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Análisis Del Podcast Serial Como Principal Exponente Del Podcasting Narrativo

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Análisis Del Podcast Serial Como Principal Exponente Del Podcasting Narrativo Análisis del podcast Serial como principal exponente del podcasting narrativo Item Type info:eu-repo/semantics/bachelorThesis Authors Gálvez Vásquez, Mariana del Carmen Citation Gálvez Vásquez, M. del C. (2019). Análisis del podcast Serial como principal exponente del podcasting narrativo. Retrieved from http://hdl.handle.net/10757/650371 Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 24/09/2021 20:57:23 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/650371 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN Y PERIODISMO Análisis del podcast Serial como principal exponente del podcasting narrativo TRABAJO DE INVESTIGACIÓN Para optar el grado de bachiller en Comunicación y Periodismo AUTORA Gálvez Vásquez, Mariana del Carmen (0000-0002-9611-1930) ASESOR Castro Castro, Carlos Ulises (0000-0002-6239-1989) Lima, 3 de diciembre del 2019 DEDICATORIA Para Verónica y Marina. 1 RESUMEN La presente investigación analiza los episodios del famoso podcast Serial de Sarah Koenig para tratar de definir las características del nuevo fenómeno del audio digital. Múltiples autores consideran a Serial un punto de quiebre en la breve historia del podcasting, por su resaltante estilo narrativo y su excelente producción independiente. Es por ello que este podcast funciona como un gran caso de estudio para la popularización del audio digital y la nueva tendencia del audio narrativo en línea. Palabras clave: Podcast, radio, internet, comunicación, narrativa 2 Analysis of the podcast Serial as the main exponent of narrative podcasting ABSTRACT This investigation analyzes the episodes of the famous podcast Serial by Sarah Koenig to try to define the characteristics of the new phenomenon of digital audio. Multiple authors consider Serial a turning point in the brief history of podcasting, because of its remarkable narrative style and excellent independent production. Thus, this podcast works as a great case study for the popularization of digital audio and the new trend of online narrative audio. Keywords: Podcast, radio, internet, communication, narrative 3 TABLA DE CONTENIDOS 1 INTRODUCCIÓN ....................................................................................................... 7 1.1 SITUACIÓN PROBLEMÁTICA .................................................................................... 7 1.2 JUSTIFICACIÓN ........................................................................................................ 9 1.3 PREGUNTAS DE INVESTIGACIÓN ............................................................................ 10 1.3.1 Pregunta general .............................................................................................. 10 1.3.2 Preguntas específicas ....................................................................................... 11 1.4 OBJETIVOS ............................................................................................................ 11 1.4.1 Objetivo general .............................................................................................. 11 1.4.2 Objetivos específicos ....................................................................................... 11 2 ESTADO DEL ARTE ............................................................................................... 11 3 MARCO TEÓRICO .................................................................................................. 19 4 METODOLOGÍA ...................................................................................................... 23 4.1 EPISODIO 1: THE ALIBI (LA COARTADA) .............................................................. 27 4.1.1 Análisis del lenguaje radiofónico .................................................................... 27 4.1.2 Análisis temático ............................................................................................. 29 4.2 EPISODIO 2: THE BREAKUP (LA RUPTURA) ........................................................... 30 4.2.1 Análisis del lenguaje radiofónico .................................................................... 30 4.2.2 Análisis temático ............................................................................................. 32 4.3 EPISODIO 3: LEAKIN PARK (PARQUE LEAKIN) ...................................................... 33 4.3.1 Análisis del lenguaje radiofónico .................................................................... 33 4.3.2 Análisis temático ............................................................................................. 35 4.4 EPISODIO 4: INCONSISTENCIES (INCONSISTENCIAS) .............................................. 36 4.4.1 Análisis del lenguaje radiofónico .................................................................... 36 4.4.2 Análisis temático ............................................................................................. 37 4.5 EPISODIO 5: ROUTE TALK (CHARLA DE RUTA) ...................................................... 38 4.5.1 Análisis del lenguaje radiofónico .................................................................... 38 4.5.2 Análisis temático ............................................................................................. 40 4.6 EPISODIO 6: THE CASE AGAINST ADNAN SYED (EL CASO EN CONTRA DE ADNAN SYED) 41 4.6.1 Análisis del lenguaje radiofónico .................................................................... 41 4 4.6.2 Análisis temático ............................................................................................. 43 5 RESULTADOS Y DISCUSIÓN ............................................................................... 44 6 CONCLUSIONES ..................................................................................................... 46 7 REFERENCIAS ........................................................................................................ 47 8 ANEXOS .................................................................................................................... 51 8.1 ANEXO 1 ............................................................................................................... 51 8.2 ANEXO 2 ............................................................................................................... 92 8.3 ANEXO 3 ............................................................................................................. 113 8.4 ANEXO 4 ............................................................................................................. 131 8.5 ANEXO 5 ............................................................................................................. 154 8.6 ANEXO 6 ............................................................................................................. 183 8.7 ANEXO 7 ............................................................................................................. 212 8.8 ANEXO 8 ............................................................................................................. 212 8.9 ANEXO 9 ............................................................................................................. 214 8.10 ANEXO 10 ........................................................................................................... 214 5 ÍNDICE DE TABLAS Tabla 1: Guía de estructura ................................................................................................ 212 Tabla 2: Guía de análisis de lenguaje radiofónico ............................................................. 212 Tabla 3: Guía de análisis de contenido/temático ............................................................... 214 Tabla 4: Matriz de consistencia cualitativa ....................................................................... 214 6 1 INTRODUCCIÓN 1.1 Situación problemática Todo comenzó con la radio. Voz y música eran transmitidos por primera vez a una velocidad que nunca se había logrado antes. La radio fue el primer medio masivo que se utilizó y que era infaltable para cualquier persona que quiera mantenerse informada. Luego llegó la televisión y el internet, las costumbres y los tiempos cambiaron. Entonces, los expertos y los medios pronosticaban la muerte de la radio. Ya no había espacio para un artefacto que no brinda ni imagen ni movimiento. Hasta que llegaron los podcasts. Pasamos de sentarnos a mirar la radio al multitasking. Y por eso están ganando terreno los podcasts: puedes escucharlos mientras vas en bus al trabajo, sacando a pasear a tu perro, yendo a hacer las compras. El primer podcast fue creado por Adam Curry y Dave Winer en el 2004, cuando el primero usó una especificación del formato RSS para incluir archivos adjuntos. Tenían la idea de hacer “blogging con su propia voz” y “sindicalizar la radio”. En ese momento, ni los podcasts se llamaban podcasts. Se llamaban publicaciones de audio para blog. El término podcast surgió después en un artículo llamado “Audible revolution” (Revolución auditiva) que detallaba el inicio del fenómeno del podcasting. En este artículo de The Guardian, el periodista Ben Hammersly analizaba dos razones del éxito de los podcasts: los iPods de Apple y la tecnología barata que se podía utilizar para crearlos. Así nació el término podcast: una “contracción de las palabras Pod (personal on demand) y broadcast (transmisión)”. Pero ese era el tiempo cuando escuchar un podcast
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