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Screw It Tuition Could Be Raised 51 Percent in Over Four Years Students at ASU Fight Back with Web Site
ee INDEPENDENT SINCE 1956 > HA/ INSIDE m The NEWS ./ mi M I iif^ Student savings card UWM PAGE 4 March 2, 2005 The student-run Independent newsweekly Volume 491 Issue 20 A&E Iran in a nutshell PAGE 14 Firecracker of UWM's a season for Boys in Blue EDITORIAL Farewell, Hunter PAGE 7 Panther men PAGE 21 PAGE 19 Students brave cold to deliver doors to legislators Screw it Tuition could be raised 51 percent in over four years Students at ASU fight back with Web site By Bradley A. Wooten News Editor To expose what they say is a common problem at many college campuses, two ARKING entrepreneurs at Arizona State University launched a Web site Thursday, Feb.24, KAWbll to "fight back" against park www.screwparking.com ing and transit restrictions. all our classes and co-cur- Justin Chastain, a senior riculars with the bus sys studying business manage tem," said Cairns. "They're ment, and Justin Cairns, a increasing parking prices to junior studying marketing offset the cost of the free and management, launched bus system." screwparking.com, a site He also said that in look that received over 5,000 hits ing around the ASU campus, its first day. tickets are littered every "We can't find spots to where on cars and students park as it is," said Cairns. have an inseparable need "In the next five years, 25 for their vehicles. "People percent of parking is being who have cars and drive to cleared out and replaced school are put at a disad poor," "mother of four trying Student protestors from around with buildings." ASU is im vantage because they can't By Bradley A. -
Poems, with the Ballad of Reading Gaol
https://onemorelibrary.com Poems by Oscar Wilde Methuen and Co. Ltd., London, 1913 POEMS BY OSCAR WILDE WITH THE BALLAD OF READING GAOL METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON Twelfth Edition First Published— Ravenna 1878 Poems 1881 ,, Fifth Edition 1882 The Sphinx 1894 The Ballad of Reading Gaol 1898 First Issued by Methuen and Co. (Limited Editions on March Handmade Paper and Japanese Vellum) 1908 Seventh Edition (F’cap. 8vo). September 1909 Eighth Edition ( ,, ,, ) November 1909 Ninth Edition ( ,, ,, ) December 1909 Tenth Edition ( ,, ,, ) November 1910 Eleventh Edition ( ,, ,, ) December 1911 Twelfth Edition ( ,, ,, ) April 1913 NOTE This collection of Wilde’s Poems contains the volume of 1881 in its entirety, ‘The Sphinx’, ‘The Ballad of Reading Gaol,’ and ‘Ravenna.’ Of the Uncollected Poems published in the Uniform Edition of 1908, a few, including the Translations from the Greek and the Polish, are omitted. Two new poems, ‘Désespoir’ and ‘Pan,’ which I have recently discovered in manuscript, are now printed for the first time. Particulars as to the original publication of each poem will be found in ‘A Bibliography of the Poems of Oscar Wilde,’ by Stuart Mason, London 1907. ROBERT ROSS. CONTENTS POEMS (1881): PAGE Hélas! 3 ELEUTHERIA: Sonnet To Liberty 7 Ave Imperatrix 8 To Milton 14 Louis Napoleon 15 Sonnet on the Massacre of the Christians in Bulgaria 16 Quantum Mutata 17 Libertatis Sacra Fames 18 Theoretikos 19 THE GARDEN OF EROS 21 ROSA MYSTICA: Requiescat 39 Sonnet on approaching Italy 40 San Miniato 41 Ave Maria Gratia Plena 42 Italia 43 Sonnet written in Holy Week at Genoa 44 Rome Unvisited 45 Urbs Sacra Æterna 49 Sonnet on hearing the Dies Iræ sung in the Sistine Chapel 50 Easter Day 51 E Tenebris 52 Vita Nuova 53 Madonna Mia 54 The New Helen 55 THE BURDEN OF ITYS 61 WIND FLOWERS: Impression du Matin 83 Magdalen Walks 84 Athanasia 86 Serenade 89 Endymion 91 La Bella Donna della mia Mente 93 Chanson 95 CHARMIDES 97 FLOWERS OF GOLD: Impressions: I. -
A Comparative Study of the Literary Output of Nikolai Gogol
The Aesthetics of Effacement: A Comparative Study of the Literary Output of Nikolai Gogol and Oscar Wilde PhD Thesis 2019 Brigit Katharine McCone Student no. 09129731 1 I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed ___________________________________________________ 2 SUMMARY This thesis marks the first comprehensive comparative study of the literary output of Nikolai Gogol and Oscar Wilde, from an intersectional perspective blending genre theory, queer theory, postcolonial theory and Jungian psychoanalysis, to examine the authors as sexually and ethnically closeted while estimating the impact of this closeting on their fiction. The thesis concludes that Nikolai Gogol and Oscar Wilde have significant parallels in their conception of the artistic process, explicable by a shared exposure anxiety, significant stylistic parallels, explicable by a shared imperative to generate interpretative suspense and facilitate plausibly deniable self-expression, and significant thematic parallels in their treatment of sexuality, ethnicity and identity, explicable by a shared experience of sexual and ethnic closeting. By establishing that all major sexual themes in the fiction of Nikolai Gogol have direct parallels in the fiction of Oscar Wilde, this thesis contributes to the contextualization of Gogol as a closeted writer, while proposing new aesthetic frameworks for the evaluation of Oscar Wilde. 3 ACKNOWLEDGEMENT I am grateful for the advice and encouragement of my supervisor, Dr Sarah Smyth, of the Department of Russian and Slavonic Studies of Trinity College Dublin, and my co-supervisor, Dr Paul Delaney of the School of English, and my two examiners Jarlath Killeen and Claire Whitehead. -
1881 CHARMIDES Oscar Wilde
1 1881 CHARMIDES Oscar Wilde Wilde, Oscar (1854-1900) - An Irish-born English poet, novelist, and playwright. Considered an eccentric, he was the leader of the aesthetic movement that advocated “art for art’s sake” and was once imprisoned for two years with hard labor for homosexual practices. Charmides (1881) - Charmides, a Grecian boy, hides in the temple of Athena and lavishes his passion on a statue of the goddess. 2 Opening line: He was a Grecian lad, who coming home ... I He was a Grecian lad, who coming home With pulpy figs and wine from Sicily Stood at his galley’s prow, and let the foam Blow through his crisp brown curls unconsciously, And holding wind and wave in boy’s despite Peered from his dripping seat across the wet and stormy night. Till with the dawn he saw a burnished spear Like a thin thread of gold against the sky, And hoisted sail, and strained the creeking gear, And bade the pilot head her lustily Against the nor-west gale, and all day long Held on his way, and marked the rowers’ time with measured song. And when the faint Corinthian hills were red Dropped anchor in a little sandy bay, And with fresh boughs of olive crowned his head, And brushed from cheek and throat the hoary spray, And washed his limbs with oil, and from the hold Brought out his linen tunic and his sandals brazen-soled. And a rich robe stained with the fishes’ juice Which of some swarthy trader he had bought Upon the sunny quay at Syracuse, And was with Tyrian broideries inwrought, And by the questioning merchants made his way Up through the soft -
WILLIAM CONTROL: on Tour with BLACK VEIL BRIDES Now!
For Immediate Release January 18, 2013 WILLIAM CONTROL: On Tour with BLACK VEIL BRIDES Now! Producer, Engineer, Writer and AIDEN Frontman WILLIAM FRANCIS Takes his Electronic Solo Project on the Road For the past few years, William Francis has been opening the eyes (and ears) of fans new and old with his haunting electronic “dark wave” project WILLIAM CONTROL. Now, with three full-length albums, an EP, a DVD and several live performances under his belt, the singer, writer, producer and engineer (also known around the world as the wickedly-striking frontman for scene giants Aiden), has taken his project out on the road with his friends in Black Veil Brides on their “The Church of the Wild Ones” tour. Infusing a new wave sensibility reminiscent of New Order, Bauhaus, Gary Numan, and Depeche Mode with a reinvented twist of his own, WILLIAM CONTROL has already proven to be an accepted, unique, and unrelenting addition to the Black Veil Brides tour. WILLIAM CONTROL is on the road now! See below for all remaining tour dates. WILLIAM CONTROL with Black Veil Brides: 1/18 – Baltimore, MD @ Rams Head Live 1/19 – Philadelphia, PA @ The Trocadero 1/22 – Cleveland, OH @ Peabody’s 1/23 – Buffalo, NY @ Club Infinity 1/25 – New York, NY @ Best Buy Theater 1/26 – Worcester, MA @ The Palladium 1/27 – Manchester, NH @ Armory Ballroom 1/29 – Pittsburgh, PA @ Alter Bar 1/30 – Toronto, ON @ Opera House 2/17 – Allentown, PA @ Crocodile Rock Cafe 2/19 – Louisville, KY @ Headliners Music Hall 2/20 – Chicago, IL @ The Castle Theatre 2/22 – Pontiac, MI @ Crofoot Ballroom 2/27 – Salt Lake City, UT @ The Complex 2/28 – Boise, ID @ Knitting Factory 3/1 – Spokane, WA @ Knitting Factory 3/2 – Seattle, WA @ Studio Seven 3/4 – Chico, CA @ Senator Theatre 3/5 – Reno, NV @ Knitting Factory 3/6 – Sacramento, CA @ Ace of Spades 3/8 – San Francisco, CA @ Regency Ballroom 3/9 – West Hollywood, CA @ House of Blues The latest album to come out of the WILLIAM CONTROL solo project, 2012’s Silentium Amoris, melds together dark, cinematic themes with experimental synth pop sounds. -
Oscar Wilde - Poems
Classic Poetry Series Oscar Wilde - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Oscar Wilde(1854-1900) Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, the son of an eye- surgeon and a literary hostess and writer (known under the pseudonym "Speranza"). After studying at Trinity College, Dublin, Wilde went to Magdalen College, Oxford, where he achieved a double first and won the Newdigate prize for a poem Ravenna. While at Oxford he became notorious for his flamboyant wit, talent, charm and aestheticism, and this reputation soon won him a place in London society. Bunthorne, the Fleshly Poet in Gilbert and Sullivan's opera Patience was widely thought to be a caricature of Wilde (though in fact it was intended as a skit of Rosetti) and Wilde seems to have consciously styled himself on this figure. In 1882 Wilde gave a one year lecture tour of America, visiting Paris in 1883 before returning to New York for the opening of his first play Vera. In 1884 he married and had two sons, for whom he probably wrote his first book of fairy tales, The Happy Prince. The next decade was his most prolific and the time when he wrote the plays for which he is best remembered. His writing and particularly his plays are epigramatic and witty and Wilde was not afraid to shock. This period was also haunted by accusations about his personal life, chiefly prompted by the Marquess of Queensberry's fierce opposition to the intense friendship between Wilde and her son, Lord Alfred.