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Evidence from Rio De Janeiro's Favelas
Drug Battles and School Achievement: Evidence from Rio de Janeiro's Favelas Joana Monteiro and Rudi Rocha∗ July 2013 Abstract This paper examines the effects of armed conflicts between drug gangs in Rio de Janeiro's favelas on student achievement. We explore variation in violence that occurs across time and space when gangs battle over territo- ries. Within-school estimates indicate that students from schools exposed to violence score less in math exams. Our findings suggest that the effect of vio- lence increases with conflict intensity, duration, and proximity to exam dates; and decreases with the distance between the school and the conflict location. Finally, we find that school supply is an important mechanism driving the achievement results; armed conflicts are associated with higher teacher absen- teeism, principal turnover, and temporary school closings. JEL: I25, K42, O12 Key words: slum, violence, drug gangs, student achievement. ∗Monteiro: Brazilian Institute of Economics, Get´ulioVargas Foundation (IBRE/FGV), Rio de Janeiro, Brazil ([email protected]). Rocha: Institute of Economics, Federal University of Rio de Janeiro (IE/UFRJ), Rio de Janeiro, Brazil ([email protected]). We thank Filipe Campante, Ign´acioCano, Melissa Dell, Claudio Ferraz, S´ergioFerreira, Asim Khwaja, Horacio Larreguy, Joana Naritomi, Rohini Pande, Dan Posner, Heather Schofield, Rodrigo Soares, David Yanagizawa-Drott and seminar participants at the 2012 NEUDC, MIT Political Economy Breakfast, the 33rd Meeting of the Brazilian Econometric Society, the 1st Meeting of AL CAPONE-Lacea, PUC-Rio, and Harvard Development Lunch for helpful comments. We are extremely grateful to Paulo Ferraz for his support over the project and Disque-Den´unciafor providing access to data. -
Vprom User Manual
EPROM DRUMS www.alyjameslab.com USER MANUAL 2.0 BY Aly James ©2014-2016 ALYJAMESLAB TABLE OF CONTENTS INTRODUCTION............................................................................................................................. 3 WHAT’S NEW IN V2.0? .................................................................................................................. 6 INSTALLATION............................................................................................................................... 7 CONTROL PANELS ........................................................................................................................10 THE AM6070 DAC.........................................................................................................................13 SAMPLE TUNING ..........................................................................................................................17 THE HIHAT CASE...........................................................................................................................20 MAIN PANEL ................................................................................................................................21 CEM FILTERS ................................................................................................................................22 SETTINGS .....................................................................................................................................24 EPROM LOADING .........................................................................................................................26 -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Incongruous Surrealism Within Narrative Animated Film
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Incongruous Surrealism within Narrative Animated Film Daniel McCabe University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McCabe, Daniel, "Incongruous Surrealism within Narrative Animated Film" (2021). Electronic Theses and Dissertations, 2020-. 529. https://stars.library.ucf.edu/etd2020/529 INCONGRUOUS SURREALISM WITHIN NARRATIVE ANIMATED FILM by DANIEL MCCABE B.A. University of Central Florida, 2018 B.S.B.A. University of Central Florida, 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2021 © Daniel Francis McCabe 2021 ii ABSTRACT A pop music video is a form of media containing incongruous surrealistic imagery with a narrative structure supplied by song lyrics. The lyrics’ presence allows filmmakers to digress from sequential imagery through introduction of nonlinear visual elements. I will analyze these surrealist film elements through several post-modern philosophies to better understand how this animated audio-visual synthesis resides in the larger world of art theory and its relationship to the popular music video. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Oberheim Prommer MIDI Sampler/ PROM Programmer USER's GUIDE
Oberheim Prommer MIDI Sampler/ PROM programmer USER'S GUIDE Prommer User's Guide Table of Contents 1 Prommer User's Guide Table of Contents 2 Oberheim Prommer User's Guide By Paul J. White Preliminary Edition, June 1986 CAUTION: To prevent fire or shock hazard, do not expose this appliance to rain or moisture. Do not remove cover. No user servicable parts inside. Refer servicing to qualified service personnel. WARNING: This equipment generates and uses radio frequency energy and if not installed and used properly, i.e., in strict accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause interference in which case the user at his own expense will be required to take whatever measures may be required to correct the interference. © 1986 - Oberheim - A division of ECC Development Corporation 11650 W. Olympic Blvd. , Los Angeles, CA 90064 All rights reserved. Reproduction in whole or in part is prohibited without permission. Oberheim, the Oberheim logo, Prommer, Matrix-12, Stretch, DMX, and DX are trademarks of ECC Development Corporation. Drumtraks is a trademark of SEQUENTIAL (Sequential Circuits, Inc.) Simmons is a trademark of Simmons Electronics Limited LinnDrum and Linn9000 are trademarks of Linn Electronics, Inc. Prommer User's Guide Table of Contents 3 TABLE OF CONTENTS PAGE 1. Introduction 7 2. Getting started 9 3. Blocks 13 A. Select block B. Block address C. Block length D. Protect 4. Sampling 17 A. Sample rate B. Sample time display C. Record trigger threshold D. How to record a sound 5. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Assessing the Future Ip Landscape of Music’S Cash Cow: What Happens When the Live Concert Goes Virtual
\\jciprod01\productn\N\NYU\91-2\NYU205.txt unknown Seq: 1 11-MAY-16 12:42 ASSESSING THE FUTURE IP LANDSCAPE OF MUSIC’S CASH COW: WHAT HAPPENS WHEN THE LIVE CONCERT GOES VIRTUAL CHARLES H. LOW* If piracy has been the bane of the music industry, and live performances are a financial buoy, what happens when live performances are ported to a virtual medium that all of a sudden may be subject to piracy again? This Note examines the various intellectual property frameworks through which one can look at the protectable elements of a live show or concert and what happens to the pro- tectability of those elements once the show is ported to virtual reality. Given that technology to date has had a much larger impact on recorded music than on live performances, the introduction of virtual reality technology has serious disruptive potential. This Note argues that one can use existing intellectual property law to weave a complex web of protected elements around less traditional targets of IP like stage, set, and lighting design, background visuals, live performers, and props. This web of intellectual property protection will encourage strong contracting and yield more avenues for resisting piracy in the virtual reality world. INTRODUCTION ................................................. 426 R I. AN INTRODUCTION TO THE ECONOMIC STATE OF THE MUSIC INDUSTRY, THE NUANCES OF VIRTUAL REALITY, AND TWO VERY MARKETABLE LIVE SHOWS WITH VR POTENTIAL .............................................. 430 R A. “Don’t Let Me Down”: The Current Economic State of the Music Industry ............................... 430 R B. “In Some Ways, the Biggest Competitor . Might Be a Bottle of Wine”: An Introduction to Virtual Reality ............................................. -
An Introduction to the Study of American Military Marching Cadences
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 Sound-off! An Introduction to the Study of American Military Marching Cadences Travis G. Salley University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Musicology Commons Recommended Citation Salley, Travis G., "Sound-off! An Introduction to the Study of American Military Marching Cadences" (2015). Masters Theses. 243. https://doi.org/10.7275/6949713 https://scholarworks.umass.edu/masters_theses_2/243 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment Of the requirements for the degree of MASTER OF MUSIC May 2015 Department of Music and Dance © Copyright by Travis G. Salley 2015 All Rights Reserved SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Approved as to style and content by: _____________________________________ Marianna Ritchey, Chair _______________________________________ Ernie May, Member _______________________________ Jeff Cox, Department Head Department of Music & Dance DEDICATION To Rachel. ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Marianna Ritchey. I will be forever grateful for her kindness, guidance, and patience in helping me create this project. -
October 1987
Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers. -
Fringe Bar {Rain Cry Recorders | Bankrqbber | Napkin
FRINGE BAR {RAIN CRY RECORDERS | BANKRQBBER | NAPKIN RECORDS | KYLE ipt^lf j lOiL ffi^ IN^17^/7£rfSt/yFF $OUND-OFF IfefEfrEMBER 2013 | That Magazine From CiTR 101.9 FM | Free! | Supportir^ir^^^Snaefe^^^^W9^^;3D Years shindig Shindig flam Tues^ Three tettesMfig bands nightly, and Jokes for Beer. Visit wwwxitrxa/shindtg fw Mi schedule. IMAN&WUTO OUR SPONSORS ms&mm Fader Master Studios Nimbus School of Recording Arts Rain City Recorders NXNI Band Merch Canada Long & McQuade Vogvilie Receding Canadian Musk Week Mint Records Zulu Records MsmtaMagailM Musk Waste UPCOMING 254 East Hastings Street SHOWS WCRSttAW 604 681.8915 O00O0f• REDO KROSS i MIAMI DEVICE DIAMOND HEADS. RAVEN DYING FETUS wiUi Shawn Mzarek Lives! j with Gord Grdina's Haram • with Titan's Eve |J with Exhumed, Devourment, Abiotic, Archspire MOONDOGGIES j WAXTMLOR&THEDUSTY GUITAR WOLF DEERTICK J with The Maldives, The Wild North RAINBOW EXPERIEHK H with The Coathangers and Coward with Robert Ellis WEST OF HELL TWOTO FUCKED UP&TERROR WATAIN with Titan's Eire, Expain, Terrifier with Biaze Ya Dead Homie, Potluck with Rower Trip Code Orange Kids with In Solitude, Tribulation SIMON KING H TYPHOON j ANATHEMA THE SADIES with Radiation City, The Nautical Mites I withAlcest,Mammifer U wilt! guests 3 VAUENTTHORR CANCER BATS ORANGE GOBLIN OKKERVIL RIVER with Black Wizard, Lord Dying, with Bat Sabbath with Holy Grail, Lazer/Wulf, 88 Mite Trip with Special Guest Matthew E. White Ramming Speed THE LEGENDARY PINK DOTS ArawniiH KING KHAN &THE SHRINES RAE SPOON il YEAR 33 TOUR, with Magneticring witt White Knights Finish Last Slush with Hell Shovel i AN EVENIN6 WITH ANOIE BS1 N9NJASPY EP/0RAFH1C THE HI SEES E33 BC/DC&HAMWAILIN' MIN0USAND1ENB0HM •* NOVEL RELEASE PARTY!!! with the Blind Shake and OBNIlls Ell HALLOWEEN 2013 THESONiCS WE HUNT BUFFALO GOBLIN NERDFEST1ANIGHT0F fcafiff with My Goodness, The Vicious Cycles witt La Chinga, War Baby, If We Are V.Vecker Ensemble and Basketball Machines EH FANTASY Additional show listings, ticket info, band bios, videos and more are online at: WWW.