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Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2018 Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Lauren Nicole Benke University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Benke, Lauren Nicole, "Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf" (2018). Electronic Theses and Dissertations. 1401. https://digitalcommons.du.edu/etd/1401 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Lauren N. Benke March 2018 Advisor: Eleanor McNees © Lauren N. Benke 2018 All Rights Reserved Author: Lauren N. Benke Title: Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Advisor: Eleanor McNees Degree Date: March 2018 ABSTRACT This theoretical project seeks to introduce a new critical methodology for evaluating gesture—both represented in text and paratextual—in the works of Virginia Woolf—specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941)—and James Joyce—particularly Ulysses (1922) and Finnegans Wake (1939). -
Fine Printing & Small Presses A
Fine Printing & Small Presses A - K Catalogue 354 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
The Poet, Rene Elmhurst Poet, Blanche
Elmhurst Public Library Imhll irof^\ 125 S. Prospect Ave. • Elmhurst, IL 60126-3298 11 I 11 1 U I O I ^ phone (630) 279-8696 • fax (630) 516-1364 PUBLIC LIBRARY www.elmhurstpubliclibrary.org Explore • Learn • Grow , /-\ i i_ ± [email protected] This document came from a binder of notable Elmhurst, IL citizens that was kept by librarians for many years. No further information is available about where the information came from. 2010 The Poet, Rene Elmhurst poet, Blanche Rene is the author of two volumes of poetry. A PONY CART OF VERSE, was published in 1949, by Trovillton Private Press, Herrin, Illinois. The TrovilHons printed this volume not only for children, but for private, press collectors of beautifully made books. It was published in a limited edition, on Fabriano hand-made paper, bound in red, silverflaked boards. Henrietta Hartke Houy of Villa Park created the cover-design. The second volume, BOOK OF THE REBORN, is a book of revelation. Based on a profound personal experience, Miss Rene expresses here, her own metamorphosis. Re flecting this changed consciousness, the former Blanche Grant then assumed the nom-de-plume of Blanche Rene. In BOOK'-<OF THE REBORN, this new identity is ex pressed in the poem entitled "Rebirth and a Name", page 10. BOOK OF THE REBORN, published in 1953, by the For tune Press of London, England, contains illustrations by Herman Graff, an instructor of design at the Art Insti tute of Chicago. He illustrated the spiritual message of . (~*\ Rene's poems which speak of a Better Self, a Better Day v S to come. -
Following Sub-Sections: 1) Languageintroduction, Grade 6
DOCUMENT RESUME ED 051 153 SP 007 203 TITLE Curriculum Guide, English for Grades VI-IX. INST:aUTIO/ Boston Public Schools, Mass. PUB DATE 70 NOTE 307p.; School Document No 2-1970 AVAILABLE FROM Boston School Committee, 15 Beacon Street, Boston, Mass. 02108 ($3.75, check payable to The City of Boston) EtRS PRICE EDRS Price MF-$0.65 HC-$13.16 DESCRIPTORS Composition (Literary), *Curriculum Guides, *English Curriculum, English Literature, Grade 6, Grade 7, Grade 8, Grade 9, *Intermediate Grades, *Junior High Schools, Language Instruction, *Middle Schools ABSTRACT GRADES OR AGES: Grades 6-9. SUBJECT MATTER: English. ORGANIZATION AND PHYSICAL APPEARANCE: The guide has three main sections dealing with language, literature, and composition with the following sub-sections: 1) languageintroduction, grade 6, grade 7, grade 8, grade 9, chronology, bibliography, spelling, listening skills; 2) literature -- overview and teaching techuiguez, grade 6, grade 7, grade 8, grade 9, choral speaking; and 3) composition. The guide is mimeographed and spiral-bound with a soft cover. OBJECTIVES AND ACTIVITIES: Objectives are listed for the various topics. Suggested classroom activities andtudent enrichment activities are included in the text. INSTRUCTIONAL MATERIALS: References to texts and materials are given at the end of sone sub-sections. There is also a bibliography, and a list of suggested texts for composition. STUDENT ASSESSMENT: The section on composition includes a oriel description of evaluation techniques for the teacher. (MBM) .=r II PERSYSSieN TO PCPROOVCE THIS IVINP 1111111111 MATERIAL HAS BEEN GRAMM BY kg-21c.y 4-097:. elyzAre__,__ TO ERIC AND ORGANIZATIONS OPYRATING UNDER AGREEMENTS Was THE ,u$ OffiCE OF EDUCATIONFOP r'R REPFOPUCTION OUTSIDE THE ERIC ,a.'ENI REQUIRES PER MISSION CIF THE COPYRIGHT OWNER School Document No. -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust. -
The Private Press Tradition in Lexington, Kentucky
The Kentucky Review Volume 11 | Number 3 Article 2 Fall 1992 The rP ivate Press Tradition in Lexington, Kentucky Burton Milward Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the United States History Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Milward, Burton (1992) "The rP ivate Press Tradition in Lexington, Kentucky," The Kentucky Review: Vol. 11 : No. 3 , Article 2. Available at: https://uknowledge.uky.edu/kentucky-review/vol11/iss3/2 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Private Press Tradition in Lexington, Kentucky Burton Milward The history of printing extends far into Lexington's past, beginning on 11 August 1787 when John Bradford, a versatile man with no previous printing experience, produced the first issue of The Kentucke Gazette.1 Kentucky then was a part of Virginia and would not become a state for five years. The town of Lexington was but eight years old, and it had fewer than 500 residents. Nevertheless, the people of Lexington and of Kentucky were hungry for news and for books. In January of the next year, 1788, Bradford advertised books for sale at the Gazette office-"Spelling books, ABC, books with the shorter catechism," and Poor Will's Almanac for 1788. In the fall and winter of that year, a half-dozen Lexington merchants advertised for sale extensive stocks of books, imported from Philadelphia, as were practically all the goods they sold. -
An Exhibition of American Printers' and Special Presses Devices
An Exhibition of American Printers’ and Special Presses Devices by Bronwyn Hannon, Hofstra University Axinn Library Special Collections The printers’ and special presses devices in this exhibition reflect certain times in the history of printing when concern for the integrity of book arts in the machine age is most acute. These presses devices can be seen as graphic stamps or markers indicating to the reader of a book that its types, layout, papers, illustrations and bindings have aspired to a higher level of excellence. The printers’ and presses devices featured here are among others in the collections held in Hofstra University Library Special Collections. Printers’ and Presses Devices ‐ A Definition Printers’ and special presses devices are small graphic logos, which operate in the same way as hallmarks in silver production, or china marks in porcelain production, or the signature marks of painters on their canvasses. Devices are usually found in the “colophon” at the end of printed books before 1500, and thereafter more frequently on the title‐page, which displayed other bibliographic details originally placed in the colophon. Colophons (from the Greek kolophon meaning “summit”) are essentially notes at the end of the book, often embellished with a printer’s device, and variously detailing title, author, printer, place of printing, date, edition and materials used. The words “device” and “mark” are used synonymously. American Printers’ and Presses Devices The prolific revival of the special presses movement in America followed closely from exemplar presses in Nineteenth and early Twentieth Century England. Often the design of printers’ and presses devices recalled eminent printers of the past. -
Sovereign Debt Diplomacies OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, Spi OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, Spi
OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, SPi Sovereign Debt Diplomacies OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, SPi OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, SPi Sovereign Debt Diplomacies Rethinking Sovereign Debt from Colonial Empires to Hegemony Edited by PIERRE PÉNET andJUAN FLORES ZENDEJAS 1 OUP CORRECTED AUTOPAGE PROOFS – FINAL, 9/2/2021, SPi 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2021 The moral rights of the authors have been asserted First Edition published in 2021 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of this licence should -
Christine Macgregor's Illustrated Private Press Books
Christine Macgregor's Illustrated Private Press Books MAUREEN PRICHARD We are waiting impatiently for the telegram which will tell us [Molly] is through her second trial safely.1 With these words Robert Barr Smith (1824-1915) heralded the imminent arrival into this world of his fifth grandchild. The child, named Christine Margaret, was born on 23 January 1890 at Ballengeich, the house her parents were renting at Torrens Park, just two weeks after her grandfather wrote these words. She was the child — the second of six — of Joanna and Robert Barr Smith's son Tom, and his wife Mary Isobel (Molly).2 Christine Barr Smith's grandfather was reckoned in some quarters to be the richest man in Australia. He was certainly one of this state's greatest benefac- tors. One small but relevant example of Robert Barr Smith's generosity is repre- sented in the Library of the University of Adelaide. It was named after him in 1899 in recognition of amounts totalling £9,000 that he had given to it in the previous twenty years, solely for the purpose of the acquisition of books. In all he gave to the University of Adelaide over £21,000 before he died. Christine's fa- ther carried on in his father's footsteps; in all, his gifts to the Library alone to- talled over £55,000, the bulk of that used to finance the original library building. Tom Elder Barr Smith's children inherited the habit of generous giving and service. They also inherited their grandparent's habit of collecting. Joanna Barr Smith (along with her children) was a great accumulator of Morris 8c Co. -
1 Ossified Collections Embody the Manifold Reasons Motivating Private Collectors
Ossified Collections: The Past Encapsulated in British Institutions Today Karen Attar Chapter published in: Collecting the Past: British Collectors and their Collections from the 18th to the 20th Centuries, ed. by Toby Burrows and Cynthia Johnston (London: Routledge, 2019), pp. 113-38 ‘Floreat bibliomania’, entitled that great collector A.N.L. Munby an article published in the New Statesman on 21 June 1952.1 Munby’s main interest was in sale catalogues as records of books assembled and then dispersed.2 This essay provides an overview of a more philanthropic and stable end to collecting: collections of primarily printed books in the British Isles that have stayed together and now enrich institutions, causing broader swathes of scholars and librarians to echo Munby’s prayer. Whilst some outstanding collectors and bibliophiles are highlighted in the standard literature of collecting and other more modest ones are noted in magisterial histories of institutions, feature in dedicated articles, or are commemorated in published catalogues of their collections, these remain the minority.3 This overview is based more widely on some of what has been described as ‘the rest of the iceberg’, through a survey of 873 repositories in the British Isles: national, academic, school, public, subscription and professional libraries, or in trusts, cathedrals, churches, monasteries, London clubs, archives, museums, schools, companies, and stately homes.4 Discussing popular collecting subjects and trends in collecting, it concentrates on ‘collections’ as groups of books with some unifying element, most of which originated with an individual before entering corporate ownership, whilst retaining at least some semblance of their former identity.