Poems, with the Ballad of Reading Gaol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Screw It Tuition Could Be Raised 51 Percent in Over Four Years Students at ASU Fight Back with Web Site
ee INDEPENDENT SINCE 1956 > HA/ INSIDE m The NEWS ./ mi M I iif^ Student savings card UWM PAGE 4 March 2, 2005 The student-run Independent newsweekly Volume 491 Issue 20 A&E Iran in a nutshell PAGE 14 Firecracker of UWM's a season for Boys in Blue EDITORIAL Farewell, Hunter PAGE 7 Panther men PAGE 21 PAGE 19 Students brave cold to deliver doors to legislators Screw it Tuition could be raised 51 percent in over four years Students at ASU fight back with Web site By Bradley A. Wooten News Editor To expose what they say is a common problem at many college campuses, two ARKING entrepreneurs at Arizona State University launched a Web site Thursday, Feb.24, KAWbll to "fight back" against park www.screwparking.com ing and transit restrictions. all our classes and co-cur- Justin Chastain, a senior riculars with the bus sys studying business manage tem," said Cairns. "They're ment, and Justin Cairns, a increasing parking prices to junior studying marketing offset the cost of the free and management, launched bus system." screwparking.com, a site He also said that in look that received over 5,000 hits ing around the ASU campus, its first day. tickets are littered every "We can't find spots to where on cars and students park as it is," said Cairns. have an inseparable need "In the next five years, 25 for their vehicles. "People percent of parking is being who have cars and drive to cleared out and replaced school are put at a disad poor," "mother of four trying Student protestors from around with buildings." ASU is im vantage because they can't By Bradley A. -
A Comparative Study of the Literary Output of Nikolai Gogol
The Aesthetics of Effacement: A Comparative Study of the Literary Output of Nikolai Gogol and Oscar Wilde PhD Thesis 2019 Brigit Katharine McCone Student no. 09129731 1 I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed ___________________________________________________ 2 SUMMARY This thesis marks the first comprehensive comparative study of the literary output of Nikolai Gogol and Oscar Wilde, from an intersectional perspective blending genre theory, queer theory, postcolonial theory and Jungian psychoanalysis, to examine the authors as sexually and ethnically closeted while estimating the impact of this closeting on their fiction. The thesis concludes that Nikolai Gogol and Oscar Wilde have significant parallels in their conception of the artistic process, explicable by a shared exposure anxiety, significant stylistic parallels, explicable by a shared imperative to generate interpretative suspense and facilitate plausibly deniable self-expression, and significant thematic parallels in their treatment of sexuality, ethnicity and identity, explicable by a shared experience of sexual and ethnic closeting. By establishing that all major sexual themes in the fiction of Nikolai Gogol have direct parallels in the fiction of Oscar Wilde, this thesis contributes to the contextualization of Gogol as a closeted writer, while proposing new aesthetic frameworks for the evaluation of Oscar Wilde. 3 ACKNOWLEDGEMENT I am grateful for the advice and encouragement of my supervisor, Dr Sarah Smyth, of the Department of Russian and Slavonic Studies of Trinity College Dublin, and my co-supervisor, Dr Paul Delaney of the School of English, and my two examiners Jarlath Killeen and Claire Whitehead. -
Postgraduate Department of English
a peer reviewed international transdisciplinary biannual research journal Vol. 5 Issue 1 January 2018 Postgraduate Department of English Manjeri, Malappuram, Kerala. www.kahmunityenglish.in/journals/singularities Chief Editor P. K. Babu., Ph. D Principal, DGMMES Mampad College Members: Dr. K. K. Kunhammad Asst. Professor, Dept. of Studies in English, Kannur University Mammad. N Asst. Professor, Dept of English, Govt. College, Malappuram. Dr. Priya. K. Nair Asst. Professor, Dept. of English, St. Teresa's College, Eranakulam. Aswathi. M. P. Asst. Professor, Dept of English, KAHM Unity Women's College, Manjeri. Shahina Mol. A. K. Assistant Professor and Head Department of English, KAHM Unity Women’s College, Manjeri Advisory Editors: Dr. M. V. Narayanan Assoc. Professor, Dept of English, University of Calicut. Editor's Note Beauty, as a conception and manifestation, is embedded in the planet of the existence of man. Not only does it signify the essentials of culture, but also it derails the elite aesthetic doctrines of the times by redefining the rules of the game of seeing and living. The epic proportions of beauty, its shambolic accounts, the perennial aesthetic philosophies, relentless battles on splendour, the voyeurisms, competitive politics behind the making and the matter of the beautiful, the handsomely growing beauty industry and the beauty in association with space and power offer food for interpretation and interrogation. The Singularities International Conference is anchoring on the theme of Beauty, to set the momentum that deconstructs the truth around beauty, in favour of truths that beauty entails. This is an extension of the academic culture that the journal set to make the scholars intellectually engaged, not simply through publishing papers, but by means of the dialogues and interactions the Singularities Conferences initiate. -
1881 CHARMIDES Oscar Wilde
1 1881 CHARMIDES Oscar Wilde Wilde, Oscar (1854-1900) - An Irish-born English poet, novelist, and playwright. Considered an eccentric, he was the leader of the aesthetic movement that advocated “art for art’s sake” and was once imprisoned for two years with hard labor for homosexual practices. Charmides (1881) - Charmides, a Grecian boy, hides in the temple of Athena and lavishes his passion on a statue of the goddess. 2 Opening line: He was a Grecian lad, who coming home ... I He was a Grecian lad, who coming home With pulpy figs and wine from Sicily Stood at his galley’s prow, and let the foam Blow through his crisp brown curls unconsciously, And holding wind and wave in boy’s despite Peered from his dripping seat across the wet and stormy night. Till with the dawn he saw a burnished spear Like a thin thread of gold against the sky, And hoisted sail, and strained the creeking gear, And bade the pilot head her lustily Against the nor-west gale, and all day long Held on his way, and marked the rowers’ time with measured song. And when the faint Corinthian hills were red Dropped anchor in a little sandy bay, And with fresh boughs of olive crowned his head, And brushed from cheek and throat the hoary spray, And washed his limbs with oil, and from the hold Brought out his linen tunic and his sandals brazen-soled. And a rich robe stained with the fishes’ juice Which of some swarthy trader he had bought Upon the sunny quay at Syracuse, And was with Tyrian broideries inwrought, And by the questioning merchants made his way Up through the soft -
WILLIAM CONTROL: on Tour with BLACK VEIL BRIDES Now!
For Immediate Release January 18, 2013 WILLIAM CONTROL: On Tour with BLACK VEIL BRIDES Now! Producer, Engineer, Writer and AIDEN Frontman WILLIAM FRANCIS Takes his Electronic Solo Project on the Road For the past few years, William Francis has been opening the eyes (and ears) of fans new and old with his haunting electronic “dark wave” project WILLIAM CONTROL. Now, with three full-length albums, an EP, a DVD and several live performances under his belt, the singer, writer, producer and engineer (also known around the world as the wickedly-striking frontman for scene giants Aiden), has taken his project out on the road with his friends in Black Veil Brides on their “The Church of the Wild Ones” tour. Infusing a new wave sensibility reminiscent of New Order, Bauhaus, Gary Numan, and Depeche Mode with a reinvented twist of his own, WILLIAM CONTROL has already proven to be an accepted, unique, and unrelenting addition to the Black Veil Brides tour. WILLIAM CONTROL is on the road now! See below for all remaining tour dates. WILLIAM CONTROL with Black Veil Brides: 1/18 – Baltimore, MD @ Rams Head Live 1/19 – Philadelphia, PA @ The Trocadero 1/22 – Cleveland, OH @ Peabody’s 1/23 – Buffalo, NY @ Club Infinity 1/25 – New York, NY @ Best Buy Theater 1/26 – Worcester, MA @ The Palladium 1/27 – Manchester, NH @ Armory Ballroom 1/29 – Pittsburgh, PA @ Alter Bar 1/30 – Toronto, ON @ Opera House 2/17 – Allentown, PA @ Crocodile Rock Cafe 2/19 – Louisville, KY @ Headliners Music Hall 2/20 – Chicago, IL @ The Castle Theatre 2/22 – Pontiac, MI @ Crofoot Ballroom 2/27 – Salt Lake City, UT @ The Complex 2/28 – Boise, ID @ Knitting Factory 3/1 – Spokane, WA @ Knitting Factory 3/2 – Seattle, WA @ Studio Seven 3/4 – Chico, CA @ Senator Theatre 3/5 – Reno, NV @ Knitting Factory 3/6 – Sacramento, CA @ Ace of Spades 3/8 – San Francisco, CA @ Regency Ballroom 3/9 – West Hollywood, CA @ House of Blues The latest album to come out of the WILLIAM CONTROL solo project, 2012’s Silentium Amoris, melds together dark, cinematic themes with experimental synth pop sounds. -
Oscar Wilde - Poems
Classic Poetry Series Oscar Wilde - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Oscar Wilde(1854-1900) Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, the son of an eye- surgeon and a literary hostess and writer (known under the pseudonym "Speranza"). After studying at Trinity College, Dublin, Wilde went to Magdalen College, Oxford, where he achieved a double first and won the Newdigate prize for a poem Ravenna. While at Oxford he became notorious for his flamboyant wit, talent, charm and aestheticism, and this reputation soon won him a place in London society. Bunthorne, the Fleshly Poet in Gilbert and Sullivan's opera Patience was widely thought to be a caricature of Wilde (though in fact it was intended as a skit of Rosetti) and Wilde seems to have consciously styled himself on this figure. In 1882 Wilde gave a one year lecture tour of America, visiting Paris in 1883 before returning to New York for the opening of his first play Vera. In 1884 he married and had two sons, for whom he probably wrote his first book of fairy tales, The Happy Prince. The next decade was his most prolific and the time when he wrote the plays for which he is best remembered. His writing and particularly his plays are epigramatic and witty and Wilde was not afraid to shock. This period was also haunted by accusations about his personal life, chiefly prompted by the Marquess of Queensberry's fierce opposition to the intense friendship between Wilde and her son, Lord Alfred.