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June 2018 New Releases
June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end. -
Front Line Assembly Vanished Mp3, Flac, Wma
Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs. -
Musique : Nouveautes Cd Janvier 2014
MEDIATHEQUE DE SELESTAT 2, Espace Gilbert Estève 67600 SELESTAT Cedex Tél. 03.88.58.03.20 Fax 03.88.58.03.25 [email protected] www.mediatheque-selestat.net MUSIQUE : NOUVEAUTES CD JANVIER 2014 AUTEUR TITRE COTE Musique classique Roberto Alagna Robertissimo (Cette compilation montre la double facette opéra - chansons du ténor) CLA A 99 ALA Jean-Sébastien Bach Six sonates pour violon et piano (Bach vu par Jarrett) CLA BAC 12.41 Jean-Sébastien Bach Les Musiques de la joie (l’expression de la joie dans l’œuvre du compositeur) CLA BAC 19.11 Charpentier Litanies de la Vierge CLA CHA 46 Leos Janacek Sinfonietta ; The Fiddler's child ; The Ballad of Blanik [etc.] CLA JAN 28 Agostino Steffani Stabat mater CLA STE 41 Giuseppe Verdi The Verdi album (par Jonas Kaufmann) CLA VER 36 Musique contemporaine Olivier Messiean Messiaen 1908-1992 : complete édition (Tout Messiaen en 32 CD!) CNT MES 00 Musiques nouvelles Julia Kent Character (Violoncelliste de Antony And The Johnsons, musique de chambre des temps modernes) NOU KEN Colin Stetson New history warfare vol.3 NOU STE Country Anthologie Country fiddle : fine early string band music 1924-1937 (volume 1) COU A COU COU.1 Anthologie Country fiddle : fine early string band music 1924-1937 (volume 2) COU A COU COU.2 Anthologie Country fiddle : fine early string band music 1924-1937 (volume 3) COU A COU COU.3 Anthologie Country fiddle : fine early string band music 1924-1937 (volume 4) COU A COU COU.4 Clint Eastwood Rawhide's Clint Eastwood sings cowboy favorites (chansons country et cowboys romantiques) COU EAS Musiques électroniques Apollonia Fabric 70 (Trio français de deep house. -
Nibbler by Ken Urban
NIBBLER BY KEN URBAN DRAMATISTS PLAY SERVICE INC. NIBBLER Copyright © 2017, Ken Urban All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of NIB- BLER is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation profes- sional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, elec- tronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for NIBBLER are controlled exclusively by Dra- matists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No profes- sional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requi- site fee. Inquiries concerning all other rights should be addressed to Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001. -
Black Monday Magazine
5333 north lincoln avenue #3n chicago illinois 60625 black mon day START v1.4 day mon black :::BLACK MONDAY V1.4::: controlled bleeding noise unit advertise (it’s very affordable!) windsdieddownadifferen controlled bleedingnoiseunitadvertise (it’s advertise (it’s very affordable!) windsdieddownadifferent advertise kindofcopthetablesecular (it’s my lifewiththethrillkillkult sistermachinegunslaveunitkraftwelt beautyw acumen alienfaktor battery collide controlledbleedingnoiseunitadvert noise unit advertise (it’s very affordable!) windsdieddownadifferent noise unitadvertise kindofcoptheta (it’s able!) vault.9rosettastoneseveredheadstherazorskylinegrotuskmfdm grotusdown kmfdm a different kind my of verylife affordable!) mechanism insight23 christanaloguevampirerodentsadvertise (it’s cop with the thrill the kill table kult secularsister machine mechanism gun insightslave unit23 kraftchristwelt analogu e beauty vampire wired rodents under advertise the noise (it’s very affordable!) advertise (it’s very vault.9 affordable!) rosetta stone16 volt christ analogue vampire rodents advertise (it’s very affordable!) vault.9rosetta stone christ analoguevampirerodentsadvertise (it’s kraftwelt beauty wired under the noise advertise (it’s very affordable!) 16volt kraftwelt beautywiredunderthenoiseadvertise (it’s slave unit kraftwelt beauty wired under the noise advertise (it’s very affordable! slave unitkraftweltbeautywired under thenoiseadvertise (it’s pire rodents advertise (it’s very affordable!) vault.9rosettastoneseveredheads pire rodentsadvertise -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Ivan Muñoz Aka Vigilante Is One of the Most Important Electronic Music Artists & Djs in South America
Ivan Muñoz aka Vigilante is one of the most important electronic music artists & Djs in South America. With his mix of electronic and metal, Muñoz has conquered audiences from Chile and all over the world. He has released three albums: "The Heroes Code" (2005), "War of Ideas" (2007), and “The New Resistance” (2011), one EP "Juicio Final" (2006); one DVD + CD "Life is a Battlefield" (2009) and several singles in countries as diverse as Germany, Russia, Chile, Argentina and Japan. His records are distributed both physically and digitally throughout the world. With 6 international tours, Vigilante has brought his music to many countries: United States, Russia, Germany, Netherlands, Peru, Argentina, Chile, Czech Republic, Poland, Denmark, Belgium, France, Portugal, Switzerland, Italy, Norway, Spain, and many more. In addition, he has been the only Chilean musician to participate in some of the more important Festivals in Europe, like Wave Gotik Treffen (Germany, 2006 and 2010), Castle Party (Poland, 2012); and in 2008 Vigilante was the support band of the Industrial legends Nine Inch Nails. Throughout his career, he has worked, remixed and shared stage with the most important bands in the scene such as: Nine Inch Nails, Lacrimosa, Ministry, Strapping Young Lad, Public Enemy, Suicide Commando, S.I.T.D., Die Krupps, VNV Nation, Funker Vogt, Leaether Strip, Agonoize, Soman, Hocico, Birmingham 6, Hanin Elias, Tyske Ludder, Clan of Xymox and many more. His profesionalism and talent made him being endorsed by the most important brands in the music industry like Focusrite, Novation, Schecter, Fxpansion, Presonus, Seymour Duncan, Sony Creative Software and many more. -
Broken Hopes of a Waster Youth (CD Album – Advoxya Records) - Revie
Larva – Broken Hopes Of A Waster Youth (CD Album – Advoxya Records) - revie ... Página 1 de 8 Not logged in Log-In Register • NEWS • APP • INDUSTRIAL MUSIC FORUM • TWITTER • G+ • FACEBOOK • SPOTIFY • @ Search Larva – Broken Hopes Of A Waster Youth (CD Album – Advoxya Records) Posted on 11/05/13 Industrial Music CDs at eBay USA | eBay UK | eBay DE Like Send Be the first of your friends to like this. Genre/Influences: Dark-electro. Content: The previous work I heard of Larva never totally convinced me. The dark-electronics of this Spanish formation were missing some substance and especially some cohesion. After an album released on Danse Macabre they got back to Advoxya Records releasing their 4th official album to date. This new work remains a pure dark-electro composition, which simply can be defined as ‘hell-electro’. The inspiration clearly comes from a band like Suicide Commando. The originality inside Larva is far to find, but when a band appears to be an efficient emulator of a leading name of the scene I think no one will start to complain. And that’s precisely what this album is all about. From start to finish you easily can recognize the Suicide Commando-input which appears in the dark sequences and icy melodies. Both debut songs are captivating and promising . Some calmer pieces are awakening spirits of the late 90s electro generation, but here again Larva is a quite efficient copier. The 2nd part of the album is a tiny less interesting as the songs now become quieter and more into haunting atmospheres . -
THE FAST FORWARD NEWSLETTER Some Kind of April Fool's Joke
and “Colony,” and of course FAST FORWARD EDITORIAL played them all. With each, Larkin’s confidence THE FAST FORWARD grew, and these tracks became the blueprints for what would become the “Escape From Planet Well, we’re back on track for spring, get- Techno” EP. ting these issues out in quick succession. This Just as he began to devote more time to his summer looks like it’s shaping up to be a wild ISSUE 8 APRIL 1991 music, opportunity knocked once again. one, music-wise ... we’ll just have to wait and NEWSLETTER Original Shelter DJ Scott “Go-Go” Gordon had see. One to watch out for is Yolanda’s new one taken a gig with big-time, chi-chi, frou-frou club on UR called “I Live for the Night,” a high-flying Vis-a-Vis. Now, Richie Rich was the man there deep house scream-up that elevates my girl to on Saturday nights, and every headliner needs diva status. Paris who? I heard it in the studio (that's the dirt, Richie) an opening act. Kenny fit that bill. and it’s a smoker. Out in the dead of summer Now, Kenny’s making his mark in the form Underground Resistance. OOPS! DEPT.: Metroplex Record is NOT dead Detroit Techno underground. As well as adding Thanks to Gwenn Volkert and Steve Kuo, as we reported last time. They've signed a dis- So I’m at Richie Hawtin’s “Confusion” night credibility to the Plus 8 label amongst the hard- our charter subscribers, and so far, our only tribution deal with Polydor from what we hear. -
Drumcell: a Meeting with the Flag-Bearer of Californian Techno Performance Rider
LINKS % Facebook & SoundCloud ! Vimeo " PRESS Instagram Bandcamp $ Website RIDER Drumcell: A Meeting with the Flag-Bearer of Californian Techno Performance Rider DOWNLOAD WORLDWIDE BOOKINGS & MANAGEMENT Drumcell Gave Los Angeles Techno a Name of Its Own Nicole Palacio Los Angeles, California [email protected] Interview: Drumcell & Surachai The 20 Best DJs in L.A. Right Now Drumcell & Vangelis of Raíz (Droid Behavior) Talk LA Techno & Workflow with Reaktor Blocks LA TECHNO Raves Between Commerce and Art To live and die in LA (pg. 4) The Cornerstone Of Los Angeles' Techno Community, Drumcell BIO rumcell was born as Moe Espinosa in Los Angeles’ San D Gabriel Valley. Far away from the glamour and glitter of Hollywood, he cut his teeth growing up in a vibrant, culturally diverse neighborhood that still breeds inspiration for his work. San Gabriel Valley is also where he and the Raíz brothers, Vangelis and Vidal, met and founded Droid Behavior in the early 2000s which lead to the infamous Interface warehouse series and lauded techno label Droid Recordings. A classically trained musician in his youth, Moe came to circulate around the Noise, Punk and Industrial scene, playing guitar and singing in various bands until he discovered the early ‘90s L.A. rave scene. That was when he got in touch with some of the heroic synthesizers of techno’s early years. His enthusiasm for those synthetic sounds lead to a career as a Product Specialist at Native Instruments and to independent musician and engineer work across Los Angeles. Some of his studio contributions include work for Alessandro Cortini of Nine Inch Nails, Maynard James Keenan of Tool, Douglas McCarthy of Nitzer Ebb, Gary Numan, George Clinton, Kool Keith, Qbert, and Cut Chemist. -
Techno's Journey from Detroit to Berlin Advisor
The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing. -
MTO 20.2: Heetderks, Review of S. Alexander
Volume 20, Number 2, March 2014 Copyright © 2014 Society for Music Theory Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford, 2013) David Heetderks NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.14.20.2/mto.14.20.2.heetderks.php KEYWORDS: industrial, post punk, electronic music, EBM, electronic body music, futurepop, cut-up, Throbbing Gristle, Cabaret Voltaire, Nitzer Ebb, Front 242, Skinny Puppy, Laibach, Burroughs Received March 2014 [1] The genre of industrial music is long-lived and, as is evident from comparing Audio Clip 1 and Audio Clip 2, encompasses a broad range of styles. Audio Clip 1, from “Hamburger Lady” (1978) by Throbbing Gristle, is a collage of noisy sounds and a spoken text that has been electronically modified to near indistinguishability. The only suggestion of a beat is provided by a distant thump, perhaps suggesting a heartbeat. The text assaults common notions of good taste: it describes the medical care of a severely burned woman, forcing listeners to confront a figure that civilized society would keep hidden. Audio Clip 2, from “Headhunter” (1988) by Front 242, features a driving dance beat that, in contradistinction to “Hamburger Lady,” is crisp and motoric. The lead singer shouts out the story of a bounty hunter, performing an aggressive form of masculinity. The sounds of industrial music have appeared even in recent years: the harsh and abrasive synthesizer beats in Kanye West’s 2013 album Yeezus have galvanized critics, leading some to describe a masochistic form of listening that is reminiscent of responses to industrial music.