ice cream parlor, a country boy trying to break into the thor- cosmetics shop, and record store in downtown Kingston- oughlyI corrupt Jamaican music industry, Cliff embodied to enter the record business. Embracing the newly minted the hopes, aspirations, and sounds sounds of ska, Cliff’s first release on of roots reggae at its best. The four Beverley’s Records was “Hurricane songs he contributed to the sound' “The essence ofmy Hattie.” The single stormed its way track - “You Can Get It if You music is struggle. to the top of the Jamaican charts, kick-starting a string of hits writ­ Really Want,” “Sitting in Limbo,” W hat gives it the icing “Many Rivers to Cross,” and the ten and sung by Cliff and produced seminal title track - are, in their is the hope o f love.” by Kong, including “Miss Jamaica,” own ways, to reggae what “Johnny “One-Eyed Jacks,” and “King of B. Goode,” “I Want to Hold Your Kings.” At the same time Cliff was Hand,” “Like a Rolling Stone,” and “Jumpin’ Jack Flash” cutting hits for Beverley’s, he was also auditioning other are to rock 6s? roll.
    [Show full text]
  • Readings for Reasoningsbook &
    READINGS Book & DVD Reviews FOR REASONINGS by Chuck Foster Ska: An Oral History Selector, Madness and Bad Manners. The of The Clash, and here returns to the by Heather Augustyn author is clearly a fan and in this case reggae field offering his own version of (McFarland, 2010) that’s a good thing, as she communicates the life of the reggae artist who made • • • her own excitement about the music. the greatest impact internationally. In Ska was the first of Jamaica’s enduring A persistent thread running through this book he peels back the myth a bit to musical genres to register internationally the interviews with first-generation expose the sometimes vulnerable, always and Heather Augustyn has done an principals is the lack of recompense the captivating individual at the core. admirable job of laying out a history of originators of the style have enjoyed. The Chock-full of material gleaned from the style from its inception in Jamaica author paints a vivid picture of the way interviews with the principals as well in the early ‘60s through the ‘80s U.K. the music business worked in Jamaica as published sources, his book sketches revival and beyond. Insightful interviews in the ‘60s, in England in the ‘80s, and Marley’s early life and his growing with founding fathers as well as revivalists around the world today. But most of all it commitment to Rastafari; and details take you through the fascinating twists celebrates a music so exuberant, so full of the early Wailers at Studio One, their and turns of a music that refused to life and so engaging that it simply could work with Leslie Kong and Lee Perry, the die.
    [Show full text]
  • Keith Richards © Felix Aeppli 03-2020 / 08-2021
    Not Guilty Keith Richards © Felix Aeppli 03-2020 / 08-2021 3001 December 18, 1943 Born in Dartford, Kent: Keith Richards. 3002 Early 60’s School gigs, Eltham, S.E. London, and Sidcup Art College, Kent: Country and western band (not recorded) KR, Michael Ross: vocals, guitar. 3003 Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone/iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8); BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, Johnson)], 6. I Ain’t Got You (Arnold), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Arnold), 11.
    [Show full text]