The BG News April 15, 2003
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Analysis of Japanese and Finnish Furniture
University of Lapland, Faculty of Art and Design Name of the Pro gradu thesis: ANALYSIS OF JAPANESE AND FINNISH FURNITURE DESIGN: A consideration for product identity and the relativity of industrial development and cultural context Writer: Akiko Nakatani Degree programme: Industrial Design Type of the work: Pro gradu thesis Number of pages: 97 pages, 3 attachments Year: Spring 2011 Summary In a globalized product design market, firms take national identity into consideration to survive among the competitors, because a particular identifying feature can be the decision making factor for customers to buy a particular product. In such a situation, you may realize something as “Japanese-like” or “Finnish-like” in designs as you hold the product in your hand. But why do you think like that? The aim of this study is to clarify the factors that characterize these ideas, in terms of furniture design, with a focus on industrial development and the cultural contexts of Japan and Finland. The study is twofold, with a theoretical framework and an empirical framework. The theoretical analysis works with cultural industrial context and also argues that the transition of industrial development significantly affects national product design orientation and helps characterize products. The empirical analysis works with questionnaires concerning product image. The results conceptualize cultural references in both Japanese and Finnish furniture design. However, the results also present the realistic difficulty of recognizing products. The paper concludes by arguing that factors affecting customer’s decision making are also influenced by not only product design but the socio-culture they belong to. Therefore, measuring product image is not the only way to define national product identity, and the image is formed by both customers and product design factors. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
YOKOHAMA and KOBE, JAPAN
YOKOHAMA and KOBE, JAPAN Arrive Yokohama: 0800 Sunday, January 27 Onboard Yokohama: 2100 Monday, January 28 Arrive Kobe: 0800 Wednesday, January 30 Onboard Kobe: 1800 Thursday, January 31 Brief Overview: The "Land of the Rising Sun" is a country where the past meets the future. Japanese culture stretches back millennia, yet has created some of the latest modern technology and trends. Japan is a study in contrasts and contradictions; in the middle of a modern skyscraper you might discover a sliding wooden door which leads to a traditional chamber with tatami mats, calligraphy, and tea ceremony. These juxtapositions mean you may often be surprised and rarely bored by your travels in Japan. Voyagers will have the opportunity to experience Japanese hospitality first-hand by participating in a formal tea ceremony, visiting with a family in their home in Yokohama or staying overnight at a traditional ryokan. Japan has one of the world's best transport systems, which makes getting around convenient, especially by train. It should be noted, however, that travel in Japan is much more expensive when compared to other Asian countries. Japan is famous for its gardens, known for its unique aesthetics both in landscape gardens and Zen rock/sand gardens. Rock and sand gardens can typically be found in temples, specifically those of Zen Buddhism. Buddhist and Shinto sites are among the most common religious sites, sure to leave one in awe. From Yokohama: Nature lovers will bask in the splendor of Japan’s iconic Mount Fuji and the Silver Frost Festival. Kamakura and Tokyo are also nearby and offer opportunities to explore Zen temples and be led in meditation by Zen monks. -
Kona Heritage Stores Oral History Project
BIOGRAPHICAL SUMMARY: Alfreida Kimura Fujita Alfreida Fujita was born in 1926 in Hölualoa, North Kona, Hawai‘i. Her father, Torao Kimura, was the son of Yoshimatsu Kimura, founder of Y. Kimura Store in Kona. Her mother, Tsuruyo Fujiwara Kimura, was born and raised on the island of O‘ahu. Alfreida was the oldest of seven siblings. Y. Kimura Store, located at the junction of Hualälai Road and Mämalahoa Highway in Hölualoa, began as a general merchandise store in 1914. Fujita’s grandfather leased land nearby and grew coffee and cotton. Her grandmother, Tomo Yamamoto Kimura, sewed futons and zabutons with the milled cotton and sold them in the store. They also sold kerosene from a pump located in front of the store. Fujita’s parents married in 1926. Her mother, Tsuruyo, took an active role in the business. In addition to tending the store, she learned to weave hats, purses, and baskets out of lau hala. With her husband, she sold them to individuals and stores throughout Hawai‘i Island. The crafts became so popular that in time the majority of the store’s merchandise was devoted to goods made from lau hala. In the 1950s, the store’s name was changed to Kimura Lauhala Shop. Alfreida Fujita attended Konawaena School and graduated in 1944. She trained as a teacher’s aide and worked at kindergartens at Konawaena, Kohala, and Waiäkea-waena schools. In 1949, she began her long career with Hawaiian Airlines as a reservationist. After her retirement in 1981, Fujita began full-time work in her mother’s lau hala shop. -
Wall Street Journal
P2JW307000-0-M00300-1--------CR THE WALL STREET JOURNAL. Friday, November 3, 2017 | M3 SKI & MOUNTAIN HOMES INSIDE STORY A Home With a Hint of Monastery A Colorado couple with a passion for Japan and climbing builds a quiet home BY CANDACE JACKSON NORIE KIZAKI AND DAVID WOLF knew just what they wanted for the house they were building in Colorado: a home that reflected Ms. Kizaki’s childhood in a Bud- dhist monastery in rural Japan, where her father was a monk. But they also wanted a light touch: a relatively modest size and an exterior that wouldn’t stand out too much in their Boulder neigh- borhood, with its mix of 1950s-era ranch houses and colonial bunga- lows. “We wanted to incorporate the stuff we liked about Japanese houses, but we didn’t want people to say, ‘turn left at the Japanese house,’ ” says Mr. Wolf. The result is a 1,800-square- foot, two-story, three-bedroom, 2½-bathroom modern minimalist home. It has a typical gable roof but with an enameled-steel wrap- per that folds onto the flat top surface. A contemporary porch swing sits out front. “I think porch swings feel really neighborly,” says Mr. Wolf. The Japanese element is visible, but subtle. The front door and part CARMEL ZUCKER FOR THE WALL STREET JOURNAL (5) of the facade is shou-sugi-ban cy- press, a Japanese charred-wood To fit three bedrooms and two SUBTLE Norie Kizaki and David Wolf, technique that preserves the wood. bathrooms into the 700-square- inset, built a home with subtle Japa The home was completed in 2015 foot upper level, Mr. -
Traditional Japanese Homes—Past and Present
NCTA ‐ Columbus Spring 2011 Sharon Drummond Traditional Japanese Homes—Past and Present Objective: Students will learn about traditional Japanese homes as described in Japanese literature and as seen in the present through print and online resources. We will use Murasaki Shikibu’s The Diary of Lady Murasaki to look at detailed descriptions of living quarters during the Heian period, read and discuss the Old Japan chapters on homes, and then compare those homes with ones shown on the Kids Web Japan website and in the book, Japan Style. Students will also learn about Japanese traditions and rituals associated with the home and its furnishings. Standards addressed: People in Societies Standard‐‐Cultures 5‐7 Benchmark A: Compare cultural practices, products, and perspectives of past civilizations in order to understand commonality and diversity of cultures. Indicator 6.1 Compare the cultural practices and products of the societies studied, including a. class structure, b. gender roles, c. beliefs, d. customs and traditions. Geography Standard—Human Environment Interaction 6‐8 Benchmark C: Explain how the environment influences the way people live in different places and the consequences of modifying the environment. Indicator 6.5 Describe ways human settlements and activities are influenced by environmental factors and processes in different places and regions including a. bodies of water; b. landforms; c. climates; d. vegetation; e. weathering; f. seismic activity. Lesson requirements: Time: one to two days; three with an extension and/or project. Materials: The Diary of Lady Murasaki, Old Japan‐Make it Work!, computer access. Optional craft materials for the extension project Lesson Plan: 1) Introduction: Read excerpts from The Diary of Lady Murasaki and ask students to list items found in the home that is described. -
Murasaki Fine Futon Shop Catalog 2008
Murasaki Fine Futon Shop Catalog 2008 Miwa Inc. Website: www.murasaki-rockridge.com All prices and item availabilities are subject to change without notice. Murasaki Fine Futon Shop 6050 College Ave Oakland, CA 94618 Phone: (510) 547-6252 NEW ~ Puneé Bed/Bench Frame and Table Set (One Size Only) Item No. 03050C Color: Antique Mahogany(6) and Honey Oak(5) Bed/Bench: 27" x 75" x 14"H Square Table: 35" x 35" x 23"H *Optional: Tatami Mats (27"x75") Print S02 as pictured here Punee Murasaki Fine Futon Shop 6050 College Ave Oakland, CA 94618 Phone: (510) 547-6252 NEW ~ Puneé Bed/Bench Frame and Table Set (One Size Only) Item No. 03050C Color: Antique Mahogany(6) and Honey Oak(5) Seat Cushion 6" cotton w/ 1" foam 27" x 75" Back Support (L) 6" cotton w/ 1" foam 18" x 75" Back Support (S) 6" cotton w/ 1" foam 18" x 38" *Optional Seat cushions and Back support Print T01/brown as pictured here *Optional: Tatami Mats (27"x75") Prices for cushions are for permanent sewn on covers in the prints as shown. For choice fabrics, add $10 for each cushion. Covers: Solid color covers will be $18 for seat, $15 for Long back support, and $12 for short back support Punee Murasaki Fine Futon Shop 6050 College Ave Oakland, CA 94618 Phone: (510) 547-6252 Bed Frame Item No. Size Color 030455 Twin (Single) Antique Mahogany 030456 Twin (Single) Honey Oak 030465 Full (Double) Antique Mahogany 030466 Full (Double) Honey Oak 030485 Queen Antique Mahogany 030486 Queen Honey Oak 030495 Cal King Antique Mahogany 030496 Cal King Honey Oak 030475 Eastern King Antique Mahogany 030476 Eastern King Honey Oak *Additional Options: Tatami Mat - SEE TATAMI MAT SECTION FOR SIZE AND PRICING INFORMATION Murasaki Fine Futon Shop 6050 College Ave Oakland, CA 94618 Phone: (510) 547-6252 Metal Bi-Fold Frame and Wooden Arm Item No. -
Hello, I'm Brad Warner, Author of the Book Hardcore Zen, Sit Down And
Brad Warner Week 1, Daily Practice: How to Get on the Cushion Every Day June 30th, 2014 “Beginning a Daily Practice” Hello, I’m Brad Warner, author of the book Hardcore Zen, Sit Down and Shut Up, a couple other books, and the newest one is There Is No God and He Is Always with You. I’m a Zen teacher, ordained by a guy named Gudo Nishijima in Japan, and I’m here to entertain you with retreat stuff. I should apologize because I haven’t done an online retreat before, so it’s a little bit of an unusual experience. But I thought I would start out this retreat by telling you a little bit about how I got into Zen practice and how I do it because the purpose of this retreat is to encourage you—I was going to say teach you, but not exactly—how to do a meditation practice every day. The reason I think this is important is because it was one of the first things that was conveyed to me by my very first teacher, so I’ll give you a little bit of background about how that happened. I was a student at Kent State University, and I was also the bass player in a punk rock band—a hardcore band called Zero Defects—and I had been interested in eastern philosophies, sort of vaguely interested in them for some time for various reasons. My family lived in Africa when I was a child, and I think I first sort of saw Indian iconography—and things like that—in Africa and got interested in learning more about that when I became an adult. -
Japan in the World, the World in Japan
Japan in the World, the World in Japan Japan in the World, the World in Japan Fifty Years of Japanese Studies at Michigan Edited by the Center for Japanese Studies, The University of Michigan The Center for Japanese Studies The University of Michigan Ann Arbor, 2001 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 2001 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan, 202 S. Thayer St., Ann Arbor, MI 48104-1608 Library of Congress Cataloging in Publication Data Japan in the world, the world in Japan : fifty years of Japanese studies at Michigan / edited by the Center for Japanese Studies, the University of Michigan. p. cm. ISBN 0-939512-95-5 (pbk. : alk. paper) 1. Japan—Study and teaching (Higher)—United States. 2. University of Michigan. Center for Japanese Studies—History. I. University of Michigan. Center for Japanese Studies. DS834.95J318 2001 952.0071'173—dc21 00-064354 Cover design by Seiko Semones This book was set in Garamond. This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48-1992). Published in the United States of America ISBN 978-0-939512-95-9 (paper) ISBN 978-0-472-12796-2 (ebook) ISBN 978-0-472-90192-0 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Note on Personal Names viii Preface ix Hitomi Tonomura Opening Remarks 1 Philip H. -
We Offer a Vast Range of Yoga Accessories Which Includes Mysore
We offer a vast range of yoga accessories which includes Mysore cotton rugs, Bolsters, Meditation cushions, Crescent zafus, Zabuton, yoga belts / straps, Eye pillows, Neti pots, Yoga mat bags, Cotton blankets, Singing bowls and etc. - Profile - Established in the year 2002, at Karur (Tamil Nadu, India), “The Loyal Exports” is leading name manufacturing, supplying and exporting a wide range of Yoga props such as Yoga cotton rugs, Shiatsu mats, Yoga bolsters, Pranayama bolsters, Yoga cotton blankets, Eye pillows, Neck pillows, Zafus, Zabuton, Meditation cushions, Ceramic / plastic neti pots, Yoga mat bags, Yoga belts, Pune belts, Zen cushions, Camel cushions, and many more. Our state-of-the-art manufacturing facility along with adroit professionals has made us one of the leading names in the industry. We have a team of skilled and creative craftsmen, who produce the entire range of products in adherence with the global standards of garment fabrication. The offered products are widely acclaimed for the uncompromised print quality, latest designs and stylish patterns. Our ethical business principles and reasonable price structure makes us more tempting for our clients spanning all over the globe. With the most advanced machines installed at our manufacturing unit, we are able to create an innovative product range with utmost excellence in terms of dimensions and tailoring. Endowed by a team of imaginative and creative professionals, we have been capable to offer the most demanding products to our valued clients. Our finished products are rigorously checked against pre-defined international qualitative parameters for persistent uniformity in crafting out flawless range of exclusive Yoga items. -
Travelling in Japan HANDBOOK
Travelling in Japan HANDBOOK OKU JAPAN belocal.jp Travel o-the-beaten-track Adventures in the Japanese countryside Travelling in Japan This handbook contains information for those travelling in Japan. You will find information about getting around, local cuisine, bathing in Japanese hotsprings, and how to navigate the world of Japanese etiquette. Travelling in Japan Handbook Contents Accommodation 2 Staying at a Japanese inn 3 Eating 4 Drinking 7 Bathing 9 Toilets 10 Japanese customs and etiquette 11 Communications 12 Trains 13 Local buses 16 Luggage delivery 17 Japanese Phrases 18 OKU JAPAN belocal.jp Travel o-the-beaten-track Adventures in the Japanese countryside 1 Travelling in Japan Accommodation Ryokan Ryokan (旅館) are traditional Japanese inns, and a visit to one is a highlight of a trip to Japan. Rooms are invariably simply but elegantly decorated, with tatami matting. Most ryokan have large, communal segregated baths, and it is common to bathe either before or after dinner. Dinner will usually be served in a dining room, but occasionally in your room. In most ryokan dinner is very elaborately prepared and presented from carefully chosen seasonal ingredients; one of the high points of travelling in Japan, particularly for the Japanese, is to try the local specialities. While you have been eating, the ryokan staff will have laid out your futon in your room, ready for sleeping. Minshuku Minshuku (民宿) are similar to ryokan, but more often than not family-run and a little simpler: the overall experience is much the same but the food is a little less elaborate, dining is communal, bathrooms are shared and guests are expected to lay out their own futon.