18 October 2019 Page 1 of 12

Total Page:16

File Type:pdf, Size:1020Kb

18 October 2019 Page 1 of 12 Radio 3 Listings for 12 – 18 October 2019 Page 1 of 12 SATURDAY 12 OCTOBER 2019 05:22 AM published, after exhaustive studies of the autograph, it is now Unico Wilhelm Van Wassenaer (1692-1766) believed that the work was first performed in 1784 at a benefit SAT 01:00 Through the Night (m000950j) Concerto no 1 in G major (from 'Sei Concerti Armonici') concert for the Vienna-based basset-horn player Anton Stadler. Cosi fan tutte Combattimento Consort Amsterdam, Jan Willem de Vriend The Serenade also bears the hallmarks of Mozart's later writing (conductor) and certainly postdates the two wind serenades in E flat and C Mozart's farcical, philosophical and tragi-comical opera minor that were definitely composed in 1782. performed from Lugano in Switzerland. Presented by Jonathan 05:34 AM Swain. Antonio de Cabezon (1510-1566) The mysterious circumstances of both the subtitle 'Gran Partita' 3 works for Arpa Doppia and the many versions of the score give the performer some 01:01 AM Margret Koll (arpa doppia) interesting challenges, which Sarah Devonold discusses with Wolfgang Amadeus Mozart (1756-1791), Lorenzo Da Ponte Andrew McGregor. (librettist) 05:43 AM Cosi fan tutte - Act 1 Douglas Lilburn (1915-2001) 10.20am – New Releases Julia Gruter (soprano), Isabell Czarneckl (soprano), Xiaoke Hu Diversions for Strings (tenor), Rastislav Lalinsky (baritone), Ilia Staple (soprano), Symphony Nova Scotia, Georg Tintner (conductor) Brahms: Symphonies Nos. 1 & 3 Justus Seeger (bass), Coro della Radiotelevisione Svizzera, Bergen Philharmonic Orchestra Donato Sivo (choirmaster), Orchestra della Svizzera Italiana, 06:00 AM Edward Gardner (conductor) Markus Poschner (conductor) Johannes Brahms (1833-1897) Chandos CHSA5236 (Hybrid SACD) 25 Variations and fugue on a theme by G F Handel Op.24 for https://www.chandos.net/products/catalogue/CHSA%205236 02:12 AM piano Wolfgang Amadeus Mozart (1756-1791) Claire Huangci (piano) CPE Bach: Complete Original Works for Violin & Keyboard Cosi fan tutte - Act 2 Tamsin Waley-Cohen (violin) Julia Gruter (soprano), Isabell Czarneckl (soprano), Xiaoke Hu 06:25 AM James Baillieu (piano) (tenor), Rastislav Lalinsky (baritone), Ilia Staple (soprano), Fernando Sor (1778-1839) Signum SIGCD573 (3 CDs) Justus Seeger (bass), Coro della Radiotelevisione Svizzera, Introduction and variations on a theme from Mozart's Magic https://signumrecords.com/product/cpe-bach/SIGCD573/ Donato Sivo (choirmaster), Orchestra della Svizzera Italiana, Flute, Op 9 Markus Poschner (conductor) Ana Vidovic (guitar) Toccata – Explorations of the form by Claudio Merulo, Johann Sebastian Bach, Giovanni Picchi etc 03:25 AM 06:34 AM Andrea Buccarella (harpsichords) Franz Schubert (1797-1828) Joseph Haydn (1732-1809) Ricercar RIC407 Arpeggione Sonata for cello and piano (D.821) Cello Concerto no 1 in C major, Hob.7b.1 https://outhere-music.com/en/albums/toccata-from-claudio- Andrei Ionita (cello), Roman Rabinovich (piano) Anatoli Krastev (cello), Sofia Soloists Chamber Ensemble, Emil merulo-to-johann-sebastian-bach-ric407 Tabakov (conductor) 03:50 AM Ralph Vaughan Williams: The Song Of Love Francesco Geminiani (1687-1762) Kitty Whately (mezzo-soprano) Concerto Grosso in G minor SAT 07:00 Breakfast (m0009b8l) Roderick Williams (baritone) Academy of Ancient Music, Andrew Manze (director), Andrew Saturday - Elizabeth Alker William Vann (piano) Manze (violin) Albion Records ALBCD037 Classical music for breakfast time plus found sounds and the https://rvwsociety.com/song-of-love/ 03:59 AM odd unclassified track. Hugo Alfven (1872-1960), Herman Satherberg (lyricist) Ernst von Dohnányi: Symphony No. 1 & Symphonic Minutes Aftonen (evenings) To celebrate National Album Day, the singer and broadcaster Deutsche Staatsphilharmonie Rheinland-Pfalz Swedish Radio Choir, Eric Ericson (conductor) Guy Garvey talks to Elizabeth and gives Radio 3 listeners a Roberto Paternostro (conductor) recommendation from his favourite classical album. And Mark Capriccio C5386 04:03 AM Radcliffe gives the low-down on the Radio 2 Folk Awards. http://capriccio.at/ernst-von-dohnanyi-1877-1960 Fryderyk Chopin (1810-1849) Ballade no 2 in F major, Op 38 Email [email protected] 10.45am New Releases – Elin Manahan Thomas on new Anastasia Vorotnaya (piano) baroque recordings 04:11 AM SAT 09:00 Record Review (m0009b8q) Purcell: King Arthur Stanislaw Moniuszko (1819-1872) Andrew McGregor with Sarah Devonold and Elin Manahan Anna Dennis (soprano) Bajka (The fairy tale) - concert overture (1848) Thomas Mhairi Lawson (soprano) National Polish Radio Symphony Orchestra, Antoni Wit Rowan Pierce (soprano) (conductor) 9.00am Carolyn Sampson (soprano) Jeremy Budd (tenor) 04:24 AM Wien – Highlights from Viennese operetta by Emmerich James Way (tenor) Paul Juon (1872-1940) Kalman, Franz Lehár, Robert Stolz etc Roderick Williams (baritone) Fairy Tale for cello and piano in A minor, Op 8 Jonas Kaufmann (tenor) Ashley Riches (bass-baritone) Esther Nyffenegger (cello), Desmond Wright (piano) Rachel Willis-Sørensen (soprano) Gabrieli Consort Players Wiener Philharmoniker Paul McCreesh (conductor) 04:30 AM Ádám Fischer (conductor) Signum SIGCD589 (2 CDs) Franz Schubert (1797-1828), Friedrich Schiller (author) Sony 19075950412 https://signumrecords.com/product/purcell-king- Die Gotter Griechenlands D.677b https://www.jonaskaufmann.com/en/192/all-cds.html arthur/SIGCD589/ Christoph Pregardien (tenor), Andreas Staier (pianoforte) Heino Eller: Night Calls and other symphonic poems Elegy – Countertenor duets by Henry Purcell & John Blow 04:35 AM Estonian National Symphony Orchestra Iestyn Davies and James Hall (countertenors) Manuel de Falla (1876-1946) Olari Elts (conductor) The King’s Consort 7 Canciones populares espanolas arr. for trumpet and piano Ondine ODE13352 Robert King (conductor) Alison Balsom (trumpet), Alasdair Beatson (piano) https://www.ondine.net/?lid=en&cid=2.2&oid=6339 Vivat VIVAT118 http://vivatmusic.com/product/elegy-countertenor-duets-by- 04:47 AM Telemann’s Garden – Includes Fantasia No. 9 in B Minor, TWV purcell-blow/ Johann Heinrich Schmelzer (c.1620-1680) 40:22, Paris Quartet no. 3 in G major, TWV 43:G4 etc Suite no 2 in D major Elephant House Quartet JS Bach: Complete Cello Suites Elizabeth Wallfisch (violin), Rosanne Hunt (cello), Linda Kent Pentatone PTC5186749 Emmanuelle Bertrand (cello) (harpsichord) https://www.pentatonemusic.com/telemann-s-garden-fantasia-su Harmonia Mundi HMM90229394 (2 CDs) ite-paris-quartet-trio-sonata-recorder-violin-viola-da-gamba- http://www.harmoniamundi.com/#!/albums/2532 04:54 AM harpsichord-roed-golinski-ichise-rasmussen Johann Sebastian Bach (1685-1750) Scarlatti: 52 Sonatas Cantata no. 134 BWV.134: 'Wir danken und preisen' (duet) Virtuosismo – Violin concertos by Paganini & Vieuxtemps Lucas Debargue (piano) Maria Sanner (contralto), Anders J. Dahlin (tenor), Les Ning Feng (violin) Sony 19075944462 (4 CDs) Ambassadeurs, Alexis Kossenko (director) Orquesta Sinfónica del Principado de Asturias http://www.lucasdebargue.com Rossen Milanov (conductor) 05:01 AM Channel CCS40719 Handel: Brockes-Passion Jozef Elsner (1769-1854) https://channelclassics.nativedsd.com/albums/40719-virtuosism Ruby Hughes (soprano) Echo w leise (Overture) o Elizabeth Watts (soprano) Polish Radio Symphony Orchestra, Andrzej Straszynski Tim Mead (counter-tenor) (conductor) 9.30am Building a Library: Sarah Devonald compares Gwilym Bowen (tenor) recordings of Mozart's Serenade No.10 in B-flat, 'Gran Partita', Robert Murray (tenor) 05:07 AM K.361/370a - and picks a favourite. Nicky Spence (tenor) Clara Schumann (1819-1896) Cody Quattlebaum (bass-baritone) Scherzo for piano in D minor, Op 10 no 1 'Gran Partita' as a subtitle implies that Mozart's Serenade No.10 Academy of Ancient Music Choir Angela Cheng (piano) is a large ambitious work, and although the work is clearly Academy of Ancient Music conceived as a whole 'cycle', it was not ascribed to the score by Richard Egarr (conductor) 05:13 AM the composer himself. Mozart's vast 7-movement work for 13 AAM Records AAM007 (3 CDs) Franz Doppler (1821-1883) wind instruments has an elusive compositional history and was https://www.aam.co.uk/product/brockes-passion-cd/ Andante and Rondo for two flutes and piano, Op 25 thought for a long time to have been composed in 1780 or 1781 Karolina Santl-Zupan (flute), Matej Zupan (flute), Dijana for a performance in Munich. No mention of the Serenade 11.30am Disc of the Week Tanovic (piano) appears in any of Mozart's letters from that time and, in the 1970s, when the new critical edition of Mozart's works was Strauss: Horn Concerto No. 1, Duett-Concertino & Serenade in Supported by bbc.co.uk/programmes/ Radio 3 Listings for 12 – 18 October 2019 Page 2 of 12 E flat major 08 00:19:12 Hildegard von Bingen Peter Grimes - Sea Interludes - Moonlight Alec Frank-Gemmill (horn) Digiti Viriditas Dei Orchestra: London Symphony Orchestra Maximiliano Martín (clarinet) Choir: Vajra Voices Conductor: André Previn Peter Whelan (bassoon) Director: Karen R. Clark Duration 00:04:24 SCO Wind Soloists Duration 00:03:04 Scottish Chamber Orchestra 10 01:26:11 Quincy Jones Robin Ticciati (conductor) 09 00:22:16 Steve Reich Rat Race Linn CKD 506 (download only) Music for 18 Musicians (Pulses) Ensemble: Les Double Six https://www.linnrecords.com/recording-strauss-horn-concerto- Ensemble: Ensemble Signal Duration 00:02:36 no-1-duett-concertino-serenade-e-flat-major Director: Brad Lubman Duration 00:04:33 11 01:31:08 Kerry Andrew Luna-cy SAT 11:45 Music Matters (m0009b8v) 10 00:25:32 John Tavener Ensemble: Juice Vocal Ensemble
Recommended publications
  • 26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (Conductor) Fibich: Symphony No
    Radio 3 Listings for 20 – 26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (conductor) Fibich: Symphony No. 3 etc. Janáček Philharmonic Orchestra SAT 01:00 Through the Night (m000k3dq) 05:32 AM Marek Stilec (conductor) Chamber music from Belgrade Alexis Contant (1858-1918) Naxos 8574120 Les Deux Ames - overture https://www.naxos.com/catalogue/item.asp?item_code=8.57412 Concert by the Colluvio Chamber Music Academy in a Edmonton Symphony Orchestra, Uri Mayer (conductor) 0 programme of Beethoven, Shostakovich, Ravel and Copland. Jonathan Swain presents. 05:42 AM Arrigoni: Tiranni Affetti - Works for Mandolin and Voice Zoltan Kodaly (1882 - 1967) Marta Fumagalli (mezzo-soprano) 01:01 AM Adagio for clarinet and piano (1905) Davide Ferella (mandolin) Ludwig van Beethoven (1770-1827) Kalman Berkes (clarinet), Zoltan Kocsis (piano) Barbara Altobello (violin) Piano Trio in G, op. 121a, 'Ten Variations on ‘Ich bin der Claudia Poz (cello) Schneider Kakadu’' 05:50 AM Diego Cantalupi (archlute) Anastasia Galenina (piano), Hans Christian Aavik (violin), Sebastian Le Camus (c.1610--1677),Gaspard le Roux,Michel Gabriele Levi (harpsichord/organ) Pavle Popovic (cello) Lambert (1610-1696) Accademia degli Erranti 2 French airs and 1 piece for harpsichord Dynamic CDS7878 01:19 AM Ground Floor, Juliette Perret (soprano), Marc Mauillon (tenor), Dmitry Shostakovich (1906 -1975) Elena Andreyev (cello), Etienne Galletier (theorbo), MacMillan: Symphony No. 4 & Viola Concerto Piano Quintet in G minor, Op 57 Gwennaelle
    [Show full text]
  • The Inventory of the Phyllis Curtin Collection #1247
    The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C.
    [Show full text]
  • Firing the Canon: Multiple Insularities in Jazz Criticism
    FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities.
    [Show full text]
  • NEWSLETTER > 2019
    www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26
    [Show full text]
  • Izvēles Izdruka (CD Audio Diski ) Videocentra Katalogs
    Izvēles izdruka (CD audio diski ) Videocentra katalogs 28.11.2014 MŪZIKA UN MŪZIKAS VĒSTURE (ĀRZEMJU) Dzintara ceļš [CD - 1310] Latvija, koncerts, 2014, CD, Valsts Akadēmiskais koris, galv. lomā Diriģents: Māris Sirmais, 1 kop. Valsts Akadēmiskā kora “Latvija’’ balss skaņu pavedieni un “Dzejas dienu’’ poēzijas dzīpari ir uzauduši unikālu Dzintara Trīsvienību, satiekoties vēsturiskā Dzintara ceļa valstu dzejniekiem, viņu latviešu kolēģiem, atdzejotājiem un 12 komponistiem no Latvijas – skaņu burvjiem un burvēm, kuri ar šo mūsdienu dzejnieku vārsmām mūzikā stāstīs par noslēpumainām pasaulēm. Projektā piedalās: Valsts Akadēmiskais koris “Latvija”, diriģents Māris Sirmais Dzejnieki: Kārlis Vērdiņš, Donatas Petrosius, Dragan Tripkovič, Angeliki Dimouli, Efe Duyan, Tadeush Dombrovsky, Petr Borkovec, Tiziana Colusso, Dénes Krusovszky, Ostap Slyvynsky, Andrei Sen-Senkov, Wolfgang Hermann Komponisti: Ēriks Ešenvalds, Mārtiņš Viļums, Juris Ābols, Gundega Šmite, Jānis Aišpurs, Jēkabs Jančevskis, Juris Vaivods, Imants Zemzaris, Raimonds Tiguls, Līga Celma, Georgs Pelēcis, Selga Mence. Ierakstīts Rīgas Skaņu studijā 2014. gada maijā - jūnijā. Disks grāmatā ar dziesmu vārdiem oriģinālvalodās. 20 th century lullabies = 20. gadsimta šūpuļdziesmas [CD - 894] Latvija, muz. programma, 1999, /69 min./, CD, 2 kop. Izpilda: Roxy Mucic, Genesis, Joe Cocker, David Bowie, The Animals, Deep Purple u.c. Content: Avalon / Bryan Ferry ; Roxy Music. Army Dreamers / Kate Bush. Shipwrecked / Banks ; Rutheford ; Genesis. Love anyway / Mike Scott. Brothers in Arms / Mark Knopfler ; Joan Baez. Chill Out. Things Gonna Change / John Lee Hooker. You Are so Beautifull. Live / Preston ; Fisher ; Joe Cocker. Over the Hills and Far Away / Gary Moore. Scorn Not His Simplicity / Phil Couler ; Sinead O`Connor. Wild is the Wind / Dimitri Tiomkin ; Ned Washington ; David Bowie. Kayleigh / Derek Dick ; Mark Kelly ; Steve Rothery ; Peter Trewas ; Ian Mosley ; Marillion.
    [Show full text]
  • 04 Paris Blues Review-Edited
    Journal of Jazz Studies no. 10, no. 2, pp. 203-209 (Winter 2014-2015) (Un) Cool Cats: Challenging the Traditional View of the French Response to Jazz Merve Fejzula Paris Blues: African American Music and French Popular Culture, 1920-1960. By Andy Fry. Chicago and London: University of Chicago Press, 2014. 304 pp. $30.00. When jazz was the existentialist accessory of the postwar fifties, it seemed, according to James Baldwin, the very first question on a Frenchman’s lips upon meeting an African American was always, “Jouez-vous la trompette?” So much was this the habit (and he was not alone in identifying it) that Baldwin once joked if he were to write a memoir of those years it would be titled, “Non, nous ne jouons pas la trompette.”1 Such essentialization was certainly not an invention of the postwar decade and the anecdote is an example of the difficulty, as Andy Fry has convincingly demonstrated in Paris Blues: African American Music and French Popular Culture, 1920-1960, with the notion that the French were sophisticated appreciators of jazz and African American performance. Using a variety of source material which he scrutinizes in often creative ways, Fry demonstrates that so many assumptions about black performers in France and in Europe are deeply problematic: that they received an early and welcome reception there, that jazz was bound up intimately with the history of the Resistance, and that African Americans did not experience racism in France. Of course the more complex story of African Americans in France is one not only of racial essentialization, but includes the usual culprits that scholars of the period have identified: exoticism, paternalism, primitivism, fetishism.2 1 Quoted in James Campbell, Exiled in Paris: Richard Wright, James Baldwin, Samuel Beckett and Others on the Left Bank (New York: Scribner, 1995), 103.
    [Show full text]
  • The National Jazz Curriculum
    Jazz In America: The National Jazz Curriculum www.jazzinamerica.org Lesson Plan #1 - What is Jazz TOPIC: 1. Course Introduction 2. What is Jazz 3. Jazz, an Integral Part of American History and Culture STANDARDS: 1 National Standards for United States History (Grades 9-12) Historical Thinking Students should be able to: 1. draw upon visual, literary, and musical sources. (Historical Comprehension Standard 2g) 2. compare and contrast differing sets of ideas, values, personalities, behaviors, and institutions (Historical Analysis and Interpretation Standard 3b) 3. consider multiple perspectives (Historical Research Capabilities Standard 3d) 4. hypothesize the influence of the past (Historical Analysis and Interpretation Standard 3j) 5. obtain historical data (Historical Research Capabilities Standard 4b) Historical Content (Contemporary United States) Students should be able to: 1. demonstrate understanding of how diverse peoples and their cultures have shaped American life (Major Social and Economic Development in Contemporary America Standard 2a) 2. demonstrate understanding of contemporary American culture (Major Social and Economic Development in Contemporary America Standard 2e) 1 National Center for History in the Schools, UCLA Thelonious Monk Institute of Jazz Jazz in America Lesson Plan #1 – What is Jazz Page 2 of 6 2 National Standards for Arts Education (Music Grades 9-12) Content Standard #9 - Understanding Music in Relation to History and Culture Students: a. classify by genre or style and by historical period or culture unfamiliar but representative aural examples of music and explain the reasoning behind their classifications b. identify sources of American music genres, trace the evolution of those genres, and cite well- known musicians associated with them c.
    [Show full text]
  • 18 June 2021 Page 1 of 24
    Radio 3 Listings for 12 – 18 June 2021 Page 1 of 24 SATURDAY 12 JUNE 2021 Antonio Vivaldi (1678-1741), Johann Sebastian Bach (arranger), David Baldwin (arranger) SAT 01:00 Through the Night (m000wtr9) Concert in D Minor Ravel, Shostakovich and Mozart at the 2020 BBC Proms Brass Consort Koln Paavo Järvi conducts the Philharmonia Orchestra at the 2020 04:33 AM BBC Proms, with music by Ravel, Shostakovich and Mozart. Jean Sibelius (1865-1957) Presented by Jonathan Swain. 5 Esquisses for piano, Op 114 Raija Kerppo (piano) 01:01 AM Maurice Ravel (1875-1937) 04:42 AM Le Tombeau de Couperin Antonin Dvorak (1841-1904) Philharmonia Orchestra, Paavo Jarvi (conductor) Song to the Moon from Rusalka, Op 114 Yvonne Kenny (soprano), Melbourne Symphony Orchestra, 01:18 AM Vladimir Kamirski (conductor) Dmitry Shostakovich (1906-1975) Concerto for piano, trumpet and strings (Piano Concerto no 1), 04:49 AM Op 35 Johannes Ockeghem (1410-1497) Benjamin Grosvenor (piano), Jason Evans (trumpet), Salve Regina Philharmonia Orchestra, Paavo Jarvi (conductor) Hilliard Ensemble 01:41 AM Wolfgang Amadeus Mozart (1756-1791) SAT 05:00 Piano Flow with Lianne La Havas (m000wtrg) Symphony no 41 in C major, K.551 'Jupiter' Vol 8: Music That Makes You Think, Makes You Feel Philharmonia Orchestra, Paavo Jarvi (conductor) An hour of thought-provoking music from James Blake, Haim, 02:15 AM Little Dragon and Henry Purcell. Jean Sibelius (1865-1957) Valse triste, from Kuolema, incidental music Op 44 Philharmonia Orchestra, Paavo Jarvi (conductor) SAT 06:00 Happy Harmonies with Laufey (m000wyxz) Vol 8: Stunning harmonies from film soundtracks 02:21 AM Johannes Brahms (1833-1897) Laufey looks to the movies for this playlist of stunning Violin Sonata no 1 in G major, Op 78 harmonies.
    [Show full text]
  • Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto Con La Collaborazione Di Leonardo Gragnoli
    Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto con la collaborazione di Leonardo Gragnoli gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Mercoledì 21 dicembre 2016 00:00 - 02:00 euroclassic notturno beethoven, ludwig van (1770 -1827) egmont, ouverture in fa min op. 84 dalle musiche di scena per la tragedia di goethe BBC symphony orch dir. jirí belohlávek (reg. londra, 21/07/2010) durata: 8.20 BBC british broadcasting corporation leifs, jón (1899-1968) requiem op. 33b hamrahlíð chorus dir. þorgerður ingólfsdóttir durata: 5.59 RUV, radio nazionale islandese verdi, giuseppe (1813-1901) caro nome, aria di gilda dall'opera "rigoletto" (a. I sc. 2) inese galante, sopr; latvian national symphony orch dir. aleksandrs vilumanis (reg. 1993) durata: 5.09 LR radio lettone mozart, wolfgang amadeus (1756-1791) quartetto in fa mag per oboe e archi K 370 allegro - adagio - rondeau. alexei ogrintchouk, ob; psophos quartet (reg. 09/12/2006) durata: 13.44 BBC british broadcasting corporation respighi, ottorino (1879-1936) trittico botticelliano la primavera - l'adorazione dei magi - la nascita di venere. norwegian radio orch dir. peter sánta (reg. oslo, 07/11/2003) durata: 21.39 NRK radiodiffusione nazionale norvegese wegelius, martin (1846-1906) rondò quasi fantasia per pf e orch margit rahkonen, pf; finnish radio symphony orch dir. petri sakari (reg. 1997) durata: 10.36 sibelius, jan (1865-1957) serenata n. 2 in sol min per vl e orch op. 69b judy kang, vl; orchestre symphonique de laval dir. jean-françois rivest (reg. laval, 20-21/11/1998) durata: 8.46 CBC canadian broadcasting corporation debussy, claude (1862-1918) rêverie orig.
    [Show full text]
  • THE UNIVERSITY of HULL 'I Don't Really Notice Where I Live': Philip
    THE UNIVERSITY OF HULL ‘I don’t really notice where I live’: Philip Larkin’s Literary Nationalities being a Thesis submitted for the Degree of PhD in the University of Hull by Birte Wiemann, M.A. (University of Duisburg-Essen, Germany) December 2012 i Contents Contents ............................................................................................................................ ii Acknowledgements .......................................................................................................... iii Abbreviations ................................................................................................................... iv Introduction ....................................................................................................................... 1 Chapter 1 Not only in England, but anywhere in the world ............................................................... 6 Chapter 2 ‘And that will be England gone’: Larkin’s Pastoral ......................................................... 51 Chapter 3 ‘Looking out at the continual movement of mad Irish’: Larkin and Ireland.................... 86 Chapter 4 ‘Like a slightly unconvincing translation from a French Symbolist. I wish I could write like this more often’: Larkin and France ........................................................................ 120 Chapter 5 ‘My chief expectancy centres on these records that are reputedly on their way from Yankland’: Larkin and Jazz ...........................................................................................
    [Show full text]
  • Latvia's Top Events Guide 2014
    EN LATVIA’S TOP EVENTS GUIDE 2014 Contents Nature. Urban. Future., Art Festival 01 January 1-3 01.12.-31.01. Sigulda 02 February 4 This festival is part of the European Capital of Culture 2014 activities. The festival includes new, innovative 03 March 5-6 and exciting events which foster creativity in Sigulda, 04 April 6-9 including exhibitions, installations, participatory 05 May 9-10 campaigns, concerts. 06 June 11-13 www.sigulda.lv, www.tourism.sigulda.lv 07 July 13-17 08 August 17-19 Christmas Tree Trail Festival 09 September 20-22 06.12.-12.01. Riga 10 October 22-23 The environmental design works of Latvian artists exhibited at the Christmas Tree Way festival will surprise 11 November 23 audiences with their originality and the variety of 12 December 24-25 materials used. The stylized Christmas trees are made from a multitude of materials, and each has its own tale. annual event www.eglufestivals.lv Rīga 2014 event Disclaimer Information prepared in August 2013. Riga Tourism Development Bureau, Latvian Tourism Development Agency, Foundation Rīga 2014, Latvian Institute and Latvian Ministry of Culture are not responsible for any changes made by the event organisers. You can receive more information on the events at Tourism Information Centres in Riga and other Latvian cities or on the websites of events listed. International Winter Music Festival in Valmiera 09.01.-12.01. Valmiera Classical music concerts will take place at venues all over Valmiera, including the Valmiera Music School, the concert hall of the Cultural Centre, Valmiera’s 5th Secondary School, St Simon’s Church and elsewhere.
    [Show full text]
  • Jazz Diasporas.Indddiasporas.Indd 1 008/12/158/12/15 2:502:50 PMPM 2 / Introduction
    Introduction Migrating Jazz People and Identities At ninety-five years old Hal Singer could still seduce with his saxophone. The measured steps to the raised stage . the near misses when sitting on his stool . the misheard shout out of the next tune . nothing could alter his firm hold on the saxophone. On that fifth day of October in 2014 Singer’s saxophone blurted just a bit off sync, though still lilting. But it did not take long for him to mesmerize the audience. As this master of rock ’n’ roll, R&B, and jazz performed, visions of poo- dle skirt–laden girls flipping and spinning with intricate steps took over my imagination. His music transported me back in time. In 1948 Singer recorded “Cornbread” on the Savoy label. The song quickly hit number one on the R&B charts. Riding the waves of his success, he turned down the opportunity to retain his spot in Duke Ellington’s reed section; even though he’d only just secured this esteemed role, Singer had enough recognition then to lead his own band (B. Dahl; Felin). On that still summery day in October 2014 Hal Singer created a mood of nostalgia and blood memories in the cozy community center of Belleville, Les ateliers du Chaudron (The studios of Chaudron).1 The lucky ones were sitting upright in chairs against the wall and beside the stage. Most of us were crouched on wooden bleacher-like levels, holding our knees in, sitting on our jackets, and trying not to take up too much space so that everyone could fit in.
    [Show full text]