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Download The Work Original campaign button for I Love New York Daily News cover after 9-11 Identity for Tony Kushner’s play Angels in America John Smith e: [email protected] t:310.000.0000 f:310.000.0000 ICALA INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES 2000 Avenue of the Stars, Los Angeles, CA 90067 INSTITUTE OF CONTEMPORARY ART LOS ANGELES J O H N S M I T H 2000 Avenue of the Stars, Los Angeles, CA 90067 www.icala.org t:310.000.0000 f:310.000.0000 INSTITUTE OF CONTEMPORARY ART LOS ANGELES J O H N S M I T H INSTITUTE OF CONTEMPORARY ART LOS ANGELES 2000 Avenue of the Stars Los Angeles, CA 90067 www.icala.org t:310.000.0000 f:310.000.0000 2000 Avenue of the Stars, Los Angeles, CA 90067 t:310.000.0000 f:310.000.0000 2000 Avenue of the Stars, Los Angeles, CA 90067 t:310.000.0000 f:310.000.0000 EXHIBITIONS FALL 2005 INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF 2000 Avenue of the Stars CONTEMPORARY ART Los Angeles, CA 90067 LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES INSTITUTE OF CONTEMPORARY ART LOS ANGELES 2000 Avenue of the Stars, Los Angeles, CA 90067 INSTITUTE OF CONTEMPORARY ART LOS ANGELES Theatre for a New Audience Identity, communication, and signage Identity Shakespeare portraits for a variety of applications Theatre for a New Audience Award Statue Anniversary poster O r OO n O k O ANTONY The Ohio State CLEOPATR A Murders Play Identities THEATRE FOR A NEW AUDIENCE SORE THROATS BY HOWARD BREntON THE DUKE ON 42ND STREET APRIL 22 – MAY 21, 2006 DIRECTOR Evan Yionoulis CAST SCENIC DESIGNER Adam Stockhausen Bill Camp, Laila Robins, Meredith Zinner COSTUME DESIGNER Katherine Roth LIGHTING DESIGNER Donald Holder COMPOSER & SOUND DESIGNER Mike Yionoulis DIALECT CONSULTANT Elizabeth Smith FIGHT DIRECTOR J. David Brimmer Posters for Theater Hall Theatre for a New Audience’s Capital Campaign materials Website BOARD OF DIRECTORS CAPITAL CAMPAIGN LEADERSHIP JOINBOARD US OF D IRECTORSFOR A SCAPITALPECIAL CAMPAIGN LEEADERSHIPVENING JOIN US FOR A SPECIAL EVENING AT Chairman Theodore C. Rogers Theodore C. Rogers CHAIR Chairman CHAIR Theodore C. Rogers President Theodore C. Rogers Jeffrey Horowitz Jeffrey Horowitz Founding Artistic Director and President Merle Debuskey* HONORARY CHAIRS Vice Presidents HONORARY CHAIRS Merle Debuskey* Seymour H. Lesser Seymour H. Lesser Audrey Heffernan Meyer Julie Taymor and Elliot Goldenthal Audrey Heffernan Meyer Julie Taymor and Elliot Goldenthal Janet C. Olshansky Janet C. Olshansky Vice Presidents CAMPAIGN COUNCIL Treasurer CAMPAIGN COUNCIL Gloria Messinger Michelene Spencer Secretary Robert Buckholz, Walter M. Cain, Robert Arnow, Robert S. Ascheim, Robert E. Buckholz, Jr., Audrey Heffernan Meyer, Anne Messitte, Secretary Walter M. Cain, Henry Christensen III, Audrey Heffernan Michelene Spencer Treasurer Janet C. Olshansky, Robert T. Schaffner, Gloria Messinger Meyer, Anne Messitte, Janet Olshansky, Henry F. Owsley, Monica G.-S. Wambold Members Robert T. Schaffner, Monica G.-S. Wambold Joan Arnow Joan Arnow Robert Arnow Robert Arnow ABOUT THEATRE FOR A NEW AUDIENCE Robert S. Ascheim, M.D. ABOUT THEATRE FOR A NEW AUDIENCE Robert S. Ascheim MD Francine Ballan+ AND THE CAMPAIGN Francine S. Ballan † AND THE CAMPAIGN John Berendt* John Berendt* Fort Greene in Downtown Brooklyn has become Cicely Berry, OBE.Hon.D.Lit* Cicely Berry OBE. Hon.D.Lit.* Marlène Brody Founded in 1979 by Jeffrey Horowitz, Theatre for a Marlène Brody one of the City’s fastest developing and most Sally Brody New Audience is the first American company to be Sally Brody diverse neighborhoods. Right in the middle of Walter M. Cain Walter M. Cain Zoë Caldwell* invited to bring a production of Shakespeare to Britain’s Zoë Caldwell* Fort Greene is the BAM Cultural District, a major Robert A. Caro* Royal Shakespeare Company. We play for wide-ranging Robert A. Caro* Charlotte K. Frank New York City economic development and arts Henry Christensen III audiences from connoisseurs of diverse repertory to kids Charlotte K. Frank Richard A. Hadar initiative. Here, Theatre for a New Audience is Richard A. Hadar seeing groundbreaking productions for the first time. Sir Peter Hall* poised to make its boldest dream come true: its Sir Peter Hall* We created and run the largest program to introduce Dana Ivey* David Scott Kastan* first permanent home – a center for Shakespeare Dana Ivey* Shakespeare in the New York City Public Schools. Prof. David Scott Kastan* William F. Lloyd Larry M. Loeb and classic drama. William F. Lloyd Fort Greene in Downtown Brooklyn has become New York Larry M. Loeb, Esq. Elsa K. Lowry+ Elsa K. Lowry† City’s fastest developing and most creative neighborhood. Catherine Maciariello* Architects Frank Gehry and Hugh Hardy are Catherine Maciariello* Robert MacNeil* Right in the middle of Fort Greene is the BAM Cultural Anne Messitte collaborating to design our 35,000 square-foot Robert MacNeil* Herbert Mitgang*+ Anne Messitte District, a major New York City economic development and “green” building. It has rehearsal space, offices, Philip R. Rotner Herbert Mitgang†* arts initiative. Here, Theatre for a New Audience is poised Mark Rylance* a café, and a 99-seat theatre. The uniquely Henry F. Owsley to make its boldest dream come true: a permanent home Robert T. Schaffner Philip R. Rotner flexible 299-seat Mainstage combines an Samuel H. Scripps ¥ Mark Rylance* for Shakespeare and classic drama. Daryl D. Smith Elizabethan courtyard theatre with modern Robert T. Schaffner Douglas Stein* Daryl D. Smith In its initial stages, Hugh Hardy and Frank Gehry technology and is named after Samuel H. Michael Stranahan Douglas Stein* collaborated on the building’s design, and it was a very Julie Taymor* Scripps, our beloved board member. Michael Stranahan productive relationship. Hugh Hardy is now the Theatre’s Marcia T. Thompson Julie Taymor* Monica G.-S. Wambold Marcia T. Thompson sole architect and is completing a new exterior design for Founded in 1979 by Jeffrey Horowitz, Jane Wells Monica G.-S. Wambold our 27,500 square-foot “green” building. It has rehearsal Frederick Wiseman* Theatre for a New Audience is the first Jane Wells space, a café and book kiosk. The uniquely flexible Frederick Wiseman* American company to be invited to bring a 299-seat Mainstage combines an Elizabethan courtyard Dorothy Ryan Managing Director, production of Shakespeare to Britain’s Royal . C . Dorothy Ryan, Managing Director N C theatre with modern technology. It will be a playground for Ex-Officio I N Shakespeare Company. We play for wide- Ex-Officio I imagination, a magnet for the most interesting artists and a ranging audiences from connoisseurs of diverse LASER, G *Artistic Council unique theatre in the metropolitan area. LASER, G * Artistic Council repertory to kids seeing groundbreaking produc- †Emeritus + Emeritus We have raised $45.8 million, or 78% of our $58.5 tions for the first time. We also created and run ILTON M ILTON ¥ In Memoriam million goal. Your support will help us close in on the M the largest program to introduce Shakespeare in remaining $12.7 million. New York City Public Schools. CELEBRATING SHAKESPEARE WORKS IN BROOKLYN CELEBRATINGTheatre for SHAKE a New AudienceSPEARE • 154 Christopher WORK Street,S Suite IN 3D, BROOKLYN New York, NY 10014 Theatre for a New Audience • 154 Christopher Street, Suite 3D, New York, NY 10014 ESIGN AND ILLUSTRATION BY D ESIGN AND ILLUSTRATION BY Ph: (212) 229-2819 • F: (212) 229-2911 • www.tfana.org/capital Ph: (212) 229-2819 • F: (212) 229-2911 • www.tfana.org/capital D THEATRE FOR A NEW AUDIENCE’S CAPITAL CAMPAIGN THEATRE FOR A NEW AUDIENCE’S CAPITAL CAMPAIGN Gala_invite.indd 1-2 12/13/07 3:00:09 PM Brochures Facade study Signage study Interior signage studies Louis Armstrong House Museum and Archive Identity, signage, and interior elements for a newly constructed museum Identity Portrait (print proposal) Exterior signage Backlit large-scale letter from Louis with a shifting color background 3-dimmensional mural for the front entry COMER YOUTH CENTER: INTERIOR SIGNAGE (REVISED) LIST OF SIGN TYPES AND SPECIFICATIONS 04.07.06 COMER YOUTH CENTER: INTERIOR SIGNAGE (REVISED) LIST OF SIGN TYPES AND SPECIFICATIONS 04.07.06 SIGN TYPE QUANTITY SPECIFICATIONS 12 SIGN TYPE QUANTITY SPECIFICATIONS A.1 5 DEDICATION 12 A.1 5 DEDICATION 11.75 Material: stainless steel Lettering: Vinyl Size: 12” x 12” Surface treatment: Paint 11.75 Reverse surface treatment: medium reflective finish on steel Edge finish: bullnose to smooth edges Material: stainless steel Lettering: Vinyl Size:Laser-cut 12” x 12” stencil Surface treatment: Paint ReverseVinyl surface lettering treatment: in WHITE medium reflective finish on steel 11 Edge finish: bullnose to smooth edges Laser-cut stencil Vinyl lettering in WHITE 11 A.2 34 Flat surface is painted in specified RAL colors ROOM NAME Gary Comer Youth Center Identity, wayfindingA.2 and all other34 signage, communications,Flat surface and is painted wall in specifiedmurals RAL colors ROOM NAME All letters & braille are raised 1/32” or 1/16” and stainless steel. Same finish as interior (120 grit satin). 7” 8” All letters & braille are raised 1/32” or 1/16” and stainless steel. Same finish as interior (120 grit satin). 7” 8” 1.75” 7.75” 1.75” 7.75” All letters, braille & Symbols are raised RAL paint 1/32” or 1/16” Raised Stainless steed and stainless steel. 8” 7” Same finish as interior (120 grit satin). 1/8 x 6in Laser-cut stencil All letters, braille & Symbols are raised RALBraille paint placeholder : same color as RAL paint 1/32” or 1/16” Raised Stainless steed and stainless steel.
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