The House Tarantino Built Dinner Plan

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LOS ANGELES // OCTOBER 3rd - 8th DINNER PLAN: THE HOUSE TARANTINO BUILT FROM THE DRIVING to the parking, to the not knowing where to drive or park, dinner in L.A. is harder than it should be. That’s why we created Dinner Plan — your three-step itinerary to a damn good time. This week: Tarantino reopens his New Beverly Cinema. Here’s your plan. DINNER PLANS LOS ANGELES // OCTOBER 3rd - 8th ITINERARYITINERARY This, fair readers, is the Jungmaven T-shirt. Fifty-five percent hemp, 45% organic cotton and 100% perfect for a 70-degree evening. It’s beefy enough to keep the trunk warm while keeping the limbs cool and free. Dark colors are good. Hunter green, navy or black. T-SHIRT SHOPWITTMORE.COM 3D. 4D. Panorama. Theaters are desperate for an audience. But Quentin Tarantino has a different plan for his New Beverly Cinema. He’s going backwards, only beaming flicks shot in 35mm — so this is your go-to for ripping yarns, sexy violence and acid-tongued dialogue (calendar). Like Pulp Fiction, which is celebrating its 20th ann’y. Tickets are sold online and at the door. MOVIE 7165 BEVERLY BLVD Don’t rush dinner; go after the movie. The newly opened Hutchinson plates its delicious Indonesian-inspired cuisine late into the night. Grab one of the dark leather banquettes facing the wood wall and order a coconut Caucasian and a succulent beef rendang: a slow-cooked short rib with a caramelized glaze. Pairs well with the gouda mac and cheese. LATE DINNER 826 N. LA CIENEGA BLVD.

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Newbev201902 FRONT
General Admission: $10.00 February 2019 Seniors / Children: $6.00 NEW Matinees: $6.00 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! February 1 & 2 Two written by Peter Benchley The New Beverly Cinema pays tribute to legendary superstar Burt Reynolds in February, showcasing the charisma and charm that made him a true American icon. The series kicks off on his birthday with a rare film print of his screen debut, Angel Baby, and runs through some of his most entertaining movies of the ‘70s and beyond throughout the month. 4-track Mag Print DIRECTED BY STEVEN SPIELBERG February 3 & 4 February 5 February 6 & 7 February 8 & 9 IB Tech Print IB Tech Print MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! THE BLACK GODFATHER (SATURDAY ONLY) February 10 & 11 Directed by Paul Wendkos February 12 February 13 & 14Burt Reynolds Tribute February 15 & 16 Burt Reynolds Tribute Burt Reynolds Tribute JOHN BOORMAN’S BURT REYNOLDS Sam Fuller’s SHARK! Sony Archive Print SONY ARCHIVE PRINT PAUL THOMAS ANDERSON’S BATTLE OF THE GEORGE HAMILTON CORAL SEA BURT REYNOLDS February 17 & 18 French Foreign Legion February 19 February 20 & 21 Burt Reynolds Tribute February 22 & 23 Burt Reynolds Tribute MARTY FELDMAN Jamaa Fanaka Double LEON ISAAC KENNEDY February 24 & 25 Directed by Paul Wendkos February 26 February 27 & 28 Jack Lemmon Double Feature Burt Reynolds Tribute See some stunning 35mm prints courtesy of the Sony Archive! Sony Archive Print JACK Sony Archive Print LEMMON The
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Index to Volume 29 January to December 2019 Compiled by Patricia Coward
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Rare Dracula Three Sheet Movie Poster May Scare up Big Results at Heritage Auctions
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The Cultural and Industrial Uses of Nostalgia in 2010S Hollywood Cinema
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Putney Swope
THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE.
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Kill Bill The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 17 Oct 2013 11:45:46 UTC Contents Articles Overview 1 Kill Bill films 1 Characters 4 List of Kill Bill characters 4 Beatrix Kiddo 12 Bill 15 Deadly Viper Assassination Squad 17 Earl McGraw 19 Edgar McGraw 21 Hattori Hanzo 22 Music 30 Kill Bill Vol. 1 Original Soundtrack 30 Kill Bill Vol. 2 Original Soundtrack 33 Related Topics 36 Quentin Tarantino 36 Uma Thurman 49 References Article Sources and Contributors 59 Image Sources, Licenses and Contributors 62 Article Licenses License 63 1 Overview Kill Bill films Kill Bill Series Kill Bill Logo Directed by Quentin Tarantino Produced by Lawrence Bender Written by Quentin Tarantino Starring Uma Thurman David Carradine Lucy Liu Michael Madsen Daryl Hannah Sonny Chiba Vivica A. Fox Gordon Liu Julie Dreyfus Cinematography Robert Richardson Editing by Sally Menke Studio A Band Apart Productions Distributed by Miramax Films Release date(s) October 10, 2003 and April 16, 2004 Budget $55 million Kill Bill is an American action/thriller film written and directed by Quentin Tarantino. Kill Bill was originally scheduled for a single theatrical release, but with a running time of over four hours, it was separated into two movies: Kill Bill Volume 1, released in late 2003, and Kill Bill Volume 2, released in early 2004. A third installment was planned for the year 2014, but in a 2012 interview from Tarantino, concerning Kill Bill: Vol. 3, he remarked, "We'll see, probably not though." Kill Bill: Volume 1 Kill Bill: Volume 1 was released in theaters on October 10, 2003.
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PLANNING Sland
DEPARTMENT OF EXECUTIVE OFFICES CITY PLANNING ....,ITY OF Los ANGELE-...- OFFICE OF HISTORIC RESOURCES CALIFORNIA S. GAIL GOLDBERG, AICP DIRECTOR 200 N. SPRING STREET, ROOM 620 (213) 978-1271 Los ANGELES, CA 90012-4801 (213) 978-1200 JOHN M. DUGAN DEPUTY DIRECTOR CULTURAL HERITAGE COMMISSION (213) 978-1274 RICHARD BARRON PRESIDEN1 ROELLA H. LOUIE EVA YUAN-McDANIEL VICE-PRESIDEN1 DEPUTY DIRECTOR (213) 978-1273 GLEN C. DAKE ANTONIO R. VILLARAIGOSA FAX: (213) 978-1275 MIA M. LEHRER oz scorr MAYOR INFORMATION LOURDES SANCHEZ (213) 978-1270 COMMISSION EXECUTIVE ASSIST AN1 • (213) 978-1300 www.lacity.orglPLN April 22, 2008 Los Angeles City Council CORRECTED LETTER Room 395, City Hall (Case Number Only) 200 North Spring Street Los Angeles, California 90012 ATTENTION: Barbara Greaves, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHC-200+ 2008-12S-HCM UCLAN-CREST THEATER 1262 SOUTH WESTWOOD BOULEVARD At the Cultural Heritage Commission meeting of March 20, 2008, the Commission moved to include the above property in the list of Historic-Cultural Monuments and exclude the stage, curtains and concession stands, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from· any Department or Bureau of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact. Future applications for permits may cause minimal administrative costs.
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Universal Pictures International the Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 [email protected] [email protected]
Press Contacts : International Press Contact: Domestic Press Contact: Universal Pictures International The Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 [email protected] [email protected] INGLOURIOUS BASTERDS Written and Directed by Quentin Tarantino Produced by Lawrence Bender Executive Producers Erica Steinberg Lloyd Phillips Executive Producers Bob Weinstein Harvey Weinstein Co-Producers Henning Molfenter Carl L. Woebcken Christoph Fisser Associate Producer Pilar Savone Director of Photography Robert Richardson, ASC Production Designer David Wasco Costume Designer Anna B. Sheppard Special Makeup Effects by Gregory Nicotero and Howard Berger Visual Effects Designer John Dykstra Casting by Johanna Ray & Jenny Jue (US), Simone Bär (GER), Olivier Carbone (FR) Edited by Sally Menke, A.C.E. The Weinstein Company and Universal Pictures Present A Band Apart A Zehnte Babelsberg Film GmbH Production A Film by Quentin Tarantino 2 INGLOURIOUS BASTERDS Synopsis In the first year of the German occupation of France, Shosanna Dreyfus (Melanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine's squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own...
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Newbev201907 FRONT
General Admission: $10.00 Seniors / Children: $6.00 July 2019 Matinees: $6.00 Note: First-run pricing in eﬀ ect for all NEW Once Upon a Time in... Hollywood shows BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! June 30 & July 1 July 2 July 3 & 4 George Maharis Double Feature July 5 & 6 Raquel Welch Double Feature LIZA MINELLI WENDELL BURTON Paxton Quigley’s crime was passion VINCE EDWARDS IN and his punishment fits exactly! PLUS! TY HARDIN IN MOVING YVETTE MIMIEUX ANTHONY QUINN MICHAEL PARKS CHRISTOPHER JONES TARGET GEORGE MAHARIS FAYE DUNAWAY July 7 & 8 Ann-Margret Double Feature July 9 July 10 & 11 Edd ‘Kookie’ Byrnes Double Feature July 12 & 13 Jane Fonda Double Feature DEAN MARTIN ANN-MARGRET Edd “Kookie” Byrnes MARLON BRANDO JANE FONDA ROBERT REDFORD E.G. MARSHALL PLUS! July 14 & 15 Tab Hunter Double Feature July 16 July 17 & 18 July 19 & 20 Natalie Wood Double Feature GARY COOPER FABIAN IN TAB HUNTER IN TAB HUNTER FABIAN IN PLUS! TROY DONAHUE IN VAN HEFLIN RITA HAYWORTH THEY CAME TO VAN HEFLIN • TAB HUNTER CORDURA STARRING FRANKIE AVALON July 21 & 22 Fabian Double Feature July 23 July 24 July 25, 26 & 27 William Smith George Hamilton PLUS! PLUS! PLUS! FABIAN TAB HUNTER SHELLEY FABARES LEONARDO DiCAPRIO • BRAD PITT • MARGOT ROBBIE July 28, 29, 30 & 31 LEONARDO DiCAPRIO • BRAD PITT MARGOT ROBBIE Quentin Tarantino leads up to the release of his IN 9th film, Once Upon a Time in… Hollywood, with programming that focuses on leading men of main character Rick Dalton’s era, mixed with films featuring groovy ‘60s “It” girls.
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1980S Retro Film Culture and the Masculinity of Cult
IT'S ALL COMING BACK TO YOU: 1980s RETRO FILM CULTURE AND THE MASCULINITY OF CULT Ryan Collins Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Harry Benshoff, Committee Chair Kevin Heffernan, Committee Member James Martin, Committee Member Eugene Martin, Chair of the Department of Media Arts David Holdeman, Dean of the College of Arts and Sciences Victor Prybutok, Dean of the Toulouse Graduate School Collins, Ryan. It's All Coming Back to You: 1980s Retro Film Culture and the Masculinity of Cult. Master of Arts (Media Industry and Critical Studies), August 2017, 130 pp., bibliography, 214 titles. The 1980s is a formative decade in American history. America sought to reestablish itself as a global power and to reassert the dominant ideology of white, patriarchal capitalism. Likewise, media producers in the 1980s sought to reassert the dominance of the white, male, muscled body in filmic representations. The identity politics of the 1980s and the depictions of the white, muscled body once prominent in the 1980s have been the site of conservative nostalgia for a young, male-dominated, cult audience that is a subset of a larger cultural trend known as retro film culture. This thesis provides historical context behind the populist 1980s B- action films from Cannon Group, Inc that celebrate violent masculinity in filmic representations with white, male action heroes. Equally important is the revival of VHS collecting and how this 1980s-inspired subculture reinforces white, patriarchal capitalism through the cult films they valorize and their capitalistic trading practices despite their claims of oppositionality against mainstream taste and Hollywood films.
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Newbev202002 FRONT
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