DOCSLIB.ORG

Mino Washi Museum Technique from the Past

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mino Washi Museum Technique from the Past Soul-soothing three museums in Mino Former Imaike Residence / Mino History Museum Mino Washi Akari Art Gallery Admission pass to all three museums Adult (high school students and above) 800 yen MINO-WASHI Museum “Udatsu-lined old streets,” a Nationally-Selected Preservation District for Groups of Traditional Buildings, and “Mino Washi,” a registered regional collective trademark. 旧今井家住宅・美濃史料館 Former Imaike Residence / Mino History Museum Sit on the veranda to listen attentively and you can hear the melody of the water dripping in Suikinkutsu (water harp) echoes in the tranquility. 美濃和紙あかりアート館 Mino Washi Akari Art Gallery Lights wrapped in Washi paper color everything around. A fantastic world of infinity. 美濃和紙の里会館 Mino-Washi Museum Carefully, patiently and painstakingly. An integrated art of skills and spirit. A masterpiece of Washi paper that has continued for 1,300 years. 旧今井家住宅・美濃史料館 Former Imaike Residence / Mino History Museum A serene space filled with dignified air. Mind-soothing quaint atmosphere The Former Imaike Residence 問屋 has the oldest Udatsu roofing (Whole Saler) architecture. This is where the Washi paper wholesaler served as the village headsman (taxation and administrative work for public office) from the end of Edo period (the 1850’s and 60’s) to 1941. The atmospheric courtyard with 水琴窟 Suikinkutsu (water harp) is one of (Water harp) unique features of the Former Imaike Magnificent Washi Wholesaler Residence. Suikinkutsu, which is composed of an earthen pot with a small hole on its bottom being buried upside down, is said Water pot Former Imaike Residence to be invented somewhere Front rock between 1818 and 1830. Gravel Sharp-edged 51cm high 旧今井家 This garden is chosen as one of the 100 rock Weathered Sound Sceneries of Japan by the Ministry granite soil Cobblestone of the Environment. ●Mino History Museum, Udatsu Storehouse, Niwaka Storehouse The museum exhibits historical documents regarding old history, culture, and buildings of Mino City. ●美濃史料館 ●帳場 ●明かり取り ●2階納戸 ●奥座敷 Mino History Museum Choba (Front Office) Skylight Second Floor Storeroom Inner Parlor Enter the entrance and there is a front A skylight, created by cutting a space This 50m2 room, equivalent to present This guestroom allows you to overlook office or, as it was called in the olden on the ceiling toward the sky, was day attic, was used as a storage space or the alcove and inner courtyard, reminding days, Choba. When the Imai Family was installed in the Meiji Period (1868~1912) a room for employees. you the glorious days of a wealthy running the paper wholesale business, during renovation. merchant. this space was used as its office. ●うだつ蔵 ●にわか蔵 ■ Floor Plan Udatsu Storehouse Niwaka Storehouse 1883 Izumi-cho, Mino City, Gifu 10575-33-0021 Opening Hours: April ~ September: 9:00am ~ 4:30pm Front Mino History October ~ March: 9:00am ~ 4:00pm Entrance Udatsu Museum *Last admission: 15 minutes before closing Storehouse Closed: Tuesdays from December to February (open everyday from Front March to November) / Days following holidays *If a holiday falls on a Office Back Tuesday, closed on the following day / December 29 ~ January 3 entrance Admission: Adults (high school students and above) 300 yen, Groups (20 persons or more) 250 yen Niwaka Two museum pass for this museum and Mino-Washi Akari Art Hall: Garden Second floor Inner Storehouse Exhibition Adults (high school students and above) 400 yen Japanese-style room Parlor Storehouse Three museum pass including this museum, Mino-Washi Akari Art Hall, and MINO-WASHI Museum: Adults (high school students and above) 800 yen Merchant Town of Edo Period created by Nagachika Kanamori Mino City is known nationally for its sophisticated paper- River, as the water front strategic fort and built Ogura-yama Castle and 美濃 making skill that has been handed down for 1,300 years. castle town. However, the town built on the hill to avoid floods suffered (Mino) Its outstanding quality can be seen from the fact that the a lack of water resources and thus Udatsu roofing (eaves between two government had set up a branch of the directly-managed Paper houses), was set up to prevent fire and to control its spread. As time Agency (paper-making factory) in Mino. In the Edo Period, Nagachika goes by, the eaves became a means to compete in showing off wealth, Kanamori, who was controlling the land of Hida became the ruler of the and still remain along the streets of Mino, amusing the visitors with area. Nagachika established a river port on the riverside of the Nagara unique designs. ●うだつのあがる街並 ●土間にしつらえた台所 ●昔の鬼瓦 Udatsu-lined old streets Kitchen on a dirt floor Ogre ridge-end tile ●帳場 ●屋号の入った傘 ●中庭 Choba Front Office Umbrella with shop name Courtyard Udatsu roofing as a symbol of wealth and reward for efforts Udatsu roofing is the fire prevention eaves on both sides establish a successful business. This Udatsu roofing was once found in 卯建 of the roof. During the Edo Period, when fire occurred all areas of Japan, but the number has declined year by year, and the (Udatsu) frequently, Udatsu roofing was installed as a device to largest number of Udatsu roofing remains in the towns of Tokiwa, Aioi, prevent the spread of fire and protect the town built through hard work. Motozumi, and Izumi in Mino City. However, in order to set up this Udatsu roofing, the home owner had to Types of Udatsu roofing Decorations ●旧今井家 ●松久家 ●小坂家（国重文指定） ●加藤家 ●平田家 Former Imaike Matsuhisake Kosakake Residence Katoke Hiratake Residence (West) Residence (important cultural property) Residence Residence This is the oldest form of Eave decoration is slightly The residence is of a sake This residence possesses old This house was built after the Udatsu roofing decoration. The more developed than the Imai brewery, which has continued Udatsu roofing at the back half huge fire that broke out in most significant feature is that residence. There is a splendid from the Edo Period and was of the building. The Udatsu 1868. The building is taller and the gable roof tile is made up of ridge-end tile on which the designated as an important roofing decoration with a small there is a formal Japanese two tiles each on the right and store name is inscribed and cultural property. ridge-end tile is thought to be room on the second floor. left. two gable roof tiles that curved created during the mid-18th upward. century. 美濃和紙あかりアート館 Mino Washi Akari Art Gallery Soft light in the dark Gentle light dressed in Washi paper lures you into an enchanted world. Banquet of Lights that Excites Your Mind Mino Washi Lantern Festival, 芸術 autumn night event in a (Art) fantastic exhibition space. The Udatsu roofing Streetscape is illuminated with lights filtered through washi paper. Former Mino Town Industrial Hall, 建築 built in 1941, former Meitetsu Mino (Building) Town Line Mino Station building, and 美濃和紙あかりアート館 former Meitetsu Mino Town Line Mino Station platform and railways are designated as national Mino Washi Akari Art Gallery tangible cultural properties. Gently illuminating ●Museum Shop / Free Lounge The first floor is a shop, selling creative lighting products made with washi paper. Feel free to use the free lounge. ●The 13th Grand Prize: ●The 14th Grand Prize: white breath Gathering of Angels ●Mino Wshi Lantern Festival Diverse Mino Washi light artworks are exhibited on the main street of the Udatsu- lined old streets. [Date / Time] Weekend before the Health and Sport Day in every October, from evening to around 9:00pm. ●The 15th Grand Prize: obob 1901-3 Motozumi-cho, Mino City, Gifu 10575-33-3772 Opening Hours: April ~ September: 9:00am ~ 4:30pm October ~ March: 9:00am ~ 4:00pm Closed: Tuesdays / Days following holidays / December 29 ~ January 3 *If a holiday falls on a Tuesday, closed on the following day Admission: Adults 200 yen / Junior high school students and younger are free Groups (20 persons or more) Adults 150 yen Two museum pass for this museum and the Former Imai Family Residence: Adults (high school students and above) 400 yen ●The 9th Grand Prize: ●The 5th Grand Prize: Three museum pass including this museum, the Former Imai Family Residence, and MINNO-WASHI Museum: Adults (high HOUZUKI (holding moon). Light of Hometown school students and above) 800 yen ＊Please note that exhibited work will change without prior notice. 美濃和紙の里会館 Mino-Washi Museum World of Washi continues into the future Edifice of Washi that enriches your heart Mino washi paper has 職人 been created in the (Professional) homes of upland valley in Mino for 1,300 years. The museum introduces its history and technique, the splendor of washi, and possibilities for the future from diverse perspectives. Mino washi paper, made by using 技法 top-quality Kozo and clear water Transmitting to the world (Technique) from Nagara River and Itadori River, is strong and beautiful. Today about 30 washi makers make paper meticulously, following the Mino Washi Museum technique from the past. 美濃和紙の里会館 ●Hi-Vision Hall The world of Mino paper such as its magnificent paper-making technique and the scene of washi being dried under the sun can be seen here. ●Exhibition Room 1 From the harvesting of Kozo plant to the paper mill to drying under the sun are introduced step by step. ●Showroom ●Restaurant HANA-MIKOSHI 1851-3 Warabi, Mino City, Gifu 10575-34-8111 Opening Hours: 9:00am ~ 5:00pm Closed: Tuesdays / Days following holidays / December 29 ~ January 3 *If a holiday falls on a Tuesday, closed on the following day Admission: Adults 500 yen / Junior high school and elementary school students 250 yen Groups (20 persons or more) Adults 450 yen / Junior high school ●Exhibition Room 1 ●Exhibition Room 2 and elementary school students 200 yen Tools used by washi makers and their Washi offers calming color to modern Three museum pass including this museum, the Former Imai Family Residence, and Mino Washi Akari Art Hall: Adults (High refined technologies are introduced.
Load more

Recommended publications
  • Handmade Gampi
    Table of Contents Introduction ........................................................................ 2 About Us & Ordering Terms ............................................ 3 History of Washi ................................................................ 4 Japanese Papermaking .................................................... 5 Differences Between Washi and Western Paper ................... 7 Where our Washi Comes From ...................................... 8 Paper Specifications ........................................................ 11 Pricelist ............................................................................... 16 Fine Art and Conservation Handmade Papers ............................................. 20 Machinemade Papers ....................................... 26 Gampi Papers ..................................................... 29 Large Size Papers .............................................. 31 Small Size/ Specialty Papers .......................... 34 Rolls 100% Kozo Rolls ................................................ 36 Kozo Mix Rolls ................................................... 38 100% Sulphite Pulp Rolls ................................. 38 Inkjet Coated Rolls ........................................... 39 Gampi Rolls ........................................................ 39 Rayon Rolls ......................................................... 40 Decorative Rolls ................................................ 40 Decorative ........................................................................
    [Show full text]
  • IFDA Experts Expound Making Waste Wondrous Chapter News
    A QUARTERLY PUBLICATION OF THE INTERNATIONAL FURNISHINGS AND DESIGN ASSOCIATION INTERNATIONAL PLATINUM INDUSTRY IN THIS PARTNER ISSUE ■ IFDA Experts Expound INTERNATIONAL GOLD INDUSTRY ■ Making Waste Wondrous PARTNER ■ Chapter News ■ Educational Foundation Announces Design Student Scholarships For 2021 BOARD OF DIRECTORS President Ida J. McCausland [email protected] President-Elect Dawn Brinson, FIFDA [email protected] Immediate Past President Janet Stevenson, FIFDA [email protected] Treasurer Dave Gilbert, FIFDA [email protected] Directors Judith Clark Janofsky, FIFDA [email protected] Night in Toyota City - Page 10 Maureen Klein [email protected] Grace McNamara THE INTERNATIONAL FURNISHINGS AND DESIGN ASSOCIATION MAGAZINE [email protected] Sara Chiarilli [email protected] Contents Spring 2021 Rose Gilbert, FIFDA [email protected] CONTENTS Sue Williams, FIFDA [email protected] President’s Message ................................................................................................... 1 Educational Foundation Chair IFDA Experts Expound… ............................................................................................ 2 Karen Dzendolet [email protected] Making Waste Wondrous ............................................................................................ 3 Executive Director Linda Kulla, FIFDA CHAPTER NEWS [email protected] Arizona Chapter.........................................................................................................
    [Show full text]
  • Mino City Is Known Far and Wide Handsome the for the Ends of Adjoining Roofs Contain to One in Case It Broke Out
    With an old quarter to match any other, the city of Mino - not to be confused with the former Mino Province that encompassed the southern half of modern-day Gifu Prefecture - is famous for its udatsu-lined streets (described below). Most of the attractions in Mino City are concen- [MINO]: trated in this easily walkable district, and in recent years more and more of the preserved mer- chant houses have been restored as shops and cafés, making this an area with great practical THE ESSENTIALS value for visitors as well as with deep cultural and historical value. That said, if you want to fully http://www.mino-city.jp/en/index.html experience Mino’s beautiful spring and autumn seasons, you should make your way slightly outside the old quarter to Ogura Park (for beautiful sakura cherry trees), Oyada Shrine, and the banks of the Nagara River. Well-known throughout Japan for the Mino Washi Japanese paper MINO that has been produced here for 1,300 years, Mino City is also famous for the springtime’s GETTING HERE Mino Festival, the summer fireworks, and the Mino Washi “Akari” Art Exhibition held in the fall! JR・Meitetsu Gifu Stations → [Gifu Bus Gifu-Mino Line・1 hr・¥990] → “Udatsu no Machinami-dori” bus stop 〜 Or 〜 JR Gifu Station → [JR Takayama Main Line・35 min] → Mino-Ota Station → [Nagaragawa Railway・37 min・¥1,130 in total] → Mino-shi Station Udatsu -Lined Old Streets of Mino This old quarter of Mino City is known far and wide MAIN FEATURE for the handsome udatsu firewalls that rise above the roofs of the wealthy traders’ houses.
    [Show full text]
  • Paper and Watermarks As Bibliographical Evidence
    NEIL HARRIS Paper and Watermarks as Bibliographical Evidence Lyon 2017 Princess Fiona: You didn’t slay the dragon? Shrek: It’s on my “To do” list. Shrek (2001) The present second edition of Paper and Watermarks as Bibliographical Evidence, issued as a pdf. monograph for the benefit of readers who prefer books in a more traditional form, is identical, except for some distinctions in layout, to that published on line on the website of the Institut d’histoire du livre in Lyon in February 2017. Webmaster: dr. Sheza Moledina, Bibliothèque municipale de Lyon. ISBN 9782956042716 © Neil Harris 2010 and 2017. Proem This text is a bibliographical guide to texts and images relating to the history of paper and papermaking, mainly comprising the hand-papermaking period. Mechanical papermaking, beginning with the invention of the Foudrinier machine at the beginning of the Nineteenth century is briefly, but not exhaustively, treated. Its original purpose was to be included in the workbook of the eponymous course delivered at the École of the Institut d’histoire du livre in Lyon in 2009, and again in 2010, after which a “first edition” was published on the site of the IHL in the latter year. In its conception and execution, it was intended as a sister, or possibly daughter, text to the older, and much more respectable: Analytical Bibliography. An Alternative Prospectus, written to accompany the IHL course on material bibliography and first published on their site in 2002, with revised versions in 2004 and 2006. For all practical purposes, it shares the purpose of the earlier work in being intended for a readership of bibliographers, and possibly even book historians, or anyone seeking ways of obtaining evidence from paper.
    [Show full text]
  • The Ayu of Nagara River System
    The Ayu of Nagara River System -The Connection Between Ayu and the People of the Satokawa- Conservation of the Registered GIAHS / Action Plan January 2015 The Nagara River Agriculture, Forestry and Fisheries Promotion Association Contents I. Introduction 1 II. The Upper and Middle Courses of the Nagara River 3 III. Background to the GIAHS Application 10 IV. Challenges Facing the Nagara River and its Future Prospects 14 V. Summary of the Action Plan 20 VI. Action Plan 23 VII. Exchange Through the GIAHS and Sustainability 47 VIII. The Management System of the GIAHS and Initiatives to be Taken 47 IX. Monitoring and Evaluation 52 X. Conclusion 52 XI. Targets of the Action Plan 53 Ⅰ. Introduction This document was written as a companion to the application of “The Ayu of Nagara River System, -The Connection Between Ayu and the People of the Satokawa-” which is seeking to be recognised as a Globally Important Agricultural Heritage System (GIAHS) by the Food and Agriculture Organisation (FAO) of the United Nations. The application has already been approved by the Ministry of Agriculture, Forestry and Fisheries. In order to ensure the conservation and promotion of this agricultural heritage, the “Nagara River Agriculture, Forestry and Fisheries Promotion Association” as well as the “Pristine Nagara River Agriculture, Forestry and Fisheries Sector Players” have formed close ties together and this document lays out in detail the numerous efforts of the various members of these groups and other related parties. The Nagara River, which flows through the southern region of Gifu Prefecture, supports a population of 860,000 on its basin and despite flowing through urban areas boasts bountiful and pristine waters of immaculate quality.
    [Show full text]
  • Hosokawa-Shi Craftsmen's Association PCM Takeo Corporation
    C-1 C-2 PCM Takeo Corporation Hosokawa-shi Craftsmen's Association Japan Japan Shigeru Takeo / President Teizou Takano / Chair http://www.pcmtakeo.com [email protected] [email protected] CM Takeo Corporation is an affiliated company, osokawa-shi Craftsmen's Association was founded by P specializing the distribution of paper. The company H Hosakowa artisan papermakers in 1967 with the aim produces product by using the inherent wealth of paper’s of preserving Hosokawa Paper, which is designated as an color and texture, as well as accepts customized order from Important Intangible Cultural Property. The association companies. PCM Takeo Corporation recently merged with consists of 19 members, 3 pre-members and 5 trainees Yamada Shoukai, a long-standing washi store since 1908, who are all exerting effort for the preservation of this and supplies many kinds of washi from all over Japan, as well paper. Currently Hosokawa Paper, along with Mino Paper as making unique washi products. The company promotes and Sekishu Hanshi, have applied for UNESCO’s Intangible various washi’s exquisite quality, texture and particular feature Cultural Heritage. that have been matured by the local’s cultural climate. E-28 C-3 C-4 Sekishu-washi Kubota Mino Handmade Paper Co-operative Japan Japan Akira Kubota / Chair Ryuichi Takei / Chairman http://www.sekishu.jp/kubota http://www.minowashi.or.jp [email protected] [email protected] Sekishu Washi / Sekishu Hanshi Founded on April 1st 1983 Number of members: 20 ekishu Washi is produced at Misumi-cho, Hamada-city, in Primary business: Cooperative supply of paper and paper product S Shimane prefecture.
    [Show full text]
  • At Maison & Objet 2009 Fine Paper Products of Japan
    JAPAN STYLE 2009 Phantasmagorical January 23(Fri) to 27(Tue) at Maison & Objet 2009 Fine Paper Products of Japan Welcome Message from the Organizer Message de l’organisateur The Japan External Trade Organization (JETRO) was established JETRO, l’Organisation japonaise du commerce extérieur a été fondée en 1958 par in 1958 to help promote mutual trade and investment between le gouvernement japonais afin de promouvoir le commerce et les investissements Paper Made Paper Series entre le Japon et les autres pays. Japan and other countries. It is therefore our pleasure to organize www.nico.or.jp/hyaku/english the Japan Pavilion at Maison & Objet 2009 (January exhibition), Dans le prolongement du projet mené ces deux dernières années, Jetro organise under the theme, “JAPAN STYLE 2009—Phantasmagorical” which cette année “JAPAN STYLE 2009—Phantasmagorical”, dans le cadre de l’édition ADACHI SHIKI KOGYO CO., LTD.’s “Paper Made Paper Series” features products made using Japanese paper and designed with janvier 2009 de Maison & Objet. includes products made from vulcanized fiberboard, an contemporary flair. “JAPAN STYLE 2009—Phantasmagorical” présente une sélection de produits créés extremely hard material made by layering purified pulp fiber Amid growing concern about global environmental destruction, par des artistes dotés d’une sensibilité contemporaine à partir de papier japonais, paper. Products, which can add spice to any desk, include people are increasingly choosing products made of eco-friendly une matière en vogue. penholders, flower stands, magnifying glasses and paper- materials. Paper is one such item. Made from easily obtainable Nous souhaitons aujourd’hui porter ces produits à la connaissance internationale.
    [Show full text]
  • 和紙の力学的性質の特徴 Characteristic Mechanical Properties of Washi Papers
    １５４６ 研究報文 和紙の力学的性質の特徴 京都大学 大学院農学研究科 山内 龍男，宇佐美直治 Characteristic Mechanical Properties of Washi Papers Tatsuo Yamauchi and Naoharu Usami Graduate School of Agriculture, Kyoto University 山内龍男 宇佐美直治 Comparing with commercial papers from wood pulp, Japanese traditional papers, washi from kozo fibers show the following features；Washi generally gives thin paper sheetrelating to its low basis weight. Sheet density and elastic modulus of washi are low, showing poor fiber―fiber bonding. However in―plane mechanical properties of washi are superior to those of wood pulp papers, especially tear strength and folding endurance are enormously excellent. On the other handout―of―plane mechanical property such as peeling strength at paper failure is poor for washi. Keywords：Density, Fiber―fiber bonding, Kozo fiber, Mechanical properties, Washi 分類：S１ 紙の性質一般，S０ その他 用しようとする動きも見られる。和紙は古くから製造 １．緒 言 されているが，その研究は抄造に必要なトロロアオイ 楮，三椏などを主原料とする日本の和紙はかって日 等の粘液特性１，２），構成繊維の研究３，４）が中心であり，か 常生活の中で様々に使われていたが，今日，和紙を目 つそれらの大半がかなり以前に行われた古い研究に限 にすることはほとんど無くなった。それに対応するよ 定される。 うに和紙生産は微々たる額になり，後継者不足と重な 数有る和紙の中でも美濃紙はそれが有する優れた強 って，各地にあった手抄き場はほとんど消滅してしま 度的性質故に日本古来の美術品の主要な形態である掛 った。しかし，細々ながらも需要のある特殊用途の紙 け軸の装丁に多く用いられてきた。掛け軸は繰り返し を生産してかろうじて残っている和紙産地もまだいく て巻かれ，また自荷重が掛かるので強度的性質が重要 つか存在する。 である。またその装丁過程では和紙の特性を生かした 和紙が未だ使用される特殊用途としては墨のにじみ と考えられる種々の技術が職人技として考案／展開さ に独特の味わいのある書道用，人に優しいと言われる れてきた。 感性に由来する用途，強度的性質を利用する用途など しかしその技術の背景にある科学は無論，美濃紙を がある。また最近では和紙の持つ特異な機能に再び注 含め和紙はどのように強度的性質が優れるのかは明確 目が集まるようになり，機能紙として和紙の特徴を利 でなく，この点を含めた和紙物性の研究は，本来の和 ― 104 ― 紙パ技協誌 第５９巻第１０号 和紙の力学的性質の特徴 １５４７ 紙が手抄きであり，実験結果の再現性に劣るためであ
    [Show full text]
  • Download Press Release
    NEWS RELEASE: June 26, 2008 Japan Center for International Exchange (JCIE) The Tiffany & Co. Foundation Winners Announced for the First Tiffany Foundation Award The Japan Center for International Exchange (JCIE) and the Tiffany & Co. Foundation are pleased to announce the winners of the first Tiffany Foundation Award for the Preservation of Japanese Traditional Arts and Culture in Contemporary Society. From the end of December 2007 to the end of January 2008 JCIE requested nominations for the award from experts and institutions active in relevant fields throughout Japan. In addition, organizations with a strong record of carrying out exemplary activities in keeping with the objectives of this award were also invited to directly nominate themselves. The following three objectives were established to select winners for this award: (1) Incorporate the heritage of traditional local culture into the contemporary activities of modern society by mobilizing the participation of a wide range of citizens in traditional cultural activities; (2) Revive traditional cultural activities that have been passed down through the generations with the purpose of regenerating a sense of local pride and contribute to community revitalization; (3) Promote domestic and international exchange related to the theme of traditional arts and culture to rejuvenate local communities and open them to the rest of the world. After careful selection, the following organizations were selected from 21 applicants for a Taisho award and from 33 applicants for a Shinkosho award. The recipients will each receive a ¥ 2 million award and a custom-designed trophy from Tiffany & Co. Taisho Award: Mino Washi Akari Art Contest & Exhibition Organizing Committee(Mino City, Gifu) Shinkosho Award: Nishi-Shiogo Revolving Theater Preservation Committee (Hitachi-Omiya City, Ibaraki) The Tiffany & Co.
    [Show full text]
  • Selected Works
    LIAT LIVNI Selected works www.liatlivni.com Liat Livni (b.1979) is an Israeli artist, lives and works in Tel Aviv. She holds a BFA and a MFA in Fine-Arts from Bezalel Academy of Art and Design, Jerusalem. A major part of her practice is an on-going participation in ‘Artist-in-residence’ programmes: Mino Paper Art Project, Japan; Art OMI, New York; Kuandu Museum, Taiwan; Taitung Museum, Taiwan; IDA Hanover, Germany; Incheon Art Platform, South Korea; JMKAC at Kohler Co., Wi; Her work “Jerusalem Boulevard” was selected as the winner of the BLOOOM Award by Warsteiner 2015, Cologne. Her works and projects are exhibited in numerous exhibitions in Israel and around the world. Lotus in the Backyard / 2016 / The Wilfrid Museum, HaZorea Solo exhibition / General view Lotus in the Backyard Shir Meller-Yamaguchi In the exhibition, Liat Livni explores the relationship between Kibbutz HaZorea, which of labors that were necessary for the fulfillment of the pioneers’ vision, and perhaps the houses Wilfrid Israel Museum, and the East Asian art displayed in it. Livni’s site-specific many hands that contributed to it. research and practice are rooted in a real interest in this conceptual and material Other works that connect the local imagery with East Asian art offer a tongue-in-cheek multilayered dialogue, and formulate through the artworks the Museum’s connection to approach to the encounter: a fragment from van Gogh’s Sower is painted on a Korean fan, the kibbutz that serves as its home. disseminating his seeds above the Kibbutz’s lotus pond. Fans that
    [Show full text]
  • Mino Paper Artist in Residence ‘14
    Mino Paper Artist in Residence ‘14 We are inviting domestic and foreign artist to stay in Mino city for a certain period of time so that they may create their original works of art out of Mino Japanese Paper. How to apply Please submit your completed application form and no more than 6 pictures (width of 800-1000 pixels) to Mino Cultural Hall so that all materials are received by April 10, 2014. >>Email (Recommend): Attach and send your completed application form and pictures to [email protected]. >>Post Mail: Print and complete your application form. Send the form by post mail together with your pictures saved on a CD or DVD to the address below. All materials must be received by April 10, 2014. Secretariat address Mino Paper Art Village Executive Committee Mino Cultural Hall 45-3 Izumi-cho Mino-city, Gifu prefecture, 501-3729 JAPAN Tel: 81-575-35-0522 FAX: 81-575-35-014 E-mail: info@mino-a i r. n e t Number of artist About 4 artists Deadline The application must reach us no later than 10th April, 2014 Selection process Selection Committee will select decision impartially. Notice of Decision Decision will be made in the beginning of July and all applicants will be notified of the result. Support 1) Transportation fees to Central Japan International Airport (Round trip, Economy class, the shortest route) [It will be calculated based on the standard set by the Art Village. There is a limit to airfare we can pay. 2) You are expected to be provided with 50,000 yen per month for the expense related to your artistic activities and other basic expense.
    [Show full text]
  • Papermaking Tour in Japan
    Papermaking tour in Japan Nancy Knaap patroon verwijderd en houd je de gekleurde patronen over. Ik ben er helemaal weg van. Na een geweldige lunch bij het zaakje naast het museum waarvan de eigenaar ons overlaadde met folders en andere informatie en beslist géén fooi wil (meteen de enige keer dat ik het durf te proberen.) nemen we de bus door een bergachtige, landelijke omgeving met bamboebossages langs de weg. Veel houten huizen hier, zoals je ze verwacht in Japan: met van die mooie verdeelde ramen en schuifdeuren. Het huis van de familie Hamada ligt langs de weg. Deze Op zondag 1 maart 2009 stap ik met een enorme familie maakt als sinds 1835 Tosa-tengujio en is koffer in het vliegtuig naar Tokyo om pas een maand momenteel de enige die deze techniek nog beheerst. later terug te komen. Ik heb me opgegeven voor de Vroeger werd tengujo papier gebruikt om op te typen. Japan Washi tour die Megumi Mizumura, restaurator Toen dat niet meer nodig was omdat er goedkoop in het British Museum georganiseerd heeft. Na afloop machinegemaakt typepapier uit het Westen kwam, van de Washi tour (4 tot 18 maart) blijf ik tot het eind werden er een boel papiermakers van tengujio van de maand in Kyoto om tempels te bekijken. overbodig. Grootvader Sajio is de ‘living national Aangekomen in de hotelkamer in Tokyo ontmoet ik treasure’ op het gebied van tengujioscheppen (een meteen mijn kamergenoot voor de komende weken; ‘living national treasure’ is een door de overheid samen gaan we op stap door de oude wijk Ueno waar erkende ‘meester’ in zijn ambacht.
    [Show full text]